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theusurpersdog · 3 years

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A Bird in a Cage

Sansa’s arc in A Clash of Kings is all about boxing her in. Not only is she a hostage in King’s Landing, she’s also expected to pretend she’s not; she has to attend Court with a smile on her face, playing the role of Joffrey’s betrothed every day. Showing any honest emotion is punished by verbal and physical beatings. Her entire life becomes a performance she must put on to keep the monsters at bay. Everything about her world is meant to be stifling; from the physical restrictions to the emotional ones, it all makes her retreat deeper and deeper within herself.

But the real magic of this book is the moments where she finds a way to push back or escape her bounds . . .

Captive

In more ways than one, Sansa is a captive in King’s Landing.

The first kind of abuse she’s subjected to is physical. Beatings are a part of her everyday life. Because Robb was crowned king, or because she was happy Janos Slynt was sent to the Wall, or because Joffrey decided to be especially cruel one day. Sometimes for no reason at all.

She has to take care to dress carefully to hide the bruises:

The gown had long sleeves to hide the bruises on her arms. Those were Joffrey’s gifts as well.

This should go without saying, but domestic abuse is not rational; nothing Sansa does could stop Joffrey from abusing her – no clever words or tricks she could do to keep him happy. Half the time he has her beaten, it’s because of something Robb did.

Because she could be beaten at any moment, Sansa always keeps one eye on Joffrey, terrified that his mood could turn:

So the king had decided to play the gallant today. Sansa was relieved.

. . .

The king was growing bored. It made Sansa anxious. She lowered her eyes and resolved to keep quiet, no matter what. When Joffrey Baratheon’s mood darkened, any chance word might set off one of his rages.

Not only is she afraid of being hit, she’s genuinely afraid he could kill her:

When she doubled over, the knight grabbed her hair and drew his sword, and for one hideous instant she was certain he meant to open her throat.

Sansa knows her life balances on an incredibly delicate string. Jaime being Robb’s prisoner gives the Lannisters a reason to keep her alive, but Joffrey had reasons to keep Ned alive, too. If anything were to set him off, he would kill Sansa without hesitation. That’s why Sansa feels safer with Cersei around to watch her son, because she’s the only thing that remains to keep Joffrey in check. And Sansa knows that if Robb were to do anything to Jaime, her life would be over:

Gods be good, don’t let it be the Kingslayer. If Robb had harmed Jaime Lannister, it would mean her life. She thought of Ser Ilyn, and how those terrible pale eyes staring pitilessly out of that gaunt pockmarked face.

The beating she endures after Robb wins the battle at Oxcross is so bad that she can barely walk afterward; and as I already mention above, she has to be careful to wear dresses to hide her bruises.

And not only does she have to endure the abuse, she also has to carry on the farce for the rest of the court. Everyone knows she’s a prisoner, and everyone knows that Joffrey is having the Kingsguard beat her, but she’s not allowed to show it; all of her pain has to be kept hidden, pushed deep down inside herself.

Which leads me to the other kind of abuse Sansa experiences in King’s Landing. Everything about her time there is meant to emotionally destroy her. Joffrey intentionally tries to taunt her with threats to murder her family:

“It’s almost as good as if some wolf killed your traitor brother. Maybe I’ll feed him to wolves after I’ve caught him.

. . .

“I’d sooner have Robb Stark’s head,” Joff said with a sly glance toward Sansa.

. . .

“I’ll deal with your brother after I’m done with my traitor uncle. I’ll gut him with Hearteater, you’ll see.”

He loves to play mind games with her, like when he promised to show Ned mercy and then cut off his head and said that was mercy. The constant way that he twists reality around messes with her head and leaves her understandably paranoid:

What if it was some cruel jape of Joffrey’s, like the day he had taken her up to the battlements to show her Father’s head? Or perhaps it was some subtle snare to prove she was not loyal. If she went to the godswood, would she find Ser Ilyn Payne waiting for her, sitting silent under the heart tree with Ice in his hand, his pale eyes watching to see if she’d come?

The constant cruelty she suffers, and Joffrey and Cersei’s profound betrayal at the end of A Game of Thrones, make it hard for her to trust anyone, even when they show kindness:

He speaks more gently than Joffrey, she thought, but the queen spoke to me gently too. He’s still a Lannister, her brother and Joff’s uncle, and no friend. Once she had loved Prince Joffrey with all her heart, and admired and trusted his mother, the queen. They had repaid that love and trust with her father’s head. Sansa would never make that mistake again.

How is she supposed to trust anyone, when everything around her is false? When everything is a carefully constructed jape at her expense? Especially because she’s surrounded by enemies; anyone making their home in Joffrey’s court is sworn to kill Sansa’s family.

And Cersei intentionally makes her isolation worse, rotating her bedmaids:

Sansa did not know her. The queen had her servants changed every fortnight, to make certain none of them befriended her.

Sansa truly has no one to talk to, not even friendly servants to keep her company. Her loneliness is so profound that she enjoys being watched over by Arys Oakheart because he’s the only person who will actually talk to her.

She realizes that no one in King’s Landing cares if she lives or dies:

She [Cersei] spared Sansa not so much as a glance. She’s forgotten me. Ser Ilyn will kill me and she won’t even think about it.

And before the Battle of the Blackwater started, Tyrion told her this:

“I ought to have sent you off with Tommen now that I think on it.”

Unlike Joffrey and Cersei, Tyrion doesn’t wish Sansa any harm; he orders Joffrey’s men to stop hitting her, tries to comfort her afterward, and doesn’t want her to be married to Joffrey. But she is not one of his priorities. It didn’t even occur to him to try and get her safely out of the city.

This is dehumanizing. Sansa has no friends or even anyone to talk to, and the people around her treat her life as an afterthought.

Sansa also suffers from the emotional fallout of Joffrey’s abuse. She blames herself when he has men hit her:

She must learn to hide her feelings better, so as not to anger Joffrey.

The fear of being hit by Joffrey is nearly all-consuming for Sansa. It affects everything down to the smallest details of her life, like how she dresses and does her hair:

I have to look pretty, Joff likes me to look pretty, he’s always liked me in this gown, this color.

Instead of getting to live as her own person, doing things to make herself happy, Sansa has to live for Joffrey’s satisfaction. Even when she’s being physically beaten, she thinks of him instead of herself:

Laugh, Joffrey, she prayed as the juice ran down her face and the front of her blue silk gown. Laugh and be satisfied.

Everything about her life is a performance for other people. She wears the gowns and jewels Joffrey likes, dressing to hide the bruises his men leave all over, and says the words they tell her to say:

“My father was a traitor,” Sansa said at once. “And my brother and lady mother are traitors as well.” That reflex she had learned quickly. “I am loyal to my beloved Joffrey.”

Sansa repeats that phrase over and over throughout the book, always at once. Almost like a reflex. An actor on stage repeating their lines, rehearsed and performed a thousand times.

The worst part of the act is that everyone knows it’s exactly that: an act. Sansa is required, every day, to declare that her family are traitors who deserve to die, and for no reason at all. The way Joffrey abuses her is an open secret:

“He’s never been able to forget that day on the Trident when you saw her shame him, so he shames you in turn. You’re stronger than you seem, though. I expect you’ll survive a bit of humiliation.”

There is no way anyone could ever believe Sansa actually loves the boy who killed her father and intentionally humiliates her in front of his court. No matter how well Sansa tells the lie, it will always be see-through; especially because everyone knows that she’s a prisoner, being held until Jaime is freed. Sansa has to repeat the lie of believing her family to be traitors to try and please the Lannisters – if she said anything different she would be beaten or killed – but there’s no way they will ever be happy, because even when Sansa says the lies as convincingly as humanly possible, they know they’re lies because there’s no way they could be anything else. Sansa cannot win.

That’s never clearer than during her conversation with Cersei inside Maegar’s Holdfast, while the Battle of the Blackwater rages on:

“I pray for Joffrey,” she insisted nervously.

“Why, because he treats you so sweetly?” The queen took a flagon of sweet plum wine from a passing serving girl and filled Sansa’s cup. “Drink,” she commanded coldly. “Perhaps it will give you the courage to deal with truth for a change.”

If Sansa told Cersei the truth in this moment, she would be severely punished. And Cersei knows that, because she would be the one doing the punishing. Yet she verbally berates Sansa anyway.

The same dynamic plays out between Sansa and the Hound. At the end of A Game of Thrones, he gives her this bit of advice:

“Save yourself some pain, girl, and give him what he wants.”

And as one of Joffrey’s Kingsguard, he knows first hand of the abuse Sansa suffers if she says anything that could even be construed as out of line. Yet when Sansa tries to follow the advice he gave her, he throws it back in her face:

“ah, you're still a stupid little bird, aren't you? Singing all the songs they taught you”

Everyone in King’s Landing is always threatening to kill Sansa if she tells them the truth, and then calling her stupid when she repeats back the lies they want to hear. They’re forcefully dehumanizing her, demanding she remove all of her own thoughts and emotions and replace them with hollow lines they’ve given her, and then getting mad when her words are empty.

This plays on one of Sansa’s greatest insecurities about herself, which is her intelligence. Because of her low self-esteem, she already thinks of herself as being less-than. That’s very clear whenever she does an act of kindness – she steadfastly refuses to give herself credit for anything:

Sansa could not believe she had spoken. Was she mad? To tell him no in front of half the court?

. . .

Lancel was one of them, yet somehow she still could not bring herself to wish him dead. I am soft and weak and stupid, just as Joffrey says. I should be killing him, not helping him.

She never thinks to herself You are doing this because you are a good person. She always punishes herself internally, calling herself stupid and childish for believing in good things. Joffrey and Cersei have destroyed her so much that she can only see herself through their eyes, cruel and mocking.

The fear that she’s stupid is one of her greatest anxieties:

“My Jonquil’s a clever girl, isn’t she?”

“Joffrey and his mother say I’m stupid.”

And she doesn’t like to be watched by Ser Preston Greenfield because he treated her like a lackwit child.

Everyone around her is comfortable calling her stupid and emotionally abusing her, and it’s easy for Sansa to start internalizing those messages. Joffrey and Cersei’s betrayal at the end of A Game of Thrones forever changed Sansa; the fear that she could ever be so wrong again, and the fear that she was stupid to believe in them, haunts her. Throughout her time in King’s Landing, her self-worth plummets, and she really starts to believe all the things that Joffrey, Cersei, and everyone is always telling her about herself.

Because she has to endure so much abuse and cruelty every day, it starts to become normal to Sansa. Compared to the way Joffrey treats her, anything would be an improvement; she has a soft spot for Arys Oakheart because he hesitated to hit her once:

Arys Oakheart was courteous, and would talk to her cordially. Once he even objected when Joffrey commanded him to hit her. He did hit her in the end, but not hard as Ser Meryn or Ser Boros might have, and at least he had argued.

At least he had argued is one of the saddest lines in a series of books that has a lot of sad lines. Sansa expects so little of the people around her, and is subjected to so much cruelty, that the mere act of hesitating before hitting a defenseless child is enough to stand out in her memory as an act of kindness.

And Sansa thinks this when Tyrion asks her if she’s flowered yet:

Sansa blushed. It was a rude question, but the shame of being stripped before half the castle made it seem like nothing.

This is a perfect moment to show the small ways in which Joffrey is breaking her down emotionally. Tyrion’s question is embarrassing and impolite, but Sansa doesn’t even care because it is so much less embarrassing than the humiliations Joffrey makes her suffer. Joffrey has set the bar for cruelty so high that Sansa is willing to ignore others mistreating her because it isn’t as bad as Joffrey.

The secret friendship she has with Dontos makes this even worse:

“And if I should seem cruel or mocking or indifferent when men are watching, forgive me, child. I have a role to play, and you must do the same. One misstep and our heads will adorn the walls as did your father’s.”

Dontos is not wrong, but it doesn’t make it any less toxic a message for Sansa to hear: I’m cruel and hit you for your own protection. That’s on display when Joffrey is beating Sansa for Robb’s victory at Oxcross:

“Let me beat her!” Ser Dontos shoved forward, tin armor clattering. He was armed with a “Morningstar” whose head was a melon. My Florian. She could have kissed him, blotchy skin and broken veins and all.

Sansa is happy that Dontos is the one hitting her, because at least it’s better than Meryn Trant and Boros Blount. Dontos volunteering to hit her is an act of kindness for Sansa; which further reinforces the idea that someone hitting her is okay.

All of this works to lower Sansa’s standards and warp her perception of what is and isn’t okay; and in the case of Dontos, it is outright grooming on the part of Littlefinger. He intentionally paid an older man to win Sansa’s trust and get her used to the dynamic of secrecy and pushing boundaries, all so he can swoop in during A Storm of Swords. Sansa’s stuck in an endless cycle of her abuse conditioning her to accept more abuse.

All of the abuse and isolation Sansa suffers also leaves her incredibly depressed throughout A Clash of Kings. When she gets the note telling her to go to the Godswood, she thinks she will kill herself before she’s caught:

If it is some trap, better that I die than let them hurt me more, she told herself.

After the bread riot, Sansa has panic attacks; so much so that she feels suffocated in small rooms:

Sansa could go where she would so long as she did not try to leave the castle, but there was nowhere she wanted to go. She crossed over the dry moat with its cruel iron spikes and made her way up the narrow turnpike stair, but when she reached the door of her bedchamber she could not bear to enter. The very walls of the room made her feel trapped; even with the window opened wide it felt as though there was no air to breathe.

She likes to go up to the roof of the tower so she can see the entire city laid before her; it’s the only place where she doesn’t feel so claustrophobic and trapped.

That passage is also so fantastically written to show just how depressed Sansa is. Sansa could go where she would so long as she did not try to leave the castle, but there was nowhere she wanted to go. She's too depressed to go riding around the courtyard; she doesn’t see the point in going around in circles. We know from A Game of Thrones that Sansa has plenty of hobbies: playing the high harp, needlepoint, reading, and sharing gossip with her best friend. In A Clash of Kings, she’s too isolated to have anyone to talk to, but we never see her doing any of her other hobbies either. Nothing brings Sansa happiness in this book.

Especially because she’s constantly surrounded by reminders of her trauma. The way Sansa copes with her grief is by pushing it out of her mind and pretending like it doesn’t exist:

Sansa did not know what had happened to Jeyne, who had disappeared from her rooms afterward, never to be mentioned again. She tried not to think of them too often, yet sometimes the memories came unbidden, and then it was hard to hold back the tears.

Sansa actively tries to forget about the people who mean the most to her because it hurts too much to think of them.

But she can’t forget about Ned when she’s surrounded by reminders of his death. Joffrey and Cersei intentionally throw it in her face, and she has to walk through the same halls his men died in:

Sansa moved as if in a dream. She thought the Imp’s men would take her back to her bedchamber in Maegor’s Holdfast, but instead they conducted her to the Tower of the Hand. She had not set foot inside that place since the day her father fell from grace, and it made her feel faint to climb those steps again.

The reminder that hurts the most is the presence of Ilyn Payne, a recurring figure in all of Sansa’s nightmares. Just his presence makes Sansa’s skin crawl:

She was climbing the dais when she saw the man standing in the shadows by the back wall. He wore a long hauberk of oiled black mail, and held his sword before him: her father's greatsword, Ice, near as tall as he was. Its point rested on the floor, and his hard bony fingers curled around the crossguard on either side of the grip. Sansa's breath caught in her throat.

. . .

She looked for Ser Ilyn, but the King's Justice was not to be seen. I can feel him, though. He's close

When Sansa’s afraid she’s going to die, it’s always his blade she fears:

I'll not escape him, he'll have my head.

. . .

Ser Ilyn will kill me and she won't even think about it.

. . .

If she went to the godswood, would she find Ser Ilyn Payne waiting for her, sitting silent under the heart tree with Ice in his hand, his pale eyes watching to see if she'd come?

. . .

If Robb had harmed Jaime Lannister, it would mean her life. She thought of Ser Ilyn, and how those terrible pale eyes staring pitilessly out of that gaunt pockmarked face.

Watching Ilyn Payne kill her father is the worst thing that ever happened to Sansa, and she lives in constant fear that the same thing could happen to her.

The only thing that keeps her going is the thought of her family. Sansa is insecure in herself enough to start believing the abuse that Joffrey and Cersei inflict on her; but she loves her family too much to ever believe the lies about them. Even though she’s forced to declare them traitors every single day, her internal monologue is always fighting against it:

Rob will kill you all, she thought, exulting

. . .

I pray for Robb’s victory and Joffrey’s death . . . and for home. For Winterfell.

She even finds a way to make Joffrey’s words work in her favor:

“Did I tell you, I intend to challenge him to single combat?"

"I should like to see that, Your Grace." More than you know. Sansa kept her tone cool and polite, yet even so Joffrey's eyes narrowed as he tried to decide whether she was mocking him.

One of the only moments where Sansa is even remotely happy in this book comes when she’s talking to Tommen, because he reminds her of Bran:

Princess Myrcella nodded a shy greeting at the sound of Sansa’s name, but plump little Prince Tommen jumped up eagerly. “Sansa, did you hear? I’m to ride in the tourney today. Mother said I could.” Tommen was all of eight. He reminded her of her own little brother, Bran. They were of an age. Bran was back at Winterfell, a cripple, yet safe.

Sansa would have given anything to be with him. “I fear for the life of your foeman,” she told Tommen solemnly.

That’s a short passage, but it so beautifully captures a small piece of what Sansa is truly like, outside of the abuse and the fearing for her life and the never being able to express her emotions. She loves her family so much and wants nothing more than to be with Bran again. And while Joffrey mocks Tommen for his knightly dreams, Sansa is so nice to him, building up his confidence before he competes. She’s old enough to have grown passed the childishness of Tommen facing the quintain, but because she knows how important it is to Tommen, she gladly plays along with him. We never got to see any scenes in A Game of Thrones of Sansa interacting with Bran and getting to act like a big sister, but this scene does such a good job of showing us that Sansa was a great sister to him.

Sansa also feels a much stronger connection to the Godswood, the ancestral home of her father’s gods:

The air was rich with the smells of earth and leaf. Lady would have liked this place, she thought. There was something wild about a godswood, even here, in the heart of the castle at the heart of the city, you could feel the old gods watching with a thousand unseen eyes.

And even though Lady’s long dead, Sansa still has a strong connection to her wolf. When she believes she’s going to die during the Blackwater, Lady is the first thing she thinks of:

“Lady,” she whimpered softly, wondering if she would meet her wolf again when she was dead.

The more abuse Sansa suffers and the more pressure is put on her to denounce her family as traitors and give up on ever going home, the more Sansa falls back on her family. That’s the only form of comfort she has in King’s Landing; the memory of Winterfell, and the belief that Robb is coming to save her.

The Lannisters have Sansa held captive physically and emotionally in King’s Landing; she has to suffer through beatings and repeat their words to stay alive. But as long as Sansa has her family - has Winterfell - to hold onto, there is a part of her that the Lannisters can never have. Even if it’s only within the walls of her own mind, Sansa has fought herself a small piece of freedom.

Courtesy is a Lady’s Armor

Trapped within the political machinations of King’s Landing, Sansa starts to learn how to play the game in earnest.

Even before she consciously starts to do it, though, Sansa is already in many ways an adept political actor. There’s a reason that all highborn children are taught from a young age how to conduct themselves; Westeros is a society built on the cornerstone of tradition, and knowing how to perform courtly behavior is important. Because Sansa took all of Septa Mordane’s training seriously, she already knows how to walk the dangerous tightrope of courtly speak:

Sansa felt that she ought to say something. What was it that Septa Mordane used to tell her? A lady’s armor is courtesy, that was it. She donned her armor and said, “I’m sorry my lady mother took you captive, my lord.”

This is the same skill we saw in her second chapter of A Game of Thrones, when she was proud of herself for telling the Hound that no one could withstand Gregor during the tourney – she managed to say something courteous without telling a lie. Just as she did then, Sansa manages to say an apology to Tyrion that’s true.

It also shows just how good Sansa is at keeping a level head, because just moments before she was thinking this:

Tyrion turned to Sansa. "My lady, I am sorry for your losses. Truly, the gods are cruel."

Sansa could not think of a word to say to him. How could he be sorry for her losses? Was he mocking her? It wasn’t the gods who’d been cruel, it was Joffrey.

Faced with the men responsible for killing her father, she manages to think on her feet and fulfill the role of a Lady.

She also learns how to use that same skill to benefit herself. Whereas at first she was just trying to perform the functions of a Lady, she starts to use her courtesy to talk the people around her into helping her in such a way that they don’t even realize it’s happening:

“I would sooner return to my own bed.” A lie came to her suddenly, but it seemed so right that she blurted it out at once. “This tower was where my father’s men were slain Their ghosts would give me terrible dreams, and I would see their blood wherever I looked.”

Tyrion Lannister studied her face. “I am no stranger to nightmares, Sansa. Perhaps you are wiser than I knew. Permit me at least to escort you safely back to your own chambers.”

Part of why Sansa’s so naturally gifted at this kind of political double speak is because she understands people so well; she’s an empathetic and emotional character, and is extremely aware of the emotions of everyone around her. To affectively influence others, you need to understand what they want and be able to give it to them. Because Sansa is so aware of the people around her, she intuitively knows what they want; and all she wants to do is give it to them, because she doesn’t want to be hurt again.

The whole conversation she has with Tyrion in the Tower of the Hand does an excellent job showing how intelligent she is:

“I . . .” Sansa did not know what to say. Is it a trick? Will he punish me if I tell the truth? She stared at the dwarf’s brutal bulging brow, the hard black eye and the shrewd green one, the crooked teeth and wiry beard. “I only want to be loyal.”

“Loyal,” the dwarf mused, “and far from any Lannisters. I can scarce blame you for that. When I was your age, I wanted the same thing.” He smiled. “They tell me you visit the godswood every day. What do you pray for, Sansa?”

I pray for Robb’s victory and Joffrey’s death . . . and for home. For Winterfell. “I pray for an end to the fighting.”

Again, she shows an unparalleled ability to lie without actually lying. And she’s clever enough to tell Tyrion what he wants to hear without saying anything that’s actually false, that way it can’t come back to bite her later. She learned her lesson in A Game of Thrones not to trust someone just because they’re kind, and is careful not to show her cards to Tyrion. But in case he’s being honest in trying to help her, Sansa does not reaffirm her love for Joffrey. That’s why her answer of I only want to be loyal is so smart; whether Tyrion is playing her false or no, Sansa has given him the answer he wants to hear. She’s kept all of her doors open without creating additional risk for herself.

Having to survive Joffrey every day also teaches Sansa how to get what she wants without actually having to say it. When she saves Dontos’ life, she plays to Joffrey’s ego:

Unhappy, Joffrey shifted in his seat and flicked his fingers at Ser Dontos. "Take him away. I'll have him killed on the morrow, the fool."

"He is," Sansa said. "A fool. You're so clever, to see it. He's better fitted to be a fool than a knight, isn't he? You ought to dress him in motley and make him clown for you. He doesn't deserve the mercy of a quick death."

All Sansa wants is to save Dontos’ life, and in the moment she comes up with a spectacular lie. Of course Joffrey would think it humiliating to make Dontos into a fool, so Sansa convinces him that would be an even greater punishment than death. She manipulates Joffrey into doing what she wants him to, and he doesn’t even know it’s happened.

Learning how to slyly insult Joffrey is one of the few ways Sansa can actually express herself as a prisoner, and she gets incredibly good at it. She starts by passive-aggressively getting one over on him:

“Did I tell you, I intend to challenge him to single combat?"

