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#but i am tired and the movie is what it is
luveline · 2 days
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Hi Jade!! I love your writing so much! you wrote a few fics of postprison!reid with kinda shy!reader like the one where she faints and I loved that dynamic and that Reid, do you think you could write some more? pls pls pls <3333333
cw non-consensual drug use /reader is spiked 
Spencer is quite gorgeous. He has a great smile, soft and a little shy without teeth, exuberantly bright like a commercial with teeth. He’s smiling like he can read your mind now, fishing for your hand, and taking it into both of his. Your pinky in one hand and your index the other, he wriggles your hand back and forth and laughs softly. “You don’t handle inebriation well.” 
“What?” you ask, startled. You can’t believe he’s touching you like this, casual, like he’s your boyfriend. Your hot boyfriend.
“You think I’m hot?” 
You squint at him. “What?” you ask. 
He covers your hand gently with both of his. “Nevermind. Do you want something to eat now?” 
“No.” You’ll throw up. Chunks, probably, your breakfast. And it wasn’t even a healthy breakfast. It was waffles and whipped cream and then a donut on the way to the office, Spencer will be able to tell, he’s too smart, he’s too everything. 
“I’m not that smart,” he says kindly. 
That’s a straight up lie. 
He laughs heartily, at odds with his quiet talking, and you’re so confused because it’s like he’s reading your mind? Can he read your mind? There’s so much stuff about yourself you don’t want him to know, your chest hurts thinking about it, you don’t want to tell him anything—
“I think I’ll go find you a hot chocolate,” Spencer says, the sleeve of his shirt falling down unbuttoned to his wrist as he stands. He pushes it back up. He is surprisingly underdressed today and you’ve no idea why. “Does that sound nice?” 
“I don’t think you should leave.” 
“I don’t want you to tell me stuff you don’t want to tell me,” he says. 
“But if you leave I’ll be by myself.” You sound strange to your ears. Crackly, like a garden fire.
Spencer perches himself on the hospital bed next to you. You’re sitting cross-cross on the tight white and blue sheets, waiting for something? Something was supposed to happen, you know that. A doctor was going to take your blood. You look down at the crook of your elbow to find they already have, a cotton pad medical-taped to the skin. 
“I’m not going anywhere if you don’t want me to go,” he says, taking your arm into his hands with the same care he’d shown your fingers. He lifts the corner of the tape and begins to pull it away from the direction it had been stuck in, stretching it, and removing it from you without any pain. 
“Where did you learn that?” you ask. 
Spencer holds your arm in his hand now the cotton ball is done. “Learn what?” 
You’re not interested in asking him again. Weirdly, your throat feels dry, but you won’t tell him because he’ll offer hot chocolate again and you don’t want him to go. 
“Hey,” he says, “not going anywhere until it wears off. Not if you need me.” 
How does he always know what to say? 
“You know, why don’t you get into bed and lay down for a little bit? You must be tired, sitting up. It’s so late.” His voice is a sheet of silk. 
“I thought we were going home?” you ask. 
“We can’t, bub,” —that’s a new one— “not for now. But we will tonight, I promise.” 
“Why not now?” 
He smiles sadly. “‘Cos you’re coming down, Y/N.” 
You frown. “Oh.” 
“I know.” Spencer wraps and arm around your back. “But you’re not alone.” He ducks in until your faces are almost touching. “You know? It’ll go away soon.” 
You don’t know why you say it, but you say, “You’re so nice to me. Even when you’re scary.” 
“Am I scary?” he murmurs. 
You look at him long and hard, feeling the warm rub of his thumb as he smooths a short line into your back. Spencer is intimidating, maybe, because you hadn’t known him when he got out of prison, and he's pretty like a model, or a movie star. But he isn’t scary. That’s not the right word. 
“No,” you say. “I guess not.” You pause. “I feel weird.” 
He doesn’t laugh like you, just hugs you tighter. “It’ll get better.” 
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summary: you are watching a movie with Ross and he’s the sweetest
a blurb
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Your girls talked you into watching 'me before you‘, and now you’re on the couch, snuggled up on Ross‘ chest, watching the most cruelest scene. It was a serene moment, with the only sounds being the gentle hum of the movie and the occasional sniffle from you.
Ross is engrossed in the film, doesn’t immediately notice your tears. But as your sniffles turn into quiet sobs, he turns his attention to you, a teasing grin playing on his lips, while his arm wraps around your shoulder.
