Ford Brewster Town Car Cabriolet 1940. Un bel exemple de cette voiture peut être vu dans la collection Bob Bahre à Paris Hill, Maine. Cette collection n'est ouverte qu'un jour par an. - source Tom Minerich via Cars & Motorbikes Stars of the Golden era.

Photo by retired railroad Conductor Bob Bahrs.

A thief makes a disturbing discovery in the house where he breaks in. Later, when he returns to the same house with his partner in crime, things are no longer how he expected. Credits: TheMovieDb. Film Cast: Cale Erendreich: David Tennant Sean Falco: Robert Sheehan Katie: Kerry Condon Derek Sandoval: Carlito Olivero Riley Seabrook: Jacqueline Byers FBI Agent Olivia Fuller: Tracey Heggins Don Falco: Rob Nagle Patti Falco: Lorraine Bahr Rowan Falco: Jacob Resnikoff Nino: David Meyers Detective Wayne Banyon: Tony Doupe Helen Leyton: Lisa Brenner Jocelyn: Sofia Hasmik Officer Aguilar: Delpaneaux Wills Sabine: Hannah Barefoot Mitchell: Danny Bruno Young Cale: Austin Leo FBI Agent: Jared Q. Miller FBI Agent Driver: Lydia Reim FBI Supervisor: Brandon Boyce Female Cop: Dana Millican Girlfriend #1: Emily Kimball Horse Trainer: Sam Bangs Newscaster: Brenda Braxton Uniform Cop: David S. Hogan Valet: Alex Donnolo FBI Agent: Tim Bennett Umbrella Ped: Chris Ihlenfeldt Film Crew: Producer: Dean Devlin Original Music Composer: Joseph LoDuca Sound Re-Recording Mixer: Greg P. Russell Second Unit Director: Carsten H.W. Lorenz Property Master: John Pearson-Denning Makeup Artist: Eva Lohse Director of Photography: David Connell Art Direction: Michelle Jones Screenplay: Brandon Boyce Editor: Brian Gonosey Production Design: Nate Jones Extras Casting: Susan Funk Producer: Marc Roskin Costume Design: Critter Pierce Gaffer: Neil Holcomb Steadicam Operator: Gary L. Camp Extras Casting: Bill Marinella Second Unit Director of Photography: Matthew Moriarty Foley Artist: Jörg Klinkenberg Makeup Department Head: Christina Kortum Stunt Double: Tim Bennett Construction Coordinator: Dean G. Roberts Scenic Artist: Ellen Lepinski First Assistant Director: Gregory J. Pawlik Jr. Sound Editor: James Gallivan Dialect Coach: Mary McDonald-Lewis Script Supervisor: Andy Spletzer Co-Producer: Mark Franco Special Effects Coordinator: William Boggs Assistant Editor: Lana Wolverton Focus Puller: Bob Webeck Stunt Double: Daniel Locicero Stunt Double: Kym Stys Still Photographer: James N. Clark Key Grip: Art Bartels Assistant Production Coordinator: Naomi Yospe Casting Associate: Marin Hope Makeup Artist: Stephanie June Johnson Unit Production Manager: Brandon Lambdin First Assistant “C” Camera: Ronnie Dennis Assistant Property Master: Sean Fong Producer: Rachel Olschan Set Decoration: Benjamin Hayden Stunt Coordinator: Kent W. Luttrell Assistant Editor: Rick Chapman Sound Designer: Mark Hailstone Dolly Grip: Todd England Nicodemus Location Manager: Robert Warberg Boom Operator: Heidi DuBose Stunt Driver: Michelle Damis Utility Stunts: Lex Damis First Assistant “A” Camera: Kyril Cvetkov Hair Department Head: Autumn Sanders Production Accountant: Colleen Emry Hairstylist: Dusti Leon Stunt Driver: Ken Clark Second Assistant Director: Devan Linforth Script Coordinator: Kerry Glover Stunt Double: Anthony Oh Makeup Artist: Tammy Brant Second Second Assistant Director: Jesse Bellis Second Second Assistant Director: James McCoy Leadman: Jason Beveridge Construction Foreman: Jarred Decker Greensman: Rick Lepinski Set Designer: Jason Raines Foley Mixer: Jean-Marie Gilles Stunt Driver: Tommy Goodwin Stunt Double: James A. Smith Second Assistant Camera: Michael Crockett Second Assistant Camera: Madison Rowley Best Boy Grip: Brian Shotzbarger Best Boy Electrician: Jeremiah Skender Costume Supervisor: Alison Carlos Set Medic: Michael Fine Set Medic: Taylor Saxon Producer: Tony Malzone Movie Reviews: offscreenbabble: I did not enjoy the movie. The trailer looked really interesting and I really like David Tennant.The movie had some strange editing choices. It’s unintentionally funny but not a movie thats so bad its fun. To give you a quick spoiler free review it’s about a valet who tries to rob David Tennant’s place. When he is about to leave he sees a woman tied up. The rest of the movie is him trying to notify the police but it becomes a “Cat and Mouse” game between the valet and David Tennant. But increasingly gets silly and overall the stuff that is s...

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What's streaming this week: Donald Glover, Run-D.M.C., 'Choir' and bye to 'Curb Your Enthusiasm'

LOS ANGELES

The final, cringeworthy season of “Curb Your Enthusiasm” and a documentary on Run-D.M.C. are some of the new television, movies, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Donald Glover starring as a spy in the new TV series “Mr. & Mrs. Smith” and a documentary about the making of the charity megahit “We Are the World.”

— Regardless of whether you think the 1985 charity anthem “We Are the World” is great or not, the making of it is fascinating. Director Bao Nguyen got access to never-before-seen footage and new interviews with Lionel Richie, Bruce Springsteen and Cyndi Lauper to help tell the story of how famous musicians, including Michael Jackson, Bob Dylan, Diana Ross and Stevie Wonder, got together one night for a marathon recording session. Nguyen told the AP in a recent interview that “The Greatest Night In Pop" humanizes "some of these icons that we’ve sort of idolized over many generations.” It’s on Netflix.

— So Greta Gerwig didn’t get a best director nomination, but the good news is that the Criterion Channel has a new series starting Thursday about some of the “Lady Bird” and “Barbie” director’s favorite films. Gerwig’s “adventures in moviegoing” includes David Lean’s “Brief Encounter,” Michael Powell and Emeric Pressburger’s “The Red Shoes,” Max Ophüls’ "The Earrings of Madame de…” and Claire Denis’ “Beau travail.” The channel also has a series on “Interdimensional Romance” with films like “A Matter of Life and Death,” “Wings of Desire,” “Eternal Sunshine of the Spotless Mind” and both versions of “Solaris.”