"I should like to see that, Your Grace." More than you know. Sansa kept her tone cool and polite, yet even so Joffrey's eyes narrowed as he tried to decide whether she was mocking him.

But as she gets better at politics she goes even further, actively tempting Joffrey into getting himself killed:

“They say my brother Robb always goes where the fighting is thickest,” she said recklessly. “Though he’s older than Your Grace, to be sure. A man grown.”

Joffrey’s biggest insecurity is that he can’t rule in his own right; Cersei won’t let him do certain things, and Tyrion is in charge of him as the Hand of the King because he hasn’t come of age yet. While Joffrey’s anger is normally aimed destructively at Sansa, here she figures out a way to make it work for her; using his own emotions against him to do something reckless.

As well as learning the art of political double-speak, Sansa starts to understand the broader political machinations at work. Because she was a diligent student of Catelyn and Septa Mordane, she has almost every sigil in Westeros memorized; at Joffrey’s name-day tourney, she recognizes every competitor by their House. This may seem unimportant at first glance, but it’s actually very important; twice in Arya’s chapters in A Clash of Kings she wishes she knew Houses and Sigils as well as Sansa, because than she would know who she was dealing with.

Since Sansa knows who everyone is, she has head start in understanding where everyone’s loyalties lie. On top of that, she’s also incredibly observant; she’s constantly taking in everything around her, stopping to pay attention to every little detail and interaction between people. Even though Cersei and Joffrey are trying to keep it hidden, Sansa notices that Joffrey’s tourney is held inside the Keep because he would be mobbed if they went out into the city. And she knows the Redwyne twins are hostages just as much as she is:

The Redwyne twins were the queen’s unwilling guests, even as Sansa was. She wondered whose notion it had been for them to ride in Joffrey’s tourney. Not their own, she thought.

That’s not something anyone would have told Sansa. For one, no one is even allowed to talk to her per Cersei’s orders. For two, Cersei doesn’t let anyone acknowledge that she has hostages – in the same way Sansa has to pretend she is a guest of Joffrey’s court, the Redwynes have to pretend they’re willing guests. That means that Sansa, with no help from anyone, has of her own accord put all the pieces together and realized the Redwynes are political pawns just like her. Very impressive for a twelve-year-old.

Sansa’s attention to detail is clear when she meets Shae, and immediately notices something is not right with her:

Lollys clutched at her maid, a slender, pretty girl with short dark hair who looked as though she wanted nothing so much as to show her mistress into the dry moat, onto those iron spikes.

And when she’s entering Maegar’s Holdfast at the start of the Blackwater, and notices the guards:

The two guards at the door wore the lin-crested helms and crimson cloaks of House Lannister, but Sansa knew they were only dressed-up sellswords. Another sat at the foot of the stair – a real guard would have been standing, not sitting on a step with his halberd across his knees – but he rose when he saw them and opened the door to usher them inside.

Her encyclopedic knowledge of Westerosi Houses and her attention to detail combine to give her a really good head for political machinations. She sees how the Lannisters use empty titles to flatter their lesser servants while saving the best prizes for their family:

Hallyne the Pyromancer and the masters of the Alchemists’ was raised to the style of lord, though Sansa noted that neither lands nor castle accompanied the title, which made the alchemist no more a true lord than Varys was. A more significant lordship by far was granted to Ser Lancel Lannister.

She manages to keep pace with Littlefinger and Tywin’s games:

She did not understand why that should make him so happy; the honors were as empty as the title granted to Hallyne the Pyromancer. Harrenhal was cursed, everyone knew that, and the Lannisters did not even hold it at present. Besides, the lords of the Trident were sworn to Riverrun and House Tully, and to the King in the North; they would never accept Littlefinger as their liege. Unless they are made to. Unless my brother and my uncle and my grandfather are all cast down and killed. The thought made Sansa anxious, but she told herself she was being silly. Robb has beaten them every time. He’ll beat Lord Baelish too, if he must.

I cannot emphasize enough that Sansa, following the tiny thread of Littlefinger looks happy to be Lord of Harrenhal, manages to predict the Red Wedding a whole book before it happens. That’s pretty incredible. Right now, Sansa has no power to start pulling meaningful strings of her own, but it’s clear that she fundamentally understands the complexity of geopolitics and would be well-prepared to make decisions of her own when the time comes.

Another way Sansa continues to learn about the realities of ruling is through people around her trying to teach her lessons. Because Sansa’s a hostage and isn’t allowed to say anything she feels, she basically becomes a blank slate for people to project whatever they want onto. Cersei, Dontos, and the Hound all try to “teach” her something as they project all of their own fears, insecurities, and trauma onto her.

Dontos tells her to play the fool:

“Joffrey and his mother say I’m stupid.”

“Let them. You’re safer that way, sweetling. Queen Cersei and the Imp and Lord Varys and their like, they all watch each other keen as hawks, and pay this one and that one to spy out what the others are doing, but no one ever troubles themselves about Lady Tanda’s daughter, do they?”

Of course, Sansa already knows this. All the way back in her second chapter of A Game of Thrones, Sansa thinks to herself that Moon Boy is smarter than he looks and is only pretending to be a fool so he can go wherever he likes; and Dontos confirms her suspicions when he reveals Moon Boy is a spy for Lord Varys.

It’s a consistent pattern that everyone around Sansa is constantly underestimating her; partly because of their own biases, and partly because Sansa is an almost entirely internal character, rarely letting people hear her honest thoughts. People assume she’s as hollow as the words they force her to say, but in reality she’s an introvert and a hostage.

The Hound also feels the need to impart some “lessons” onto Sansa:

Sandor Clegane snorted. “Pretty thing, and such a bad liar. A dog can smell a lie, you know. Look around you, and take a good whiff. They’re all liars here . . . and every one better than you.”

Again, he’s assuming Sansa’s much dumber than she actually is. Sansa already knows that everyone in King’s Landing is a liar, and has sworn to herself never to trust them again.

The most valuable lessons Sansa gets are from Cersei during the Battle of the Blackwater:

“Certain things are expected of a queen. They will be expected of you should you ever wed Joffrey. Best learn.” The queen studied the wives, daughters, and mothers who filled the benches. “Of themselves the hens are nothing, but their cocks are important for one reason or another, and some may survive this battle. So it behooves me to give their women my protection. If my wretched dwarf of a brother should somehow manage to prevail, they will return to their husbands and fathers full of tales about how brave I was, how my courage inspired them and lifted their spirits, how I never doubted our victory even for a moment.”

In this moment, even though she’s not doing a particularly good job actually doing it, Cersei articulates what’s really important about politics: optics. Her true motives for protecting the Ladies don’t matter as long as the Ladies believe that Cersei is doing it for the right reasons. That’s what monarchies are built upon. They’re a fragile house of cards constructed out of people’s belief.

That’s a lesson Sansa learns again when Joffrey sets her aside and takes Margaery as his bride. Sansa knows it’s going to happen, and is coached by Cersei how to react:

I must not smile, she reminded herself. The queen had warned her, no matter what she felt inside, the face she showed the world must look distraught. “I will not have my son humiliated,” Cersei said. “Do you hear me?”

But in front of the court, Joffrey carries on the charade, pretending Garlan’s offer of his sister’s hand is brand new information. Sansa watches from the sidelines and sees how people react; chanting and cheering to the theatre of it all. She gets to learn in real time how important it is to be performing your duties for the people. Other characters – most notably Jon Snow and Daenerys – can never quite figure that part of ruling out, and it has grave consequences.

I don’t mean performing in the negative sense. Of course, it can be used like that, like when the Tyrell’s intentionally starve King’s Landing so they can swoop in and make a big show of providing food. But it can also be used for good; it is an absolutely necessary aspect of ruling to let your people know what you’re doing for them. Jon in particular gets in trouble at the Wall because he doesn’t explain why he does things; he just does them and hopes people will trust him. Part of the courtly aspect of ruling is doing the work of showing your people how you’re helping them. That way you build trust with them, and they know you care for them. That’s what Sansa’s learning how to do.

Sansa’s also very good at the literal courtly aspect of politics; the time actually spent in court, sitting for hours and hours as the tedious day-to-day of ruling takes place. After the Battle of the Blackwater is over, Sansa has to sit in court for an entire day as soldiers are given their reward. She manages to stay focused the whole time, giving incredibly detailed accounts of each prize that’s awarded and each act of valor that caused it. She handles herself better than the grown men in the hall:

By the time all the new knights had been given their sers the hall was growing restive, and none more so than Joffrey. Some of those in the gallery had begun to slip quietly away, but the notables on the floor were trapped, unable to depart without the king’s leave.

Actual adults can’t even tolerate it, but Sansa manages just fine. This talent of hers is taken for granted by readers, but really stands out when you compare it to other characters. Sansa has the benefit of being raised to be a Lady, unlike a character like Daenerys who never had to sit through the training. Dany can’t make it through one day holding court in Meereen, and calls a lid early because she’s so bored – then stops holding court all together. Actually being a Queen is horribly bureaucratic, and that’s a skill that takes some practice to be able to perform.

Sansa’s ability to hold her own as a leader also really shines during the Battle of the Blackwater, when all hope seems lost and Cersei abandons the women in Maegar’s Holdfast:

“Oh, gods,” an old woman wailed. “We’re lost, the battle’s lost, she’s running.” Several children were crying. They can smell the fear. Sansa found herself alone on the dais. Should she stay here, or run after the queen and plead for her life?

She never knew why she got to her feet, but she did. “Don’t be afraid,” she told them loudly. “The queen has raised the drawbridge. This is the safest place in the city. There’s thick walls, the moat, the spikes . . .”

“What’s happened?” demanded a woman she knew slightly, the wife of a lesser lordling. “What did Osney tell her? Is the king hurt, has the city fallen?”

“Tell us,” someone else shouted. One woman asked about her father, another her son.

Sansa raised her hands for quiet. “Joffrey’s come back to the castle. He’s not hurt. They’re still fighting, that’s all I know, they’re fighting bravely. The queen will be back soon.” The last was a lie, but she had to soothe them. She noticed the fools standing under the galley. “Moon Boy, make us laugh.”

Sansa has no reason to do this. Cersei has given Ser Ilyn orders to kill her if the castle falls, and all the women in the holdfast are older than she is. She’s the last person who should be capable of standing up to take charge, considering her age and her impending death by execution.

She knows she’s faced with a choice: try and save her own life, or stay and comfort the women in the holdfast. And she decides to stay.

True Knights

This book sees Sansa’s worldview start to deepen. She’s only a child when the series starts, and like most kids has a very simple understanding of the world; there’s good and bad people, and good and bad things that happen. Songs were the way Sansa gave that worldview structure. They taught her that the good things happened to the good people, and the bad things happened to the bad people. Westeros is fair, and only the good people could be put in charge to do good things. Kings, queens, and knights were all avatars of the inherent goodness of the world; people put in place specifically to protect others.

This worldview became unsustainable for Sansa after Ned’s death. Every single rule the songs taught her was violated by her father’s execution. In her last chapter of A Game of Thrones, we see Sansa turn to nihilism as a result; her father is dead, her prince is a monster, and the knights sworn to protect her are the ones beating her. She doesn’t believe in anything anymore, so much so that she just wants to die.

In A Clash of Kings, Sansa starts to grapple with the overwhelming cognitive dissonance. Ned’s death and Joffrey’s cruelty taught her how evil people can be; but she also knows how good they can be, because she grew up in Winterfell. For all of their shortcomings, Ned and Catelyn were loving parents who tried their best to do good, and raised their kids the same.

Sansa still believes in goodness, but sees that everyone around her fails to live up to it:

Knights are sworn to defend the weak, protect women, and fight for the right, but none of them did a thing. Only Ser Dontos had tried to help, and he was no longer a knight, no more than the Imp was, nor the Hound . . . the Hound hated knights . . . I hate them too, Sansa thought. They are no true knights, not one of them.

Notice how she thinks They are no true knights. Sansa is surrounded by unimaginable cruelty, but she holds on to an undying sense of optimism. She knows that real knights don’t fight for the right, but that doesn’t stop her from continuing to believe in those ideals. Unlike in A Game of Thrones, when her belief in good was attached to specific people like Joffrey and Cersei, Sansa’s new worldview isn’t dependent on people to live up to. She believes in doing the right thing no matter what, even if the people around her let her down.

Sansa’s conception of beauty is the same way; in the first book, she assumed that beautiful people must also be good. But in A Clash of Kings, she reverses that order; people become either beautiful or ugly to her based on how good or bad they are. We view Joffrey through many POVs, and it is clear that by any standard that he is objectively attractive; yet Sansa now finds him ugly:

His plump pink lips always made him look pouty. Sansa had liked that once, but now it made her sick.

And she thinks this of the Hound:

The scars are not the worst part, not even the way his mouth twitches. It’s his eyes. She had never seen eyes so full of anger.

It’s not his physical appearance that scares her, it’s the anger in his eyes. That’s the part of him that’s ugly to her.

This evolution in Sansa’s understanding is never clearer than in her interactions with Dontos. The parts of his appearance that Sansa finds unattractive are his blotchy skin and broken veins, which are both symptoms of his constant drinking. It’s his drinking that bothers her:

“I prayed and prayed. Why would they send me a drunken old fool?”

. . .

This is madness, to trust myself to this drunkard

But Sansa manages to look beyond that as soon as Dontos invokes Florian the Fool. As much as Sansa understands that the songs aren’t true, the idea still appeal to her. When Dontos says he wants to make amends and become a true knight, in spirit if not name, Sansa treats him as if he actually were a knight:

“Rise, ser.”

. . .

Sansa took a step . . . then spun back, nervous, and softly laid a kiss on his cheek, her eyes closed. “My Florian,” she whispered. “The gods heard my prayer.”

Sansa’s growing understanding of the world around her also changes the way she thinks of class. To some extent in A Song of Ice and Fire, every single character is classist because they’re all rich people in an extremely hierarchical society. The entire structure of kings, lord paramounts, lords, knights, and peasants requires you to be classist; if you believe everyone in Westeros is equal, the entire structure of the society crumbles. While some of the POV characters like Jon and Davos make great strides in understanding how bankrupt the Westerosi class structure is, they’re still generally classist; it’s almost impossible not to be when you grow up in the culture they did. Davos grew up poor, but the indoctrination of classism has given him an almost religious fervor to follow Stannis as the “true” king.

Sansa especially had a very rigid understanding of class in A Game of Thrones; Arya making friends with the butcher’s boy was anathema to her. But the more that Sansa sees the people in power as the monsters they really are, the more sympathy she has for the people below her. In the sept praying before the Battle of the Blackwater, she holds hands with a washerwoman:

The old woman’s hand was bony and hard with callus, the boy’s small and soft, but it was good to have someone to hold on to

The more Cersei and Joffrey try to isolate Sansa, the more they try to snuff out any feeling of goodness or loyalty she had, the more Sansa reaches out to connect with people. Everything bad that happens to her makes her feel more connected to the people of King’s Landing. She’s too young and privileged (class-wise) to have a fully functioning understanding of the true evils of hierarchy, but she fundamentally understands something most of the aristocracy do not: that the common people are people and should be treated with respect.

She knows the common people will suffer the most if Stannis breaches the city walls, and prays for theme:

She sang along with grizzled old serving men and anxious young wives, with serving girls and soldiers, cooks and falconers, knights and knaves, squires and spit boys and nursing mothers. She sang with those inside the castle walls and those without, sang with all the city. She sang for mercy, for the living and the dead alike

Sansa gladly positions herself alongside the working people, not offended to be among them the way the Lannisters certainly are.

Sansa’s deepening worldview also gives her an incredibly complex relationship to the songs and stories she used to love. As I’ve already mentioned, she doesn’t disown them entirely; the high ideals of the songs are still very important to Sansa. The concept of a true knight, who would actually defend the defenseless, is the cornerstone of Sansa’s belief system, and she doesn’t need that person to actually be a knight – as long as they fulfill the moral obligation of being good. (Little does she know that very person is later tasked to find her.)

But now she knows that the stories lie. She understands their role as propaganda; when Arys Oakheart tries to say the peasants believe the comet heralds Joffrey’s reign, she doesn’t believe him:

“Glory to your betrothed,” Ser Arys answered at once. “See how it flames across the sky today on His Grace’s name day, as if the gods themselves had raised a banner in his honor. The smallfolk have named it King Joffrey’s Comet.”

Doubtless that was what they told Joffrey; Sansa was not so sure.

And she can’t even finish a sentence defending knights without realizing it isn’t true:

“Do you have any notion what happens when a city is sacked, Sansa? No, you wouldn’t, would you? All you know of life you learned from singers, and there’s such a dearth of good sacking songs.”

“True knights would never harm women and children.” The words rang hollow in her ears even as she said them.

The words ring hollow in her ears because Sansa does know what happens when a city is sacked; earlier in a previous chapter, she thinks this:

The whole city was afraid. Sansa could see it from the castle walls. The smallfolk were hiding themselves behind closed shutters and barred doors as if that would keep them safe. The last time King’s Landing had fallen, the Lannisters looted and raped as they pleased and put hundreds to the sword, even though the city had opened its gates. This time the Imp meant to fight, and a city that fought could expect no mercy at all.

Cersei underestimates Sansa, assuming everything she knows is from a song, but here we see that Sansa knows that the songs don’t tell the whole story. Unlike in A Game of Thrones, she no longer holds them in complete reverence. The Sept used to represent everything beautiful about the songs to her:

Sansa had favored her mother’s gods over her father’s. She loved the statues, the pictures in leaded glass, the fragrance of burning incense, the septons with their robes and crystals, the magical play of the rainbows over altars inlaid with mother-of-pearl and onyx and lapis lazuli.

It was the song’s come to life. But after Ned’s death, she hates it:

When Sansa had first beheld the Great Sept with its marble walls and seven crystal towers, she’d thought it was the most beautiful building in the world, but that had been before Joffrey beheaded her father on its steps. “I want it burned.”

She literally wants to set fire to the things that used to represent the songs.

But songs and stories are the foundation of Sansa’s world; even though she doesn’t believe in them the way she used to, they still shape her perception. She doesn’t want to let them go:

There are gods, she told herself, and there are true knights too. All the stories can’t be lies.

She still uses the template of songs and stories to interact with the world, but now with the understanding that the world is so much more complicated. Whereas before, the songs represented a sanitized version of war, Sansa begins to understand it in its entirety:

Away off, she could hear the sounds of battle. The singing almost drowned them out, but the sounds were there if you had the ears to hear: the deep moan of warhorns, the creak and thud of catapults flinging stones, the splashes and splinterings, the crackle of burning pitch and thrum of scorpions loosing their yard-long iron-headed shafts . . . and beneath it all, the cries of dying men.

It was another sort of song, a terrible song.

Thinking about something through the lens of a song no longer represents a childish fantasy for Sansa. Her conception of them is no longer permanent; her view of the songs has changed to fit with her new reality, but it’s still a comforting way for her to make sense of the world around her.

She even incorporates her love of the songs into her political manipulations:

"You're lying," Joffrey said. "I ought to drown you with him, if you care for him so much."

"I don't care for him, Your Grace." The words tumbled out desperately. "Drown him or have his head off, only . . . kill him on the morrow, if you like, but please . . . not today, not on your name day. I couldn't bear for you to have ill luck . . . terrible luck, even for kings, the singers all say so . . ."

Her use of the songs nearly saves her life here. Joffrey doesn’t know enough to be sure that she’s lying, so once the Hound corroborates her story, he has to believe it’s true.

Sansa’s attachment to the stories is integral to her character, and GRRM does a tremendous job of making it important to the arc she starts in this book, which is her continued journey from pawn to player in the Game of Thrones. Sansa’s perspective as a political actor is entirely unique from anyone else for many reasons, and one of those is her connection to the ideal version of Westeros that lives in the songs. Even as Sansa realizes the songs are lies and that the world is so much darker than she thought, she never gives up on the hope that it could be good. Her unwavering optimism for the world, in the face of so much trauma, means that she will never stop trying to make the world better.

Flowering

Throughout her time in King’s Landing, Sansa’s experiences with sexuality are inextricably linked to violence. The way Joffrey physically abuses her comes with a nasty undercurrent of sexual violence. The total control he exerts over her means she has to let him do what he wants:

The king settled back in his seat and took Sansa's hand. His touch filled her with revulsion now, but she knew better than to show it. She made herself sit very still.

The subtext of that scene is drawn to the forefront when Joffrey has Sansa beaten after Robb’s victory at Oxcross:

“Leave her face,” Joffrey commanded. “I like her pretty.”

. . .

“Boros, make her naked.”

Boros shoved a meaty hand down the front of Sansa’s bodice and gave a hard yank. The silk came tearing away, baring her to the waist. Sansa covered her breasts with her hands. She could hear sniggers, far off and cruel.

This is one of Sansa’s first experiences with sexuality, and it is nonconsensual and done specifically to humiliate her.

The relationship between sex and violence is never clearer than at the start of the Blackwater:

"Bless my steel with a kiss." He extended the blade down to her. "Go on, kiss it."

He had never sounded more like a stupid little boy. Sansa touched her lips to the metal, thinking that she would kiss any number of swords sooner than Joffrey

Joffrey is asking Sansa to kiss his sword; the metaphor here is not exactly subtle. To Joffrey, sex and violence are one in the same; having power over someone, hurting someone, turns him on as much as physical attraction. And as his betrothed, Sansa is on the receiving end of his sexually charged violence.

Unlike Joffrey, Sansa’s not turned on by violence, seeing it and sexuality as two separates things. And she would rather suffer through the violence, thinking to herself she would rather kiss the sword than kiss Joffrey. Her experiences with being found attractive to someone have all been so traumatic that actual violence scares her less.

Arguably the most traumatic experience she has is during the bread riot:

Sansa dug her nails into her hand. She could feel the fear in her tummy, twisting and pinching, worse every day. Nightmares of the day Princess Myrcella had sailed still troubled her sleep; dark suffocating dreams that woke her in the black of night, struggling for breath. She could hear the people screaming at her, screaming without words, like animals. They had hemmed her in and thrown filth at her and tried to pull her off her horse, and would have done worse if the Hound had not cut his way to her side. They had torn the High Septon to pieces and smashed in Ser Aron's head with a rock. Try not to be afraid! he said.

In the nightmares she has of that day, she dreams of being murdered; a knife cutting through her stomach until she’s left in bloody ribbons. It’s not hard to see the violent sexual imagery in that description. Sansa knows what those men planned on doing to her, and the memory haunts her. It’s no coincidence that she wakes from those nightmares to her first period:

“No, please,” Sansa whimpered, “please, no.” She didn’t want this happening to her, not now, not here, not now, not now, not now, not now.

The way GRRM writes her reaction is so visceral. As tears streams down her cheeks, she tries to wash herself, cuts apart her sheets, burns them, and tries to drag her entire bed into the flames as well. And the whole time she does this, she keeps thinking They’ll know or What will I tell them? or I have to burn them. She’s so completely and utterly terrified that anyone could ever know, she’s hardly even thinking. It’s just sheer, overwhelming panic.

This line in particular stands out:

The bedclothes were burnt, but by the time they carried her off her thighs were bloody again. It was as if her own body had betrayed her to Joffrey, unfurling a banner of Lannister crimson for all the world to see.