“You alright there love?” He asks, a teasing grin on his face. You wipe way a tear and sniffle, giving him a playful glare.
“It’s a sad movie, okay?” Ross chuckles softly, reaching over to gently wipe away a stray tear from your cheek.
“Sure,” he still has a shit-eating grin on his face, you playfully swat his arm away from you.
“It is!” you try to convince him, “she just died and they loved each other so much.” You frown, crossing your arms in front of your chest, waiting for him to break.
"Alright, alright. Come here,” He pulls you closer, wrapping his arms around you protectively as you lean into his embrace. You rest your head against his chest, feeling the steady rhythm of his heartbeat.
“Still can’t handle romantic movies, I see,” he teases. At the beginning of your relationship you forced him to watch romantic movies. Really sad ones. You should be getting used to the same endings but you’re not.
"Oh, please. Like you're any better. I've seen you tear up over a sad commercial." Ross feigns offense, clutching his heart dramatically.
"Oi, that was one time, and it was a particularly moving advert about... I don't even remember what it was about, but it was moving, alright?" You laugh, leaning into his embrace, feeling comforted by his warmth.
"Sure, Ross. Whatever you say.” Ross presses a tender kiss to your forehead, his voice softening.
“Wanna keep watching?” He asks and you nod because one, you can’t start movies and then not end it, second, you know you’ll fall asleep in the next 15 minutes.
It’s late. Almost 1 am, but you love to spend couch time with Ross. You nudge him to lay across the couch, so you can completely lay on top of him.
You drape the blanket over the both of you, and snuggle close, feeling a wave of contentment wash over you.
“Shouldn’t we head to bed?” You mumble something incoherent (‘I’m comfy here'), not quite ready to leave the warmth of his arms.
Ross chuckles softly, his fingers tracing lazy patterns on your back. "I can see that. But the couch isn't the most comfortable place to sleep, you know."
You let out a soft sigh, nuzzling closer to him. You tell him you don’t want to move, and tell him only a few more minutes. Ross smiles down at you, his eyes filled with affection.
"Alright, fair enough. But if you wake up with a sore neck tomorrow, don't say I didn't warn you." You playfully swat at his chest, a smile tugging at your lips.
“Stop worrying, I’ll be fine.” Ross wraps his arms around you tighter, pulling you into a gentle embrace. He lifts your head then, by grabbing your chin, to give you the sweetest kiss.
“But if you change your mind, I'll be more than happy to carry you to bed." You smile and kiss his chest as a small ‘thank you’ gesture.
You remain in the same embrace, the movie fading out into the background as you focus more on Ross’ heartbeat.
Time passes and you stay like this until the credits of the movie roll. Ross takes the remote and switches the TV off, only street lights illuminating the living room.
“Darling, you awake?” You blink groggily, the haze of sleep clouding your thoughts as you turn to look up at him.
“Barely I see,” he chuckles, “c’mon love, our bed is so much comfier.”
“You win, carry me though?” You let out a tired laugh, knowing he was right but still reluctant to leave your current spot of coziness.
Ross grins, his arms already shifting beneath you as he prepares to lift you from the couch.
“As you wish my dear,” With a gentle heave, Ross effortlessly lifts you into his arms, cradling you against his chest as he carries you towards the bedroom. You nestle against him, feeling safe and secure in his embrace as he teases and teases you along the way.
“See, wasn’t so bad, was it?” Ross preps a row of kisses to your head, his heart swelling with love for you. He tucks you under the blanket and then wrapping you up in his arms.
“Thank you Ross,” you mumble, “I love you.” He kisses your neck in return, mumbling a quiet “I love you” back.
In this position you drift off to sleep.
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mythicalea · 3 days
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Some of you need to calm your tits.. it’s just hair!
He is filming a war movie hello???
I am so tired seeing people creating drama out of nowhere just because Joe has what is called a military buzz cut.
He is still our Joe! So please stop behaving like your aunt died or smth and let’s all be supportive!!
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loverrrrrr17 · 9 months
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Can we talk about how America Ferrera delivered this insanely beautiful and impactful monologue about the hardships of being a woman. One of which is the fact that women have to be accountable for men’s actions which she says herself is insane.
And yet.
Here we are. Having to explain to men that the Barbie movie is not anti-men or sexist or meant to make men hate themselves.