— And for those who were curious about “Dicks: The Musical,” but not enough to bite the bullet on a movie ticket, it will be streaming on Max starting Friday. In an article about the movie out of the Toronto Film Festival, AP Film Writer Jake Coyle wrote that this “Dadaist riff on ‘The Parent Trap’ … may be the most demented riff on a familiar story yet. The film … has been called the most gonzo movie of the year. It’s lewd, ridiculous and surreal. Hanna-Barbera was an inspiration.” Josh Sharp and Aaron Jackson star alongside Bowen Yang as God, Megan Thee Stallion, Nathan Lane and Megan Mullally.

— AP Film Writer Lindsey Bahr

— Bob Marley & The Wailers, The Clash, Beastie Boys — what do these legendary artists have in common? They owe much to Lee “Scratch” Perry, a pioneer of the dub music scene celebrated as one of reggae’s founding fathers. Perry (real name Rainford Hugh Perry) died in 2021 — but during the pandemic, he worked on new music material, which will be posthumously released in his final album, “King Perry,” out Friday, Feb 2. It features guest performances from Greentea Peng, Shaun Ryder, Tricky, Marta, Rose Waite and Fifi Rong. The final track, appropriately titled “Goodbye,” is Perry’s final vocal recording — an ambitious and celebratory song that features Perry repeating his farewell over and over again. It’s a fitting coda, and still an experiment, bringing his reggae into synth wave, drum’n’bass, big beat, and electronica. Even in death, Perry is looking towards the future.

— When you’re done streaming “The Greatest Night in Pop” (see above), stay in the musical mid-’80s with “Kings from Queens: The RUN DMC Story.” This Peacock original documentary offers a close look at the early days of Joseph “Rev Run” Simmons, Darryl “DMC” McDaniels, and Jason “Jam Master Jay” Mizell's revolutionary group — finding inspiration in the streets, bringing hip-hop to the masses, and, in doing so, validating and legitimizing what will soon become the most popular style of music — and assisting in turning it into a billion-dollar business. Let’s face it, “It’s Tricky to rock a rhyme, to rock a rhyme that’s right on time,” is both an earworm for the ages — and some astute musical analysis.

— AP Music Writer Maria Sherman

— The new Amazon Prime Video series “Mr. & Mrs. Smith” is not your 2005 “Mr. & Mrs. Smith.” Instead, Donald Glover and Maya Erskine star as two stranger spies who meet and are required to marry for their cover. The series was created by Glover and Francesca Sloane, who says she looked to reality TV like “Love is Blind” and “90 Day Fiancé” for inspiration. All eight episodes will be ready to binge on Friday.

— “Curb Your Enthusiasm” fans are pretty pretty pretty disappointed because the show begins its final season on Sunday, on HBO. The irreverent comedy stars Larry David as a fictionalized version of himself who lands in awkward situations at every turn. Recurring favorites Jeff Garlin, Susie Essman, Cheryl Hines, and J.B. Smoove will be back.

— A new Disney+ docuseries called “Choir” follows the Detroit Youth Choir — who first made a splash appearing on “America’s Got Talent” in 2019 — as members audition and prepare to perform at Carnegie Hall in New York. All six episodes drop Wednesday.

— UK comedian Sir Lenny Henry used his own family history to create “Three Little Birds,” a BritBox series that follows three women moving from Jamaica to London in the 1950s. Henry says the show’s immigration story is universally relatable because all immigrants understand that it’s difficult to start over and build a new life. “Three Little Birds” premieres Thursday.

— Past seasons of National Geographic’s “Genius” anthology series covered Albert Einstein, Pablo Picasso and Aretha Franklin. Season 4 focuses on two civil rights legends, the Rev Dr Martin Luther King Jr and Malcolm X. “Genius: MLK/X” delves into each man’s formative years, rise to influence and differing philosophies. The first two episodes drop Thursday on National Geographic. It will also stream on Hulu and Disney+.

— Don’t worry, “Dateline” hosts, your jobs are safe. For now. Mike “The Situation” Sorrentino of “Jersey Shore” has entered the chat. He’s hosting “Statute of Limitations,” a new true crime show where everyday people who have committed nonviolent crimes tell their story. (Think: A thief who used a hot air balloon as a getaway vehicle.) What’s more, their statute of limitations has run out so they’re free and clear to talk. In 2019, Sorrentino served eight months in prison for lying on his taxes. “Statute of Limitations” will be available to stream beginning Thursday on platforms including Tubi, YouTube and The Roku Channel.

— Alicia Rancilio

— England’s Rocksteady Studios built its reputation on 2009’s dazzling Batman: Arkham Asylum. Alas, the developer is turning to the dark side of the DC Universe with Suicide Squad: Kill the Justice League. Rather than soloing as the Caped Crusader, you’re now invited to team up with friends as members of Task Force X: Harley Quinn, Deadshot, Captain Boomerang and King Shark. What do they have against Superman, the Flash and their buddies? Well, Brainiac has brainwashed the superheroes and now it’s up to the supervillains to save Metropolis. You can expect guest appearances by the likes of Lex Luthor, the Penguin and the Riddler, and publisher Warner Bros. Games is promising a steady flow of downloadable scoundrels in the future. The brawling begins Friday on PlayStation 5, Xbox X/S and PC.

— Lou Kesten

Nutley, Cincinnati, and beyond [Part 3]

continued from part 2

Walter Sr. lived in Newark’s Ironbound District until he was 19, going to Barringer High School. He was only one of five children who went to high school, later graduating from Stevens Tech in 1911 with an engineering degree. [9] Instead of going into engineering, he got a position at an insurance company named Ocean Accident and Guarantee Insurance Co. where he met Katherine Ruth Weber. In May 1914, he married her and graduated from New York Law School in 1915 which helped him with drafting insurance contracts. In 1922, he used this knowledge to start his own insurance company  named Walter A Schaefer & Co., with an office in Newark until after World War II. Their business slogan was “You’re safer with Schaefer.” By the late 1920s and 1930s, Walter Sr. was president of the Casualty Underwriters Association, part of the Essex County Association of Insurance Agents. During World War II, Ruth and Walter served as air raid wardens. He later ran against a well-liked Republican named Fred Hartley, using his admiration of Lincoln, but he lost. [10] He served as senior citizen affairs adviser for a Democratic Senator named Carmen Orechio, started a speakers club in Nutley, whom honored him, as did the town council, at his 100th Birthday in 1990. He would die in the year of 1991, on December 1, outliving his son, Walter, Jr. who died in October of 1990.