Down to jewelry she wears and the way she styles her hair, Sansa’s body belongs to Joffrey. Her job in King’s Landing is to look pretty for him in the hopes that it will save her from his wrath. Her body exists solely to please him. She’s literally stripped of her own agency and control.

Flowering is the last straw for Sansa because it means she can be tied forever to Joffrey through marriage, and he’ll be free to rape her and force her to have his children. And there’s nothing Sansa can do to stop it. Her own body has betrayed her by merely existing.

Sansa’s period is again equated to physical violence during the Battle of the Blackwater:

“You look pale, Sansa,” Cersei observed. “Is your red flower still blooming?”

“Yes.”

“How apt. The men will bleed out there, and you in here.”

Then a second time, Cersei compares sex to violence:

“You little fool. Tears are not a woman’s only weapon. You’ve got another one between your legs, and you’d best learn to use it.”

Through Cersei’s eyes, we get the clearest summary of the point GRRM is trying to make. Existing as a woman in Westeros is inherently oppressive to the point of smothering the life out of her. Where the men are given swords, women are given marriage and childbirth; but the latter is no less violent than the former. In Cersei’s words:

“We were so much alike, I could never understand why they treated us so differently. Jaime learned to fight with sword and lance and mace, while I was taught to smile and sing and please. He was heir to Casterly Rock, while I was to be sold to some stranger like a horse, to be ridden whenever my new owner liked, beaten whenever he liked, and cast aside in time for a younger filly. Jaime’s lot was to be glory and power, while mine was birth and moonblood.”

“But you were queen of all the Seven Kingdoms,” Sansa said.

“When it comes to swords, a queen is only a woman after all.”

In many ways, Sansa’s arc in A Clash of Kings is centered around this idea; the violence of femininity in Westeros. Being a child isn’t enough to spare Sansa the horrors. The whole reason she’s trapped in King’s Landing to begin with is because of her body; the Lannisters want to use her like property – a broodmare to sire them sons to inherit Winterfell.

It’s no surprise the climax of Sansa’s chapters in A Clash of Kings pushes this concept to its furthest bounds . . .

Ser Dontos and The Hound

Throughout Sansa’s chapters in King’s Landing, GRRM is deconstructing the trope of the Princess in the Tower. Sansa more than any other character is aware that her life takes place within a story, and she prays to the gods to send her a hero to save from the Red Keep. GRRM had already subverted the idea of a charming Prince with Joffrey in the first book, so A Clash of Kings subverts the trope of a knight coming to save her. That’s why her two protectors in King’s Landing are Dontos and Sandor Clegane – two men who aren’t quite knights.

For most of the book, the narrative treats Dontos and Sandor as foils. The story of why either one is not a knight puts them on two opposite ends of a spectrum. Dontos has his knighthood taken away from him because he’s too soft. He would rather drink and let people laugh at him than fight with a sword, which is why Joffrey makes him a fool. On the other hand, the Hound likes killing too much to be a knight:

“Let them have their lands and their gods and their gold. Let them have their sers.” Sandor Clegane spat at her feet to show what he thought of that. “So long as I have this,” he said, lifting the sword from her throat, “there’s no man on earth I need fear.”

This dichotomy between them is made clearer in the way Sansa has to escape their advances. Around Dontos, she’s dodging kisses:

"Give your Florian a little kiss now. A kiss for luck." He swayed toward her.

Sansa dodged the wet groping lips, kissed him lightly on an unshaven cheek, and bid him good night. It took all her strength not to weep.

But it’s a steel kiss she has to dodge from the Hound:

He laid the edge of his longsword against her neck, just under her ear. Sansa could feel the sharpness of the steel.

The idea of Dontos and Sandor as opposites is driven home further by their different approaches to Sansa’s love of stories; Dontos uses it to win Sansa’s trust:

“I think I may find it in me to be a knight again, sweet lady. And all because of you . . . your grace, your courage. You saved me, not only from Joffrey, but from myself." His voice dropped. "The singers say there was another fool once who was the greatest knight of all . . ."

"Florian," Sansa whispered. A shiver went through her.

"Sweet lady, I would be your Florian," Dontos said humbly, falling to his knees before her.

The Hound uses it to berate and belittle her:

“There are no true knights, no more than there are gods. If you can’t protect yourself, die and get out of the way of those who can. Sharp steel and strong arms rule this world, don’t ever believe any different.”

Sansa backed away from him. “You’re awful.”

“I’m honest. It’s the world that’s awful. Now fly away, little bird, I’m sick of you peeping at me.”

But underneath the superficial differences, Dontos and the Hound have the exact same relationship to Sansa. When Joffrey is having her beat after Robb’s victory at Oxcross, both make efforts to help her – Dontos volunteering to hit her with a melon instead of a sword, and the Hound telling Joffrey “enough” – but stop short of doing anything that would put themselves in danger. They both make advances on Sansa against her will – Dontos with kisses and the Hound with knives, but the overt sexual nature of both cannot be denied. They both position themselves to Sansa as a sort of mentor figure, telling her how to act and what to believe, with the implicit (and often explicit) message that she’s not smart enough to think for herself and it would really be in her best interest if she just trusted them instead. Both men position themselves as Sansa’s “protector”, but they never protect her from much of anything; in the few moments they’re actually given the opportunity, like during the Battle of the Blackwater, they both panic and leave her to fend for herself.

What really connects the two men is how they use Sansa. To them, she’s the paragon of youth and innocence; the way she believes in the stories reminds them both of what they used to be like before the world beat them down. Sandor was a boy who played with toy knights before Gregor burned his face, and Dontos was saved as a child by the knight of knights Barristan Selmy. While they’ve both grown jaded, Sansa brings out the parts of them that still believe in the stories. That’s clear from the way Dontos reacts to the Lannisters winning the Battle of the Blackwater:

“Oh! the banners, darling Sansa! Oh! to be a knight!”

And even though the Hound claims to hate the stories, it’s a song he wants from Sansa:

“Go on. Sing to me. Some song about knights and fair maids.”

Sansa as the princess in a tower appeals to the fantasy of both men to be her hero.

But this is a subversion of that trope, not a straight retelling. Particularly in regards to Sandor, GRRM really deconstructs the destructive nature of this male fantasy. Before Sandor asks Sansa to sing him a song, he comments on her body:

“You look almost a woman . . . face, teats, and you’re taller too, almost . . .”

Sandor wanting to play the knight with Sansa is always tied to his sexual attraction to her; in every single instance, GRRM always ties them together. There is never one without the other. It should go without saying that this is not good; Sansa is barely twelve, and hasn’t even had her first period when Sandor’s sexual advances start. She is a child. In Maegar’s Holdfast, she’s shocked that men would view her sexually:

“Enough drink will make blind washerwomen and reeking pig girls seem as comely as you, sweetling.”

“Me?”

“Try not to sound so like a mouse, Sansa. You’re a woman now, remember?”

This passage also very clearly draws the connection between Sandor’s relationship to Sansa and violence. Cersei explains to Sansa the way battle makes men into monsters around women, and then the next chapter Sandor appears in Sansa’s bedroom with a knife. This is not meant to be a romantic scene, or else GRRM would not have framed it with threats of rape and violence.

This is further re-enforced by the song Sansa sings to Sandor. When he holds the knife to her neck, he demands she sing the song of Florian and Jonquil:

He gave her arm a hard wrench, pulling her around and shoving her down onto the bed. “I’ll have that song, Florian and Jonquil, you said.” His dagger was poised at her throat. “Sing, little bird. Sing for your little life.”

But Sansa can’t remember the words, and instead sings the Mother’s Mercy hymn:

Gentle Mother, font of mercy, save our sons from war, we pray, stay the swords and stay the arrows, let them know a better day.

Gentle Mother, strength of women, help our daughters through this fray, sooth the wrath and tame the fury, teach us all a kinder way.

It is incredibly symbolic that the Hound demands Sansa sing him a song of romance, but she physically can’t; the only song she can remember the words to is one of forgiveness.

So much of Sansa’s narrative in A Clash of Kings is people demanding things that she can’t give them. Joffrey wants her loyalty, Cersei wants her words, Tyrion wants her trust, and Dontos and Sandor want her love. Everyone is pulling her in different directions, and her entire personality starts to crumble under the pressure; there’s no way she can give all of these people everything they want. Something has to give.

And when Sansa can no longer play her role, when the fear of dying is too visceral for her to wear her courtesy like an armor, the one thing Sansa can still give Sandor is her mercy. . .

Radical Empathy

The running thread that connects all of the themes in Sansa’s chapters is her being trapped. Physically through Joffrey’s abuse, emotionally through Joffrey, Cersei, Dontos, and Sandor, and even by herself mentally as she begins to internalize the abuse. Everything about the Red Keep is meant to turn Sansa cruel and self-interested, just like everybody else; even if they aren’t intentionally cruel like Joffrey, they’re okay with Sansa being hurt because that’s just how life is, like Cersei. Or Dontos and the Hound, who don’t intend to hurt Sansa but do because they’re too caught up in their own narrative to acknowledge her humanity. Even Arys Oakheart, who really doesn’t want to hurt her, but is too afraid to say no and defy the class structure of Westeros.

That makes Sansa’s defiance through empathy stand out in such radical contrast. The kindness Sansa shows everyone, even those who hurt her, is how GRRM brings the songs to life. Sansa doesn’t love those stories because she’s silly and naïve; she loves them because they justify her belief in the inherent goodness of being kind.

Empathy and kindness are Sansa’s defining character traits, and that’s why her arc in A Clash of Kings opens with her saving Dontos’ life:

Sansa heard herself gasp. “No, you can’t.”

Joffrey turned his head. “What did you say?”

Sansa could not believe she had spoken. Was she mad? To tell him no in front of half the court? She hadn’t meant to say anything, only . . . Ser Dontos was drunk and silly and useless, but he meant no harm.

Even though just moments earlier she had noted Joffrey’s mood was turning dark:

The way Sansa stands up for Dontos is particularly notable because he had the chance to do the same for her in A Game of Thrones, but chose not to:

Sickly Lord Gyles covered his face at her approach and feigned a fit of coughing, and when funny drunken Ser Dontos started to hail her, Ser Balon Swann whispered in his ear and he turned away.

- Sansa V

Dontos wouldn’t even risk treating Sansa with basic courtesy, yet she risked her live to save his.

And that’s not the only time Sansa stands up to Joffrey to save someone:

Halfway along the route, a wailing woman forced her way between two watchmen and ran out into the street in front of the king and his companions, holding the corpse of her dead baby above her head. It was blue and swollen, grotesque, but the real horror was the mother's eyes. Joffrey looked for a moment as if he meant to ride her down, but Sansa Stark leaned over and said something to him. The king fumbled in his purse, and flung the woman a silver stag.

- Tyrion IX

The only other character we ever see move to actually stand up to Joffrey is Tyrion, who is also the only person in court who doesn’t have to be afraid of Joffrey’s retaliation. Everyone else sits by day after day and watches as Joffrey abuses Sansa and says nothing; or worse, they actively participate. But whenever Sansa sees Joffrey hurting someone, she risks herself to make him stop.

Sansa also uses her kindness to give herself courage:

Sansa found herself possessed of a queer giddy courage. “You should go with her,” she told the king. “Your brother might be hurt.”

Joffrey shrugged. “What if he is?”

“You should help him up and tell him how well he rode.” Sansa could not seem to stop herself.

She’s too afraid to speak back at Joffrey when he’s abusing her, but as soon as she sees him mistreat Tommen, she finds the courage to stand up for others.

Kindness is almost an involuntary reflex for Sansa:

Lancel was one of them, yet somehow she still could not bring herself to wish him dead. I am soft and weak and stupid, just as Joffrey says. I should be killing him, not helping him.

Lancel Lannister, who stood by and egged the crowd on as Sansa was stripped and beaten after the Battle at Oxcross. She has every reason not to help him; she knows if she stays in that room, with the battle all but lost, Ser Ilyn is going to kill her solely because of the Lannisters’ spite. She has no reason to stay and help Lancel. But she can’t stop herself.

The moment where Sansa’s kindness stands out the most, though, is when the Hound comes to her room during Blackwater:

Some instinct made her lift her hand and cup his cheek with her fingers. The room was too dark for her to see him, but she could feel the stickiness of the blood, and a wetness that was not blood. “Little bird,” he said once more, his voice raw and harsh as steel on stone. Then he rose from the bed. Sansa heard cloth ripping, followed by the softer sound of retreating footsteps.

I think reading this passage out of context is what allows certain fans to paint this scene in a romantic light. The softness of Sansa reaching out to touch Sandor is an indelible moment. But it does the moment a disservice to read it that way. This scene is so well written because of what comes before it:

“I could keep you safe,” he rasped. “They’re all afraid of me. No one would hurt you again, or I’d kill them.” He yanked her closer, and for a moment she thought he meant to kiss her. He was too strong to fight. She closed her eyes, wanting it to be over, but nothing happened. “Still can’t bear to look, can you?” he heard him say. He gave her arm a hard wrench, pulling her around and shoving her down onto the bed. “I’ll have that song, Florian and Jonquil, you said.” His dagger was poised at her throat. “Sing, little bird. Sing for your little life.”

Afraid for her life, Sansa closes her eyes. But Sandor is too bitter, jaded, and wrapped up in his own self to realize that’s why she closes her eyes; he thinks it’s because she still can’t look at the burned ruin of his face. He came to her room with kindness the furthest thing from his mind; the flames dancing on the Blackwater Rush made him scared like a wild animal, and he’s come here to get something from Sansa – whether she wants to give it or no.

(And while certain people are interested in carrying a lot of water to redeem this character, GRRM has really left no ambiguity in Sandor’s intentions. The passage He gave her arm a hard wrench, pulling her around and shoving her down onto the bed, taken in tandem with his confession to Arya, I took the bloody song, she never gave it. I meant to take her too. I should have. I should have fucked her bloody and ripped her heart out before leaving her for that dwarf, make it very clear that Sandor intended to rape Sansa. That is not up for debate.)

Sansa singing the Mother’s Mercy hymn is the last thing Sandor expected. The idea that in this moment, as Sandor becomes all of the worst things he’s ever believed about himself, about to do one of the most monstrous acts a person can do – that in that moment, Sansa could still show him mercy, is enough to stop him. He can no longer pretend that all the songs are lies and that everyone is only pretending to be good, because in this moment Sansa is still somehow capable of showing him kindness.

Sansa’s ability to have empathy for seemingly irredeemable characters is not limited to Sandor (though certain shippers would like to pretend that’s some unique characteristic of their relationship, it most certainly is not). The dynamic between Sansa and Cersei is so rich because of Sansa’s inability to hate her, even though Cersei is responsible for pretty much every bad thing in Sansa’s life.

The Sansa and Cersei dynamic is one of the narrative’s most dynamic and complex, as Cersei represents a dark mirror of Sansa. Both were in love with the idea of becoming Queen as children, but arrived in King’s Landing to find their Prince is not who they thought he would be – Cersei both literally and figuratively, as she realizes she’s not to marry Rhaegar Targaryen but instead Robert Baratheon. They’re both subjected to emotional and physical abuse by the King for things that aren’t their fault – Robert hates Cersei because she isn’t Lyanna, and Joffrey hates Sansa because of his fight with Arya on the Trident.

But Cersei’s Lannister upbringing and life have made her cruel in all the ways Sansa is kind. She can see the parallels between herself and Sansa, but instead of reacting with empathy, she uses it to justify her cruelty:

“You’re stronger than you seem, though. I expect you’ll survive a bit of humiliation. I did.”

Being afraid of the men in her life has taught Cersei that’s the correct way to wield power:

“Another lesson you should learn, if you hope to sit beside my son. Be gentle on a night like this and you’ll have treasons popping up all about you like mushrooms after a hard rain. The only way to keep your people loyal is to make certain they fear you more than they do the enemy.”

But Sansa reacts the opposite way:

“I will remember, Your Grace,” said Sansa, though she had always heard that love was a surer route to the people’s loyalty than fear. If I am ever a queen, I’ll make them love me.

This line has become the definitive statement of Sansa’s character because it so wholly embodies her ethos. Cruelty is not in her nature, and her instinct is always to show kindness. It also ties a direct connection to her own personal experiences shaping how she wants to be as Queen:

“Fear is better than love, Mother says.” Joffrey pointed at Sansa. “She fears me.”

Sansa knows what it feels like to be afraid, and she never wants anyone else to ever feel like that. Where the cruelty Cersei suffered taught her it was normal and good to rule that way, Sansa learns what it feels like to be at someone else’s mercy. If she ever has control over someone, which she will in books to come, she’s learned to always be kind because she knows what it feels like when someone isn’t.

All of her chapters in A Clash of Kings are full of moments that show how much Sansa values kindness. While I’ve already highlighted the life or death examples, she also shines in the small moments, like when she encourages Tommen before he faces the quintain at Joffrey’s name day tourney. And she comforts him when Myrcella leaves for Dorne:

Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry."

"Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound."

- Tyrion IX

She tries to comfort Lollys Stokeworth across the bridge to Maegar’s Holdfast:

She greeted them courteously. “May I be of help?”

Lady Tanda flushed with shame. “No, my lady, but we thank you kindly. You must forgive my daughter, she has not been well.”

“I don’t want to.” Lollys clutched at her maid, a slender, pretty girl with short dark hair who looked as though she wanted nothing so much as to shove her mistress into the dry moat, onto those iron spikes. “Please, please, I don’t want to.”

Sansa spoke to her gently. “We’ll all be thrice protected inside, and there’s to be food and drink and song as well.”

Her prayer in the Sept before the battle starts shows just how much she cares for everyone:

She sang for mercy, for the living and the dead alike, for Bran and Rickon and Robb, for her sister Arya and her bastard brother Jon Snow, away off on the Wall. She sang for her mother and her father, for her grandfather Lord Hoster and her uncle Edmure Tully, for her friend Jeyne Poole, for old drunken King Robert, for Septa Mordane and Ser Dontos and Jory Cassel and Maester Luwin, for all the brave knights and soldiers who would die today, and for the children and the wives who would mourn them, and finally, toward the end, she even sang for Tyrion the Imp and for the Hound. He is no true knight but he saved me all the same, she told the Mother. Save him if you can, and gentle the rage inside him.

There’s only one person in the whole of Westeros Sansa won’t extend her empathy to:

But when the septon climbed on high and called upon the gods to protect and defend their true and noble king, Sansa got to her feet. The aisles were jammed with people. She had to shoulder through while the septon called upon the Smith to lend strength to Joffrey’s sword and shield, the Warrior to give him courage, the Father to defend him in his need. Let his sword break and his shield shatter, Sansa thought coldly as she shoved out through the doors, let his courage fail him and every man desert him.

This line feels especially important. A lesson that’s drilled into Sansa time and time again by Cersei and Sandor is that her kindness makes her weak. It was used against her in A Game of Thrones, where her trust in Cersei and Joffrey left her completely vulnerable to Ned’s death. But this passage shows that it is not weakness that makes Sansa kind - it’s strength. For a character as kind as she is, and subjected to so much abuse, it would be easy to see her narrative as someone repeatedly letting herself be run over. By including this line, showing that Sansa’s empathy is a choice she makes – and making it clear that she chooses not to have it for Joffrey – it shows that Sansa still has control over herself, and will set boundaries.

Instead of using her experiences in a negative way like Cersei, Sansa learns to carefully apply the lessons of her life; she won’t let abuse stop her from being kind, but she knows when to stop herself from trusting someone again.

Because Sansa’s kindness and optimism are the most important aspects of her character, her arc in A Clash of Kings ends there. Joffrey setting her aside in favor of Margaery is an emotional rollercoaster for Sansa:

Dontos waited in the leafy moonlight. “Why so sadface?” Sansa asked him gaily. “You were there, you heard. Joff put me aside, he’s done with me, he’s . . .”

He took her hand. “Oh, Jonquil, my poor Jonquil, you do not understand. Done with you? They’ve scarcely begun.”

Her heart sank. “What do you mean?”

“The queen will never let you go, never. You are too valuable a hostage. And Joffrey . . . sweetling, he is still king. If he wants you in his bed, he will have you, only now it will be bastards he plants in your womb instead of trueborn sons.”

Throughout A Song of Ice and Fire, the narrative is constantly testing Sansa’s commitment to her ideals. Everything she knows is constantly turned on its head, going from a dream to a nightmare. The momentary joy she feels knowing she doesn’t have to marry Joffrey is only allowed for a second, until it collides with Dontos’ harsh reality.

But instead of ending there, the narrative takes a page out of Sansa’s book and leaves on a vision of hope for the future:

It was a hair net of fine spun silver, the strands so thin and delicate the net seemed to weigh no more than a breath of air when Sansa took it in her fingers. Small gems were set wherever two strands crossed, so dark they drank the moonlight. “What stones are these?”

“Black amethysts from Asshai. The rarest kind, a deep true purple by daylight.”

“It’s very lovely,” Sansa said, thinking, It is a ship I need, not a net for my hair.

“Lovelier than you know, sweet child. It’s magic, you see. It’s justice you hold. It’s vengeance for your father.” Dontos leaned close and kissed her again. “It’s home.”

#Sansa Stark #game of thrones #asoiaf #asoiaf meta #just over 15000 words #which is a new personal record #sansa meta

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esther-dot · 3 years

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Sansa wanted to meet Ned after his arrest but didn't allowed and was kept isolated. She wrote the letter under duress to robb in order to save her father. She plead for mercy in court on behalf for her father. She thought later if she married to joff she will convince him to release from NW after few years. She begs for his life before he got killed. Yet Sansa is accused she didn't do anything. She did everything she can do with no one to truly help her.

I think if you want to believe Sansa didn't care or do everything in her power to save Ned, it's because you don't want to believe it.

Not only do we have numerous instances to indicate that as a rule Sansa behaves, functions by the rules and expects others to, but the way Ned interacts with his indicates his view of her, as in, she is an innocent girl who doesn’t understand how the world works, and I would argue, he never intended for her to find out. He speaks to her using her beloved stories to communicate rather than being direct and explaining the situation or specific concerns:

"Sweet one," her father said gently, "listen to me. When you're old enough, I will make you a match with a high lord who's worthy of you, someone brave and gentle and strong. This match with Joffrey was a terrible mistake. That boy is no Prince Aemon, you must believe me." (AGOT, Sansa III).

Sansa believes life is like one of the stories, hence her, “It was not supposed to happen this way” feelings (AGOT, Sansa IV). It is disingenuous to act like Sansa should have known what would happen when we didn’t know. Why were we surprised? Because this isn’t how the story goes. Actually, now that I say that, Sansa’s view is more realistic than what the reader expected because she understands that her father will be punished, something that most readers wouldn’t have anticipated.

“Her gallant prince would never hurt her father, no matter what he might have done. If she went to him and pleaded for mercy, she was certain he'd listen. He had to listen, he loved her, even the queen said so. Joff would need to punish Father, the lords would expect it...” (AGOT, Sansa IV)

What’s happening is the unraveling of Sansa’s perception of the world, and you’d think readers would have sympathy seeing as it’s also the unraveling of our expectations. We’re all still upset by the same things that traumatized her. Her experience should make us feel for her, not condemn her. And of course, let’s also point out that it isn’t strictly naivete that would make Sansa expect Joffrey to behave with a modicum of reasonability. Tyrion points out how foolish it was to kill Ned:

“There's your peace, Ser Harys. My sweet nephew broke it for good and all when he decided to ornament the Red Keep with Lord Eddard's head.” (AGOT, Tyrion IX).