We have to, yet again, be accountable for what men feel, and explain that, oh no we don’t hate you! We didn’t mean to upset you! Because the whole point was lost on them.
And now instead of my dash being filled with the magnificence of Barbie and the discoveries she’s made or even just the fact that Ken starts taking control of his life, I am instead somehow subjected to discourse after discourse of people needing to break down the movie so men will stop complaining about it.
I just. Wow. Being a woman. It always comes back to this, doesn’t it. And I hate it. Because we deserve more honestly.
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turtleblogatlast · 4 months
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[ cw: risk taking behavior / circumstantial self harm kinda / ignoring of injuries / self-depreciation / slight ooc-ness but for a reason! / ]
Post invasion, Leo is fine.
More than fine! He’s better than before, even. That is, if you don’t count the slightly cracked shell and still healing bones, but those are only a problem when the weather wants them to be!
Leo really is better in the ways that matter.
He’s not as cocky, not as self-centered, and overall just more heroic in general if he does say so himself.
Raph even said he was proud of Leo!
So obviously things are going well.
But.
It’s not enough.
Leo’s better, sure, but he’s still got work to do.
So - and here’s something that will probably make his brothers faint on the spot - he needs to train.
_____
His brothers do not faint, but it’s a near thing for Raph. Mikey has to fan the snapper’s face and Donnie almost brings out the smelling salts before Raph shoots back to his feet with an excited grin.
Leo’s big brother gets teary eyed soon after and envelops him in a bear hug, saying once again how proud he is that Leo is growing up.
Leo lets himself be hugged, even hugs back as fiercely as he can, because unbeknownst to Raph, this marks the end of Leo’s childhood.
He lets himself be hugged like a kid one last time, looking through the hole in Raph’s shell all the while.
_____
Leo only trains the regular way with his brothers and occasionally April and the Caseys, but most especially Raph.
But of course that’s not enough, it was never going to be.
So he goes through the motions of the stretches, the spars, the meditation, and then he leaves.
He makes sure to have his excuses ready, usually defaulting to Hueso as his go to since his brothers are easily bought off with the promise of pizza. Leo hasn’t yet found the tracker Donnie installed in him, but when he does that’ll be dealt with too! But for now, this should be good.
See, the invasion made him realize something.
It’s not about him, but it was his shortcomings that led to everything going to hell.
So he just…needs to get rid of those shortcomings.
He’s working on it, gaining fighting skill in training, but there’s more he needs to do, more skills he needs to train.
Leo watches intently as Repo Mantis swindles someone, he memorizes the sleight of hand that Hypno performs, he sneaks back into the Mystic Library and is so quiet the hush bats forget he’s there, he talks Big Mama into honing his manipulation, and he even sneaks into human hospitals and reptile veterinary clinics to get a clue on more serious injuries.
And after any of these, he heads to Run of the Mill to compete in the Maze of Death.
_____
This is his twelfth time going through the (newly remodeled and even more deadly) Maze of Death, and would be his fifth time winning. The first three times had him waking up in Hueso’s office, and each time he wakes his old persona shines through.
He always waves off Hueso’s annoyance and questions and insists on trying again next time before he steals some pizza and bails.
The skeleton actively tries to stop him from entering the Maze after the first time, but hey- mystics are allowed before you enter.
It’s easy enough to teleport on by.
Harder to meet Hueso’s - and later his brothers’ - eyes when he fails again.
When he first actually won, Hueso congratulates him in that typical deadpan tone of his.
“Ah, felicidades, Pepino. Now you can move on, sí?”
“Hm? Nah, boneman! That run was sloppy!”
And then Leo runs off before Hueso can stop him.
He doesn’t even look at his picture on the champion wall when he next comes around. It’s not much to look at anyway.
_____
His second win is much like the first, and only his third win is actually acceptable.
But he knows the field too much now. He needs a challenge.
When he attempts to go through it blindfolded, he’s quickly shown how much he doesn’t know the Maze. So, obviously, he loses again.
He got a bit more banged up that time around.
“Pepino, basta ya, you’ve already won. Where are your brothers?”
“I can’t stop yet, señor! This is for my brothers - no les digas, please.”
Even if Hueso wanted to tell Leo’s brothers, they haven’t been in enough for him to get to, and it’s not like Hueso has their number since Leo’s the one Hueso usually contacts. For now, Leo’s safe to continue as is.
Though his injuries are getting harder to hide, and there’s only so much his shell in particular can take.