Walter Sr.’s parents were George Schaefer and Margaret Bahr. George was an immigrant from Germany in 1871 (and born in 1847) who was a baker in New York for years, dying between 1899 and 1900. [11] Walter’s mother, by contrast, was born in Tusten, Sullivan, New York in 1854. Born to a family from Bavaria, Germany, her father was a farmer named John Bahr (1825-1892) and her mother was named Margaret (b. 1829). After marrying George Schaefer, she served as administrator of his will, written in 1894, with the administration in 1900 to “five minor children,” one of whom was Walter Sr. He would live on 95 York Avenue from 1900 to 1910, and later within Essex, New Jersey.

Ruth was as educated as Walter Sr. After attending Erasmus Hall High School, studying English, Math, History (Ancient, English and American), Physics, Latin and French, she majored in the latter two. While she got “Cs in all her subject” as noted by a relative, she graduated high school, in 1907, and enrolled at Smith College. Once there, she studied various subjects, ranging from Chemistry to Philosophy, but took a lot of Mathematics classes, getting grades that were evenly distributed between Bs and Cs, with D then as the highest grade, which she got in English. [12] She graduated with a Bachelors of Arts in 1911. Her address during the time of her schooling was 496 Fifth Street, Brooklyn, New York, with her father, Lawrence A. Weber (1861-1942), a “coal and wood dealer” like his father before him. Her mother was Helen M. Williams (1865-1943) and she had seven siblings.

Walter Sr. and Ruth’s children expanded the family. [13] Martha, who died in March 1986 in Philadelphia, Philadelphia County, Pennsylvania, would marry Delmar Molarsky sometime in the 1940s or 1950s. Martha and Delmar would have a daughter, whom would later marry and have her own daughter. Delmar, born in Boston in March 1913 and living in Nutley from 1920 to 1940, would die in Philadelphia, Philadelphia County, Pennsylvania in March 1983. As for Walter Jr., whom would die in October 1990 and be buried in Brooklyn, he would marry Carol Johnson and move to Providence, Rhode Island. Walter Jr. and Carol would have one son whom would marry, and have two children of his own.

© 2018-2023 Burkely Hermann. All rights reserved.

This is reprinted from my family history of the Mills/Packard family. This tells a shortened version of the Bob Mills story in World War II sent out to relatives on June 17, 2018. Some other changes have been made to make a smoother text. This was originally published on the WordPress version of this blog in November 2018, but has been broken apart info various parts for this blog.

continued in part 4

Notes

[9] See “Resident declares existence of speech study group,” “How to Rise to The Top In The Corporate World,” “Ironbound Revisited” and “High School Days at Barringer High,” Karl Greene’s “Senior Notes” and The Nutley Sun, “Friends Toast Walter Schaefer,” Apr. 12, 1990 within Walter Sr.’s This is Your Life, along with other articles within this booklet of old newspaper clippings.

[10] As a relative writes on Ancestry, “My grandfather, Walter A. Schaefer, soaked up history. He was particularly interested in the lives of Civil War figures. He was considered well-versed in the life and times of Abraham Lincoln and spoke with flair to many regional groups about this topic. While WAS was open to views about the Confederates, he could never forgive what he considered the incompetency of Gen. McClellan. This was just one of many topics WAS felt strongly about!”

[11] 1871 Passenger Manifest, Family Search; 1870 U.S. Federal Census, Newark, Family Search; Newark, New Jersey, City Directory, 1877; Newark, New Jersey, City Directory, 1899; Probate of George Schaefer, 1900, Application for Probates of Wills, Vol. 12, p. 356. His will might be there, but with no index, it is hard to know. Also used: Bahr Household, Tusten, Sullivan, New York, New York State Census of 1855. This is also noted in the as noted in the 1880 U.S. Federal census and the 1860 census as well. Other sources: 1900 U.S. Federal Census, Newark Ward 10, Essex, New Jersey, National Archives, NARA T623, Enumeration District 91, Roll 965, Page 13B. Called “Schafer” in this census. That year, he was going to school with his brother Allison (age 15) and sister Florence (age 13) and was living without a father but with his brother Wilbur (age 7), and sister Elsie (age 5) in a house the family owned and mortgaged; 1910 U.S. Federal Census, Newark Ward 10, Essex, New Jersey, National Archives, NARA T623, Enumeration District 79, Roll 965, Page 13B, In 1910 he is living at the same address, is a shoe store salesman, with his widowed mother Margaret (age 55), brother Allwin P. (age 24), brother George W. (age 16), sister Florence (age 23), and sister Elsie (age 15), Allwin was a plumber, George W. was an Office boy, and Florence was a typewriter; New York, New York, Marriage Index 1866-1937 which notes Marriage to Katherine Ruth Weber on 10 Nov 1914 in Kings, New York; Walter Augustus Schaefer living on 19 Lexington Ave in Essex, NJ according to 1917 draft card. Also listed in 1942 draft card as living in Essex, New Jersey and within U.S., Social Security Death Index, 1935-2014.

[12] She studied Chemistry, English, French, Latin, Math, Astronomy, Bible, History, Physics, Art, and Philosophy. Other siblings included Eva M. Weber (1887-1975), Helen M. Weber (1888-1930), Louise Weber (1892-1946), Lawrence J. Weber (1893-1933), Hortense Marion Weber (1898-1971), Eugene J. Weber (1901-1965), Paul A. Weber (1909-1970). Lawrence was the son of the Lawrence Weber (1836-1897) and Barbara Meyer (1838-1917).

[13] Sources include: U.S., Social Security Death Index, 1935-2014 and the Gravestone of Walter A. Schaefer, Jr. which shows birth and death dates, among other information. Delmar's residency is established by the 1920, 1930, and 1940 censuses.

Forefront Post 9 - The House (January 14, 2022) - The beautiful imperfections of Stop Motion Animation

In an era where most animated films being produced are CGI it is refreshing to see a film that embraces the wonderful imperfections of stop motion animation.