The determination to blame Sansa here is truly pathetic, especially as we have her suffering after Ned’s death to incorporate into our understanding of her. Think about this:

“...her prince had smiled at her, he'd smiled and she'd felt safe, but only for a heartbeat, until he said those words, and her father's legs … that was what she remembered, his legs, the way they'd jerked when Ser Ilyn … when the sword …Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. [...] Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her.” (AGOT, Sansa VI)

We have an eleven year old contemplating suicide and a fandom that wants her to feel worse about what happened. Antis are disgusting. I don’t know how you read her anguish and feel anything other than rage at the people who betrayed her. Of course, that’s when you know that the intent isn’t to understand Sansa, but simply to find fault with her, because the same people who blame her for trusting Joffrey also blame her for not trusting Tyrion, although that is because she has learned her lesson from her father’s death:

“Once she had loved Prince Joffrey with all her heart, and admired and trusted his mother, the queen. They had repaid that love and trust with her father's head. Sansa would never make that mistake again.” (ACOK, Sansa I)

I don’t blame Sansa for being trusting initially. How was she to know better? Nothing in her life, nothing in her education, nothing prepared her for KL. She was taught to obey, her head was filled with romances, and her father never broke the illusion. She was a child who did everything she could to save her father, and it should have been enough, but it wasn’t.

I don't care if people don't like Sansa (different life experiences makes us connect to different characters), but the way people concoct things to hold against her is...well, after my initial frustration with their misinterpretation, it's kinda impressive.

#sansa stark #anti sansa antis #ask dot

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agentrouka-blog · 3 years

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I think SweetRobin dying and then LF gaslighting Sansa in order to have his grips on her makes sense. Grrm did say that characters will be at their lowest in TWOW . After that they will emerge victorious ( delivering justice within Winterfell after meeting Jeyne and her siblings ) . Also the guilt of being involved in her cousin's death something which I could see LF gaslighting her could take a mental toll upon her . Also all the child heirs- Shireen, Rickon, SweetRobin, Tommen and Myrcella , I could see them dying. I think SweetRobin's death could pave way for Harrold succeeding him ( though he will eventually die too ) in leading the Vale forces North to help her betrothed regain her home back. Also the theme of " triumph at what cost " also encapsulates perfectly. SweetRobin's survival and just I don't know makes the narrative look quite easy for Sansa . It's going to be hard for each of our Starklings before things go normal . Arya will be deepening in guilt with whatever violence and trauma she had to endure , meeting Stoneheart . Similar will be Bran who might harbour guilt for the death of an innocent ( Hodor ) . I think Sansa's could be similar too.

Hi anon!

The thing with Sweetrobin is that he is the rightful heir in Littlefinger's grasp. The bird in the hand. Being his stepfather (and bribing a few Vale lords, and Cersei's command to see him unharmed) is the ONLY reason he is Lord Protector of the Vale. Remove Sweetrobin, and Littlefinger is out because Harry is a grown man and needs no regents. Killing Sweetrobin would be self-sabotage. He could go off packing to Harrenhal.

The reason he is spending time and money on making the betrothal to "Alayne" happen right now is the fact that Harry is still only an heir with few prospects outside of that, he is not independently rich or impressive on his own. His aunt can chastise him and pressure him into marriage right now. Not once Sweetrobin is dead. He'll be everyone's boss then.

If the betrothal happens, Harry is locked into Littlefinger's influence by oath. He cannot marry someone else and father legal heirs without tainting his honor. This is a good status quo for Littlefinger to wait and see how things develop. During this time, he still needs Sweetrobin alive. Because while dishonorable, a betrothal can still be broken, especially if one party is a lowly bastard girl and the other the next thing to a king.

But even so, a marriage to "Alayne" would be impossible because she doesn't exist and a marriage to Sansa is impossible because she is already married, so he cannot lock down Harry in this final way and have control over Harry's future legal heir by Sansa. Would Harry go to the trouble of fighting for Sansa's rights - when she is already married! - if he already has the full power of his new title and could marry anyone he wanted?

So he still needs Sweetrobin alive until Tyrion turns up dead or an annullment becomes feasible. Harry the Heir is much less independently powerful and may be swayed by the prospect of glory in battle and the appeal of his future wife's inheritance. Because Sweetrobin might not die.

And even if they marry, who's to say that Harry will allow himself to be influenced by Sansa in any way? What power would Littlefinger truly have once he hands his not-daughter Sansa Stark over to him? Unless he is still Lord Protector, none. So he still needs Sweetrobin alive.

Of course, for Littlefinger to keep full control, Harry definitely needs to die as soon as Sansa has had a child by him. That baby is the new Sweetrobin for Littlefinger to base his power on.

And only then would it be safe for Sweetrobin to die. If he can be replaced with a new child heir in Littlefinger's control.

So while there would be angsty potential, there is very little logic in the idea that Littlefinger actively wants Sweetrobin to die any time soon. He just wants the idea to be firmly established as an expectation, because it increases Harry's importance and reduces doubt if/when he actually does die.

Besides, Littlefinger has already trapped Sansa in a dangerous lie. Testifying that Marillion killed Lysa is Sansa's darkest act by far, hands down, in the entire book series, and while we understand her motivations and are privy to her inner conflict, from the outside it makes her look like she went from kingslaying Joffrey to conspiring to kill the leader of the Vale (kinslaying her aunt!) all in a, what, span of a few months? If Littlefinger really wanted to milk it, he could bring up how she came to Cersei when Ned wanted to send her away from KL. Then he could bring up her "complicity" in trying to poison Sweetrobin.

He could gently imply his ability to ruin her reputation far worse than Jaime's, and make Sansa feel like she earned it. She already feels guilt over Marillion. Even though he was a rapist actively helping Lysa try to kill her. Sweetrobin doesn't have to die for Sansa to struggle with the consequences of her choices.

Also: In what universe has Sansa had it easy in the narrative? Being beaten, molested and forced into marriage, used as a tool for murder? She is the Stark with the absolute least amount of personal agency. And still where she has the opportunity, she usually chooses to help, to be compassionate, even to her enemies. She downright berates herself for it. That contrast to Arya and Bran is not a narrative "easy" path, it is an expression of her character and a different angle on enduring hardship. Sansa is not less of a character for being a good person. It is not easy. It is hard. And worthy.

Making hard choices will be part of Sansa's path, but neither does she artificially have to match the darkness of Arya's violent path, nor does Sweetrobin have to die to make it happen.

#Vale arc #sansa stark #Sweetrobin #Littlefinger #Sweetrobin lives #harry the heir #marriage annullment #Marillion #dark mentor #dark path

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alicenttully · 4 years

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Sansa and Motherhood

I remember reading someone’s meta on how (book) Sansa doesn’t possesses a natural instinct for motherhood.

Before I discuss my thoughts, I just want to clarify several things-

I think it’s perfectly fine if people don’t think Sansa is naturally maternal. She shouldn’t have to be. In a perfect world, she and Arya and Bran and Rickon would still have their own mother. But I do think there are flaws in the post, and I want to share my thoughts.

The first argument used is that Sansa only ever wanted children was because it was part of a fantasy - of marrying a handsome lord and being his lady.

First off, I think the fandom needs to let go of this word fantasy when it comes to Sansa. It isn’t fantasy when you have been taught all your life that this is the future you should except. Sansa, as soon as she would have been able to comprehend this, knew this fact- that her father would arrange her betrothal and that she, like Arya, would be excepted to marry one day. Sansa isn’t a little girl in modern day 2020 dreaming of her future marriage- for Sansa in ASOIAF/GOT, it is a responsibility that she owes to her family and to her House. I’m mentioning this because I think it’s important to remember this when understanding Sansa as a character.

But that being said, Sansa is also only 11-13 years old. And yes, while there is an argument that Sansa only wants children because it is part of a fantasy- couldn’t you also apply that argument to every other little girl that dreams of having children? When I was younger than Sansa, I wanted eight children. I had names all picked out. Now like Sansa who dreamed of having children with Joff, having eight children is the last thing I want. Do such fantasies mean I lack a natural instinct for motherhood like Sansa because they are just that- fantasies- or is it more complicated than that?

It’s more complicated than that.

The thing is - for every person who dreams of having children- that is all they have at first, fantasy. Fantasy is very different from reality. But just because fantasy is all they have at first- does not necessarily mean they don’t truly want children or want to be parent, if that makes sense.

Furthermore, the next time we do see Sansa dreaming of having children, it’s very explicitly tied towards the love of her family-

In Sansa's dreams, her children looked just like the brothers she had lost. Sometimes there was even a girl who looked like Arya.

Arguably, Sansa’s longing to have children stems not from “superficial desires” but from a desire to rebuild.

The second argument used involves the relationship with Sansa and SR. This passage is used-

However, the argument falls flat as it fails to take into account the passage that precedes it -

Sansa tried to step back, but he pulled her into his arms and suddenly he was kissing her. Feebly, she tried to squirm, but only succeeded in pressing herself more tightly against him. His mouth was on hers, swallowing her words. He tasted of mint. For half a heartbeat she yielded to his kiss . . . before she turned her face away and wrenched free. "What are you doing?"Petyr straightened his cloak. "Kissing a snow maid.""You're supposed to kiss her." Sansa glanced up at Lysa's balcony, but it was empty now. "Your lady wife."

....

"Might have been," he admitted, with a rueful smile. "But you're not, are you? You are Eddard Stark's daughter, and Cat's. But I think you might be even more beautiful than your mother was when she was your age.""Petyr, please." Her voice sounded so weak. "Please . . .""A castle!"

Before SR comes upon them, Petyr sexually assaults Sansa - who is meant to be his step-niece. We cannot forget the power that LF has over Sansa here. She does not want him, but she cannot act against him here- her words are “swallowed” - her power to say no is taken from her. Consequentially, this passage is important to the context of the first. When Sansa is telling SR to “stop”, remember how she also tried to tell Littlefinger no. Neither LF nor SR listens. And while for SR it is innocent, childish behaviour, he is also another person who is refusing to respect Sansa’s space- (think of Winterfell as a metaphor for Sansa’s space) and that is what Sansa cannot stand. That scene is not necessarily a commentary on how Sansa does or does not have the natural instincts of a mother, or does not want the reality of raising children - it is more complicated than that.

The argument then goes on to say that Sansa puts her concerns above SR’s health.

However, I feel like whenever that passage is used people are kind of forgetting something important - it’s not that Sansa doesn’t care for SR- but she also does kind of have pretty large concerns to deal with as well? Like the fact that she must maintain her Alayne persona because Cersei wants her head or the closest thing that she has to a protector- the same person who lusts after her and has made that clear- has forced her into a position where she must lie about her aunt’s death?

Furthermore, there’s also the fact that Sansa does want SR to be well-

Why not surround him with Winged Knights? She had thought one night after Sweetrobin had finally drifted off to sleep. His own Kingsguard, to keep him safe and make him brave.

Why would Sansa be interested in keeping SR safe and making him feel brave if she didn’t care about his health?

Furthermore, when discussing Sansa and SR I think it’s important to remember something very important when discussing Sansa as a potential mother-

SR is not her child.

Yes, she is a maternal figure to him, but he is not her child. He’s her cousin, and an annoying one at that. And for some women, they don’t feel that maternal instinct with other children, but they feel it with their own. And that could very well be the case for Sansa. It’s impossible to tell, because we haven’t seen Sansa with a child of her own.

Finally, another important thing to remember when discussing motherhood - is that when you have a kid for the first time, motherhood is something that can be learned as it is instinctual. Again, this is something that can apply to Sansa. The idea of the mother’s instinct can be harmful because it can alienate women - a woman who has given birth may feel there is something wrong with her because she does not instinctively know how to care for her baby, and is thus one of the contributing factors in PPD.

So yeah, those are my thoughts.

#sansa stark #sansa #asoiaf #a song of ice and fire #game of thrones #got #a storm of swords #a feast for crows #littlefinger #sweetrobin #motherhood #grrm #edited

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winterrose527 · 3 years

Note

For OTP ask: 6, 24, 27

Is it selfish to ask for Jonsa and Robbcella?

Oooh thank you for the ask, babe! No not at all.

6. What is/are their love language(s)?

Jonsa

Sansa Giving/Jon Receiving: Acts of Service/Gifts (she's constantly making things for Jon, whether it's sweaters/cards/food. He never buys/does things for himself so she wants to do it for him)

Jon Giving/Sansa Receiving: Quality time/Acts of service (He isn't the chattiest but whenever he's with her, which is a lot, she's 100% his focus. Without her asking he'll also fix things around the house or her car, because it's a way of showing he's thinking about her and also keeping her safe)

Robbcella

Myrcella Giving/Robb Receving: Words of affirmation/physical touch (She's very vocal about how important he is to her, and is all about giving gentle advice, and they are a very touchy couple)

Robb Giving/Myrcella Receiving: Acts of service/Physical touch (Myrcella's a very independent person, who is always sort of in I've got this mode, so Robb tries to take things off her plate/does things for her that she wouldn't think to do for herself, and as above, they are a very touchy couple)

24. What is something they have each had to forgive the other for?

Jonsa

Jon still has a habit of treating Sansa like a little girl at times, he doesn't mean to but he loves her a lot and wants to protect her and sometimes that comes out like he is patronizing her.

Sansa on the other hand sometimes keeps things from him because she doesn't want him to do that.

Robbcella

Robb has a problem with jealousy and it has shown itself on more than one occasion. It made Myrcella feel like he didn't trust her as much as she trusts him.

Myrcella can turn quite cold when she's angry, which is basically Robb's worst nightmare from her and she knows it. She's had to learn how to argue without shutting him out.

27. Do they have any kinks/fetishes that they share?

Jonsa

It's no secret that Jon loves to well, you know, and they may share a love for sneaking into bathrooms at parties to have their way with each other.

Robbcella

Daddy kink.

#these are so fun!#thank you for the #ask #jonsa #robbcella

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dany-is-my-queen · 4 years

Text

Born To Be Yours | Part IX

Sansa Stark x Fem! Baratheon! Reader (Daenerys Targaryen x Fem! Baratheon! Reader eventually)

Season 1-8

Word Count: 2,883

Note: Sorry for the delay :(

Pt.1 Pt.2 Pt.3 Pt.4 Pt.5 Pt.6 Pt.7 Pt.8

“I’m glad nothing serious happened to you or your friend.” Tyrion poured himself some wine and you accepted to drink with him.

“Me too.”

“I know you are a hero but I sense something else here... why you keep taking those risks for her?” He curiously asked.

“She has no one...” That was true, still, you were trying to keep your feelings buried.

“You love her.” You hid your blush behind the silver cup. He chuckled. “There’s nothing to be ashamed of. She seems to be a good Lady. With all that your brother has done to her having you is a blessing.”

“You... you’re okay with it?” Loving her in secret was one thing but saying it out loud to someone was a different one.

“Of course! I could never judge you. You don’t dictate your heart, you have all my support, Y/N.” He warmly smiled, you bent down to hug him. This is one of the many reasons you love your uncle so much.

“Thank you, uncle.”

“Now I fully understand why you did that yesterday. Does she know?” He walked to the balcony gesturing you to follow him.

“No. And maybe it’s all in my head.” You brushed it off. “She sees me as her very good chum who saves her from my horrendous family.”

“Or perhaps she’s just afraid to admit it. After all, you are the princess. It’s not that easy. You’ll figure it out.” He tapped your shoulder. Could Sansa really feel the same? Nothing’s impossible, you just have to give it time and be patient. But with the way she looks at you... how you find comfort in her embraces... how she gently touches your hand...

You made your way to the Stark girl’s room to check on her just to find the door wide open and a scared Sansa with the bed stained of blood, her nightgown had red stains too.

The Hound was there, you scowled. You knew he was going to tell Cersei, and that was the last thing the redhead wanted. Shae arrived shortly.

“Good morning.” You said.

“Princess.” Sandor and Shae greeted. Your gaze landed on Sansa, the tears were threatening to come out. She didn’t say anything.

“I will inform the Queen.” He stated and left. Sansa threw herself into your arms. You could feel her tensing and quivering.

“Hey hey, it’s gonna be fine. He’s not gonna touch you.” You promise her, you would do anything to keep him away from her, even if that meant being punished.

“You should take a bath before you meet her grace.” The young handmaid said.

“I’m going to wait outside until you are finished, then I’ll escort you to my mother’s chambers. Don’t worry, my lady. I got you.” You assured. Her features relaxed and you gave her a small nod.

You tried to come with excuses for your mother to not force her to carry Joffrey’s babies immediately but nothing with a valid point seemed to be compelling enough.

After she was done you headed to her big room. “How is your wound?” You added to soothe the hike.

“Better. You are a very good healer.” She shyly answered.

“One of my many gifts.” You winked to ease her nerves. The Queen Regent was already expecting her, yet she was not very surprised when you showed up behind Sansa, you let her entered first.

“My love, what are you doing here?” Cersei asked you, raising her eyebrow.

“I... thought I’d give Lady Sansa some advice, I flowered almost two years ago. I know it is grubby at first.”

“It certainly is. But her mother prepared her, didn’t she?”

“She told me. I thought... it would be different.” Sansa confessed.

“In what way?” You both took a seat.

“I thought it would be less... less messy.”

“Wait until you birth a child. You’re a woman now, do you know what that means?”

“I’m fit to bear children for the King.” Yes, your heart was breaking again.

“Is there any rush?” You intervened and Cersei faked a sympathetic smile.

“The sooner the better.” She made a flick for you to keep your mouth shut. Your jaw tensed. “A prospect that once delighted you. The greatest honor for a queen. Joffrey has always been difficult. Even his birth, I labored one day and a half to bring him into this world. You cannon imagine the pain. I screamed so loud I was sure Robert would hear me in the Kingswood.”

“His grace was not with you?”

“Robert was hunting. Whenever my time was near, he would flee to the trees with his huntsmen and his hounds. The only time he was with me was when Y/N was born. I’ll always remember how she wrapped her little hand around his finger, she smiled at him and that was the only time in my life I saw a tear fell from his cheek. It was too emotional.”

You missed him so badly, the stories he used to tell you about Westeros, the adventures he had when he was a young Lord, the thrill in his eyes when he saw you swing the sword for the first time, he taught you all about archery, about bravery. When you were feeling low because of Joffrey and your mother he would carry you in his arms and then ride far from the city in your horses. You missed those days cause in the dark moments he was your hero.

“You never told me that before.”

“You were your father’s favorite.” Then she referred to Sansa. “Joffrey will show you no such devotion. You may never love the King but you will love his children.” She told her calmly.

“I love his grace with all my heart.” Sansa lied in her usual innocent voice.

“That’s very touching to hear. Permit me to share some womanly wisdom with you on this special day. The more people you love, the weaker you are. You’ll do things for them that you know you shouldn’t do. You’ll act the fool to make them happy, to keep them safe. Love no one but your children. On that front, a mother has no choice.” Was it so hard for Cersei to love you as much as she loved your siblings? To support you and be there for you?

“But shouldn’t I love Joffrey, your grace?”

“You can try, little dove. My sweet daughter here, she will be marrying some Lord very soon. I think it’s time for you to start your own family.” The blonde abruptly added. Sansa felt her stomach twist itself into an uncomfortable knot.

“That means I will have to leave you, mother.” You complained. Cersei doesn’t want to end up alone, Jaime is a prisoner, you don’t know if you’re going to see him again. But she doesn’t want you to abandon her, deep down does she care? A question you often ask yourself.

“You grew too fast. You are my oldest daughter, any man who has your heart will be very lucky. Many of them are interested in you.” Your eyes were set only on Sansa Stark, even if you couldn’t be together.

“But I’m not interested in them.” You pointed out. Was she trying to send you away just because you were willing to keep protecting Sansa at all costs, or did she really wanted to get rid of you?

You and the northerner walked out. You let go of those thoughts. Focusing on her again you broke the silence. “There’ll be a battle soon. My uncle’s army will arrive anytime. Joffrey is going to be busy. I’m always here for you, Sansa.” You reassured once more, for her to know she’s not alone.

“I feel trapped. But when you’re around... you make everything better.” Hearing that made you feel a wave of joy. She blushed and gods, your face was the color of her hair too.

“I’m not going anywhere. I promise.” You said smiling sincerely at her. She smiled back at you.

The following days passed so very fast, now you were helping uncle Tyrion do some researching on books to find information to use for the incoming battle. The King himself apparently is occupied torturing people and animals to care for his Kingdoms. Bronn was there too, your uncle thought he’d come with some ideas for the defense of the city.

You were distracted, to say the least, your mind wandering in the redhead beauty, in how she seemed to be troubled almost all the time.

“Dear niece, I need your cleverness.” You came out of your trance.

“We are very lucky to have you as Hand of the King, uncle, otherwise we’d be doomed. And I mean it, no sarcasm. I want to join you in the field.” Tyrion wasn’t expecting to hear that statement. You knew you could be effective.

“What? Absolutely not. The last time in the riot the gods were good and you were unharmed. This is way different. I know you are brave, just like Robert was, but I would never forgive myself if something happened to you. Let alone the fact your mother won’t allow it.”

“I can take care of myself. Joffrey won’t last a moment there. Maybe I can coax him to fight along his men.”

“I wish you could. He won’t listen.”

“I’ll do it anyway.”

“So stubborn. My brain might explode before I find something helpful. ‘A History of the Great Sieges of Westeros.’ By Archmaester Shevelathin. Shevelatesh.”

“Ch’Vyalythan.” You corrected him.

“Are you sure?” You shrugged.

“My Princess. Lord Hand. Commander. I must compliment you on the Gold Cloak’s performance last few weeks. Did you know there has been a marked drop in thievery?” Lord Varys said entering the room.

“How did you accomplish this?”

“Me and the lads rounded up all the known thieves.” Bronn nonchalant replied.

“For questioning?”

“No. It’s just the unknown thieves we need to worry about now.”

“We’ve talked about this.”

“Have you ever been on a city under siege? Maybe this part is not in your books. See, it’s not the fighting that kills most people. It’s the starving. Food’s worth more than gold. The thieves love a siege. Soon as the gates are sealed they steal all of it. By the time it’s all over, they’re the richest men in town.”

“Yes, I believe extreme measures are warranted. Ah ‘The Great Sieges of Westeros.’ Thrilling subject, shame archmaester Ch’Vyalthan wasn’t a better writer.” Varys referred to the big book on the table.

“Uncle Stannis knows King’s Landing, he knows where we are the strongest and where we are the weakest. We need to be cautious. Take him down before he arrives at the gates.” Now you were focusing, strategy was essential.

“That’s it! The Mud Gate. A good ram will batter it down in minutes, and it’s only fifty yards from the water. That’s where he’ll land.” Tyrion affirmed certainly.

“If he does attack at the Mud Gate, what is our plan?” Varys curiously inquired. Tyrion looked at you, and then back at him.

“Wildfire.” He said.

After discussing the tactics you went to share some time with Sansa, she is one of the few people who gives you peace. Little Tommen was on his reading lessons. She was embroidering a red scarf with two lions on the top. Your heart warmed at the sight of it.

“Shae is not here?”

“I dismissed her an hour ago.” Then she stood up. “A present for you.”

“Why do I owe the pleasure?” You admired her flawless needlework.

“Because you always save me. You are always there for me. I don’t know how can I ever repay you.”

“You don’t have to, you know I do it cause I love you I’m your friend. But I appreciate the gift though. It is a very fine design.” She flushed, seeing her like this is very cute.