So to speed things up, he incorporates the blindfold into his regular training.
His brothers question it, of course, but hey, he initially got the idea from seeing Lou Jitsu do it in the third best Lou Jitsu movie, so it comes as a great excuse now.
He’s only a little put off by how fast Mikey adapts to it when the others try.
“I dunno-“ Mikey shrugs when asked, “You guys shine so brightly anyway, a mask doesn’t do much.”
Seeing their mystic energies is pretty cool, Leo can admit.
He just wishes he could grasp that himself - and that it was useful for a death maze.
_____
Leo’s training pulls off eventually, and soon, after a few more losses, he wins a forth time. But it’s a near loss, and a near loss is the difference between someone living and dying.
He’s gotta go again.
Hueso’s more insistent than ever, though.
“You must stop, Pepino.”
“But I can do better-“
“You don’t have to! Your shell is bleeding - ¡por tu propio bien, poner fin a esto!”
“I told you, this is for their own good! For everyone’s own good!”
He forgets the pizzas when he leaves. He claims sickness when he hides under his covers.
He ignores how childish the act makes him feel.
_____
Leo’s getting better, and his reflexes and tact in training shows this. His other training of his subterfuge and medical skills also prove to be useful.
He’s pretty good at hiding injuries, now! Though not so good at hiding a pained shell. Even Donnie looks at him with blatant concern (and understanding) when Leo can’t help but take a sharp breath whenever he lands on his back.
It’s hard not to go right back into waving everything off with jokes like he used to. Deflections are easier when they’re annoying!
But- this is just another reason that he needs to get better, right? So his brothers won’t worry. He doesn’t need the spotlight anymore - he’s over that, thanks.
He squashes down the part of him that perks up when Splinter says he’s growing up. He actively kills the part of himself that cries at the same phrase.
_____
So. Yeah. This’ll be his twelfth time running the Maze. And, hopefully, his fifth win. Maybe he really will move on after this.
The Hidden City is pretty big! There’s probably a bigger challenge somewhere.
Maybe Big Mama has a more secret Nexus hidden away, out of the public eye.
Well, whatever. That’s a future problem for him to figure out, yeah? For now, he carries on like usual, teleporting to the entrance of the Maze and diving right in.
Even blindfolded, he works his way through, dodging and weaving and feeling as he goes. He even tries to evoke his inner Mikey and calls on his mystic energy. Not enough to cheat, but enough to feel.
Usually, when Leo teleports, he swears he feels every part of himself disperse into particles. Now, with energy thrumming under his scales, he can feel particles everywhere.
It’s not refined enough to tell him everything, and he gets a fun new burn and a nice whack to the back by getting distracted. Still, it gives him more than he had before. It makes him more aware of everything, like he licked a finger and held it in the air to feel the direction of wind, but every direction blew wind, all in different ways.
He makes it to the end with minimal injuries after that, and sure, his shell is screaming at him now, but he thinks he did a shell of a good job.
…Ah, he needs to cut that out, huh? Man. Maybe Donnie’s collar idea was a good call after all.
Leo needs to be a hero. Not a face man. Not a failure.
Not a kid.
_____
Leo doesn’t smile when the Minotaur takes his picture again for the champion wall, and he doesn’t listen when she tells him to “go home and never come back.”
He doesn’t plan to, anyway, yeesh.
He’s tired as he trudges out of the exit, and Hueso catches him when he stumbles.
Hueso doesn’t say anything. Leo doesn’t either.
Or, he doesn’t, until he feels a familiar large hand helping him up as well.
Leo’s face whips up as he flinches back, eyes wide as they meet with a worried (so, so worried) Raph’s.
“You told them?” Leo asks Hueso in betrayal, heart thudding wildly in his chest.
“Pepino…”
“Told us what?” Mikey pipes up from behind Raph, coming closer to get a better look at Leo, “Leo, what’s going on?”
“Your shell has been having pretty big setbacks on its healing, is this why?” Donnie demands, glaring fiercely as he motions toward the Maze.
Leo feels unmoored. “I-“
“Leo.” Raph interrupts, and no Leo doesn’t want to hear it- “Are you okay?”
And Leo wants to say “it’s not about me”. He wants to say anything that proved he learned his lesson, that he’s not a liability or worse, an active danger to his own family.
He wants Raph to continue being proud of him. He wants his brothers to trust him.
Instead, he passes out.
