sashisu

based on this fic

Lecture tips: Be naked and wet for the most convincing rhetoric.

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human

HELLO.

Long time no see--We interrupt this comic's conclusion with a BEAUTIFUL PIECE by the amazing DefNotLyco over on twitter. I was fortunate enough to win their winter patreon raffle and you know I HAD to get my boys...

The SECOND image is my coloring (because Leeco was kind enough to let me color the lineart) and I had SO much fun with it. Riku's expression is top tier ;w;

If you'd like to support them and their work, you can check out their patreon here:

They also run a very lovely comic I highly recommend!

In the mean time, enjoy these beautiful boys ;;

aww you know, i actually really do like the idea of double boy dad bakugou 🥺

your first son being a little angel and you and katsuki are both perfectly satisfied, and then maybe another bug comes as a surprise a few years later and he turns out to be a heinous little menace — and katsuki didn't think he'd love having a brat of a child so much 🥺

I'm with you there on preferring bottom!Alastor and getting squicked out by top!Alastor. The squick is worse for me when searching radioapple than radiostatic stuff, and I think it has more to do with the egregious amount of uke-fication of Lucifer that I've seen. Vox and Al get it sometimes too, let's be real that's gonna happen in any mlm ship. But I feel like it happens SO often to Lucifer, mostly cause he's small and cute, that people completely forget he's the oldest and most powerful entity in hell.

He would NOT be genuinely scared or intimidated by Al or any other sinner for that matter and Al would NOT be able to physically overpower or threaten Luci. It just feels so wildly out of character for me that any of the appeal of the ship/characters is gone at that point.

Like, for real, no shade to anyone that likes that, go on and get your food. But my extreme dislike of it has me now avoiding bottom!Lucifer radioapple like the plague just so I don't risk being subjected to it.

I think...I think you just described why I feel so squicked out by bottom!Lucifer and top!Alastor 😦 Like, I couldn't figure out what exactly about it was throwing me off, but you just said it perfectly!!

That's literally it! It's the uke-fication of Lucifer. That's it. Lucifer would never feel threatened by Alastor. He would never be overpowered by Alastor. So when I see depictions of Alastor successfully intimidating Lucifer, or overpowering him at all, it just throws me out of the story.

Lucifer's been alive longer than Hell. Alastor's measely 100+ years of being alive is nothing compared to his millennia+ lifespan. And yeah, Lucifer is the strongest person in Hell, he could beat Alastor in any fight, no question. He has no reason to be scared or threatened by him.

And look, there are ways to get Lucifer to a point of being afraid. There are always a way to make characters act in a way you wouldn't typically see. In fact, Lucifer, the biggest, baddest person in Hell, being threatened by something would be a huge thing for his character and for the story. That could totally work!

But when it comes from Alastor just going into his demon form, or looming over Lucifer, I just 🥲 it takes me out of the story. I can't. Alastor may be a big bad Overlord, and he's dangerous for sure, but like...power-wise he is just not on Lucifer's level and Lucifer knows that--Alastor knows that--and this is what makes their dynamic so, SO interesting, especially if they're in a relationship or slowly building into a relationship. That's what makes it so spicy and flavorful. The push and pull. The insecurity and emotion. The complex dynamic between them.

I think you're right about it making bottom!Lucifer and top!Alastor lose its appeal. I went back through my Twitter bookmarks yesterday and found a few top!Alastor's & bottom!Lucifer's that I've saved, but I've come to dislike that generalized characterization of it so much that I avoid it it like the plague too.

And like you said, there's no hate to those who enjoy it. This is fandom and people are allowed to write, draw, and do what they want. It's all fiction and it's not hurting anyone.

I just don't like the top!Alastor & bottom!Lucifer dynamic in most fan-arts, and I don't click onto fics with it cause I just don't want to subject myself to an unenjoyable time 😂 I'm here to have fun too, afterall.