“You think... your brother is going to defeat Lord Stannis?”

“Brave men will fight. I have faith in them and in my uncle’s plan. I-I might... get involved.”

“Is this a bad joke?” She looked at you perplexed.

“I’m afraid is not.”

“Y/N, you could die! You are strong but still too young to go to war. And you are a princess.” Sansa winced. You squeezed gently her arm.

“I won’t die. I heard uncle Renly had in his Kingsguard a female warrior. And what about Visenya Targaryen? She was a fantastic skilled warrior as well. She fought alongside Aegon in his conquest, and in the First Dornish War. Also, she was a dragon rider, she bonded with the one called Vhagar. And had a Valyrian steel longsword named Dark Sister. I wish I had one.” You commented, utterly excited. Sansa didn’t really like the topic but her eyes lighted up every time you talked about something you were passionate about.

“You never cease to amaze me, you know so much about these things. I understand now why Arya and you got along so well.” And it’s true, you wished she was here, you missed the youngest Stark girl running around the castle. “But still, I don’t like the idea of you being out there. It’s too dangerous. You said you weren’t going anywhere.” She mumbled the last sentence.

“Trust me.” You held her hands on your own.

“Just be careful, please. Don’t leave me alone.”

“I will be. And I’ll never leave you.”

You were walking side by side with the King, Varys, and Tyrion on the eastern walls.

“If my uncle Stannis lands on the shores of King’s Landing, I’ll ride out to greet him.” Joffrey smugly spoke.

“A brave choice, your grace. I’m sure your men will line up behind you.” Tyrion subtly jeered.

“They say he never smiles. I’ll give him a red smile from ear to ear.” You rolled your eyes, knowing he wouldn’t stand a chance against him on his own. Lord Varys and your uncle began to converse with each other.

“Hey, Y/N. I heard you want to join us in the fight.” He said in a mocking way.

“You think I’m not capable?”

“Exactly. You are a woman. Not that I really care about what happens to you. You’ll die out there.”

“You have little faith in me, big brother. But still, I’m way better than you in almost everything.” You squinted your lips. “No! In absolutely everything. Don’t worry, I’ll pray for our victory.”

“I already know your whore friend has flowered. I’ll come to visit her right after I kill our uncle.” He hissed and you didn’t punch him right away right there cause you held back your fury. He was provoking you, you would get your knuckles bloody for Sansa if he goes too far.

“...They say he burns his enemies alive to honor the Lord of Light.” You joined the conversation between the two men.

“The Lord of Light wants his enemies burnt. The Drowned God wants them drowned. Why are all the gods such vicious cunts? Where is the god of tits and wine?” Tyrion wittily questioned.

“In the Summer Isles, they worship a fertility goddess with sixteen teats.” Varys responded.

“We should sail there immediately.” You smirked.

“Lord Varys, do you know anything new about the Targaryen girl?" Some nights you wonder, if your father hadn't won the Rebellion she would be here, this would be her home, she was exiled so she could survive, she was forced to marry a savage, her family is dead, the world is such a cruel place... and when you are a helpless girl it gets worse, what if things had turned out differently? And you were the one on the other side of the world, maybe that's one of the main reasons why you sympathized with her.

“This morning, I heard a song all the way from Qarth beyond the Red Waste. Daenerys Targaryen lives.”

“That’s a relief.” You said.

“A relief? She has three dragons. But even if what they say is true, it’ll be years before they are fully grown. And then there will be nowhere to hide.” Varys argued.

“She’s on the edge of the world, the least of our problems.” Uncle Tyrion tried to sound unconcerned.

“Three baby dragons? How is that possible?” They were extinct for almost three hundred years. How she managed to bring them back?

“Princess, do you consider it was wise to let her live? If you knew then what you do now... would you persuade his grace to give the order? She might be a threat soon enough, she will claim the throne-“

“Maybe she’s not interested in it. Not everyone is. Especially the rightful heirs. She did nothing wrong.”

“Yet.”

“I don’t regret my choice. I wouldn’t change it if I could.” You were confident, she’s innocent, one game at the time, you thought. Just because her ancestors were evil doesn’t mean she is evil too.

“You are so selfless, and good. Westeros might need a Queen like you.” Varys remarked.

“I’m no Queen, my Lord.” The throne belongs to you more than to Joffrey that was for sure, but how can you overthrow snakes that know your weaknesses and can use them to sting and hurt you the most?

#game of thrones fic #got #game of thrones imagine #sansa stark x reader #sansa x fem baratheon reader #baratheon reader #house baratheon

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thebluelemontree · 4 years

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Hiya blue lemon it's me again. Do you have any criticism in the way GRRM wrote Sansa in book1/2? EX:.Sansa and Jeyne are BFF but we amolst never see the girls talking to eachother, and when JP is sex traffikced sansa just forget about her(we could have a scene where sansa try to find what happened to JP or at least grieve for her). Every time sansa appears as a non-POV in AGOT she's been mean and whe we have her POV she's mean for no good reason(SANSA III AGOT). >PART 1<

And the worst is why GRRM wrote sansa goin to Cercei to tell her the "Ned Plans", it's just bad writing, Cercei kill lady so Sansa going to her was OOC GRRM just wrote that to we hate Sansa And in the book it's not explained what "the Ned plans" was(And it was nothing imortant at all, and would make no difference at Ned's fate) so ordinary readers blame Sansa for Ned's death and GRRM does that too in book 2 Cercei put all the blame for Ned death in sansa nd "the Ned Plans" Your thoughts?PART 2

There’s a lot to unpack here.

I get a sense that in the early books, George was not as comfortable writing female relationships as he was writing male relationships or even male-female ones. I mean, Catelyn has no female friends, no companions like Margaery Tyrell’s cousins, no fostering wards of her own, no correspondences with other ladies except that one letter from Lysa for plot reasons. This is just weird for the lady of two major houses. It is neglectful on George’s part to give most of the important social connections to men. This doesn’t mean he was totally inept at writing female relationships, though, and it does seem like he’s tried to improve upon highlighting the positive in later books.

By comparison, the positive side of the brotherly relationships are presented so strongly that it tends to smooth over the conflicts with many readers. Jon can feel envious and resentful of Robb, but the love and loyalty is always in the foreground. The conflict between Arya, Jeyne, and Sansa does have legitimate character arc and plot purposes, so this isn’t bad writing. It’s unfortunate that GRRM presses down so hard on the constant bickering and occasional nastiness, but he did write some positives (albeit they tended to be revealed in later books) and there are understandable reasons for the dynamics. It was not done in a totally unrealistic way. What’s depicted is a typical and relatable rocky period for that age group, and there was negative adult influence at play. It’s not a permanent feature of the sisterhood. It’s all there if you pay attention and you’re inclined to be charitable toward the mistakes of young girls.

If a reader is already predisposed to see the bonds between male characters as more pure and more able to overcome the negative aspects, then they probably also view the bonds between female characters as inherently weaker and more fraught with conflict. Fandom misogyny is not GRRM’s fault. That sector of the fandom will always have contempt for girls for being girls, especially preteen girls. They will always hone in on their faults and belittle their virtues.

I don’t think that is true that we hardly ever see Jeyne and Sansa talking. They are nearly always in each other’s company. There was real friendship between Sansa and Jeyne, because what George does do well with them, is realistically write the way girls cement their bonds. Young girls strengthen their relationship by communicating and confiding in each other. Sharing secrets, crushes, hopes, fears, and pieces of gossip builds trust and intimacy. Jeyne and Sansa do this all the time, even though they can have different opinions and disagree about a lot. Yes, there is some one-sidedness in that Sansa socially outranks Jeyne and believes that makes her more mature and wiser than her friend. Jeyne is dependent on her closeness to Sansa as a highborn lady and future queen to rise successfully, so she’s not going to push back on Sansa’s dominance. This is also a reason Jeyne sometimes bullies Arya to supplant her as Sansa’s “sister.” When Sansa has something to share, she goes to Jeyne to talk about it. I think it’s hilarious that the girls have a debate over which castle Gregor Clegane’s head will get spiked. Sansa wants Jeyne at her side for these new and exciting events like the tourney. When things get serious and dangerous, they comfort each other. Again, this is not all George’s fault if some readers don’t recognize or value the way girls do friendships.

It’s stated quite clearly why Sansa tries to not think about Jeyne or her deceased family members very often. It’s fucking traumatic and her survival while among her captors depends on mentally holding herself together.

If only she had someone to tell her what to do. She missed Septa Mordane, and even more Jeyne Poole, her truest friend. The septa had lost her head with the rest, for the crime of serving House Stark. Sansa did not know what had happened to Jeyne, who had disappeared from her rooms afterward, never to be mentioned again. She tried not to think of them too often, yet sometimes the memories came unbidden, and then it was hard to hold back the tears. Once in a while, Sansa even missed her sister. By now Arya was safe back in Winterfell, dancing and sewing, playing with Bran and baby Rickon, even riding through the winter town if she liked. Sansa was allowed to go riding too, but only in the bailey, and it got boring going round in a circle all day. -- Sansa II, ACOK.

Following her father’s beheading, Sansa was in a suicidal depression for days. She wouldn’t eat, wouldn’t bathe, welcomed drug-induced sleep, and contemplated killing herself. If she thinks too much on those she lost, she falls to pieces. She can’t openly weep and mourn for “traitors” if her life depends on appearing to be loyal to Joffrey. Most of her grief is suppressed inside. This also includes asking too many questions she doesn’t feel psychologically prepared to hear the answer to. She was there when the decision was made to shuttle Jeyne off to Littlefinger; however, she has no idea this is going to result in Jeyne being sent to a brothel and worse. I would also keep in mind that even if she did ask, it’s not like Cersei or Littlefinger would ever tell her the truth. Why would they? Does she really want to hear lies and have to think about what the horrible truth might be when she can’t do anything about it? When it comes to Arya, Sansa believes her sister escaped on the ship bound for home. She comforts herself with imagining that Arya is safe and free, and that’s enough to keep her going.

And she prays and sings for Jeyne, wherever she is.

It’s only until later in the books that Sansa feels emotionally at peace enough to start remembering the good times with Arya and Jeyne without breaking down into tears. We can also see the conflicts weren’t always a thing, and the love was strong with all three.

Sansa began to make snowballs, shaping and smoothing them until they were round and white and perfect. She remembered a summer's snow in Winterfell when Arya and Bran had ambushed her as she emerged from the keep one morning. They'd each had a dozen snowballs to hand, and she'd had none. Bran had been perched on the roof of the covered bridge, out of reach, but Sansa had chased Arya through the stables and around the kitchen until both of them were breathless. She might even have caught her, but she'd slipped on some ice. Her sister came back to see if she was hurt. When she said she wasn't, Arya hit her in the face with another snowball, but Sansa grabbed her leg and pulled her down and was rubbing snow in her hair when Jory came along and pulled them apart, laughing. -- Sansa VII, ASOS.

It was most unladylike, but Alayne sound found herself laughing. For just a little while, as she ran, she forget who she was, and where, and found herself remembering bright cold days at Winterfell, when she would race through Winterfell with her friend Jeyne Poole, with Arya running after them trying to keep up. -- Alayne I, TWOW.

So it’s not even that the girls only bond through confiding. They run, play, and roughhouse with each other. It’s interesting that AGOT!Sansa tried to be so mature and proper, but now that she’s older, she’s remembering how good and freeing it was just to be a kid. But let’s not act like this part of the story is over. Jeyne is still very much alive and seems likely to run into Arya in Braavos. We can almost be 100% certain that Sansa will find out the truth about what happened to Jeyne and what Littlefinger did to her (and her parents), then watch out. Sansa will turn all that buried pain into a righteous fury at Littlefinger.

Now as for Sansa being mean for “no reason.” Um... yeah, LOL. Sometimes she’s just a total unwarranted bitch to her sister, and it’s not meant to be a good look. Sometimes she’s superficial, insufferably immature and annoying, judgmental and prejudiced AND THAT’S OKAY. I mean, she sounds no better or worse than your average middle-schooler if they were of the privileged nobility. Guess what? Sometimes preteens are really like that. Sometimes siblings have ugly, knockdown drag out fights where they say horrible things to each other. Most will grow past those phases and still wind up just as loving and close. It’s realistic and believable. Sansa has flaws, but they aren’t deep moral flaws. She does an amazing job at growing, learning, and overcoming those flaws over the course of the books. In TWOW, she’s warm and affectionate with people, easy-going, nonjudgmental, and genuinely more mature than ever. She took the stick out of her ass and became a happier person for it. What’s the problem? What did you want her to be? Perfect? Unfailingly kind and loved by everyone all the time? She’d be a saint, not a multifaceted human being. Even with her occasional ugly side, Sansa is still a strong, smart, compassionate badass. I don’t care if some people don’t like her as she is written or if they vilify her with their misinterpretations or ignore her strengths. What bearing does that have on GRRM’s vision for her character? He never set out to write any character that the whole fandom would either unanimously love or hate.

This is not bad writing. This NOT bad writing. This is GOOD writing.

*Sigh* Listen... this whole nonsense about Sansa being to blame for Ned’s demise has been going on since ASOIAF was written on clay tablets. You don’t have to listen to every stupid thing the fandom says about anything. It’s just factually wrong. End of story. This misinterpretation and reader inattentiveness is not GRRM’s fault, because he lays out all the details of everything that went down between Arya, Ned, and Sansa’s POV as it was happening. It’s totally understandable why an upset and frustrated Sansa would go to Cersei, the mother figure she implicitly trusts and admires. She didn’t go to Cersei to betray her father’s plans. She went to the queen to intercede in what she thought had to be some big misunderstanding, having no idea what was really going on or at stake.

This is not OOC for her to go to Cersei after Lady’s death. The hand that killed Lady was her own father’s, a undeniable breach of trust that wounded their relationship. Ned just doesn’t really do a lot to deal with the emotional aftermath either. Ned and Sansa are very similar in turning a blind eye when confronted with unpleasantness from someone they love. Ned is also at that moment disillusioned with Robert’s failure to do the right thing after the Trident incident. He begs Robert in the name of their brotherly love and the love he bore Lyanna, and Robert turns his back on Ned anyway. Yet Ned immediately goes right back to believing in the best of Robert’s nature, despite all evidence to the contrary. Every sign points to this being a one-sided friendship with Robert being lazy, irresponsible, and completely selfish. Like father, like daughter. Sansa has a very hard time accepting that Joffrey and Cersei are not the people she thought they were, even when she’s seen some cracks. And since she can’t understand her father’s actions and the communication has been shot to hell between them, of course she runs to Cersei with her problems. Cersei can flip a switch and pretend to be kind, loving, and understanding.

This is so typical of a teenage thought process: “Dad just doesn’t understand and he’s making a big mistake. I don’t understand why he’s doing this. He doesn’t get how important this is to me. This will all work out if a sympathetic adult steps in and fixes it. Everything will turn out great and we’ll all be happy.” While Sansa is pouring her heart out about how it isn’t fair she can’t say goodbye to Joffrey, Cersei pretends to be that sympathetic mother figure that really understands her. How hard would it be then to pump Sansa for information? Like “Oh my sweet little dove. I know how much you love my son. Don’t worry. I’ll help you straighten this out. You said your father wants to send you away? How? When? What’s the name of that ship again?”

And that line from Cersei’s POV is horseshit. Cersei is a liar and regularly lies in her POV to absolve herself of responsibility and force the blame entirely on others. In this case, Cersei is acting like she didn’t totally manipulate a trusting child to betray her. We also know this is a lie because Ned was the one that told her himself of his plans to reveal the invest and remove her as queen. Sansa had nothing to do with that. All Sansa did was give Cersei information that allowed Cersei the opportunity to take her hostage before the girls could leave by ship. Cersei’s plans against Ned were already well underway. Sansa never came to her with the intent of knowingly betraying anyone, but she did have selfish reasons for going to the queen to complain in the first place. GRRM said himself that Sansa wasn’t to blame for Ned’s capture or death, but she did play a role in the events that transpired. That’s fair. All that makes her is a kid who made a not entirely innocent mistake, but a mistake nonetheless, which she immediately learned from. Does she trust Cersei or Joffrey again? Hell no.

Relax, anon. It’s fine for her to not be nice all the time. It’s fine for her to have some realistic, garden variety flaws. It’s one of the most universal human mistakes to fall too hard and fast for the wrong person, act the fool over them despite all the red flags, only to realize you only saw what you wanted to see in them. And Sansa learned this lesson at eleven when some adults haven’t learned it at all. Relax. She’s a great, well-written, relatable character who has overcome most of these issues successfully.

#Sansa stark meta #sansa stark #sansa stark characterization #asoiaf characterization #arya stark #jeyne poole #ned stark #asoiaf commentary #fandom nonsense #Anonymous #my meta

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alinaastarkov · 4 years

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Motherhood - Arya, Daenerys, Brienne and Sansa

So this is in response to an ask I got and it ended up really long so I thought I would post separately. I’m not great at writing proper metas but this is my poor imitation of one at least, so here goes.

Motherhood and children are key parts of Arya, Brienne and Dany’s arcs. They all act as mothers to other characters in their stories and seem to have a natural maternal instinct that you normally don’t find in female characters who are gnc because men usually just can’t write strong women. Ususally female characters get the choice between children or having skills, but Brienne, Arya and Dany get both in their arcs. On the flip side, Sansa on the outside is a prime candidate for motherhood - she dreams of having children, is romantic, traditionally feminine, etc. But GRRM deconstructs these tropes by almost making her not very maternal at all.

Sansa outwardly conforms to patriarchal gender norms but she doesn’t take joy in or have the instincts of a mother. Her dreams were usually limited to marriage and not much beyond that. She’s growing out of her superficial desires, obviously, but she always thought about romance and being a lady, and having babies was a part of that because of the society she grows up in. She never wanted to actually care for children, she was just told that was an essential part of a “happy ending” and so she bought it. Her dreams about children were only ever about babies. She wants the fantasy, not the reality of raising kids. We can see with her behaviour with Sweetrobin - though it is improving - she really doesn’t have those motherly instincts and disdains the truths of having to care for someone younger.

It was more than Sansa could stand. "Robert, stop that." Instead he swung the doll again, and a foot of wall exploded. She grabbed for his hand but she caught the doll instead. There was a loud ripping sound as the thin cloth tore. Suddenly she had the doll's head, Robert had the legs and body, and the rag-and-sawdust stuffing was spilling in the snow. Lord Robert's mouth trembled. "You killlllllllled him," he wailed. Then he began to shake. It started with no more than a little shivering, but within a few short heartbeats he had collapsed across the castle, his limbs flailing about violently. White towers and snowy bridges shattered and fell on all sides. Sansa stood horrified, but Petyr Baelish seized her cousin's wrists and shouted for the maester. - Sansa VII, ASOS

Robert's lip quivered. "I was going to come sleep with you." I know you were. Sweetrobin had been accustomed to crawling in beside his mother, until she wed Lord Petyr. Since Lady Lysa's death he had taken to wandering the Eyrie in quest of other beds. The one he liked best was Sansa's . . . which was why she had asked Ser Lothor Brune to lock his door last night. She would not have minded if he only slept, but he was always trying to nuzzle at her breasts, and when he had his shaking spells he often wet the bed. - Sansa I, AFFC

Alayne understood all that well enough, but it meant that the burden of getting Sweetrobin safely down the mountain fell on her. "Give his lordship a cup of sweetmilk," she told the maester. "That will stop him from shaking on the journey down." "He had a cup not three days past," Colemon objected. "And wanted another last night, which you refused him." "It was too soon. My lady, you do not understand. As I've told the Lord Protector, a pinch of sweetsleep will prevent the shaking, but it does not leave the flesh, and in time . . ." "Time will not matter if his lordship has a shaking fit and falls off the mountain. If my father were here, I know he would tell you to keep Lord Robert calm at all costs." "I try, my lady, yet his fits grow ever more violent, and his blood is so thin I dare not leech him any more. Sweetsleep . . . you are certain he was not bleeding from the nose?" "He was sniffling," Alayne admitted, "but I saw no blood." "I must speak to the Lord Protector. This feast . . . is that wise, I wonder, after the strain of the descent?" [...] "Just give him a cup of the sweetmilk before we go, and another at the feast, and there should be no trouble." "Very well." They paused at the foot of the stairs. "But this must be the last. For half a year, or longer." "You had best take that up with the Lord Protector." She pushed through the door and crossed the yard. Colemon only wanted the best for his charge, Alayne knew, but what was best for Robert the boy and what was best for Lord Arryn were not always the same. Petyr had said as much, and it was true. Maester Colemon cares only for the boy, though. Father and I have larger concerns. - Alayne II, AFFC

In the last quote she says she has “larger concerns” than Robin’s health. All these characters are forced into motherly roles, even if they don’t like it at first, but Sansa is the only one of them who never actually feels that instinct to care for the child over other concerns. Not all people have motherly instincts so this is not a bad thing, it is simply a truth about her character. She does not have the connection to motherhood and children that others do.

Brienne, Arya and Dany on the other hand don’t conform to gender norms but they don’t disdain traditionally feminine women and all have super maternal instincts. Motherhood and children are an important part of all these characters’ arcs. With Dany, it’s blindingly obvious, and Brienne and Arya have this on a smaller scale, but they all care for and protect people like mothers. Sometimes this means being forceful to ensure they listen and are protected, but all mothers do the same.

The fire leapt from one house to another. Arya saw a tree consumed, the flames creeping across its branches until it stood against the night in robes of living orange. Everyone was awake now, manning the catwalks or struggling with the frightened animals below. She could hear Yoren shouting commands. Something bumped against her leg, and she glanced down to discover the crying girl clutching her. "Get away!" She wrenched her leg free. "What are you doing up here? Run and hide someplace, you stupid." She shoved the girl away. - Arya IV, ACOK

They found Gerren too, but he was hurt too bad to move. As they were running toward the barn, Arya spied the crying girl sitting in the middle of the chaos, surrounded by smoke and slaughter. She grabbed her by the hand and pulled her to her feet as the others raced ahead. The girl wouldn't walk, even when slapped. Arya dragged her with her right hand while she held Needle in the left. Ahead, the night was a sullen red. The barn's on fire, she thought. Flames were licking up its sides from where a torch had fallen on straw, and she could hear the screaming of the animals trapped within. Hot Pie stepped out of the barn. "Arry, come on! Lommy's gone, leave her if she won't come!" Stubbornly, Arya dragged all the harder, pulling the crying girl along. Hot Pie scuttled back inside, abandoning them . . . but Gendry came back, the fire shining so bright on his polished helm that the horns seemed to glow orange. He ran to them, and hoisted the crying girl up over his shoulder. "Run!" - Arya IV, ACOK

"Mostly just roofs," Arya admitted, "but some chimneys were smoking, and I heard a horse." The Weasel put her arms around her leg, clutching tight. Sometimes she did that now. [...] "If we see any leg potion, we'll bring it," Gendry said. "Arry, let's go, I want to get near before the sun is down. Hot Pie, you keep Weasel here, I don't want her following." [...] "You leave Weasel alone, she's just scared and hungry is all." Arya glanced back, but the girl was not following for once. Hot Pie must have grabbed her, like Gendry had told him. [...] Lommy and Hot Pie almost shit themselves when she stepped out of the trees behind them. "Quiet," she told them, putting an arm around Weasel when the little girl came running up. [...] "She ran off when she heard you coming," Lommy said. "You made a lot of noise." And Arya thought, Run, Weasel, run as far as you can, run and hide and never come back. - Arya V, ACOK

She would make much better time on her own, Arya knew, but she could not leave them. They were her pack, her friends, the only living friends that remained to her, and if not for her they would still be safe at Harrenhal, Gendry sweating at his forge and Hot Pie in the kitchens. If the Mummers catch us, I'll tell them that I'm Ned Stark's daughter and sister to the King in the North. I'll command them to take me to my brother, and to do no harm to Hot Pie and Gendry. They might not believe her, though, and even if they did . . . Lord Bolton was her brother's bannerman, but he frightened her all the same. I won't let them take us, she vowed silently, reaching back over her shoulder to touch the hilt of the sword that Gendry had stolen for her. I won't. - Arya I, ASOS

Arya with Weasel is such a strong example of her motherly instincts. Even though Arya is only 9/10 herself, she takes it upon herself to care for others even when everyone else is telling her not too. Like every other mother, she forces Weasel to do what’s best for her, protecting her even if it makes Weasel upset for a while. At least she’s alive and safe. And she’s good at being motherly too. Eventually, Weasel is actively seeking out Arya as her protector, clinging to her leg, and Arya holds Weasel so casually and naturally, it’s pretty much automatic. And her attachment to her “pack” throughout is just an extension of this because she is always “at the head”, the leader, the protector, the mother.

