Tumgik
#but i think he came out great!!
shortkinglink · 3 months
Text
Tumblr media
they're talking shit
1K notes · View notes
kkoct-ik · 6 months
Text
Tumblr media Tumblr media Tumblr media
recent doodle dump
1K notes · View notes
Text
Tumblr media
saw @chez-cinnamon's absolutely BANGER butterfly!Howdy design and couldn't resist! two fluffy flutterbyes <3 solidarity
804 notes · View notes
aroaceleovaldez · 7 months
Text
i still think a lot about how technically, it's implied Anubis and Walt started dating each other before they asked out Sadie, and if Sadie had said she wasn't interested they would have gone "Entirely fair have a nice day" and proceed to just go continue to date each other.
Cause like, that was the entire thing. They decided that themselves. That things would work best if they were together (as in both physically sharing a body and also relationship-wise). The "asking Sadie about it" part was secondary. If she had said no, they would have stayed together, because among other things Walt would kind of die if they didn't. Walt and Anubis are technically the first gay couple in the Riordanverse. AND they're in a polyamorous relationship with Sadie. Why does no one talk about them ever.
570 notes · View notes
ricky-mortis · 2 months
Text
Tumblr media
Some President Howard Goodman in celebration of Black Friday’s anniversary yesterday!
Inspired by JFK’s Official Portrait
156 notes · View notes
dailyedgeworth · 4 months
Text
Tumblr media
today, a little ryu in the 2b expression and the arson palette!!
176 notes · View notes
little-pondhead · 2 months
Text
doodles of random Danny AUs
Tumblr media
At this point these are all separate people😭😭
120 notes · View notes
writer-room · 15 days
Text
I've decided the only reason Lloyd, known descendant of dragons, didn't tell this to Egalt, who refuses to train non-dragons, is for the same reason he never mentioned he's the First Spinjitsu Master's grandson. It just never came up. Nobody asked him directly about it. And besides, he's only like, one-fourth dragon, so does it really count? He doesn't look like a dragon, and he has never in his life considered himself a dragon. Mentioning his ancestry to Egalt probably would've just made him look like some hotshot, or make him more annoyed. There's no need to bring up such a silly little fact. He's sure it won't be important later.
#ninjago#ninjago dragons rising#lego ninjago#dragons rising#lloyd garmadon#first spinjitsu master#egalt#text post#talk#dragon lloyd garmadon#the real likelihood is that the writers just quietly brushed that little fact aside (im so sad abt it)#but i think its infinietly funnier that lloyd went down the spinjitsu master route#it just never came up. no one asked. and hes not a COMPLETE dragon so like. why bother telling egalt#the whole time i was waiting for egalt & rontu to b like 'WHO in their SPINJITSUDAMED MIND trained you'#and theyre just like 'oh this guy named sensei wu hes lloyds uncle hes like a master' & egalt is like 'sounds like bs'#then arin as a huge nerd pipes up like 'AND HES THE FSM'S GRANDSON :D'#to which rontu and egalt break their necks whirling around like 'THIS SCRAWNY LITTLE PUNK IS W H A T'#egalt straight up refuses to believe it. rontu is very quickly doing the math & freaking out abt it#wherever these guys are from it might not even be ninjago so like they might not even know the fsm had sons#rontu: im sorry. so youre the grandson. you are aware your grandfather was half dragon half oni. right?#egalt in the background 'THAT BOY IS N O T A DRAOGN I REFUSE TO BELIEVE IT'#lloyd blinking owlishly like 'oh yeah i guess so. im only like 1/4th tho'#'BOY YOU ARE 1/4 OF ONE OF THE MOST POWERFUL DRAGONS IN FCKING EXISTANCE'#'YOU ARE THE GRANDSON OF MY GREAT-GREAT GRANDMASTER'#the midlife crisis these dragons would have. the crisis the kids would have realizing this#lloyd now cannot go 3 minutes without someone asking 'is there any world-shattering fun facts abt yrself you wanna share'#the fun part is that lloyd forgets all of those informations bc its like. a normal day for him#no one tell wyldfyre she'll flip
63 notes · View notes
fidgetspringer-art · 1 month
Text
Tumblr media
-✹- 'But I miss you in the mornings when I see the sun, Something in the orange tells me we're not done' -✹-
51 notes · View notes
astranauticus · 5 months
Text
stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir
Tumblr media Tumblr media Tumblr media
(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)
But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?