_____
The next time his eyes open, Leo’s on his side, staring at his blue lava lamp.
He knows without looking that his shell is re-bandaged. He knows his other injuries have been dealt with too.
And unless Leo learned how to do some pretty impressive medical sleepwalking, he knows he’s not getting away this time.
All three of his brothers being in his room prove that.
“What’s been going on, Leo?” Mikey asks, and his voice cracks partway through.
He’s looking at Leo like he’s searching for something, but Leo doesn’t have anything to show. Nothing’s hidden, he just did some light spring cleaning is all, throwing out all the parts he didn’t need.
All the parts they didn’t need.
And yet despite everything, he can feel himself falling back into old ways, a grin tugging at his beak and lackadaisical deflection on the tip of his tongue.
Maybe he should let that part of him show, just for once. It wouldn’t seem like too much of a setback would it? And he could really use a fun pun right about now-
No.
No it’s not about him. He needs to remember why he did all this in the first place.
“Okay- sorry, guys.” He smiles, softly, quietly, “I guess I got too caught up in training. I’ll work at it some more, don’t worry.”
“Oh, I see. Training. That’s all it was, huh? Training.” Donnie hisses more than says, nearly vibrating in anger.
“…yeah?” Leo nods slowly, because, uh, that’s literally the most honest thing he said. It was training.
“If it’s just “training” then why the secrecy, hm? Why in Curie’s good name did you prefer to sneak around rather than, oh, I don’t know, tell your family?”
Leo feels his shoulders rise at Donnie’s aggression, defensiveness welling up in him, “It was my training! Nothing went wrong, I’m getting better!”
“Better?” Raph asks incredulously, “Leo, you’re wasting away. A tap to the shell stuns you for minutes, you lost weight, and your dark circles are worse than Raph’s ever seen them! You aren’t getting better-!”
“YES I AM!”
The words rip out of Leo before he can stop them.
The room is silent as his brother look at him, all wearing expressions of hurt that Leo put there again.
“Yes I am.” Leo reiterates, shaking, “Because- if I’m not-“ He squeezes his eyes shut. “If I’m not-“
Then what was all this for?
Arms slowly wrap around him, and he knows now from the feel of the mystic that it’s Mikey.
“You’ve gotten faster, and sneakier.” Mikey says quietly. “When I accidentally cut my hand, you knew exactly how to take care of it.” His voice grows firm, and he backs out of the hug, “But those are your skills. You, though, you’ve been…you’ve been…”
“You’ve been dilapidating before our very eyes, and trying to hide it.” Donnie finishes, jaw tight. “You think we wouldn’t notice? After everything?” To Leo’s horror, Donnie’s voice is hoarse with tears, “You absolute dumb dumb.”
“I- but I need to train. The Maze is-“
“Leo, we don’t care that you ran through the Maze. We care you did it alone.” Raph says quietly. “We could have joined you, any time.”
“But- but I’m doing this for you-“
“Listen to your brothers, Blue.” They jump as a new voice joins the fray, heads turning to see Splinter make his way into the - frankly crowded - room.
“Dad, I-“ Leo begins, but trails off, suddenly more unsure than ever in the face of his father.
“It’s good you’re finally picking up training! Especially for your brothers’ sakes! But there’s such a thing as going overboard, you know.” Splinter pokes a sharp claw into Leo’s plastron, “Just because you’re dragging it out this time, doesn’t make this any less of a sacrifice. My son, you’ve taken after Karai an awful lot, haven’t you?”
Leo just looks at his father. At his brothers. Then, he looks down at his calloused hands, bandaged and scarred from overuse.
He swallows dryly. “Is that a bad thing?”
He feels his family crowd in around him, feels his father’s hand on his shoulder.
“It’s not wrong to want to be better, Leonardo.” Splinter says, softly and with so much grief and guilt that Leo can never begin to understand, “But you were never bad to begin with.”
Leo’s breath hitches.
“And-” Splinter’s hands rise up to frame Leo’s face. “You are much too young to ever consider sacrifice the best answer.”
“You got me to relax, Leo. So I’ll do the same for you.” Raph grins, eyes wet, “We’re still kids, right?”
And-
Leo smiles, watery but genuine. “Yeah, Raph. We are.”