The House is a stop motion anthology that was written by Enda Walsh and directed by Emma De Swaef, Marc James Roels, Niki Lindorthon Von Bahr, and Paloma Baeza. It tells three half-hour-long narratives that all take place in the same House, but across different worlds (The first story is about people in an old-fashioned setting, the second about anthropomorphic rats living in an era that resembled modern times and the third about anthropomorphic cats living in a post-apocalyptic and flooded world).

The house was released on the streaming service Netflix on January 14, 2022. It was originally supposed to be a miniseries, with each anthology story being released as a separate episode.

Like 'The Bob's Burgers Movie' the house has a PG 12 rating although the tone and subject matter are quite different. This is a film targeted towards adult audiences as a lot of the themes are darker and it deals with issues of death, depression, and substance abuse.

I found it interesting that the only aspect of the film that ties the three narratives together is the house, despite the stories taking place in entirely different settings/ worlds. This really adds to the surreal and strange themes present in the anthology. In the first story ‘And heard within, a lie is spun’ we see the house being built and in the final story ‘Listen again and seek the sun’ the house is modified by the residence into a makeshift boat. This makes the overall narrative feel coherent despite the very different settings and characters.

What puts ‘The House’ at the forefront of the Animation Industry:

What stands out about this film, and what puts it at the forefront of the animation industry for me are its beautiful and peculiar stop motion aesthetics. The more surreal elements of the film work well in the stop motion media. The animation in the House also contributes to the dark and creepy tone throughout much of the film. The stop motion also makes the film more memorable and the imagery more interesting than if the film were a cleaner and more streamline CGI production.

Most of the visuals in the film were created physically, without the use of greenscreen or digital effects. I am a fan of this handcrafted approach to animation. I hope to see more films from the team behind The House in the future due to its intriguing plotlines and beautiful hand-crafted animation.

How this relates to my own practice:

Although I am not a Stop Motion animator, I do really appreciate hand crafted animation. Stop Motion is a media of animation that I do have some minimal experience in, and I really love working with stop motion.

I hope that, with the success of films like The House that there is more appreciation for Stop Motion animation and other more hands on and less digital animation techniques. Producing more hand-crafted films is something I would like to do in my career as an animator, and there will be more chance of this happening if there is more interest and demand for films with this aesthetic by audiences.

Harvard Referencing:

Wikipedia. (2022). The House (2022 film). [online] Available at: https://en.wikipedia.org/wiki/The_House_(2022_film).

IMDb. (2022). The House. [online] Available at: https://www.imdb.com/title/tt11703050/.

Netflix (Dec 16, 2021). The House | Official Trailer | Netflix. [YouTube] Available at: https://www.youtube.com/watch?v=wqbZlAEUb5w&ab_channel=Netflix

P⬤21 Diseño de Producción Dune Zsuzsanna Sipos, Patrice Vermette First Cow Anthony Gasparro, Vanessa Knoll, Lisa Ward The French Dispatch Rena DeAngelo, Adam Stockhausen Luca Paul Abadilla, Noah Klocek, Nathaniel McLaughlin, Kristian Norelius, Don Shank, Garrett Taylor No Time to Die Véronique Melery, Mark Tildesley Swan Song Annie Beauchamp, Michael Diner, Shannon Gottlieb Diseño de Vestuario Cruella Jenny Beavan Dune Bob Morgan, Jacqueline West Encanto Neysa Bove The French Dispatch Milena Canonero The Green Knight Malgosia Turzanska West Side Story Paul Tazewell Make-Up & Hairstyling Cruella Naomi Donne, Nadia Stacey, Julia Vernon Dune Love Larson, Donald Mowat, Eva Von Bahr The Green Knight Eileen Buggy, Audrey Doyle, Barrie Gower No Time to Die Daniel Phillips Old Michelle Diamantides, Thomas Floutz, Cristina Waltz Titane Olivier Afonso, Antoine Mancini, Flore Masson

Coming up with ideas on how to get revenge….with the help of the ghosts of some famous pirates

Pew: *after he finished explaining their plan* What do you all zhink?

Ghost pirates: …………

Ghost Captain Barbarossa: *raises hand*

Clueless: You, Captain Bah….bahr…bahrbassasssuagh?

Barbarossa: *flatly* That is not my name….

Clueless: Barbierosa

Barbarossa: No

Clueless: Barbara?

Barbarossa: No

Clueless: Bob Ross.

James Francis Durante (February 10, 1893 – January 29, 1980) was an American actor, comedian, singer, and pianist. His distinctive gravelly speech, Lower East Side accent, comic language-butchery, jazz-influenced songs, and prominent nose helped make him one of America's most familiar and popular personalities of the 1920s through the 1970s. He often referred to his nose as the schnozzola (Italianization of the American Yiddish slang word schnoz "big nose"), and the word became his nickname.

Durante was born on the Lower East Side of New York City. He was the youngest of four children born to Rosa (Lentino) and Bartolomeo Durante, both of whom were immigrants from Salerno, Italy. Bartolomeo was a barber. Young Jimmy served as an altar boy at St. Malachy Roman Catholic Church, known as the Actor's Chapel.

Durante dropped out of school in seventh grade to become a full-time ragtime pianist. He first played with his cousin, whose name was also Jimmy Durante. It was a family act, but he was too professional for his cousin. He continued working the city's piano bar circuit and earned the nickname "ragtime Jimmy", before he joined one of the first recognizable jazz bands in New York, the Original New Orleans Jazz Band. Durante was the only member not from New Orleans. His routine of breaking into a song to deliver a joke, with band or orchestra chord punctuation after each line, became a Durante trademark. In 1920 the group was renamed Jimmy Durante's Jazz Band.

By the mid-1920s, Durante had become a vaudeville star and radio personality in a trio named Clayton, Jackson and Durante. Lou Clayton and Eddie Jackson, Durante's closest friends, often reunited with Durante in subsequent years. Jackson and Durante appeared in the Cole Porter musical The New Yorkers, which opened on Broadway on December 8, 1930. Earlier the same year, the team appeared in the movie Roadhouse Nights, ostensibly based on Dashiell Hammett's novel Red Harvest.

By 1934, Durante had a major record hit with his own novelty composition, "Inka Dinka Doo", with lyrics by Ben Ryan. It became his theme song for the rest of his life. A year later, Durante starred on Broadway in the Billy Rose stage musical Jumbo. A scene in which a police officer stopped Durante's character—who was leading a live elephant across the stage—to ask "what are you doing with that elephant?", followed by Durante's reply "what elfin!?" was a regular show-stopper. This comedy bit, also reprised in his role in Billy Rose's Jumbo, likely contributed to the popularity of the idiom "the elephant in the room". Durante also appeared on Broadway in Show Girl (1929), Strike Me Pink (1934) and Red, Hot and Blue (1936).