Something I like about epic the musical is that it Gives it's changes to the original text an actual Purpose

( The first couple paragraphs are basically a rant regarding retellings. If you only want to hear about epic Skip to paragraph 4)

1. I am a bit annoyed by the lack of. Understanding as to why RETELLINGS aren't the most historicaly accurate things in the world. Sorry to break this to you, but that's both just how they work and I would guess how they reach success. Ancient Greece is a much different culture than our own, And most of us would be terrified to actually live back then. When you are Trying to create content That is based on ancient Greece And you want it to be successful/ At least reach a wide, and notably, MODERN audience. You're likely going to have to take some creative liberty And change a few things. Don't get me wrong, YOU DO NOT HAVE TO LIKE RETELLINGS KNOWING THAT FACT ( Me personally, I'm not the biggest fan of Miller's novels Even though I do like epic) BUT IT IS SOMETHING TO BE AWARE OF. And because of that I don't think I would ever expect a retelling to be perfectly accurate And I don't. I had interest in mythology LONG before epic the musical But I didn't actually read the Odyssey until getting into epic. I did not expect it To be just like the musical, I knew Odysseus was going to be much more of an asshole, along with other characters. The odyssey and epic are different pieces of media to me And I am not less of a mythology nerd for liking epic ( Though I will admit that sometimes I take tiny little fun facts of mythology And like to think of them in the context of epic, but that's just for fun.)

2. The Only time being a fan of retellings is wrong as if you genuinely believe they are perfectly accurate And refuse to listen to anything else ( Which has definitely happened, And mythology nerds have the right to be annoyed at that)

3. Some people only like to consume real mythology media, Others like both real mythology and retellings, Others only like to engage with retellings (I would hope they have the self-awareness to know It's not real mythology, From what I've seen some do and some don't, Unfortunately)

4. Ok. now on to what the title of this long ass rant says

I like that epic the musical Retells the story, Not only to both cater to modern audience But Also with its OWN purpose of man versus monster.

Obviously, this is not the point of the original text. Mythos Odysseus does not give a single fuck About the stuff that epic odysseus does. I don't know why the creator Decided to rewrite it this way, (If he's ever said why let me know) But I would assume he wanted to make something about the oddessy And this was simply a very creative way to Translate that for modern audience.

I like this because, yes, holy damn. It does have changes from the original text. But it's not JUST changing it. It's changing it with a purpose

It feels reminiscent of some kind of Dramatic play. the way that epic characterizes.

Polites' kind nature is Representative of the Concept of being merciful Represented in his lines such as " This life is amazing when you greet it with open arms" /"There is so much guilt inside your heart, So why not replace it?"

While in contrast you have eurylochus with more ruthlessness and cautious nature, this is Found in some of his lines such as "You rely on wit, and people die on it" /"we don't know what's ahead" / "I say we strike first. We don't have time to waste so lets raid the place-" /"Let's just cut our losses, You and I and let's run"

And then you have Odysseus, the man/monster. The first act of this Musical is his internal struggle With what He should be On that scale. And the other characters Represent this struggle in the song monster

" Is the cyclops struck with gilt when he kills, is he up in the middle of the night? Or does he end my men to avenge his friend and then Sleep knowing he has done him right?

When the witch turns men to pigs to protect her nymphs, is she going insane? Or did she learn to be colder when she got older and now she saves them the pain?

When a God comes down and makes a Fleet drown Is he scared that he's doing something wrong? Or does he keep us in check So we must respect him and now no one dares to piss him off"

He then Applies this to himself

" Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? Or does he throw away his remorse and save more lives with guile?"

And this marks his turning point of deciding that Ruthlessness It's ultimately worth it if it means Getting home, as aeolus says "The end Always justifies the means"

It's in my opinion, a very creative way to go about retelling a myth. Is it accurate? Absolutely not. For example, circe (From what we know) is not protecting When she turns men into pigs, For all we know, she could just do it because Shits and giggles.

Her character and most others in epic is changed from the original. But it's not ONLY changing for the sake of apeling to the modern Western audience and being successful like Many other retellings. It is also and mainly changing for the sake of influencing the plot that Jorge Rivera herrans crafted For the sake of Retelling epic. It is creative and I enjoy it despite knowing it's not accurate.

“Once I had a child He was wilder than moonlight He could do it all Like he'd been here before” — Vashti Bunyan, “Here Before”

For @scottappreciation’s Scott McCall Week 2023 — Day Four: Relationships

Some silly little sewer lads✨

I don't know how I'd ever convey this in art but. Thinking very deeply about how in boy king au, a very crucial part of characterization is that Seb is a wolf in sheep(or lamb more specifically)'s clothing and Fernando is a sheep in wolf's clothing.