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nerves-nebula · 10 months
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yeah so my girlfriend told me the bad news
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thinking thoughts about swords symbolizing the corruption of the institute and the control it has over the kingdom. the sword motif is absolutely everywhere - banners and art, kids’ games and cereal commercials, the statue of gloreth at the center of the kingdom. the institute building itself boasts even more - there are tons of statues and suits of armor, all holding swords. swords are everywhere you look!
another example is the way ballister and his swords are used as a tool by the director. he’s knighted with the same fake sword that kills the queen, highlighting how the system can only thrive on manipulation and deceit - the director can only have control over the kingdom if she lies to it, which she does primarily through ballister. he also immediately tries to go to his sword when he finds out nimona is a shapeshifter, as he hasn’t yet unlearned the values taught to him by the institute. the director keeps his real sword the whole time and uses it to try to kill who she thinks is ambrosius, planning to frame ballister for that murder too, which becomes a major turning point in his arc as he decides to abandon the sword as he no longer wants to be part of her game.
but even though he’s made the choice to reject the institute, he still struggles to unlearn its values. he’s been brainwashed from a young age, and had plenty of time to internalize false notions about heroes and villains and monsters. while he cares deeply about nimona at this point, he still instinctively goes to draw his (other) sword when he learns she’s the “monster” from the legend of gloreth.
one of the ways the director retains power is through gloreth - since she’s considered the symbol of righteousness and heroism, the ideal to which all knights should strive, she’s invoked at every moment possible. the scroll bearing the legend is used to justify killing nimona, and “the will of gloreth” is used to justify practically everything. ballister’s sword has a G on it, which is visible right before he gets knighted, and ambrosius’s sword looks just like the one the statue holds aloft. (gloreth didn’t actually have a sword like that, at least not when she knew nimona, but nobody knows this - the real story had been warped and twisted to fit the narrative so much over the course of a thousand years.)
ambrosius, being her descendant and the golden boy, finds it even more challenging to realize the institute is corrupt. he’s also been brainwashed and forced into a role, and there has always been an immense amount of pressure on him to follow in her footsteps. so when he meets ballister in the tavern he places ballister’s sword on the table and suggests killing nimona, as this is what the institution wants. ballister, who knows that nimona isn’t the one to blame, angrily walks out and leaves the sword laying there, trying to leave both it and the institute behind again.
ambrosius becomes understandably reluctant to use his sword for anything violent after cutting off ballister’s arm. he doesn’t draw it when leading a squadron of knights to find nimona and ballister, even when everyone else has their weapons trained. he points it at them and doesn’t use it when he and the other knights have them surrounded. at one point he even places it in front of the director in the effort to protect her. (he seems to be very loyal to her for reasons i’ve touched on here, and is still heavily under the influence of the institute at this point in time.) in fact, the only time he ever actually uses his sword going forward is the fight with ballister, but even then he’s not really fighting exactly, just deflecting ballister’s sword. he doesn’t try to get in a single strike, not wanting to hurt ballister again or give him any more reason to hate him.
nimona, having grown up under very different circumstances, knocks over suits of armor that have swords. she destroys the statues that hold them. when she and gloreth play fight as children, gloreth holds a toy sword while nimona holds a stick.
everything is inverted at the climax - when every other knight is running around with weapons, ambrosius doesn’t draw his sword. he stands in the middle of the street and asks aloud, “what are we doing?” as he’s finally able to see how corrupt and how dangerous the institute is.
and nimona is the one who seeks out gloreth’s sword, and ballister is the one who lets his own sword fall, breaking the cycle and rejecting the institute’s values once and for all in order to save her.
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riddlerosehearts · 5 months
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i am so tired of seeing this screenshot about wish's ending reposted everywhere and used to make fun of the movie:
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and this is coming from someone who didn't even like the movie very much, but this is misrepresenting what happened. yes, there is a thing where asha wears a cloak resembling that of the fairy godmother and at the end star makes her a magic wand and the kids say she's like a fairy godmother, king magnifico does get trapped in a mirror, etc, and the movie was absolutely filled with easter eggs and references to previous movies--yep, when i saw the movie i did in fact take these scenes as just easter eggs! after all, think about this logically, if all currently existing movies in the disney animated canon were meant to take place in the same universe, and asha canonically grows up to be cinderella's fairy godmother, then...
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how can you explain such a drastic difference in appearance? how can you justify asha, a brown-skinned afro-hispanic girl with a face full of freckles and long brown hair, and this old white woman being the same person? you can't, because they're not!!!! if i recall correctly asha doesn't even wear that cloak at the end when they're calling her a fairy godmother, she just wears it during one scene when she's a fugitive and has to sneak around. also...