"They will not hurt me," she told him. "They are my children, Jorah." She laughed, put her heels into her horse, and rode to them, the bells in her hair ringing sweet victory. She trotted, then cantered, then broke into a gallop, her braid streaming behind. The freed slaves parted before her. "Mother," they called from a hundred throats, a thousand, ten thousand. "Mother," they sang, their fingers brushing her legs as she flew by. "Mother, Mother, Mother!" - Daenerys IV, ASOS

Dany had left a trail of corpses behind her when she crossed the red waste. It was a sight she never meant to see again. "No," she said. "I will not march my people off to die." My children. "There must be some way into this city." - Daenerys V, ASOS

Safe. The word made Dany's eyes fill up with tears. "I want to keep you safe." Missandei was only a child. With her, she felt as if she could be a child too. "No one ever kept me safe when I was little. Well, Ser Willem did, but then he died, and Viserys … I want to protect you but … it is so hard. To be strong. I don't always know what I should do. I must know, though. I am all they have. I am the queen … the … the …" "… mother," whispered Missandei. "Mother to dragons." Dany shivered. "No. Mother to us all." Missandei hugged her tighter. "Your Grace should sleep. Dawn will be here soon, and court." "We'll both sleep, and dream of sweeter days. Close your eyes." When she did, Dany kissed her eyelids and made her giggle. - Daenerys II, ADWD

The motherhood part of Dany’s arc is pretty much undeniable. She is the mother to dragons, mother to all her people. She calls them her “children”, they call her “Mhysa” and their care is her primary concern. As seen in the last quote, she agonises over not protecting them well enough, she worries constantly that she is putting them in danger when all she wants to do is keep them safe. Missandei reminds her that she is their mother and she is protecting them as best she can, and like Arya and Brienne she acts motherly in a more personal sense here, making Missandei giggle. Without a doubt, Dany is the best protector her children could have asked for. Motherhood I’m sure will only become more prevalent in Dany’s story going forward.

So far he had been true to his word, and Brienne had been true to hers. Podrick had not complained. Every time he raised a new blister on his sword hand, he felt the need to show it to her proudly. He took good care of their horses too. He is still no squire, she reminded herself, but I am no knight, no matter how many times he calls me "ser." She would have sent him on his way, but he had nowhere to go. Besides, though Podrick said he did not know where Sansa Stark had gone, it might be that he knew more than he realized. Some chance remark, half-remembered, might hold the key to Brienne's quest. - Brienne III, AFFC

Brienne had been betrothed at seven, to a boy three years her senior, Lord Caron's younger son, a shy boy with a mole above his lip. They had only met the once, on the occasion of their betrothal. Two years later he was dead, carried off by the same chill that took Lord and Lady Caron and their daughters. Had he lived, they would have been wed within a year of her first flowering, and her whole life would have been different. She would not be here now, dressed in man's mail and carrying a sword, hunting for a dead woman's child. More like she'd be at Nightsong, swaddling a child of her own and nursing another. It was not a new thought for Brienne. It always made her feel a little sad, but a little relieved as well. - Brienne III, AFFC

One of the women was very old, one was heavy with child, and one was a girl as fresh and pretty as a flower in spring. When Meribald took them off to hear their sins, Ser Hyle chuckled, and said, "It would seem the gods walk with us . . . at least the Maiden, the Mother, and the Crone." Podrick looked so astonished that Brienne had to tell him no, they were only three marsh women. - Brienne V, AFFC

"Podrick has never harmed you. My father will ransom him. Tarth is called the sapphire isle. Send Podrick with my bones to Evenfall, and you'll have sapphires, silver, whatever you want." [...] Brienne felt the hemp constricting, digging into her skin, jerking her chin upward. Ser Hyle was cursing them eloquently, but not the boy. Podrick never lifted his eyes, not even when his feet were jerked up off the ground. If this is another dream, it is time for me to awaken. If this is real, it is time for me to die. All she could see was Podrick, the noose around his thin neck, his legs twitching. Her mouth opened. Pod was kicking, choking, dying. Brienne sucked the air in desperately, even as the rope was strangling her. Nothing had ever hurt so much. She screamed a word. - Brienne VIII, AFFC

Brienne is similar to Arya in terms of motherly instincts. She maybe begrudges her responsibility to Pod at first, but she recognises that responsibility straight away and takes it on nevertheless, protecting him, teaching him, encouraging him. Pod meanwhile seems to love Brienne, taking pride in being her squire, wanting to be at her side at all times. In the end, honour, quite possibly the most important thing for Brienne, is sacrificed to save Pod’s life.

It’s another deconstruction of classic fairy tale characters. Motherhood is associated with protection, and so the gnc women in the series taking on protector roles of the more traditional sense (ruling, wielding a sword, knighthood, etc.) are also mothers at the same time, and the classic princess is what she would realistically be like - superficial and largely without those instincts. It’s another reason to think Arya/ Brienne/ Daenerys will end the series with children of their own.

#asoiaf meta #my meta #this one kind of got away from me #but here you go anyway #daenerys targaryen #arya stark #brienne of tarth #sansa stark #motherhood #acok #asos #affc #adwd #it's not really a meta or that well written so I apologise

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ficsilike-reblogged · 4 years

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Blood in the Rivers: I

A/N: I don’t even know, fam. This was supposed to be just smut but then The Plot happened and now this is 13.4k words and nowhere near finished. Now, it is somehow righting the wrongs D&D (and GRRM, let’s be real) trolled us with. There will be obvious canon-divergence right off the bat.

Pairing: Oberyn Martell x Ellaria Sand x F!Reader (Tully)

Rating: M for canon typical violence, canon typical sexism, things get hot and heavy (or at least I try to make them...? Whatever. you be the judge) and my overuse of italics

Word Count: 13.4k (jfc)

Summary: Y/N Tully always knew how to play the part of the perfect lady when someone was watching. It was a game she liked to play, knowing how to act in order to get what she wanted. But now, as the War of the Five Kings rages, Y/N knows she needs allies if she wants to keep her family safe and her head on her shoulders. But in this game, everything has a price.

Chapter One: Plots, Plots, Plots

Smuggling Sansa out of King’s Landing had consumed the youngest Tully. While she played the part of dutiful peon, renouncing her father, uncle, and cousin and their actions against the crown, she was plotting. Sansa was sweet and kind and everything Y/N knew she should be as a highborn lady. Watching Joffrey command Meryn Trent to beat and strip her cousin’s eldest daughter in front of a crowd had only driven her to near madness in her quest to protect Sansa. It only took a handful of weeks for the plan to be finalized. Murmurs of Stannis Baratheon’s impending attack were quickly sweeping through the Red Keep and all of King’s Landing.

She set off toward the Keep’s rookery with two small missives neatly stacked together. An aged maester had been the same guardian of the ravens for decades. Blind in one eye and slow to walk, she knew her window was reasonable but still limited. He was also a loyal dog to the queen. Each of her movements would be whispered in Cersei’s ear by lunch.

She stepped into the rookery and resisted the urge to wrinkle her nose at the scent of shit and dirt and dust. It was just another reminder of how far away she was from Riverrun and its clean air, always scented with the mist and overgrown grasses.

The Maester stood slowly from his cluttered desk and offered her a small smile. “Ah, Lady Tully. How may I help you?”

She held up the slips of parchment to make it look like a single letter. “A missive for my Uncle Hoster.”

“Ah,” the maester said, the sound catching in his throat. “Another plea for him to see reason?”

“Of course.” She handed over the carefully written and brief letter while tucking the other into her palm.

The maester read it and nodded. “You are a service to your house, my lady.”

She pressed a pleased smile to her lips and dipped her head demurely, as she had half a dozen times before. Edmure and Hoster were aware that she would be pressed to write stupid letters like the one in the maester’s spindly fingers. The only truth written in those missives were that she loved them. “I thank you for that.” She then plucked it from his fingers with another smile and started to walk backward toward the cage.

“May I send it for you, my lady? The ravens here tend to be fickle beasts if they do not know your face.” The maester smiled kindly and held out his hand for her letter again.

But she shook her head and continued backward. It was true, usually her letters were taken directly from her desk and sent off without having to go to the rookery herself—but this called for a change. She’d visited the rookery last week to see how it was divided between the realms and she could time how quick she needed to be in her task; it had been under the guise of being lost looking for the Grand Maester to “ask for guidance as to how to bring her errant father and uncle back under the guidance of the Crown.” It was all so easy to play the part of mindless crown loyalist. “The ravens of Riverrun have always adored me—I do not see why these would be any different. But I do thank you for the offer.”

She skittered through the door and quickly found the correct batch of ravens and fastened the small slip of parchment to the raven’s leg and set it loose before flittering over to the ravens meant for Riverrun and tying the other. She set that one loose a little slower as she heard the maester step into the large cage with his uneven gait. She made a bit of a show of watching the raven fly away in the window and turned and heaved a hearty sigh.

“They seem to like you.” He chuckled, another dry, rasping sound.

“Yes, I suppose.” Another exaggerated sigh. “I do hope Lord Tully listens to reason this time.” She then curtseyed and walked away. The maester looked relieved as she said goodbye to him and took her leave of the rookery.

But it was done.

And when the Red Keep was essentially barricaded against the coming attack, she knew her time had come. She slipped out of Maegor’s Holdfast without too much fanfare. Cersei was drunk and had requested more wine anyway. Y/N saw the opportunity for what it was and left the Holdfast under the guise of serving the Queen, just ahead of schedule.

Sounds of the battle echoed through the strangely empty halls as she hurriedly made her way toward her destination. Quiet footsteps soon followed her and she skirted around a corner and pulled out the small dagger she’d hidden in her sleeve. But it was poor Sansa who had followed her—much earlier than what they had agreed upon.

“I-I’m sorry!” Sansa whimpered as she stared at the sharp edge of her “cousin’s” blade.

“You are fine, my little one. I’m sorry I almost cut you.” She quickly hid the dagger away and took Sansa’s hand, leading her back toward her chambers. The older of the two was equal parts relieved and shocked to see the Hound waiting in Sansa’s rooms. “Sandor.” His name came like a rushed breath. “You are early.”

“I’m not doing-”

“Take Sansa to Dorne.”

Both of them gaped at the request.

“What?” It was Sansa who finally broke the tense silence of the room. “Dorne? B-but, I-”

She gathered the Sansa’s hands in her own and kissed her shaking fingers. “You will be safe. Sandor will see you there without harm. Everyone will think you’ve gone North and scavenge and pillage looking for you. No one will think to look for you in Dorne. The Martells have no love for the Lannisters even with the betrothal of Trystane and Myrcella. They will know of your story.” She knew it to be a shaky alliance to begin with, especially with Myrcella being betrothed to Trystane. But betrothals could be broken and their memories were long. And this was the best option for Sansa. The only.

“You won’t come with me?” Tears gathered in her eyes.

She shook her head. “I must let them think they’ve won. I still have a part to play in this game.” She then turned to the taciturn soldier. “What say you, Sandor? Will you deliver Sansa to Dorne? Keep her safe, unharmed, and untouched?”

His burnt face twisted in a grimace. “I should take her North. Like I said-”

“But you will not. South is safe. Keep her safe.” She bent and pulled something from her skirts—a small satchel of coin. She pushed it into his hands when he didn’t move to accept it.

“I don’t want your fuckin’ coin-”

“This is for food and shelter during your travels. Take it. Now.” She only let herself smile when he did. “You may not believe in knighthood, Sandor. But you are the only man I’ve met who even compares to a true knight.”

The burnt man frowned at her words but didn’t say anything. He took several steps back as Sansa flung her arms about Y/N’s shoulders in a fierce embrace.

“I love you.”

“I love you, too, little one. Now, you must stay alive.” A handful more of quiet encouragements and goodbyes were spoken before she pulled a small sack from beneath Sansa’s bed and handed it to her. “A few dresses for the warmer weather. And I stole some lemon cakes from the kitchens.”

Sandor snorted.

Sansa nodded with tears in her eyes and let out a shaking breath as Y/N kissed her forehead. “Go, Sansa. Live.” She watched Sansa place a shaking hand in Sandor’s before they quietly disappeared into the night.

Outside, the battle raged on. Y/N slipped out of Sansa’s chambers and walked toward the Holdfast once again. She hid away in a darkened passageway and once again drew her dagger. It didn’t take long for her to complete the final task of her plan for the night. She had grabbed a jug of wine from the kitchens and let it slip from her fingers with a crash before turning the blade on herself. Pain bloomed through her stomach and her dagger clattered to the ground, slipping from her now-slick, reddened grip. “Help me!” She screamed, forcing tears to her eyes. “Help me!”

Life in King’s Landing hadn’t particularly changed since the Tyrells had arrived. Of course, people whispered about Sansa’s disappearance—her favorite rumor was that Sansa turned into a wolf and raced into the battle herself. And Y/N’s stab wound had earned her a strange sort of awe around the court. Stabbed for wine, the stupidity of it all. The official story was that a kitchen maid had tried to steal some jewels (or just food, depending on who was asked) and little Lady Tully had caught the maid in the act before she fled into the night. They stopped by the time her wound had healed. As she sat across from Olenna Tyrell in the gardens, Y/N suddenly wondered if she had finally met an adversary worthy of her time or another ally. Margaery, the beauty and new betrothed to the Brat King, Joffrey after the ‘victory’ of the Battle of the Blackwater, seemed amiable enough as she sat beside her grandmother but a beautiful face often hid an ugly heart. Cersei was proof of that enough.

“You know, a cousin of mine was nearly scandalized by your father,” Olenna said as the tea was poured.

“Scandalized?” she parroted, feeling a smirk touch the corner of her lips. She knew exactly the story she was thinking of. “Surely not.”

“Oh yes. Our father tried to marry her off to Brynden Tully and he said no. ‘No!’ like she was some underfed calf.” She laughed. “It was the most childish fit she’d ever thrown.” Olenna waved away the servants as soon as the plate of lemon cakes was placed upon the table, nearly tipping the bowl of berries. “She eventually married some Vyrwel boy. And your father,” Olenna’s dark eyes suddenly pinned her guest, “married your mother.”

“I’ve heard stories of them, even in The Reach,” Margaery said with a kind smile.

Something tight twisted in her stomach at that, as it always did when a beautiful woman fixed her with a gaze. “I’ve heard a song the Valemen sing. I was unaware that my parents’ union was such fodder for stories across The Realms.” She stirred a bit of honey into her tea, fighting a smile as she always did when she heard of her parents. Some claimed to know her parents as they truly were, but few did. Few knew their story as it actually happened.

“Well, when someone as lofty as a Tully marries a lowborn girl nearly half his age--from Pentos, no less--it is sure to cause quite a stir.” Olenna arched an eyebrow, daring her to refute it. “No matter how pretty.”

“Love is a precarious thing. I cannot fault my father for whom he loved.”

“Love! Pah! Love is for stories and songs.”

“Grandmother, please. I am to be married soon—you said you loved grandfather and I know my lord father loves mother.”

“They learned to appreciate each other, dear girl. There is a difference.”

“I believe in love,” Margaery said, full of conviction but still smiling.

“And you, Lady Tully? Little Fish? Do you believe in love? You are past the age of majority. How you have not yet been married off is a mystery. You are highborn. Wealthy. Beautiful. Did your parents always plan for you to be a septa? A silent sister?” Olenna asked.

A poorly hidden titter nearly sloshed the tea from her cup. “Truly, I do not know.”

The older woman hummed. “I still find it strange that you were not at least introduced to someone after your first flowering.” She sipped her tea. “Have you spoken with your father?”

“No, my lady. He has taken to King Robb’s service.”

“Oh, yes, and to leave your unwed daughter in the Lion’s Den.” She huffed. “Lord Tully, too.”

“Grandmother,” Margaery softly chided.

“It is true and you know it.”

“It is true,” she acknowledged. But she trusted them just as they trusted her.

“But your uncle—he must have had some sense of duty to you.”

Y/N nodded. “Hoster Tully’s duty to me was to see me educated and fed. He succeeded at both. Exceeded at everything else a doting uncle usually deems necessary.” He had allowed her to train with blades and horses when she had excelled past her Maester and Septa’s teachings. It had been hidden from Court at Riverrun. But she had been a natural in that regard, too. She loved to spar and run wild with her horse in the fields and lands around Riverrun. It felt like another life. Or a lifetime ago.

Olenna leaned forward with an odd gleam in her eye. “Oh yes. I’ve heard you were sent as part of the Riverlands delegation when that band of raiders was running amok. The rest of the company left after Eddard lost his head—but not you. You stayed.”

“Leaving Sansa alone in the capital was not an option.”

“Yes, yes. Sansa Stark. The disappeared.”

Margaery shifted in her seat and took a bite of lemon cake, eyes warm but still calculating. But she continued to let her grandmother steer the conversation. “I have been told you were quite close to your cousin’s daughter. She confided in you, did she not? About King Joffrey.”

She took a sip of her tea and regarded the pair. Oh, yes. A formidable match indeed. This was either a half-hearted attempt at tricking her into admitting treason or a true plea for fact.

“Only Sansa would be able to divulge all the small details, I assume. But you will have to do, won’t you? Who else would know better in this wretched city?” Olenna pinned her with another stare. “We’ve heard some troubling tales. Is there any truth to them? Has this boy mistreated Sansa?”

She hummed and spied a man passing by, almost hidden by the bushes and greenery. “King Joffrey, His Grace is very fair and as brave as a lion.”

Olenna huffed as her granddaughter rolled her eyes. “Oh, yes, all Lannisters are lions. And when a Tyrell farts, it smells like a rose.”

Margaery finally spoke, leaning forward in her seat, a sea of pretty blue fabric washing across the stone pavers as she moved. “But how kind is he? How clever? Has he a good heart, a gentle hand? I’m to be his wife; I only want to know what that means.”

Keeping quiet at a time like this was a simple tactic. Needing information made people desperate. Or agitated.

“Are you frightened, child?” Olenna huffed. “No need for that. We’re only women here.”

“And the men in the bushes behind you?”

“Loyal to me and only me.”

“And who are you loyal to, Lady Olenna?”

A small smile touched the woman’s lips. “You are a brazen one, aren’t you? Your father must be so proud.”

And she could not stop her own smile. “He is. I’m sure.”

“I am loyal to my family and my family alone. No harm will come to you, Little Fish.”

That was enough for her, satisfied that the Tyrells were self-serving enough to keep her counsel. “Eddard Stark always told the truth.”

“Yes, he had that reputation,” Olenna said with a nod.

“And they named him traitor and took his head. Joffrey did that. He promised he would be merciful and he cut Eddard’s head off. And he said that was mercy. Then he took Sansa up on the walls and made her look at it.” Rage bubbled under her skin as she remembered how broken Sansa had been, bleeding lip and tearful eyes, as Sandor lead her back to her chambers after that terrible scene. Someone as kind and pure as Sansa never deserved it. On the other hand, Margaery did not either. But there was a steely resolve and cunning tenacity that made her believe the Tyrell girl could bend just about anyone to her will. “He’s a monster.” There, she had said it.

“That’s a pity,” Olenna said, her tone making it seem like she’d had believed all the rumors anyway. Margaery sighed, looking disappointed.

“Will you stop the wedding?” She asked.

Olenna shook her head. “Have no fear. The Lord Oaf of Highgarden is determined that Margaery shall be queen. Even so, we thank you for the truth.”

For a while, they simply spoke about the wedding details and she did find the pair’s wit quite enjoyable. They never minced words and appreciated how they instantly seemed to know that she could hold her own.

“But if I never see another stitch of that red and gold, it will be too soon.”

“It is as if you are marrying a Lannister instead of a Baratheon,” Y/N hummed, plucking a berry from the plate. “Would you prefer the black and gold?”

“She looks quite fetching in gold,” Olenna said with an easy smile, one of the few she noticed the Queen of Thorns only reserved for her granddaughter. “But what of you, Little Fish? Your colors are blue and red.”

“I’ve never been fond of them. My father took the moniker of Blackfish and I have taken it as well. I much prefer black and red.”

“Black and red,” Margaery laughed lightly. “Like a little Targaryen.”

“Well,” she said with a light laugh, “we both have scales.”

Olenna tilted her head to the side, purveying the young woman in front of her for a moment. “Have you ever been to The Reach?”

“No, my lady. I do hope to visit Oldtown one day.” She answered honestly, confused by the change of subject.

Olenna clucked, smirk pulling at her lips. “Well, I have a proposition for you.”

“Lady Tully.” The small group of women turned to see Tywin Lannister strolling into the gardens. “Lady Olenna, Lady Margaery,” he added, with a tip of his head. “May I speak with you, Lady Tully?”

Y/N turned to Olenna, eyes pleading. Please do not make me leave with him.

“Now.” Apparently that wasn’t an option.

She sucked in a breath through gritted teeth and stood, pressing another smile to her lips. “Of course.” She turned back to Olenna. “Thank you, Lady Olenna, Lady Margaery, for the tea.”

“Of course, dear. You are always welcome at my table.” The Queen of Thorns, for her all her prickly nature and stinging words, actually looked troubled for the younger woman. “Take Ella with you. No young woman should be unaccompanied.” Another woman, probably one of Olenna or Margaery’s retinue, appeared as her name was said and tipped her head toward Tywin and Y/N in turn.

Y/N nodded at them and made her way to Tywin’s side who quickly made it clear that Ella was to stay several paces back. Ella did as she was told but arched an eyebrow as she made eye contact with her one-time charge. “How can I help you, Lord Tywin?” She let him lead, further into the gardens, the greenery growing higher and thicker with each step. She never wanted to be near the old lion. His reputation preceded him in every way and the fact that he felt the need to be alone with her only served to increase her trepidation. They had been introduced only two days prior, by a smirking Cersei, who had boasted of her father’s achievements at length before mentioning, however briefly, that Y/N was “much more amiable than her cousins.” A tentative compliment, to be sure. The old lion had kissed her hand and smirked at her, rolling her stomach, but she knew how to tip her chin demurely and curtseyed out of practiced politeness before she was dismissed.

But now she was here, in the gardens, largely unaccompanied by the man responsible for the death of the dragons an age ago and the one who set in motion all of her family’s tragedies.

“The Queen speaks highly of you.”