Tumblr media Tumblr media Tumblr media Tumblr media
so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me
Tumblr media Tumblr media Tumblr media Tumblr media
in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone
Tumblr media Tumblr media
and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age
Tumblr media
but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind
Tumblr media Tumblr media
and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind
Tumblr media Tumblr media
(or, because i personally dislike the official translation,)
Tumblr media
"I just see this place as my home"
so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3
#arknights#asto speaks#not much of an essay writer i just keep thinking about them and i need to force other people to think about them too#thorns story fucks me up bc like. this whole almost found family adjacent idea of like#maybe home isnt something decided by your birth but something you can chose based on what truly matters to you#it just gets to me. i guess.#jordi gets to me in a completely different direction there's nothing personal about it i just find his story *fascinating*#just a guy. a completely normal guy. an absolute nobody caught up in these dreams of greatness while also fully aware of his own normalcy#but never letting either of those overshadow the other. never losing that self awareness or that fuckin obsessive determination#god. what a Character#i love jordi so much like genuinely#i joke a lot about him being just a Guy but thats also kinda like the best thing about him#the fact that he is the way that he is and does all the things he does despite being just a Guy#gently holds#for context i was so hyped about new iberia lore when sn was announced i read the whole thing as soon as it dropped on cn server#cuz someone uploaded all the story sections to bilibili right after it came out#and '我只是把这里当作自己的故乡啊' fucking hit me SO HARD#in like the greater context of elysium demanding to know why hes risking his life in like 5 different ways to return to gran faro#because yeah jordi just doesnt want to leave his home but like we the audience knows the full *weight* of what that home means to him#and the weight of the dreams that made him chose to see Gran Faro as his home and to refuse to let go of that#thats why i like the original a lot more than the translation i think like it really emphasises that active *choice*.#this is the place jordi has *decided* to see as his home and he knows what that means and what it means to him#side note the part on thorns might not actually age well depending on whether hg decides to ever release more aulus lore#i mean i'll gladly take the L if it means more aulus and/or thorns lore like#i just wanna know what (if anything) is tying him to iberia yknow#ak#iberiaposting
77 notes · View notes
exx-bee · 10 months
Text
Tumblr media
he has the biggest doe eyes in the entire world and no one ever knows because he has no work life balance
171 notes · View notes
aqqleshiqqing-archive · 8 months
Text
Tumblr media
heheheheh the lovelies 💚💜
97 notes · View notes
whatsanameanyway · 4 months
Text
Tumblr media
wanted to do some ddvau fanart bc i love the series and these guys are everything to me
au by the amazing @kitsuneisi and @xmaruu11 you guys are amazing
48 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Sun Wukong's assorted lingpai (mandate tokens)
[ID: 1) An illustration of the two sides of a mostly rectangular lingpai made of wood. One side reads "令" and the other reads "弼马温", both written in seal script. The bottom of the lingpai is adorned by horses facing outwards, clouds by their feet.
2) An illustration of the two sides of a stone lingpai shaped mostly like a rectangle, but flared at the top and bottom. One side reads "令" and the other reads "美猴王", both written in seal script. The top of the lingpai is adorned with a dragon-pearl surrounded by flames and clouds. The bottom is adorned with mountains, the sea, and coral. The borders of both the top and bottom are decorated with clouds and flowers. The top is swirled in a way that resembles a lingzhi or a ruyi.
3) An illustration of the two sides of a red jade lingpai, shaped mostly like a rectangle but with a curved top. One side reads "令" and the other reads "齐天大圣", both written in seal script. The top of the lingpai is adorned by a ruyi with a flower and mountain at its center. Below the ruyi is a lotus flower, which sits on top of the forehead of a Yazi carving. Clouds extend out from either side of Yazi and below him are flowers. The two sides of the lingpai have the carvings of cloud pillars wrapped in a stylized waterfall. At the bottom are clouds which could also be the foam from the waterfall. Lotuses float atop this foam/these clouds. At the center of the bottom is a mountain with a ruyi at its foot. This ruyi also has a flower within it.
4) The lineart for the three lingpai, with accompanying commentary. The one labeled "BiMaWen" reads "carved and burned wood," "simple, only horses and clouds," and "ornamental, basically no power." The one labeled "Beautiful Monkey King" reads "carved from a chunk of Sun Wukong's stone egg," "customized from Ao family royal lingpai template," and "mostly sea, cloud, and dragon pearl imagery." The one labeled "Great Sage Equaling Heaven" reads "carved from red jade," "fully custom, in style of an emperor's lingpai but HuaGuo," and "flowers, waterfalls, mountains, ruyi, Yazi, and clouds imagery." At the side are simple doodles of the three lingpai. The first is light brown with a yellow cord, captioned "simple cord, no tassel." The second is grey with a red cord and tassel, captioned "silk cord and tassel." The third is red with a red cord and tassel, captioned "braided cord," "jade and gold accented." End ID]
340 notes · View notes
sweetest-honeybee · 7 months
Text
Some people do kinda suck but I find a lot of joy in giving people really specifics compliments at my job and it makes their whole day sometimes c: 💛
110 notes · View notes
centaurianthropology · 6 months
Text
Why Spenser Starke is a Fantastic Horror GM (and the Core Fantasy in Candela Obscura)
So, I have seen some rancid takes about Spenser Starke online. Less so on this webbed site, largely because people around here are not in a pissing contest to prove who’s the most cynical, superior, and dickish. But there have still been some mind-blowing ones, from “he says UM too much” (guess who else does that? Brennan, but I don’t see these people criticizing him), or “he describes scenes like shots in a movie and that’s BAD WRONG” (while you might not stylistically enjoy it, I for one adore seeing a new interpretation of how to narrate while GMing, and think he’s doing great).