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the creators of the movie have directly confirmed that they were not trying to set up a disney multiverse and that it's not meant to be taken that seriously. rapunzel and eugene's cameo in frozen also wasn't meant to be taken anywhere near as seriously as everyone took it. neither were any previous cameos like belle in hunchback of notre dame or aurora in oliver and company (and if aurora being in oliver and company was canon, she'd be over 600 years old!). and, back to wish specifically, the little easter egg earlier in the movie where magnifico sees a wish bubble from someone who wants the perfect nanny to take care of their kids and says he's "poppin' that one" also doesn't mean the banks family from mary poppins canonically lives in rosas. the scene at the end where a boy named peter who wears all green and dreams of creating a flying machine goes to work with a girl in a blue nightgown whose wish is to fly doesn't mean peter pan and wendy actually somehow lived together in rosas and knew each other before the movie peter pan ever happened. it is literally impossible for all of these movies to take place in the same time period and universe, so it's a good thing that they, uh, don't, and were never intended to. please, if you don't like the movie, that's perfectly fine, but don't say disney is trying to create some convoluted multiverse and "MCU-ify" their movies when that just literally isn't true.
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what if I pull up to the function like this
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officesuppliez · 6 months
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this took me a couple days to complete, but I think it looks real nice
142 layers. it took me 142 layers. laptop torture.
anyways, I re-watched the movie. good movie, I liked it a lot.
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kindheartedgummybears · 3 months
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you wanna know what??
I am
TIRED
of overmasculinized werewolves!!!!
I WANNA SEE A
WEREWOLF
WALKING AROUND IN A CVNTY LITTLE OUTFIT!!! WALKING THE STREETS!!!! DISEMBOWELING CREATURES!!!!
I WANNA SEE WEREWOLVES COVERED IN BLOOD AND GORE WHILE WEARING A SHORT SKIRT AND CROPTOP WITH HELLO KITTY ON IT!!!!
I WANNA SEE A WEREWOLF WALKING AROUND IN COTTAGE AND FAIRY AND PRINCESS CORE OUTFITS!!!!!! WITH A DEAD MANGLED RABBIT IN ITS MOUTH!!!!
AND MAKE THE WEREWOLF
D I S G U S T I N G ! ! !
#i am TIRED of seeing all these manly man werewolves that are all copy and paste white boys#I am TIRED of seeing all these woman werewolves being butch and masculine(also mostly white) or submissive!!!#I WANNA SEE SOME PLUS-SIZE WEREWOLVES I WANNA SEE SOME BLACK ASIAN LATINO MIDDLE EASTERN NON WHITE WEREWOLVES!!!!! THAT ARNT F3TIZIED!!!!!#I WANNA SEE A G I R L WEREWOLF THATS INTO “G I R L Y” THINGS!!!!! LET THE WEREWOLF BE A SLVT!!!!!#LET THE WEREWOLF BE IN THE TRADITIONAL CLOTHING OF ITS CULTURE!!!!#AND RIP AND TEAR AND MAUL AND CRY IN THE MORNING AFTER DOING ALL OF IT!!!! RAHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!!#no but fr can we werewolf fans like. actually sit down and reflect on the inherent misogyny of werewolves??? ESPECIALLY IN MEDIA#like. almost EVERY. SINGLE. WEREWOLF. in movies and shows and stuff are always a buff white man with anger and trust issues#and on the rare occasion that there *is* a woman werewolf shes always either over masculine or “weaker” than the “stronger alpha male” were#olf and only seen as a mate. AND shes always “calmer” and “maternal” and “calms the alpha male down🥺🥺”.AND she never has an actually good#werewolf form its always either wolf tail and ears or full wolf. or if it *is* actually a decent werewolf her transformation is offscreen.#like whyyyyyyyyyyyyy are people so scared to make women go ape shit?????? werewolves are NOT pretty creatures!!!! STOP MAKING THEM PRETTY!!#(lmao jk we know why they're so scared hashtag male gaze)#like yes. werewolves ARE pretty but not in the “dog show 30k$ poodle” kind of way i see some people making them(not that that's bad tho)#AND ALSO LIKE. ARE WE JUST GOING TO PRETEND WEREWOLVES LITERALLY WEREN'T MADE FOR WOMEN AND MINORITIES???#like. once a month someone turns into a raging bloodthirsty unstoppable beast driven by the moon and instincts with an insatiable hunger an#need to hide away from people due to them wanting to kill you or fearing you simply because you're a werewolf. they don't know you. they ju#t see you as a creature that might hurt them. constantly being hunted down to be killed simply for existing.#WHAT PART OF THAT SCREAMS: “ah yes. White man.”#IK theres going be people(men and pick mes) that see this post and think “this bitch is overreacting” and tbh idc.the girls who get it get#the girls who dont dont.#anyways shout out to Ginger Snaps trick or treat and every other piece of media or fan piece with disgusting non-f3tiszied woman/poc werewo#i love yall#*smooch smooch*#Werewolves#Werewolf#Lycanthrope#Lycanthropy#Werewolf AU#Yeah. Im tagging that too. I see yall.
