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#best theory. ever
stealingpotatoes · 3 months
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^ I SAW THAT THE OTHER DAY n said this, but i can't choose who to make this real w so let's crowdsource our options!
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seukorei · 4 months
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dazai kinnie because, i too, am obsessed with nakahara chuuya
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luxshua · 1 year
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The winners of the life series all had their own ways of winning:
1. Grian loyalty, playing into every one of Scar's schemes no matter how stupid they seemed. His win came from blood and tears, a descion made surronded by sand and cacti.
2. Scott defiance, he was never going to play the game the way it was designed. Why would he take life needlessly, no his win came from the refusal to do the watchers bidding.
3. Pearl alone, discarded by her soulmate, discarded by the one who pulled her into the nether in the first place. She won with her ties cut, she won not of her own descion but of the one who decided for her.
4. Martyn scavenger, taking time where most convient, stealing kills from right under peoples noses. His win came when even his trusted ally had his guard down, feral and desperate for just a drop more time, even if it left him frenzied and alone.
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emiko-matsui · 4 months
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the trinyvale triplets are horrible because it's like okay. here's a pastel goth woman with a hot accent and an mpreg pet unicorn from the moon. here's a male stripper in a maid's outfit and high heels, gay and literally engaged with a prince. here's a well-meaning himbo with a mullet who's never heard of the concept of a shirt. they would ALL blue hair and pronouns you
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wolfy1298 · 2 months
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My sibling finally caved and got Genshin.
Watching her suffer play is hilarious!
@cappierong
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cozylittleartblog · 7 months
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i got an alien aisha from a fountain faerie quest 🥺 i named her cosmica...
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ssaseaprince · 7 months
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Can we talk about how Derek obviously has a type because Spencer and Penelope are so similar.
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jonahmagnus · 9 months
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Another :3
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jacksprostate · 2 months
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Things I won't forgive the fight club movie for regarding the character of Marla Singer, entry C:
The manic pixie dreamgirlification of her own struggle with life and death. The narrator gets to have a serious issue driving his alienation but Marla gets her cancer removed so her pithy statement about the tragedy of death being that she doesn't fall over dead randomly is just a bit Offbeat And Interesting And Edgy haha! She's a real tourist, really, nothing ever stated to be wrong about her. Sure she overdoses. Sure you can see she's got a shit life. But she doesn't get backstory. She doesn't get a life beyond fun little statements that, when her own reason for saying and thinking them is removed, mostly just reflect the narrator. In the book, it is very, very clear. Marla does what she does because she has cancer and is afraid of The Slow Death. The Wasting. The Struggle. By taking that away you even reduce her suicide attempt. It puts it all in this context of nothingness. Sure, you can assume a depth, but I don't think we should be uncritical about the fact that they chose to remove it. Marla Singer is more than an object that bothers the narrator out of the support groups and gets fucked by Tyler Durden. Marla Singer is a person in her own right in the book, and in the movie she's just... not.
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yuwuta · 1 month
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If megumi asked uzhsjdhshd omg I totally see it tbh him wanting you, but I don't think megumi would ever ask yuuji to share you, in any type of way at all. (not trying to push my own hc here!!) I feel like yuuji himself would be the one asking megumi. Yuuji knows that he's yours just as much as he knows you're his. And he loves you too much, a lot, it's purest type of love he has ever felt for anyone. And megumi is his best friend, he loves him just as much, right? Yes, not the same love between you and him ofc but yes. And I have no idea what they were doing but yuuji's just says, kind of out of the blue, that he'd let megumi fuck you. The reason being exactly cause he knows you're his, and you're just so so good that he needs to have someone to talk to (about you and always so respectfully) and who better that his best friend?
you’re opening the pandora’s box that is itfs + reader…. god….. 