During the early 1930s, Durante alternated between Hollywood and Broadway. His early motion pictures included an original Rodgers & Hart musical The Phantom President (1932), which featured Durante singing the self-referential Schnozzola. He initially was paired with silent film legend Buster Keaton in a series of three popular comedies for Metro-Goldwyn-Mayer, Speak Easily (1932), The Passionate Plumber (1932), and What! No Beer? (1933), which were financial hits and a career springboard for the distinctive newcomer. However, Keaton's vociferous dissatisfaction with constraints the studio had placed upon him, his perceived incompatibility with Durante's broad chatty humor, exacerbated by Keaton's alcoholism, led the studio to end the series. Durante went on to appear in The Wet Parade (1932), Broadway to Hollywood (1933), The Man Who Came to Dinner (1942, playing Banjo, a character based on Harpo Marx), Ziegfeld Follies (1946), Billy Rose's Jumbo (1962, based on the 1935 musical), and It's a Mad, Mad, Mad, Mad World (1963). In 1934, he starred in Hollywood Party, where he dreams he is Schnarzan, a parody of Tarzan, who was popular at the time due to the Johnny Weissmuller films.

On September 10, 1933, Durante appeared on Eddie Cantor's NBC radio show, The Chase and Sanborn Hour, continuing until November 12 of that year. When Cantor left the show, Durante took over as its star from April 22 to September 30, 1934. He then moved on to The Jumbo Fire Chief Program (1935–1936).

Durante teamed with Garry Moore for The Durante-Moore Show in 1943. Durante's comic chemistry with the young, brushcut Moore brought Durante an even larger audience. "Dat's my boy dat said dat!" became an instant catchphrase, which would later inspire the cartoon Augie Doggie and Doggie Daddy. The duo was one of the nation's favorites for the rest of the decade. Their Armed Forces Radio Network Command Performance with Frank Sinatra remains a favorite of radio-show collectors today. Moore left the duo in mid-1947, and the program returned October 1, 1947 as The Jimmy Durante Show. Durante continued the show for three more years and featured a reunion of Clayton, Jackson and Durante on his April 21, 1948 broadcast.

Although Durante made his television debut on November 1, 1950 (on the Four Star Revue - see below) he continued to keep a presence in radio, as a frequent guest on Tallulah Bankhead's two-year NBC comedy-variety show The Big Show. Durante was one of the cast on the show's premiere November 5, 1950, along with humorist Fred Allen, singers Mindy Carson and Frankie Laine, stage musical performer Ethel Merman, actors Jose Ferrer and Paul Lukas, and comic-singer Danny Thomas (about to become a major television star in his own right). A highlight of the premiere was Durante and Thomas, whose own nose rivaled Durante's, in a routine in which Durante accused Thomas of stealing his nose. "Stay outta dis, no-nose!" Durante barked at Bankhead to a big laugh.

From 1950 to 1951, Durante was the host once a month (alternating with Ed Wynn, Danny Thomas and Jack Carson) on Wednesday evenings at 8 p.m, on NBC's comedy-variety series Four Star Revue. Jimmy continued with the show until 1954.

Durante then had a half-hour variety show - The Jimmy Durante Show - on NBC from October 2, 1954 to June 23, 1956.

Beginning in the early 1950s, Durante teamed with sidekick Sonny King, a collaboration that would continue until Durante's death. He often was seen regularly in Las Vegas after Sunday Mass outside of the Guardian Angel Cathedral standing next to the priest and greeting the people as they left Mass.

Several times in the 1960s, Durante served as host of ABC's Hollywood Palace variety show, which was taped live (and consequently included ad-libs by the seasoned vaudevillian).

His last regular television appearance was co-starring with the Lennon Sisters on Jimmy Durante Presents the Lennon Sisters Hour, which lasted for one season on ABC (1969–1970).

Durante's first wife was Jean "Jeanne" Olson, whom he married on June 19, 1921. She was born in Ohio on August 31, 1896. She was 46 years old when she died on Valentine's Day in 1943, after a lingering heart ailment of about two years, although different newspaper accounts of her death suggest she was 45 or perhaps 52.[9] As her death was not immediately expected, Durante was touring in New York at the time and returned to Los Angeles right away to complete the funeral arrangements.

Durante's radio show was bracketed with two trademarks: "Inka Dinka Doo" as his opening theme, and the invariable signoff that became another familiar national catchphrase: "Good night, Mrs. Calabash, wherever you are." For years no one knew who Mrs. Calabash referred to and Durante preferred to keep the mystery alive until 1966. One theory was that it referred to the owner of a restaurant in Calabash, North Carolina, where Durante and his troupe had stopped to eat. He was so taken by the food, the service, and the chitchat he told the owner that he would make her famous. Since he did not know her name, he referred to her as "Mrs. Calabash". At a National Press Club meeting in 1966 (broadcast on NBC's Monitor program), Durante finally revealed that it was indeed a tribute to his wife. While driving across the country, they stopped in a small town called Calabash, North Carolina whose name Jean had loved. "Mrs. Calabash" became his pet name for her, and he signed off his radio program with "Good night, Mrs. Calabash." He added "wherever you are" after the first year.

Durante married his second wife, Margaret "Margie" Little, at St. Malachy Roman Catholic Church in New York City on December 14, 1960. As a teenager she had been crowned Queen of the New Jersey State Fair. She attended New York University before being hired by the legendary Copacabana in New York City. She and Durante met there 16 years before their marriage, when he performed there and she was a hatcheck girl. She was 41 and he 67 when they married. With help from their attorney, Mary G. Rogan, the couple were able to adopt a baby, Cecilia Alicia (nicknamed CeCe and now known as CeCe Durante-Bloum), on Christmas Day, 1961. CeCe became a champion horsewoman and then a horse trainer and horseriding instructor. Margie died on June 7, 2009, at the age of 89.

On August 15, 1958, for his charitable acts, Durante was awarded a three-foot-high brass loving cup by the Al Bahr Shriners Temple. The inscription reads: "JIMMY DURANTE THE WORLD'S MOST FAMOUS COMEDIAN. A loving cup to you Jimmy, it's larger than your nose, but smaller than your heart. Happiness always, Al Bahr Temple, August 15, 1958." Jimmy Durante started out his career with Clayton and Jackson and when he became a big star and they were left behind, he kept them on his payroll for the rest of their lives.