“Her Grace is too kind. It is I who should speak highly of her. She has fed me and housed me when my family has taken the side of traitors.” The words were acid on her tongue. Lies upon lies upon lies. “I am forever in her debt.” Tywin smirked and she fought the urge to let her lip curl in a snarl. “But I’m sure you did not ask me to walk with you to speak of your daughter.”

“You are correct. The Realm is still at war. Your family has held Riverrun for generations. While it is possible for the Crown to raise another family to Lord Paramount of the Trident, it always ends in more bloodshed. But you are smart—loyal.”

The conversation was quickly spiraling into unfamiliar and dangerous territory. “I thank you, my lord. I know the Realm needs stability now more than ever.”

“Yes. Stability.” The word sounded strange on his tongue. “Exactly.”

Frantic footsteps behind them drew their attention and she was thankful for it, whomever it was, and turned to see who had come. It was her handmaiden, a pretty girl named Daisy from the Stormlands who had once been Myrcella’s chambermaid before the princess was shipped off to Dorne.

“My lady!” She was out of breath and then blushed a violent shade of red as she noticed Tywin and quickly dropped into a curtsey. “Lord Hand, I beg your pardon.”

“What is it, girl?”

Ella started to laugh at his displeasure but hid it behind a sneeze.

“You have a raven, my lady. I know you prefer to read them promptly.”

Relief washed over her like a wave. “You are a treasure, Daisy. I thank you.” She turned to Tywin and curtseyed. “I must take my leave, Lord Hand. I am hoping it is from my father or uncle. I do believe I might have reached their hearts and minds in regards to this traitorous alliance with my Northern-wed cousin.”

“I will speak again with you soon, my lady.” He grasped her hand before she could leave and pressed another kiss to her knuckles. “I wish you luck with your troublesome family.”

She pressed a smile to her lips and knew it appeased him with the smirk he gave her as she curtseyed again and then quickly walked away, Daisy struggling to keep pace. She made sure to touch Ella’s hand in thanks before she rejoined the Tyrell retinue, and then quickly made her way to her chambers.

As the door to her chambers closed, Daisy quickly pulled the letter from her skirts with a small smile. It was still sealed with not a trace of one trying to decipher its inner secrets. She pulled a gold dragon from a small satchel tied about her waist and dropped it into Daisy’s palm, as she did every time the maid gave her a letter and guaranteed her secrecy. While the ravens from Y/N were many, those coming to her were few—a precious few. Daisy was tasked with retrieving them from the rookery before the maester could read them and then make a false report to one of Cersei’s many spies about its contents. The girl was trustworthy, worth her weight in gold—and she paid her thus. Daisy’s own vendetta against the Lannisters had started when the Lannister men stormed the streets of King’s Landing in an attack against Eddard Stark and his Northern bannermen. Jory Cassel, head of Eddard’s personal guard, had been killed. No one knew of Jory’s torrid affair with young Daisy, but Daisy had sworn retribution, something she knew she could use and quickly schooled the maid in how to play the part of dutiful, whispering servant.

The pair would have their vengeance. But it was a long game and Y/N didn’t mind parting with the gold dragons Hoster had sent her with to keep an ally. “Who did you say this was from today?”

“Your cousin, Edmure, my lady. Saying that he wishes you well but cannot see your reasoning.”

“Perfect.”

Daisy preened with the praise and helped herself to Y/N’s jug of wine as she usually did when Y/N read her letters.

The seal popped open and left a smear of red across the parchment. It creaked under her grip, like it had been baked and then left to dry in a desert sun.

Your bird has found her way to Sunspear.

The letter took her a moment to understand—her bird? What could that possibly…Sansa.

Y/N pressed the letter to her chest with a relieved sigh. She’d made it—far faster than she anticipated. She quickly read the rest.

Your letter to my brother Doran was a most welcomed surprise. She is unused to the heat but becoming accustomed to it. She is a loved guest—but she understands she cannot fly in certain halls. We do have golden cats here at the palace. House Nymeros Martell will keep her safe until she is ready to fly home.

The sigil stamped at the edge of the brief message was a sun pierced by a spear, standard of the Dornish ruling house, but a red viper was also wrapped around the tip of the weapon—mouth open and hissing.

“Oh little one,” she mused, finger brushing against the snake. “You have found yourself quite a champion.” Whispers of the Red Viper of Dorne had reached even her chambers in Riverrun. Bold, brash, and deadly, she was well aware of the Prince of Dorne. Oberyn. She always thought it a beautiful name. And if the rumors of his eight bastard daughters were true, he must have a face to match. And, if the rumors that he liked the company of both men and women were true, she’d found a kindred spirit.

“Good news, my lady?”

“Very good, Daisy.” She quickly touched the parchment to the flame of a nearby candle and watched it burn and smolder until only the corner was left and the tips of her fingers were near burnt. She scooped the ash into her palm and dumped it out of the window, watching the evidence of their subterfuge disappear in the wind.

The letters continued come at uneven intervals, keeping her informed at how Sansa was faring in Dorne. His missives, however brief, always left her a bit warm in the face.

Your little bird speaks of you often. Of your sweet nature and devotion to your loved ones. I am honored that you have deemed my House worthy or your trust. We will not fail you.

But I do wish to know you; to know your face as I know your heart.

And then another:

Your bird misses you. My brother has taken her under his tutelage and she is flourishing. I grower curiouser and curiouser about you with each passing day.

Words like that were scrawled across each letter she received and she treasured each new one as much as the last and always hated when she had to burn them to ash. They had become a small bright spot to her strange life in the Red Keep. A secret all her own that made her smile without care.

But, she knew she was being watched when she was not in the haven of her rooms. The Mountain had returned from “the Westerlands” and had resumed his place in King’s Landing—but she knew he had been the leader of the band of raiders in the Riverlands all those months ago. He had been the reason she was here in the Red Keep.

And he surely made his presence known.

Ser Gregor seemed keen to keep her within his sights. The Mountain leered at her and was unrepentant when he would make wildly inappropriate comments in highborn company about the shape of her hips or the heaviness of her breasts. Y/N was sure the only reason he had not approached her was because someone with enough power had expressly forbidden him from touching her.

But he was waiting—she knew. She could feel his eyes on her wherever she moved.

It unnerved her to no end. The small blades she had sewn into her dresses and hidden in her chambers gave her a small bit of comfort but she continued to play the part of a woman unaware of the eyes she caught and persisted to find a small amount of joy in her quiet chats with Daisy and her infrequent letters from Dorne or her quiet prayers to the Seven for the safety of her family.

But that was irrevocably torn asunder with new from The Twins.

The Red Wedding, they called it. Whispered the crude name for it in the halls as she passed. She held her head high and kept her tears silent in the darkness of night, soaking her pillow until she exhausted herself. Her cousin Catelyn, her son—her beautiful Robb who had made her laugh when she’d been fostered at Winterfell for two years—gone. Edmure was imprisoned and her father in the wind. Her family…gone in a single night.

It took the Queen and her father three days to summon the last “loyal” Tully to the throne room. Joffrey was there too, perched on the Iron Throne with a sneer. She curtseyed and smiled at them as if she hadn’t felt like a dagger had wedged its way between her ribs and twisted.

“The King in the North is dead,” Joffrey jeered. “Yes, I’ve heard, Your Grace. A great victory.” Her voice was steady.

That was not the emotion Joffrey wanted nor expected because he continued, “your traitor family—wiped out! Dragged to-”

“That is enough, Joffrey,” Tywin said with an even tone as he eyed her, quickly shutting up his grandson.

“What my family did was treasonous and stupid. Rebelling against the Crown was an act of war. Their deaths are only another act of war. Men die, Your Grace. It is better that it happened sooner rather than later for the betterment of the Realm.”

Joffrey seemed placated and looked so much like his mother as he held his nose in the air. “I see you are a reasonable woman. It is a shame your family could not follow your example.”

“Thank you, Your Grace.” She could feel the bile turn in her stomach and then rising like a terrible wave up her throat. “Is there anything you require of me?”

“The Freys have been raised up to Lords of Riverrun.”

And now something cold gripped her stomach. But what of what Tywin had said just a few suns ago? “Oh.” It was all she could say.

“But,” Tywin continued, “it is only temporary. Until you find a suitable husband.”

“That is very kind, Lord Tywin.” It was not kind. It was a threat. They meant to shackle her to someone they knew was loyal, too. Shaping the Riverlands into another realm under their thumb. And if they thought she was loyal, they would probably assume she would leap at any match they sought to bring.

Cersei, with almost a sincere smile, stepped down a few steps toward her. “We will make sure the match is agreeable to you, Lady Tully. I would not see you married to a brute.”

That was when her chin wobbled, a crack in her mask. “Thank you, Your Grace.”

A brute. A brute. A brute.

All her life, marriage had seemed like some far off arrangement. Her father had never pressed her to marry and Uncle Hoster had avoided it entirely. Being confronted with its inevitability had shaken something in her marrow.

Daisy had told her to spend some time in the market to “buy something overpriced and shiny” for some semblance of happiness.

“I do it all the time when my thoughts fall to my Jory.” Daisy gave her a soft, sad smile but quickly waved it away. “It is why I have so many beautiful things!”

That is how she found herself surrounded by the thrum of King’s Landing, weaving between people as she looked at various stalls of goods and wares and foods. Daisy had left her side a few moments ago to barter with some woman over a filigreed hair pin. She was in need of a new inks and parchment and possibly a pair of earrings to wear to the wedding ceremony in just a few days. Finding the ink and parchment was easy—and the ink was a pretty blue, almost the Tully shade and she had swiftly purchased three wells of it. Daisy flittered by for a moment to check on her before disappearing into the crowds again.

As she looked over the various “shiny things” Daisy insisted she look at, Y/N collided with someone. The scent of citrus and foreign, floral perfume engulfed her in a cloud as she was caught at the wrists and saved from falling to the cobblestone street.

“Forgive me, my lady,” she quickly said as she righted herself, not even looking at the woman she had nearly toppled. “I must take care to look where I am going.”

A delightful laugh pulled her attention and her tongue quickly glued itself to the roof of her mouth. The woman in front of her was stunning. Dark, luscious hair tied in a loose braid, away from her sharp, unfairly beautiful features, and draped in shades of orange and yellow which only highlighted the tan tone of her skin. She was the most beautiful woman she had ever seen. Cousin Edmure, if he was at her side, would have surely nudged her by now, used to how she would become tongue-tied around women. The Tullys had been aware of her partiality to women—Edmure had once caught her being kissed by one of their sworn houses’ ladies in the dim light of Riverrun’s halls and had simply sighed. She had always been drawn to both men and women. It was just that it seemed like beautiful women greatly outnumbered the men she could tolerate.

And now she was basically awestruck by this woman.

“I am no lady,” the woman said. “And I do believe it was I who stumbled into you.”

The man behind the stall they were standing in front of loudly cleared his throat and raised his eyebrows, silently telling them to buy something or move.

The woman laughed again and grabbed Y/N’s hand and led her down the nearest alleyway and leaned against the cool stone of the building as she released her hold. A basket of flowers was tucked under her arm and golden, swirling earrings dripped from her ears. “You are a quiet one, aren’t you?”

“N-no, I just…”

“Have never seen a Dornishman before?” The woman supplied, head tilted to the side with a soft smile.

“No, I mean. I have, but you are very—what did you mean, ‘I am no lady’?” She quickly stopped her poor stumbling and bit at her bottom lip, trying to will the embarrassment away.

“I am a bastard. Born of passion.”

“Oh.” She paused. And then held out her hand. “I’m Y/N Tully.” Being a bastard or low-born mattered very little to Y/N. Her mother’s own low-born, foreign standing had been held over her head for as long as she had remembered. It wasn’t fair. Her parents loved each other, loved her. It was a mindset that made her differ from most of her peer group but she did not mind. (Even when her cousin Catelyn had told her that Jon Snow, Eddard’s bastard, was not to be associated with. She had found him great company and loved his soft, low voice when they would speak in the cover of moonlight at Winterfell. It all seemed like ages ago, now.)

The woman paused, eyebrow cocked, before she smiled and took her hand, soft, long fingers curling around her own and Y/N shivered. “Ellaria Sand.”

“What brings you to King’s Landing?” She asked, finding her footing with speaking with the woman—finally. “Surely it is not the markets. I have heard the bazaars of the Shadow City are one of the wonders of the Seven Kingdoms.” She lowered her voice. “And I assume Dorne smells much better.”

Ellaria laughed. “It does. That is why I came to the markets.” She held up her basket of flowers. “For something sweet to smell in my rooms while I am in the capital.” Roses and lavender and little red flowers known as dragons breath were piled high and already smelled sweet and fragrant.

“Wonderful choices. I have resorted to keeping perfumed oil under my nose.” She grimaced at revealing her silly secret. “But I shall not keep you any longer. My apologies for pulling you from your day.”

Ellaria pulled a rose from her bundle and quickly plucked the thorns and cut the stem before tucking it behind the younger woman’s ear. “Apologize for nothing, Lady Tully.” She stood straight and smiled, making her poor heart flutter. “I shall see you again.” And then she walked away, leaving Y/N with a flower in her hair and her heart in her throat.

Olenna was sitting behind a dark wood desk as Y/N was led into her chambers. Sunlight filtered through the sheer curtains and the room smelled of cinnamon and tea. She waved a hand, signaling the younger woman to sit at the chair across from her and for the servant to leave. As the door closed, Olenna offered her a bowl of berries which she quickly helped herself to with a soft ‘thank you’ and matching smile.

“I will be frank. I know the Lannisters wish to marry you off to some oaf of a man who will do anything they say.”

She choked on a berry.

“You are a smart girl, Little Fish. Far smarter than you let anyone see.”

“Lady Olenna-”

“You have helped my family, let us help you. While I would prefer to present you to Willas, he is heir to Highgarden and Tywin Lannister is sure he would see you as the Lady of Riverrun. We will present Loras as a potential suitor for you. He would make a fine husband for you and I know you will understand his leanings.”

Without a berry to choke on, she now wheezed out a breath. Ser Loras’ leanings were an open secret to many. While it did not bother Y/N any, she didn’t understand the logic. “I am failing to see how this will help my cause.”

“I’ve seen the way you look at women—far more often than you look at men. You are not nearly as subtle as you think you are.”

“Hm.” Was all She could say. Denying it was a fruitless and draining endeavor. Olenna seemed to be at peace with Loras and his proclivity for the male form so she didn’t see the need.

“So, you two could put to rest any sort of whispers and then reign in the Riverlands without the press of the Lannisters at your throats.”

“And of children? Heirs?” Children had always been a hope for her, not out of duty but she had always wanted a little one to hold and call her own.

“I’m sure you two could work something out,” Olenna tittered. “You’re resourceful.”

Y/N let out a soft laugh. “I will take your offer into consideration, my lady.”

Olenna waved her away with a small smile and Y/N left her rooms feeling a little strange. It was a blessing to have an ally such as Olenna Tyrell, but knowing that she would not truly see or help in the goal to see the Lannisters wiped from existence left something sour in her mouth.

The only true allies she could identify, outside of her family, were the Martells.

Just the thought of Sansa being safe—being alive—usually had her standing a little straighter. And now she had Oberyn, the faceless-but-surely-handsome Oberyn, to lift her spirits, too. It had been some time since his last letter, stating that Sansa had taken to reading to his youngest daughter, Loreza. It seemed Sansa had found a happy life in Dorne.

She just hoped she could make it last.

She rounded the corner, nearly at her chambers when the familiar scraping of metal against stone stopped her. It was the Sabaton and Greave of a heavy armor, stomping through the halls of the Keep. And she knew who those steps belonged to—only one man could shake the ground like that.

“Tully.”

She froze.

Gregor Clegane stood at end of the hall, just in front of her chamber door with his helmet shoved beneath his arm. He sneered as he looked at her and, despite the distance between them, she felt like she could feel him breathing, sticky and disgusting, against her neck.

“Clegane.” She spit out the name. Her heart was thundering behind her ribs in an angry beat. The very sight of him made her wish for a blade. While Sandor was (reluctantly) kind at heart, there was nothing redeemable about his older brother. His three dead wives, the suspicious death of his younger sister, Sandor’s mutilating burn. All of it was Gregor. His soul was charred ash.

His face split in a sneer. “You have been hiding from me, girl.”

She held up her chin, defiant. “I hide from nothing. Certainly not a mindless sword such as you.”

His sneer disappeared, lips curling to bare his teeth, yellow and crooked. “I’ve killed men for less.”

“I’m sure you have. But not me.” Her fists curled into the skirts of her dress, slick with sweat. “You will never touch me.”

“I will break you, girl. Have you screaming beneath me like a common whore.”

“Lady Tully!” Tywin Lannister strode into the hall, light eyes focused solely on her.

And she had never been so thankful to see the old lion. “Lord Tywin.”

His gaze turned to The Mountain and his thin lips pressed into a hard line. “You are dismissed, Ser Gregor.”

The knight bowed and walked away, but not without raking his eyes over her one last time. She tried not to shiver as her stomach rolled in disgust.

“He is a fine swordsman but an embarrassment to high-born company.”

That was an understatement. “How may I help you, Lord Tywin? I assumed the Small Council was still in congress at this hour.”

“We adjourned early.” He stepped closer and she had to will herself to not take a step back out of reflex. Just as she was with Gregor, she was alone with Tywin Lannister. She had traded one monster for another. “Walk with me.” He grasped her arm and gave her very little choice in the matter, almost dragging her through the stone halls. “His Grace’s wedding to Margaery Tyrell is in a few short days. As you will be the only member of your household attending, I would deem it wise to have you sit at the head table, at our side. It would not be appropriate for you to be unattended.”

The fact that he seemed to believe his own logic was infuriating. It was only exacerbated by the fact that she could not refute it. But she knew there was more than her propriety at stake. “That is most gracious, Lord Tywin. But would it be polite? I am not of His Grace’s family nor a Tyrell.”

Tywin stopped and forced her to do the same. He turned to her and his cold fingers slid down her arms, barely touching before he grasped her hands and held them up, just under his chin so she could feel his breath against her fingers. “Your concern for my family’s reputation is honorable, Lady Tully. But I insist. You will sit beside us.” He looked her in the eye and pressed a kiss to her knuckles before releasing her hands.

She quickly curtseyed. “Of course, Lord Tywin. As you wish.”

“Wonderful.” He drew out the syllables. “I have one other gift for you. I would have you attend the Small Council meetings so that you may learn how to properly govern Riverrun when we seat you on your ancestral throne.”

The invitation was shocking. Very few women were privy to such gatherings and she knew, in any other life, that she would be enamored with the idea and anyone who offered it so openly. But this was Tywin Lannister. And Lannisters always pay their debts. But he was never going to let her refuse. She knew it. “It would be an honor, Lord Tywin. I thank you for the guidance.”

He smirked, as if knowing he’d won, and they said their goodbyes before she quickly walked to her chambers, desperate for her original destination. She flung open the door and then quickly locked it behind her. Hot, angry tears blurred her vision as she leaned her forehead against the wood. They slid down her cheeks in thick rivulets and only served to make her angrier. She pushed away from the door and flopped onto her bed with a huff, feeling very much like a child—petulant and powerless.

Everything was quickly slipping away from her and out of her control. All of it, all of the placating gestures, the twisting of her morals to survive to help Sansa escape, the planning. All of it. All of it was falling apart. She should have left with Sansa. Everything would have been easier. She curled a pillow into tried to will herself to sleep.

“Will you be my champion, Ser Aemon?” She tried to make her voice airy and breathy, how she assumed Queen Naerys had spoken. They were deep in the wolfswood outside Winterfell. But the colors were wrong. Instead of the cold tones of white and grey and brown, everything was red and gold and orange, like she was seeing it through candlelight. She watched as her younger-self placed a crown of twisted branches over her head with a giggle she tried to suppress. Both of them were just past their one-and-ten nameday and had taken to making mischief as often as they could. Their favorite stories were of Queen Naerys and Ser Aemon, the Dragonknight. Their history was filled with tales of valor and heartache--perfect fodder for their growing imaginations.

Robb kneeled in front of her, taking his role very seriously. “Yes, my queen.”

Young Y/N stifled another giggle but quickly attempted to regain her composure, staying in her role. “Arise, my Dragonknight.”

Robb did as he was told, fighting a smile of his own before they both burst into a fit of laughter. Y/N took the wooden sword from its place on a broken stump and handed it to him with a flourish and he grasped it and held it aloft, yelling into the cold, morning air as if he had already won a great battle. His cheeks were flushed against the cold but his lips were warm as he pressed them against her hand. She could remember it all so easily. “I shall avenge your honor, my queen. I swear it.”

“Lord Robb!” Maester Luwin called out, voice echoing in the forest. It echoed and echoed and echoed and grew louder until all it was, was a roar that shook the trees.

Robb suddenly grabbed her hand and started tugging her through the trees. “Run, my queen. Or we’ll be forced to suffer more Valyrian lessons!” The trees twisted as the pair ran away, forming a wall and climbing higher and higher into the sky until it blotted out the sun. Then the trees twisted and reached out to her and their wooden fingers circled her throat and choked the air from her lungs.

As she woke with a gasp and the dying light now filtering through her small window, she could still hear Robb’s laughter ringing in her ears.

The Small Council Chamber was nothing she had dreamt of when she had let herself believe she could one day be powerful. It was just a stone room with a few windows and a large table. She counted the chairs and frowned when she couldn’t place all the titles that went with each.

“You are early.”

She leapt at the sound of the voice and quickly turned at curtseyed in front of Cersei who smirked and settled herself into the chair closest to the head seat. “I wanted to be sure I was not late, Your Grace. It is a great honor to be invited.”

Cersei looked at her and her smirk widened. “Yes. It is, isn’t it? I asked my lord father to invite you. When the Riverlands are yours to govern, we would not have you mishandle them.” She pulled out the chair beside her. “Sit.”

She quickly did. “I do not want to disappoint you, Your Grace. But, would it be imprudent for me to take notes? To see how the duties are presented.” There was a bit of parchment and ink she could use, sitting on the edge of the table. Cersei nodded and Y/N had to will herself not to scramble for it. While this invitation would surely be used against her at a later date, there was no use in completely forgetting what happened in the chamber. “While we are waiting, Your Grace, may I fetch you anything?”

“The last time you went to fetch me wine, Lady Tully, you nearly died. I would have you close for now.”

The quill in her hand nearly snapped at that, even if delivered in Cersei’s usual droll. An admission of somewhat reluctant care for her well-being had not been what she had hoped to earn when she woke this morn, but it was definitely a welcome surprise, even if it did make her all the more suspicious of the Lannisters’ intentions. All she said in response was, “Yes, Your Grace.”

And Cersei seemed fine with that.

Other men filtered in, casting questioning looks in Y/N’s direction but never voiced them as they looked at Cersei at her side.

Well, except for Grand Maester Pycelle. “Are you lost, Lady Tully? This is no place for a lady!”

“I requested her presence.” Everyone scrambled to their feet as Tywin entered the chamber. “She is to see how a functioning government is kept.” Tywin looked at her as he took his seat and she quickly glanced down at her empty bits of parchment.

Pycelle muttered something else under his breath but took his seat and cast a side-eyed glance at Y/N one more time before the meeting actually started.

Soon, the parchment was filled with notes and she was scrambling to tidy them as the meeting was adjourned. To his credit, it seemed like Tywin was the only one who knew how to have a functioning council but it was still a mess. But perhaps he intended it to be like that—so he could be the smartest man in the room.