Seb is very unassuming, very delicate, seemingly very vulnerable and malleable. But, deep down, he can be very ruthless. It's in the the way he hesitantly declares war, with a spark in his eye and a suppressed smirk. In the way he challenges someone to a card game or a horse race, proclaiming that he's not great, but winning every round and prancing around the room and mentioning it ad infinitum. The way he's able to instantly turn the tide in a debate in one fell swoop. By showing all his cards constantly and letting himself be vulnerable, he's making himself invulnerable. No one would ever consider him to be able to make big moves, so he wins every single time, because no one even thinks to expect it from him.

Fernando on the other hand, is constantly committed to having a looming presence and harsh reputation, but deep down, he's soft. He knows what happens to people when they're vulnerable, and he's not going to let himself be taken advantage of. The way he keeps a brave face when being informed of the marriage proposal, but goes back to his room and cries. The way he proclaims that he was always going to be the rightful ruler of Spain, but confides to Flavio that he never thought there was any real chance of it ever happening. The way he takes himself so seriously in public, but inside feels so giddy whenever he can make someone laugh. Everything to him always feels unstable and ready to crumble at any moment, and he's not willing to contribute to that by letting himself relax.

I think thats why it's very difficult for them to get along at first, because they have completely different approaches to how they carry themselves and make their way through life. Seb is confused at Fernando because he feels that he's very bland and overly serious at first, but truthfully he's not really seeing the actual Fernando. And Fernando finds Seb to be naive and easily taken advantage of, but that's because he's never seen Seb at his most cruel. Seb really loves when he eventually gets to see Fernando being vulnerable, and Fernando really admires and respects Seb when he sees him being serious. I think it just takes a while for them to show the other their full and complete selves, even the parts they can sometimes be ashamed of. There's this very compelling dichotomy in Seb laying out all his cards, but still being very difficult to read, and Fernando keeping his cards to his chest, but his intentions often being easily seen through.

you know what i miss the most? a stable mental state

i was struck with The Idea (!) of a scarab plushie early in the morn (1:30) a few days ago and drew a bunch of sketches :3

NOW LOOK AT HIM LOOK AT MY SON.

Some old redesigns I should bring back to the drawing boards.(except Usagi, I'm good with how I'm currently drawing him)

i wonder if yakumos grandparents gave him so much soup bc it's something that can safely be swallowed whole by a small child who doesn't have the full chewing instinct...... don't have to break out the crowbar to wrench the entire chicken out of your babys mouth when you have liquefied the chicken

Gasp... brilliant... not only is soup an expedited form of warm... it is also (generally) choke free

Sandstorm dying solely to further alderheart’s pissbaby manpain made me so upset. alderheart in general just pisses me off… him and tree were both just so blatantly written to steal the arc from their she-cat counterparts lmfao (sparkpelt, sandstorm, needletail, violetshine). that’s it, that’s their purpose… similar to rootspring and nightheart. I just can’t enjoy characters whose purpose narratively is to shove the she-cats to the wayside… it happens so much in this series already

yeah 😔 it's the repetition of the archetype and the context around it that gets me- on his own, alderheart is just "guy i don't really care about", same with rootspring and tree, but the more i sit down and think "hm, why are the male characters in the series written this way and the female characters written this way? why are events ordered in a way that constantly shifts attention and sympathy back towards the male characters?" i start to get mad about lots of little tiny details, which in turn make egregious things like "arc 1 legacy character getting unceremoniously fridged by dying in a ditch somewhere for a pittance of character development her boring grandson while all of her male counterparts get comparatively way more respectful or impactful deaths" even worse somehow.

Steppenwolf and Eri-ka watching over their son

One of the things I will forever hold a vendetta over the Archie comics is the fact that they decided to name each one of the Guardian's spouses but only ever illustrated less than a handful of them. My lore hungry self was left starving with this so I thought why not design them myself? One design turned into another and then I ended up giving them their own lore for my own Brotherhood headcanons.

Ended up designing Eri-ka based off of that one panel that she was hinted at but never shown besides that silhouette, then decided to re-draw that panel if the hallway light was just a bit brighter and you can actually see the pair watching over their son. Also just could not resist drawing the baby Moonwatcher such a cutie!