Durante's love for children continued through the Fraternal Order of Eagles, who among many causes raise money for handicapped and abused children. At Durante's first appearance at the Eagles International Convention in 1961, Judge Bob Hansen inquired about his fee for performing. Durante replied, "Do not even mention money judge or I'll have to mention a figure that'll make ya sorry ya brought it up." "What can we do then?" asked Hansen. "Help da kids," was Durante's reply. Durante performed for many years at Eagles conventions free of charge, even refusing travel money. The Fraternal Order of Eagles changed the name of their children's fund to the Jimmy Durante Children's Fund in his honor, and in his memory have raised over 20 million dollars to help children. A reporter once remarked of Durante after an interview: "You could warm your hands on this one." One of the projects built using money from the Durante Fund was a heated therapy swimming pool at the Hughen School in Port Arthur, Texas. Completed in 1968, Durante named the pool the "Inka Dinka Doo Pool".

Durante was an active member of the Democratic Party. In 1933, he appeared in an advertisement shown in theaters supporting Franklin D. Roosevelt's New Deal programs and wrote a musical score titled Give a Man a Job to accompany it. He performed at both the inaugural gala for President John F. Kennedy in 1961 and a year later at the famous Madison Square Garden rally for the Democratic party that featured Marilyn Monroe singing "Happy Birthday" to JFK.

Durante continued his film appearances through It's a Mad, Mad, Mad, Mad World and television appearances through the early 1970s. He narrated the Rankin-Bass animated Christmas special Frosty the Snowman (1969), re-run for many years since. The television work also included a series of commercial spots for Kellogg's Corn Flakes cereals in the mid-1960s, which introduced Durante's gravelly growl and narrow-eyed, large-nosed countenance to millions of children. "Dis is Jimmy Durante, in puy-son!" was his introduction to some of the Kellogg's spots. One of his last appearances was in a memorable television commercial for the 1973 Volkswagen Beetle, where he proclaimed that the new, roomier Beetle had "plenty of breathin' room... for de old schnozzola!"

In 1963, Durante recorded the album of pop standards September Song. The album became a best-seller and provided Durante's re-introduction to yet another generation, almost three decades later. From the Jimmy Durante's Way of Life album came the gravelly interpretation of the song "As Time Goes By", which accompanied the opening credits of the romantic comedy hit Sleepless in Seattle, while his version of "Make Someone Happy" launched the film's closing credits. Both are included on the film's best-selling soundtrack. Durante also recorded a cover of the well-known song I'll Be Seeing You, which became a trademark song on his 1960s TV show. This song was featured in the 2004 film The Notebook.

He wrote a foreword for a humorous book compiled by Dick Hyman titled Cockeyed Americana. In the first paragraph of the "Foreword!", as Durante called it, he describes meeting Hyman and discussing the book and the contribution that Hyman wanted Durante to make to it. Durante wrote "Before I can say gaziggadeegasackeegazobbath, we're at his luxurious office." After reading the material Hyman had compiled for the book, Durante commented on it: "COLOSSAL, GIGANTIC, MAGNANIMOUS, and last but not first, AURORA BOREALIS. [Capitalization Durante's] Four little words that make a sentence—and a sentence that will eventually get me six months."

Durante retired from performing in 1972 after he became wheelchair-bound following a stroke. He died of pneumonia in Santa Monica, California on January 29, 1980, 12 days before he would have turned 87. He received Catholic funeral rites four days later, with fellow entertainers including Desi Arnaz, Ernest Borgnine, Marty Allen, and Jack Carter in attendance, and was interred at Holy Cross Cemetery in Culver City, California.

On June 25, 2019, The New York Times Magazine listed Jimmy Durante among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.

Jimmy Durante is known to most modern audiences as the character who narrated and sang the 1969 animated special Frosty the Snowman. He also performed the Ron Goodwin title song to the 1968 comedy-adventure Monte Carlo or Bust (titled Those Daring Young Men in Their Jaunty Jalopies in the U.S.) sung over the film's animated opening credits.

While his own career in animation was limited, Durante's distinctive voice, looks and catchphrases earned him numerous depictions and allusions in animation: A character in M-G-M cartoons, a bulldog named Spike, whose puppy son was always getting caught by accident in the middle of Tom and Jerry's activities, referenced Durante with a raspy voice and an affectionate "Dat's my boy!" In another Tom and Jerry short, a starfish lands on Tom's head, giving him a big nose. He then proceeds with Durante's famous "Ha-cha-cha-cha" call. The 1943 Tex Avery cartoon "What's Buzzin' Buzzard" featured a vulture with a voice that sounded like Jimmy Durante. A Durante-like voice (originally by Doug Young) was also given to the father beagle, Doggie Daddy, in Hanna-Barbera's Augie Doggie and Doggie Daddy cartoons, Doggie Daddy invariably addressing the junior beagle with a Durante-like "Augie, my son, my son", and with frequent citations of, "That's my boy who said that!" The 1945 MGM cartoon Jerky Turkey featured a turkey which was a caricature of Durante.

Many Looney Tunes/Merrie Melodies cartoons had characters based on Durante. One Harman-Ising short from 1933, Bosko's Picture Show, featured a caricature of Adolf Hitler chasing Durante with a meat cleaver. Two examples from the 1940s include A Gruesome Twosome, which features a cat based on Durante, and Baby Bottleneck, which in unedited versions opens with a Durante-like stork. Book Revue shows the well-known (at that time) 1924 Edna Ferber novel So Big featuring a Durante caricature on the cover. The "so big" refers to his nose, and as a runaway criminal turns the corner by the book, Durante turns sideways using his nose to trip the criminal, allowing his capture. In Hollywood Daffy, Durante is directly depicted as himself, pronouncing his catchphrase "Those are the conditions that prevail!" In The Mouse-Merized Cat, Catstello (a Lou Costello mouse) briefly is hypnotized to imitate Jimmy Durante singing Lullaby of Broadway. One of Durante's common catchphrases "I got a million of 'em!" was used as Bugs' final line in Stage Door Cartoon.