“My lord,” she started as the others had started to leave. “I noticed there are more seats than people. Will there be more lords on the council after the wedding?”

Tywin looked at the empty chairs and then back at her, a smirk pulling at his lips. “Everything is a piece to played, my lady. You’ll see.”

He escorted her back to her rooms and left her with another kiss to her hand and a promise to invite her back to the Small Council “soon.” And she was happy to be alone again. Daisy had been excused after helping her dress and ready for the day, leaving her by herself.

It had been almost two weeks since she’d received her last letter from Dorne. It was probably for the best; it wasn’t as if she had any family left to write to her so it would be suspicious if she had received a letter from the Riverlands now. She hoped Sansa and Oberyn were well. Safe. Happy. All of it. If she couldn’t have it, she hoped someone else could. When she was feeling particularly melancholy, she would pull the rose she’d received from the mysterious and beautiful Ellaria from its hiding spot under her carefully, gently folded chemises and press it under her nose. The scent was faint now, but it still brought a smile to her face. (She had never actually found the earrings she was searching for that day.) After the meeting, she had stayed to the quiet of her rooms instead of the godswood. The chattering from the guests arriving for the wedding in the gardens had bled into that small haven and forced her retreat if she wanted to save her sanity. She was reading a book on the War of the Ninepenny Kings when there was a knock at her door. She grumbled and placed her book down before walking to the door and hauling it open, prepared to see some Lannister or Tyrell handmaiden requesting her presence somewhere—but instead, she saw a handsome young man with black hair pulled into a small bun on the back of his head. His robes were tan with golden thread with a burnt orange undershirt left open. “Lady Tully,” he said, a soft accent touching her ears. “I have a delivery for you. From Dorne.” His smile was small, but knowing. “Prince Oberyn send his regards, my lady.” Before she could even thank him, he disappeared and left an ornate chest just on the inside of her chamber door. The chest was of a reddish wood, inlaid with golden suns and thick, bold metal strappings. It smelled faintly of citrus and was slick with a fine varnish.

Before she could even open the chest, Daisy had scurried into her rooms, cheeks flush with worry. “The Queen is on her way, my lady.”

And she was right, Cersei arrived soon with a thinly veiled look of curiosity in her green eyes as she looked at the chest. “A gift from Dorne?”

Y/N and Daisy quickly curtseyed as Y/N easily thought of a lie. “Not quite, Your Grace. I wanted to have the finest gown for His Grace’s wedding to Lady Margaery, behind yours of course. And my dresses are much more suited for the climate of the Riverlands. The seamstresses in the capital were all far too busy for my liking and I wanted to be sure that I would not embarrass myself with a poorly-hewn frock.”

“My seamstress could have found room for you.”

She pressed a look of shock to her face. “Your Grace is far too charitable. I have taken enough of your time and resources when my family has caused the Crown such irksome troubles.”

Cersei looked pleased with her answer, nose held a little higher in the air. “You are a credit to your bloodline, Y/N. But do ask for her when the next opportunity arises. I would not have you dressed like a Dornish tart.”

Anger rolled her stomach but she smiled as if she had been complimented. “Thank you, Your Grace. I will.”

Cersei excused herself and Daisy finally lifted her head from its tuck to her chest and she softly shut the door, rolling her eyes the entire time.

“Help me to unseal this.”

Daisy quickly did as she was told and they attempted to pry it open but were unsuccessful until Y/N gave in and pulled a knife from under her featherbed and cut the seal.

“Oh…my lady. That is a mighty fine dress.”

And it was. Nestled in the chest was a soft, sunshine yellow samite dress of a Dornish style. It would show off an ample amount of cleavage with a near-scandalous neckline but did preserve most of her modesty with long bell sleeves made of matching Myrish lace. Small, golden suns were stitched throughout along with silver stars and moons, and she knew a train of modest length would follow her even with her heeled shoes. It seemed her lie had been prophetic.

Daisy bent and pulled something else from the chest: a neatly folded bit of parchment.

Y/N carefully set her dress on her bed before taking the letter. She unfolded it and laughed even as more heat took to her cheeks.

So that I may know you on sight.

The familiar viper was pressed to the corner in red ink.

The date of the wedding had arrived and she grew more nervous with each passing moment, even as Daisy attempted to make her laugh as she helped her into her dress and uncomfortable heeled boots.

“You are not the bride, my lady. Cease your shaking.” Daisy grasped at one of her hands and squeezed. “And if the whispers I hear are true, your Prince had been in the capital for a few days now.”

“You are not helping, Daisy. Why would that information give me comfort?”

The girl laughed and finished lacing the black closure of the dress with a flourish. “You are finished. Lady Margaery has asked for you in the Maidenvault. You must hurry.”

She squeezed Daisy’s hands in thanks and told her to help herself to the wine and relax in her chambers for the rest of the day before leaving and quickly making her way to the Maidenvault. It was awash with Tyrell green and gold and nearly vibrating with energy as women went this way and that, preparing for the ceremony.

“You’ve made it!” Margaery exclaimed, seeing her through the crowd.

She quickly made her way to the side of the soon-to-be-queen and curtseyed. “How may I help you-”

“You look quite beautiful. Dornish, is it not?” Margaery reached out and trailed a finger across one of the suns just above her breast. If she felt her poor heart leap, Margaery blessedly didn’t mention it.

“It is.”

“Nearly scandalous,” Margaery said with a wink.

And Y/N nearly snorted at that—Margaery’s dresses were, largely, much more bold.

“But don’t change. It will be nice to see some color beside red and gold on my wedding day.” Maegaery squeezed her hands and then scowled as a handmaiden shoved a pin into her hair.

“Forgive me, Your Grace,” Y/N said, noticing how Margaery preened with the title, “I was told you asked me here for a reason.”

Margaery smiled again. “Yes, I wanted to personally ask you to save a dance for my brother, Ser Loras. He has been asking to make your acquaintance for some time now.” The twinkle in her eye did little to settle the knots in Y/N’s stomach. Almost everyone in the entire room, and there were quite a few, had taken a look at her then, at the mention of Loras’ name.

“I would be delighted, Your Grace.”

Margaery suddenly pulled her into a hug, ignoring the squawk her handmaiden let out as she had just about placed another pin, and held her tight. “You’ve made me very happy, Little Fish.”

“I am glad to hear it. It is your wedding day, after all,” Y/N said as she pulled back. “Now, you must excuse me.”

“Of course,” Margaery said, still smiling. “I shall see you in a moment.”

Y/N quickly exited, ignoring the strange looks she was receiving on her way out form the Tyrell retinue, and made her way toward the Great Sept of Baelor, filling in with the crowds and finding her place. It was more toward the front of the crowd than she had anticipated and her thoughts once again turned to how the Lannisters were planning something. At least with the Tyrells, she knew whom she could expect. Lords and Ladies from the Westerlands were at her back and was soon greeted by Ser Kevan Lannister and his wife, Lady Dorna Swyft in her row. They greeted her warmly, mentioning how both Cersei and Tywin mentioned her and she did her best to act pleased.

A flash of gold caught her eye a few rows ahead and she turned to see a golden headdress, rows of golden chain looped together, placed over a head of shiny, inky black hair. It was preposterous to believe it could be Ellaria, she knew. But, oh, she hoped. The man next to the woman with the golden headdress was handsome, from what she could see of his face. A strong nose and pouty lips that smiled as he looked at his companion and he was draped in a soft tan fabric that shimmered only slightly when the sunlight hit it just so. Perhaps it was Oberyn. Again, a fanciful thought. But his letter and the dress had made his intention clear that he would be at the wedding and there, of course, had been the usual whispers that Prince Oberyn had travelled in Prince Doran’s stead to represent Dorne during the festivities. He could and should be here.

“It is a marvelous moment, no?” Kevan asked, whispering in her ear. “The dawn of a new era.”

“Indeed,” Y/N said as the soft music started, signaling the arrival of the bride. “It is.”

It was a pleasant surprise to see she was to be seated beside Tyrion and Tommen at the festivities following the ceremony. While still Lannisters, they were decidedly the best of the brood. Tyrion made her laugh and Tommen was kind.

“Have you tried the boar, my prince? It is quite good.”

Tommen speared some of the meat from her plate with a playful smile as Tyrion softly, fondly chided him. “It is good, my lady.” The young prince quickly stole another bite.

“My lady,” Tyrion started as he stood from his chair, “would you be so kind as to join me for the next dance?” He held out a hand toward her with a small smile.

She did not want to. Not because of his stature but because of his family and how it echoed in her mind that the Lannisters were set on marrying her off. He was kind, it was true, but that did not make this easier. “Of course, Lord Tyrion.” She stood and grasped his hand, letting him lead her away from the large red and gold tent and into the fray of couples arranging themselves in two lines as the musicians readied for the next song.

The music started and she quickly tried to remember the steps that this dance required. A few steps forward toward her partner then a turn to the side to grasp a hand, turn once, twice, then step back and the partner on the left would step to the side and the dance would begin again with a new partner, again and again, until the entire line had been turned and the original partners were reunited again. For what it was worth, Y/N had to admit that Tyrion chose a smart dance to share with her—they hardly touched or spent any time looking at each other. Almost as if he knew her discomfort.

He bowed to her and she to him and they began the dance. He was mindful not to step on her gown as they circled each other and he gave her another fond smile before they switched partners. There was an older Lord from the Stormlands, followed by a knight from the Westerlands and then a familiar green and gold brocade gathered her attention as she stepped in front of her next partner.

Ser Loras looked relieved as he recognized her. “Lady Tully.”

“Ser Loras.” He was undoubtedly handsome, with his soft blonde curls and dancing, blue eyes and Y/N could let herself pretend, for a moment that she could be happy being married off to someone like him— strictly aesthetically, anyway. “I have been told to save you a dance by our new queen.”

He laughed as he grasped her hand and they turned. “Would you?”

“Yes, Ser Loras. I’d be happy to.”

He smiled again and they finished their turn before the next partner came. The dance eventually finished and Tyrion took her hand again and led her back to their table. Tommen now had a heaping pile of the boar on his plate and was devouring it. She stole a bite from his plate and he laughed. His laughter, however, drew the eye of Cersei and Tywin Lannister.

They both looked at her at the far table and she pretended not to notice as she laughed with Tommen and let Tyrion fill her chalice with more wine. It would be better if they didn’t think she was putting on a show.

Another set of musicians stepped up in front of Joffrey and Margaery and played another round of ‘The Rains of Castamere.’ It had been the fifth one already and it was hardly an hour into the festivities. Joffrey lobbed a handful of coin at them and sent them on their way.

Another song for the dancing couples went by, and another followed. The wine was making her head swim the smallest bit as she spotted Loras making his way toward her. Olenna was at his side, required to make the introduction for niceties sake and then they were off.

The musicians called out the dance and Y/N had to arch an eyebrow at Loras. This one would keep her close, almost intimate, but still playful enough that it wouldn’t be imprudent for mixed company. He shrugged and held her hands in his, easily guiding her through the steps. “Surely you know what they’re planning,” he whispered in her ear.

“Oh yes. We could make quite a match.” She twirled under his arm, following the steps, and let herself be caught in his arms, her back to his chest as the dance continued. “But why would you agree to such a thing, Loras?” Her voice was low. “King Renly…” Words had to be chosen carefully. “You loved him. I’ve heard tales about it. Why would you tether yourself to someone you could never love?”

The knight’s grip tightened just a fraction. “When the sun has set, no candle can replace it.”

And her heart broke with the pain in his voice. Thankfully, the dance needed her to turn and face him, placing her hands over one of his shoulders as she kicked, letting her dress flutter and glisten in the sunlight. “We can be friends, can we not? To find some happiness in this arrangement?”

He smiled then and almost laughed as she nearly missed a step. “I would like that, very much.”

They finished the dance, her heart a little lighter than it had been and he gently took her hand and started to lead her toward her table before she noticed him blushing. Y/N tried to find where he was looking and found Ellaria hand-feeding berries to the most beautiful man she had ever seen. It was a wonderful surprise to realize the woman she had been ogling during the ceremony had been Ellaria. But who was the man? Seeing him in the sunlight, completely, was beautiful. Just as beautiful as Ellaria. No wonder they seemed so besotted with each other.

“That is Prince Oberyn,” Loras whispered in her ear. “Gorgeous, isn’t he?”

“He is.” Why lie? Anyone with eyes could see how he was meant to be painted, immortalized for everyone to revere.

“Shall I introduce you? I made his acquaintance earlier today.” There was a slight shyness to Loras’ tone that made her smile. He was like a little boy with an infatuation.

And she would finally meet him. But would their easy companionship filter over from their letters? Nerves had twisted her stomach when she thought of Oberyn not deeming her worthy of his beautiful word any longer. “I would be grateful.”

Loras led her through the crowd and Ellaria spotted them first. A happy smile touched her lips and she whispered something in Oberyn’s ear. He let his gaze slowly slide over to them, almost disinterested but she could see the playful glint in his eyes. And his own smile widened when he looked at her. Ellaria slid off his lap and walked over to them, dragging Y/N from Loras’ side.

“Finally. Someone worth speaking to.” She pressed a kiss to both of Y/N’s quickly warming cheeks and tugged her toward the table. “Come, Ser Loras. You can join us.”

Loras awkwardly sat across from Oberyn as Ellaria planted Y/N between herself and Oberyn, a hand already fond of tracing the suns stitched into her dress. “I was unaware you knew Lady Tully.”

“We met in the market. She has yet to meet my prince.”

“Yes, well, Prince Oberyn, I present-”

“Lady Tully. Yes.” He grasped one of her hands and brought it to his mouth to kiss the tips of her fingers, somehow making a shiver shoot down her spine as he never broke eye contract. “I have heard of you. And that is a fine dress. Dornish, isn’t it?” He smiled at the last question.

“It is—I’ve never had such a beautiful dress. I’m very fortunate. And, of course, it is a pleasure to meet you, Prince Oberyn. I hope your travels to the capital were pleasant.” Y/N was proud of herself for keeping her voice so steady despite his piercing stare. Perhaps it was the hidden joke, the secret in their verbal volley who made her a little more at ease. None of her nerves had been proven correct just yet. And she hoped they never would.

“The Capital is never pleasant, and the journey was tedious. But the company, it seems, to have finally evolved into something enjoyable.” He then smirked at Loras and pulled a berry from the bowl in front of him and tossed it into his mouth.

Loras’ pretty cheeks filled with pink and he averted his eyes and the cogs in Y/N’s mind quickly started to turn. “Ellaria, I have heard there is quite a display of Lysene contortionists somewhere around here. Shall we let the men talk?”

Ellaria laughed and let a finger trail across Y/N’s cheek. “I know exactly where these contortionists are. I will show you.” She stood and Y/N followed and they linked arms as they set off away from the dancing couples and the food tables. Ellaria’s hand covered hers as it rested on her arm. “That was very kind of you, my lady. To let Oberyn have his fun with that pretty knight.”

“Yes, well,” Y/N chanced a glance over her shoulder to see that Loras had switched to the other side of the table and Oberyn was whispering something in his ear, “it seemed Loras had been a bit smitten and who am I to stand in the way of that?”

“You do not mind that he likes both? My Oberyn?” The question was asked quietly, Ellaria’s lips close to her ear.

“I like both. It is comforting to know there is another like me.” And it felt like a weight had been lifted off her chest to finally say it aloud. Of course, the Tullys knew of it, but they had very little patience to understand it so she had been forced to only live it in shadowed corners. And when she had moved to King’s Landing, it wasn’t an option for her to explore. There was an easy air about Ellaria, open and honest. That is perhaps why Y/N had felt so nonplussed to reveal her own secret.

“More than just Oberyn,” Ellaria said, her grip tightening just a fraction.

And Y/N’s heart leapt and bounced. “Truly?” The word was almost strangled from her throat as they neared the area of the fire-breathers and contortionists and jugglers, slipping through a display of the gifts the Brat King had received from his guests.

“You are not alone,” Ellaria whispered with a teasing smile. But then another question had Ellaria’s brow arching. “And what of your thoughts of loving more than one?”

“More than one person at a time? I have not loved one person. I would not know how to love two.” She frowned as she thought of it. There was love for her family, and a companionable affection for people like Daisy. But love? Real, romantic love? It had always been a distant daydream. Stolen kisses in shadows from pretty ladies and the occasional second son of a lord was as close as she had ever come to it.

“There is love in your heart, I know it. Can feel it. Passion waiting to be unleashed.” They turned a corner and a burst of fire greeted them. They had found their destination. The fire-breather danced away, leaving the scent of smoke and ash behind. “In Dorne, we embrace our passion. Lords and ladies have their paramours and lovers and take what they want.” She let her fingers trail down to take Y/N’s hand and raised it to her lips and kissed the pads of her fingers, just as Oberyn had done a moment ago.

Y/N swallowed the hard lump in her throat as Ellaria’s dark eyes lifted to meet hers. “Dorne sounds like a paradise.”

“It can be. If one has the right soul for it.” The older woman stood straight and continued to lead her toward the tables filled with contortionists.

“Do I?” Y/N asked. Could she be happy in a place like Dorne, unfettered by the social constructs she’d been born into?

Ellaria looked at her and smiled, wolfish and hungry. She said nothing and pulled her along to see the men and women twist and turn in almost unnatural ways and would murmur the position names in her ear like an illicit secret.

All of it was bubbling into something strange under Y/N’s skin, making her warm with each passing syllable and each new position they encountered only coiled something tighter until they were all a blur in her mind and all she could hear was Ellaria’s melodic hum in her ear and smell her perfume. Y/N was not so innocent to not understand that she was roused and yearning for some indelicate headiness, but she had never before been so close to achieving it. Only her own fingers had given her reprieve in the past but now Ellaria was staring at her like a tiger faced with a meal and she couldn’t wait to be devoured.

“Come. Surely there is a quiet place for you to catch your breath.” Ellaria had not let go of her hand yet and it seemed unlikely she would do so now as they walked through the masses, slipping out of the festival grounds and into the gardens. It was decidedly quieter but the music from the bards and musicians and the laughter of the crowds still filtered through the greenery, now muted and soft. The pair walked for a moment before finding a corner with a stone wall in the shadows, a reprieve from the heat of the sun.

And, as Y/N went to thank her companion for the respite, Ellaria pushed her against a wall and pressed her mouth to hers and stole her breath. Coaxing her mouth was easy and Ellaria almost laughed as Y/N whined against her lips. The quiet desperation that she had felt was now bursting forth as Ellaria easily coaxed her lips apart and delved her tongue into her mouth.

“Responsive, that’s good,” Ellaria hummed as he broke for a moment. Her hands slid from the other woman’s shoulders down her sides to grab handfuls of the yellow fabric at her hips and dragged her waist closer and wedging a thigh between hers. A choked breath pushed through Y/N’s lips at the delicious pressure against her core. “You taste so sweet.”

“Oh, please,” Y/N gasped, not knowing what she was begging for. To stop. To never stop. “Please.”

Ellaria suddenly grabbed at the back of Y/N’s neck to pull her head closer, angling her abruptly so she could kiss her thoroughly, devour her with spit-slicked lips and smiling teeth and dominating every sense she had despite Y/N’s some-what apparent lack of experience. And Y/N could have sworn she’d never felt such ecstasy in a touch like this—until Ellaria trailed her fingers against Y/N’s heaving chest, feeling the warmth she exuded and how soft her skin was before dipping beneath the fabric to cup Y/N’s breast and this time she did laugh as Y/N gasped again. She kneaded her and felt Y/N’s heart hammering and racing as she continued to draw whines and whimpers from her pretty little mouth. Deft fingers found her pebbled nipple and circled and tugged again and again before once again starting her slow torture of simply massaging the tortured flesh.

Y/N’s hands tried to find purchase in anything, the cold stone behind her, the fabric of Ellaria’s dress, but finally grabbed at Ellaria’s neck so she could thread her fingers into the hair at the back of her head, barely mindful of the golden chains in her locks, and hold her close—she needed her closer.

“You sing so prettily for me,” Ellaria said as her nose trailed against Y/N’s cheek, her other hand still anchored around her neck. “I’ve barely touched you.” A final squeeze to her chest and then her fingers retreated…only to start to trail down toward her skirts. “Do you want me to touch you?”

“Yes,” Y/N blindly answered. “Touch me.”

“Oh.”

Y/N instantly stiffened at being caught, her own hands pulling away from the other woman.

“That will have to wait, I’m afraid,” came a voice just over Ellaria’s shoulder.

Ellaria’s lovely touch withdrew and she carefully pulled Y/N’s dress back to cover her chest with a wink before she turned, almost leisurely, to see who had stumbled upon them.

Loras was blushing a pretty shade of red and looking steadfastly up into the clouds while Oberyn simply smirked at the pair of women. The sight was a welcome one—surely these two could keep a secret.

“You’ve nearly made a mess of our young Lady Tully, my love,” Oberyn said as he stepped forward to grasp at Ellaria’s hand and he tugged her close to press a slow kiss against her lips. “And does she taste as pretty as she looks?”

“She does,” Ellaria agreed as she looked back at Y/N who was still pressed against the garden wall. “A taste from the source would be much sweeter.” The innuendo was not lost on anyone present.

“I’m sure it would.” Oberyn’s hand curled around Ellaria’s hip and he drew her closer. “But that will have to wait. Her absence has been noted by too many.”

Y/N sagged with the news. It had to have been the Lannisters. No one else would mind if she disappeared with a fellow guest for a few moments at a celebration such as this. “Thank you for finding us first, my prince.” She brushed her hands against her skirts to help them lay flat and straightened her shoulders before pressing the back of her hand to her cheeks to help them cool before starting to walk toward the banquet again. Only to be stopped by a roughened hand on her arm. Oberyn’s grip was not hard, she knew she could wriggle out of it without any effort.

“Your appearance will not keep a secret in that state, my lady.” Then, without much fanfare or warning, he started to gently right her mussed clothes and straightened the filigreed back across the top of her head to once again give her the air of a civilized lady.

His touch was always gentle, taking care to never pull or tug too harshly, and Y/N felt her heart trying to escape her chest for the second time that day and leap into the hands of a Dornishman. She tried to focus on the golden chain around his neck instead of staring at his face but then all she managed to do was appreciate his defined chest and how he smelled like ripe berries and sandalwood with a touch of spice she could not place. His full lips were parted and nearly pursed as he worked, making them ever more tempting and she felt foolish to even let such a thought cross her mind when she hardly knew him.

But, she hardly knew Ellaria who had her panting like a whore only moments earlier. He was every bit as entrancing as Ellaria, she was rue to admit. His gentle touch only exacerbated how flustered she felt. The pair was dangerous.

“Shall I pass inspection, my prince?” She asked, clasping her hands in front of her to keep them from shaking as he finished.

“Tell them you’ve been enjoying the less polite entertainment if they ask where you’ve gone, my lady.” It was said with a smirk and his thumb brushed against her bottom lip, making her shiver again.

“Thank you for the guidance.” She bid them adieu and squeezed Loras’ arm as she walked away and rejoined the festivities.

A/N: All right...so, that’s part one. I’ve tried to draw on a few plot lines from the books that didn’t make it into the television series, but if you have any questions, please just ask. I welcome feedback. The next chapter will (hopefully) be shorter and out soon. Cross your fingers.

#oberyn martell x reader #oberyn martell #oberyn x ellaria x reader #oberyn x ellaria #game of thrones #asoiaf

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