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thecatspasta · 7 months
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Do you think the corporations will realise that we will care about their straight ships if they're not a girl fawning over the first guy she sees and getting married within the year and it being treated like a good thing or is this thought process too advanced for them to handle right now.
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needylittlegirl · 12 days
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theres a 99% chance we’re gonna move so i have to start packing little things now cause it makes the transition easier but i hate it i dont want to
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psalmsofpsychosis · 2 months
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So, i finished watching Batman (2022). Long story short, it's wonderful. The cinematography and the atmosphere are simply impeccable, it's got one of the best productions i have seen in blockbuster superhero movies in the last decade. The flow of the movie is perfectly executed and choreographed; it's a truly seamless visual experience, eye candy to the bone, and the story is intriguing and lovely and pleasing to the senses too. It's a reasonably well made movie.
It also does quite remind me of my main point of disdain towards live action Batman depictions post-Batman&Robin, which is, i think fellas take Batman way too seriously.
Listen, the guy walks around with fucking pikachu ears on for fucks sake. I dont think that straight up looney tunes comic relief is the right flavour to put in the live action batmanverse blender, even though it has the potential to be incorporated very well, but. There's a certain quality of offbeat, paculiar weirdness to Batman, a quality of almost playful and offputting bizarre wit, there always has been. He's got a fucking sith pikachu mask on. It's very human, very endearing almost. it's an element of imagination and wonder which is something Bruce Wayne has, even when it's corrupted to only include doom and gloom scenarios.
and the comics successfully translate that subtle wit and uncomfortable quality of all the characters, including Batman, by incorporating acidic colors, borderline hallucination-esque imageries, warped character designs, the whole thing feels like the worst acid trip you've ever had in an alley behind a bar and that's how the tone carries. It's how the worldbuilding and the characters feel congruent and authentic. The colors also give Batman a dynamic personhood by depicting his unceremonious humanity as much as they buff him up. There's a fun and gore-ish, psychopathic sincerity to the comics.
and the movies absolutely take that element out and all you get is the most "just some guy" artless character depictions and Batman himself doesn't feel human. he is written way too seriously for a guy who has pikachu ears and wears his underwear on his pants.
And this is by no means a Batman (2022) problem; it's a persisting trend of live action superhero media progressively stripping their stories of heart and soul because executive fellas have cought the "THIS IS A BIG FUCKING DEAL!!!!! EVERYTHING IS SO SERIOUS HERE!!!!!" disease and think giving superhero narratives their color and humanity back somehow makes them less poignant and significant. There's no sense of dynamism and wit to the batman movies, and the tone and atmosphere of Batman (2022) is fucking gorgeous, it's a singular experience, but it feels so out of place with Batman. It feels like Batman's costume belongs to another movie entirely, something more playful and weird.
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shinmiyovvi · 1 month
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Oh, hawakan mo ako Damhin mo ang pag-ibig kong sa'yo Oh, ikaw ang pinakamagandang dalaga Na aking nasilayan Magulong mundo'y tatakasan Ikaw lamang ang hiling na makasama - Maria Clara by Sugarcane
Reference
Alt versions under the cut
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yrrtyrrtwhenihrrthrrt · 2 months
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When you post an AU idea for Comic Nimona about her being free from the monster which represents pain and trauma in that story and a bunch of people who only watched the movie (where there is no monster and her powers/differences represent trans identity) start harassing you and calling you transphobic and media illiterate when they're actually illiterate because they either didn't READ the comic or somehow didn't realize that Nimona's powers are symbolically different in the comic despite multiple panels indicating otherwise
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