A Durante-like voice was also used for Marvel Comics superhero The Thing in the Hanna-Barbera cartoon Fred and Barney Meet the Thing. The voice and appearance of Crispy, the mascot for Crispy Critters cereal, was also based on Durante.[17] In Mickey Mouse Works, a character named Mortimer Mouse (voiced by Maurice LaMarche) was based on Durante, complete with the "ha-cha-cha!". One of the main characters in Terrytoons' Heckle and Jeckle cartoon series also takes to imitating Jimmy in 1948's "Taming The Cat" ("Get a couple of song birds today...").

Since Durante's death, his songs have featured in several films. Dan Aykroyd and Kim Basinger performed impressions of Durante from The Man Who Came to Dinner singing "Did You Ever Have the Feeling" in 1988's My Stepmother Is an Alien. His performance of "Young at Heart" was featured in City Slickers (1991) and his versions of "As Time Goes By" and "Make Someone Happy" played over the opening and closing credits of Sleepless in Seattle (1993). Michael J. Fox performed an impression of Durante singing "Inka Dinka Doo" in 1994's Greedy. His rendition of "Smile" featured in the film, and trailer for, Joker (2019).

Congress Approves Smithsonian Museums Honoring Women and Latino Americans

https://sciencespies.com/history/congress-approves-smithsonian-museums-honoring-women-and-latino-americans/

Congress Approves Smithsonian Museums Honoring Women and Latino Americans

Days after a single senator blocked legislation approving two long-awaited additions to the Smithsonian Institution—a National Museum of the American Latino and a museum dedicated to women’s history—Congress has officially authorized their creation.

As Sarah Bahr reports for the New York Times, lawmakers passed the measures Monday night as part of a $2.3 trillion omnibus bill that earmarked $900 billion for Covid-19 relief and $1.4 trillion for government spending. If President Donald Trump signs the bill into law (a prospect called into question by his characterization of the pandemic relief package as a “disgrace”), the Smithsonian will be able to begin the lengthy process of transforming the proposed museums into brick-and-mortar buildings.

“We are reviewing the legislation carefully,” a spokesperson says in a statement provided to Smithsonian magazine. “The Smithsonian has unparalleled experience building national museums, and is already doing significant work to tell the stories of American [w]omen and Latinos.”

The representative adds, “We look forward to building two world-class museums to further amplify these stories and help our country learn more about the impact that women and Latinos have had on the fabric of our nation.”

Expected to stand on or near the National Mall, the proposed museums will be the first to join the Smithsonian since the National Museum of African American History and Culture opened in September 2016. Like that museum, which first welcomed visitors 28 years after Representative John Lewis co-sponsored a bill proposing its creation and 13 years after it received congressional approval, the new venues will likely trace a protracted path from inception to opening. Both will rely on a combination of federal funds and private donations (50 percent each) to finance their eventual construction.

The new museums will be the first to join the Smithsonian Institution since the National Museum of African American History and Culture opened in 2016.

(Alan Karchmer)

Calls to establish a national museum honoring the more than 60 million Latino American residents in the United States date back to 1994, when an internal task force documented the Smithsonian’s “pattern of willful neglect” toward Latinos. In 1997, the museum and research complex responded to the findings by establishing the Smithsonian Latino Center, which works to highlight Latino American culture through public programs, exhibitions and collecting initiatives.

Congress authorized a commission to examine the possibility of a Latino American museum in 2008. The group formally recommended the museum’s creation in a 2011 report that placed the proposed 310,000-square-foot space’s estimated cost at $600 million; legislators have introduced bills on the subject in every congressional session since.

“We have overcome tremendous obstacles and unbelievable hurdles to get to this historic moment, but, as I’ve said before, Latinos are used to overcoming obstacles,” says Senator Bob Menendez, who sponsored the Senate’s version of the bill and has long advocated for the museum’s creation, in a statement. “Passage of the National Museum of the American Latino is the culmination of decades of hard work, advocacy, successes and set-backs in the movement to recognize Latino contributions to America’s history, economy and culture.”

Friends of the National Museum of the American Latino, an advocacy group that is not affiliated with the Smithsonian, also celebrated the legislation’s passage. (The Smithsonian Institution is prohibited from campaigning for new museums.) Speaking with NPR’s Elizabeth Blair, the organization’s president, Estuardo Rodriguez, deemed the bill’s inclusion in the Covid-19 relief package fitting, as “Latinos and Latinas have been disproportionately impacted by the pandemic, suffering high rates of infection and death.”

He added, “The legislation to create a museum serves to not only honor the past contributions of American Latinos for over 500 years, but recognize their sacrifices today.”

Los Quetzales dance ensemble in front of the Smithsonian Institution’s Arts and Industries Building in 2003

(Melissa Carrillo / Smithsonian Latino Center)

The national museum of women’s history, meanwhile, traces its origins to 1998, when Representative Carolyn B. Maloney first introduced legislation on the subject. In 2014, Congress established a commission tasked with studying the museum’s “necessity and feasibility,” per USA Today’s N’dea Yancey-Bragg and Nicholas Wu. Two years later, the bipartisan group “concluded unanimously that the American people need and deserve such a museum,” according to a statement from Maloney’s office.

“How fitting that we pass this bill as we mark the centennial of the 19th Amendment and in the year in which we elected our first woman vice president,” says Maloney in the statement.

Last year, the Congressional Budget Office estimated the proposed 350,000-square-foot museum’s cost at $375 million over a nine-year period. The space will build on the work of the Smithsonian American Women’s History Initiative, which was established in 2018 to research, collect, document, display and share women’s stories.

Decades of legislative efforts aimed at establishing the two museums culminated in a December 10 Senate vote that legislators on both sides of the aisle had expected to unfold without controversy. Because the measure required unanimous consent to move forward, the objections of a single senator—Mike Lee, a Republican from Utah—were enough to temporarily derail the long-awaited legislation.

“My objection to the creation of a new Smithsonian museum or series of museums based on group identity—what Theodore Roosevelt called hyphenated Americanism—is not a matter of budgetary or legislative technicalities,” said Lee, who was one of just six senators to vote against the omnibus spending bill, as quoted by the New York Times’ Nicholas Fandos. “It’s a matter of national unity and cultural inclusion.”

Once the bill is signed into law, the Smithsonian will have two years to select the museums’ locations. As Peggy McGlone writes for the Washington Post, options include the historic Arts and Industries Building and a site on the northwestern portion of the National Mall, near the U.S. Capitol.