okok i agree. if you’re dating yuuji, megumi would never ask, yuuji would be the one to bring all three of you together. definitely because he loves you and you’re his, and he loves megumi too, so it just makes sense that his two favorite people also get to have each other—but also, yuuji can tell megumi likes you, and he can tell you think megumi is attractive and since yuuji’s so nice, what kinder thing to do than to set you two up so he can watch (: he definitely enjoys being the mediator, also enjoys the somewhat awkward air between you and megumi, how yeah, maybe it’s a little taboo that the two of you are about to make out while you’re boyfriend watches, but yuuji likes that too… also he likes knowing that you both like him. like how lucky is he that his best friend and his girlfriend adore him so much :(( you two together makes so much sense in his head, because he talks to megumi about you, and he talks to you about megumi, and now, he can just pour all his love for both of you out at the same time
but also…. i’d like to think that yuuji’s maybe not so nice when it’s the other way around—when he and megumi get together first, and you’re megumi’s best friend. he’s not mean, but he does like to tease... how naughty of megumi to ask out yuuji knowing he’s still got a crush on you, and god does yuuji like to tease him about it :/ jerks him off and taunts about how he knows megumi’s dirty little secret—that he’s in love with his best friend and fantasizes not just about having you, but about watching his own boyfriend fuck you too… 
yuuji knows megumi would take his feelings for you to the grave if he could (he’d have done the same with his feelings for yuuji if yuuji wasn’t the one to ask him out), but where’s the fun in that! you and megumi are sooo cute together after all, so yuuji doesn’t mind trying to get you two to confess to each other too. uses his proximity to megumi to get closer to you, takes advantage of his bubbly disposition to be physically affectionate with you, uses megumi’s feelings to his advantage to tease, to wink, to smirk whenever you and yuuji hug a little longer, when he texts megumi that he’s meeting up with you for lunch, when he gives you his jacket and doesn’t ask for it back… there’s so much fun in watching megumi blush and whine and get off at the thought of his best friend and his boyfriend together. and the thing is, yuuji genuinely does like you, too, he sees what megumi sees in you, and he thinks megumi is crazy to have not asked you out before, but he supposes everything happens for a reason, because now, this way, yuuji gets to be there and watch it all happen under his guidance. there’s something about the power, about being the bridge between you two even though you and megumi have known each other for much longer, about being in control of a dynamic that could have, but wouldn’t exist without him…
#anonymous#can u tell... ive thought about this before.... GODD#the locked folder in my notes app dedicated to itfs + reader..... maybe she will see the light of day after all LOL#my itfs heart.... anon u dont know what you've done..............#also the divide between the way the 3 of u come together is like....#if ur with yuuji its just like.... hes got too much love for either one of u#and even when he gets to share u with megumi its not enough he loves u both and there's no real proper way to ever fully share or express i#but watching u two fuck is about as close as it gets to feeling like all his love is coming full circle#but the other way... when hes with megumi and can see that megumi still wants u and then yuuji gets to know u and wants u himself....#now h'es got too much power and its power that neither u nor megumi truly see or understand until ur all in bed together#which is crazy bc in theory u and megumi should be stronger should know each other better should be the two friends sharing him#but it's not. it's yuuji who brought u three together and it's yuuji that knew about ur feelings for each other before u and megumi did#and in some weird twisted way u owe it to him and he definitely likes to reap his rewards#and even when u three are together he doesn't stop teasing...#sometimes he makes megumi be meaner to u... coaxes him into thinking he should teach u a lesson for never being able to see his feelings#u owe it to ur best friend to show him how much u love him dont u....#but then other days he'll turn it around... make u the baby and soothe ur tears...#because its only fair u take the both of them bc they love u sooooo much they just wanna be good to u#but also how fun is it for yuuji to remind you that megumi knew he liked u and still asked him out... maybe u should want revenge for that#maybe u take it out on megumi maybe u take it out on yuuji idkidkidk#anyway...#itafushi x reader#yuuji x reader#megumi x reader#jujutsu kaisen x reader#yuuji.ask
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body language (and some other stuff) analysis: peter quill and rocket raccoon (roquill focused)
I am not a body language expert this is my theory based on body language research and studying the characters don't @ me.
We're doing this by movies folks!
GOTG VOL. 1
Rocket Raccoon and Peter Quill mirror each other constantly throughout the first film, constantly.