But the two that rub me the wrong way most are that he “controls the narrative too tightly” and doesn’t allow the characters to meander too long before throwing them back into the narrative, and that he’s “too harsh” in that even mixed successes tend to net characters damage of some sort. I saw accusations of “GM vs Player” mentality, but everyone was clearly enjoying themselves and the experience.
And that, I think, highlights the fundamental disconnect between these complainers and what’s actually happening on the screen: they don’t understand the core experience.
They have likely never played horror TTRPGs. They may have never played TTRPGs period, and instead are armchair DMs based purely on how Matt and Brennan DM, not really understanding that there are a thousand other ways to DM. But if they have played TTRPGs, I would guess that they’ve exclusively played D&D or its ilk. And I say that because there’s a very clear belief here that empowerment and ‘winning the game’, as well as wandering about freely to create your own narrative at your own pace are all fundamental parts of the TTRPG experience as a whole. But they aren’t. They’re fundamental to D&D, yes, but this is not what players come to a game like Candela Obscura for.
Each TTRPG has a central fantasy playing out. In D&D it’s heroic empowerment. D&D is mechanically built around getting more and more power and eventually defeating the big bad. A good GM in D&D, like Matt Mercer, focuses on giving out challenges, but always helping their players strive to overcome and grow and become better. This self-actualization is at the heart of the experience.
Horror games are not about that at all. The closest to that fantasy is something like ‘Vampire the Masqerade’ or other World of Darkness games, which do feature power growth, but the core fantasy is actually about learning that you are a monster. And embracing power will lead to even greater monstrousness. The horror in games like this is both political and personal, and the system is mechanically built to accommodate that horror.
And if you watch LA by Night or NY by Night, you’ll actually see that Jason Carl employs a fairly similar narrative tightness to his storytelling as that of Spenser Starke. Because a huge part of horror is about establishing and maintaining a mood. To do that, a DM has to keep a tighter rein on pacing, cutting from scene to scene and moment to moment in a way that is more directed than in D&D, because that helps establish and maintain the vibe being created.
Candela Obscura plays, thematically, a lot like one of my favorite games to run: ‘Call of Cthulhu’. CoC is a game all about disempowerment. The power differential between the players and the monsters is vast. Combat is vicious, short, and deadly, and direct combat almost always ends badly for an investigator. There is an entire chapter devoted to running away for a reason.
Both CoC and Candela are built on danger, vulnerability, and a constant sense of tension. And Spenser is fantastic at all of these. He keeps his narrative laser focused, moving between moments rapid-fire to keep up that tension, and to introduce new dangers. He is a ‘vicious’ DM only in so much as even mixed successes hurt. But this also keeps the tension up by keeping the characters and players on the edges of their seats. They are almost never safe. They are almost never well. They are constantly juggling dwindling resources. They are underpowered, vulnerable, and afraid.
And that’s the core fantasy here: exploring fear in a safe way. Being stressed out in a way you can leave behind as soon as the scene is done. Constantly living on the edge, fighting the odds, and knowing that you likely won’t succeed or will only do so at great cost. And he is masterfully keeping that intensity running through each session.
He gives characters time to talk about themselves, time for scenes to play out, until he feels the tension begin to flag, and then he pushes on. He never lets the air go entirely out of the narrative sails. He has a great sense of when a character needs a moment (his use of the red PTSD lighting exemplifies how closely he’s paying attention to his players and adjusting the setting to fit their moods). He sometimes pushes on, gets pushback from a player who wants another beat, and is always happy to give that to them. He keeps the pace up, but is always very careful to make sure his players have what they need to still enjoy this particular experience.
All this is to say that Spenser is absolutely killing it at being an exemplary horror GM. His sense of pacing and tension, his ability to direct action while still always embracing player autonomy, and using the mechanics of the system to never allow them to feel entirely safe are all great tools in a horror GM’s toolkit.
Horror games are not for everyone. Certainly there are plenty of people who only ever want the hero fantasy of D&D, but I think it’s important to recognize what the goal of a game is, and what constitutes success within those parameters, rather than parameters that only exist in an audience member’s mind, because they don’t really get how horror games work.
73 notes · View notes