“Creating new museums is challenging, but, with appropriate funding, the Smithsonian has the skill and expertise to do it right,” said Smithsonian Secretary Lonnie G. Bunch III at a Senate Rules Committee hearing held ahead of the December 10 vote. “We can, and have, created museums that meet the needs of the nation and showcase the U.S. to the world.”

#History

Drake Stoops Father, NFL Draft, High School, 40 Time, Age, Twin Brother

Drake Stoops Father, NFL Draft, High School, 40 Time, Age, Twin Brother

Drake Stoops is a wide receiver for the Oklahoma Sooners football. NORMAN, OK – APRIL 24: Wide receiver Drake Stoops #12 of the Oklahoma Sooners greets his teammates before their spring game at Gaylord Family Oklahoma Memorial Stadium on April 24, 2021, in Norman, Oklahoma. (Photo by Brian Bahr/Getty Images) Drake Stoops father Who is Drake Stoops’ father? Drake Stoops’ father is Bob Stoops who…

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Photo by retired railroad Conductor Bob Bahrs.

This is along Rt 435 east of Daleville, PA. 10/02/23

Third Thursday events and exhibitions for December 17

The next Third Thursday — the monthly evening of art in Athens, Georgia — is scheduled for Thursday, December 17, 2020, from 6 to 9 p.m. All exhibitions are free and open to the public. Included this month are in-person exhibitions and online events. Free tickets or event registration are required at some venues. It is recommended that you contact a venue in advance to confirm its current status, especially in light of the potential for changing circumstances during COVID-19.

Georgia Museum of Art, University of Georgia

“Power and Piety in 17th-Century Spanish Art” — Works by premiere Spanish baroque painters such as Francisco de Zurbarán, Bartolomé Murillo, Pedro Orrente and others, on loan from Bob Jones University Museum & Gallery.

“Modernism Foretold: The Nadler Collection of Late Antique Art from Egypt”: This extraordinary assembly of objects dates from the 3rd to the 8th century CE. Coptic art was made by and for native Egyptians, Greeks and Romans who favored both classical pagan and Christian themes.

“The Art of Seating: 200 Years of American Design”: This exhibition, organized by the Museum of Contemporary Art, Jacksonville and the Thomas H. and Diane DeMell Jacobsen Ph.D. Foundation, presents a survey of exceptional American chair design from the early 19th century to the present day.

“The Seated Child: Early Children’s Chairs from Georgia Collections”: This exhibition presents about two dozen children’s chairs.

“Sarah Cameron Sunde: 36.5 / A Durational Performance with the Sea” — A series of nine site-specific participatory performances and video works by the interdisciplinary artist Sarah Cameron Sunde, spanning six continents and seven years.

“Contemporary Japanese Ceramics from the Horvitz Collection” — Japanese pottery and porcelain created by three generations of master ceramic artists. Made with both ancient and modern materials and methods, these works are exceptionally diverse.

“Carl Holty: Romantic Modernist” — This exhibition of paintings and drawings reflects Holty’s personal pursuit of modern art theory, much of which focused on color as one of his essential building blocks.

“In Dialogue: Cecilia Beaux’s ‘Twilight Confidences’” — A look in detail at Cecilia Beaux’s “Twilight Confidences,” an important recent addition to the museum’s collection and the artist’s first major exercise in plein-air painting.

The museum’s days of operation have changed to Thursday – Sunday, and a free timed ticketing system is now in place to limit the number of people in the building, along with new policies for safety during COVID-19. Info at https://georgiamuseum.org/visit/.

tiny ATH gallery

“Iconography” — Matt 6 Bahr’s exhibition “Iconography” will be open 6 – 9 p.m. for Third Thursday, and private viewings can be arranged by emailing [email protected]. The artist’s paintings use layers and textures to convey meaning, with familiar icons juxtaposed against the unfamiliar. Individual elements can be separated or erased, yet still seen as a whole, with abstract textures and compositions combined with modern commercial iconography.

Safety precautions in place for tiny ATH gallery:

Please, please, please WEAR YOUR MASK (we will have gloves and sanitizer and extra masks readily available as well).

4 people will be allowed in at a time or a larger family group that has been sheltering together.

ENTER through front porch door, EXIT through back of gallery (one-way traffic).

Please consider parking on Pulaski St. or Cleveland Ave. to alleviate parking issues, and allow for extra space for the entry line.

Please follow signage instructions and maintain safe 6-feet-plus distancing while waiting to enter the gallery.

Feel free to mingle (6 feet safely away from one another) on the back patio area.

If you feel unwell or have been in contact with anyone who has been sick, please stay home.

Ciné

Rusty Wallace: “Energy Plan for the New Horizons-Inside of the Outside” — Rusty Wallace (American, b. 1973), a Kentucky native, resides in Athens. He holds a bachelor of fine arts degree from the University of Kentucky, focusing on sculpture, drawing and ceramics, and a master of fine arts degree in studio art from the University of Georgia. Wallace is a multi-disciplinary artist, working mostly in sculpture and drawing, and interested in creating works exploring semiotics, ontology, art history, philosophy and spirituality in expansive ways.

Hotel Indigo, Athens

Closed on this Third Thursday 

ATHICA: Athens Institute for Contemporary Art

“Hindsight 20/20: A Community Catharsis” — ATHICA announces a community farewell to 2020, in which members of the Athens community are invited to share artifacts, meditations, artwork and other personal expressions in a group pop-up exhibition. 

Third Thursday/Second Pin-Up Event: December 17, 6 – 9 p.m. Bring your items to pin up. Timed entry tickets required: https://www.eventbrite.com/e/hindsight-2020-a-community-catharsis-pin-up-events-tickets-131363350317

Lyndon House Arts Center

Closed on this Third Thursday

Creature Comforts Brewing Co.’s CCBC Gallery

Closed on this Third Thursday

Lamar Dodd School of Art Galleries, University of Georgia

Closed on this Third Thursday

The Classic Center

Galleries are closed on this Third Thursday

—

Third Thursday was established in 2012 to encourage attendance at Athens’ established art venues through coordination and co-promotion by the organizing entities. Rack cards promoting Third Thursday and visual art in Athens are available upon request. This schedule and venue locations and regular hours can be found at 3thurs.org.

Contact: Michael Lachowski, Georgia Museum of Art, [email protected].

By BY SARAH BAHR via NYT Times Insider https://ift.tt/3qefhhR

By BY SARAH BAHR from NYT Times Insider https://ift.tt/3qefhhR

By BY SARAH BAHR from NYT Times Insider https://ift.tt/3qefhhR