If Peter holds his hip, Rocket holds his, as soon as Peter relaxes his pose (both arms by his side), Rocket relaxes his.
Mirroring is a sign of attraction and I think it all started in the Kyln.
In the beginning, when they're in the Kyln, after getting sprayed with that goo, and Rocket walks in naked, his pose is very guarded and self-conscious because he's in a vulnerable position, (his shoulders rounded, his ears flicked slightly forward, and his eyes shifty while avoiding anyone's gaze, he adopts that pose many times, each time with Peter being mentioned or Peter being there, I'll get into that later) Peter, although curious, he...says...nothing. He doesn't take advantage of Rockets vulnerable state, he doesn't make fun of him, he doesn't pity him, he stays silent. That was the beginning of Rocket's affinity for him. That was the beginning of his little crush/like/appreciation/attraction.
(this scene always stood out to me for Rocket's posture and Peter's reaction to Rocket's scars and cybernetic enhancements. The 'unspoken things' passing between them.)
He starts to be aware of Peter's movements, and engaging in contact
- people say, 'hey why are Peter's hold ups explored, his hold ups with dating/being attracted to a raccoon (although rocket ain't a regular raccoon, he's person, a him, he's as much an animal as human beings are) and not Rocket's hold ups with dating a humie well here's this: he engages, multiple times, with Peter with touch. He initiates touch multiple times. He just doesn't really appreciate when someone else initiates touch. I honestly don't think rocket even thinks about it as humie vs raccoon. I think he more of thinks of it as his insecurities vs the world.
But Peter didn't mind his insecurities. So, he's aware of Peter's whereabouts, instantly scurries to follow him, puts a hand on his thigh, and whispers 'Quill', which is really a plea for not going further. He doesn't stop him, he asks him.
AND EVEN THEN!! they're mirroring each other. Or Rocket, more specifically, is mirroring Peter.
Eyes! Peter always, always, looks for Rocket and when Rocket does or says something, he looks for Peter, first.
The first person in trouble they both look for is each other, to make sure they're safe.
Peter immediately, after Rocket crashed his plane into Ronan, checked on him.
They're usually standing near or next to each other, with open arms and open torso. The only time Rocket closes this is when he's doing his, insecurities vs the world or vs the group, thing, or he's coming to a decision or he feels too vulnerable, or he's trying to be....firm....on his decision, so he'll cross his arms , look away, hunch his shoulders.
Peter actually sorta adopts the same pose when he's embarrassed, holding his arms closer together, messing with his fingers, looking away, hunching his shoulders.
Peter often ducks his head to meet Rocket's eyes, nobody else really does that, Rocket usually has to look up, and will swivel his head to pay attention to what Rocket says.
Interest ^ he's actively interested.
Rocket is invested in Peter, in the background often times, he's looking at Peter and observing what is going on
Rocket's super observant. He's even more observant with Peter. His ears twitch and his head tilts a little.
Interest ^ actively interested.
Anyways, overall, in the first movie, Rocket is a lot more touchy and close to Peter and Peter calls Rocket his friend two seconds after knowing him. Peter immediately sees him. There's a click! here.
This is what I like to call...a slight attraction, a small crush, on Rockets part. Peter? Peter thinks Rocket is interesting, he's his friend, c'mon, but Gamora? Gamora is the pretty girl that can kill him. He's already got a lot on his plate. He's already got someone.
There's an unspoken thing alright but it's not just the one you're focused on, buddy.
-my words to Peter ^
Mirroring, looking, choosing, interest. Tilted towards one another or paralleled, don't even get me started on the goddamn music! (That's for another time)
In GOTG VOL 2, all of that changes.
VOL 1 , Attraction
VOL 2, Love
GOTG VOL 2
Immediately, there's more of a rift between them.
It is so palpable. It's dense. There is an air between them, with Rocket in the beginning sorta trying to make Peter feel better about the high priestess being a not very nice lady and winking at Quill but it not being received well, and Peter not really joking too much with Rocket. Rocket pulling away. It's a very tense air. There is tension.
This movie, Rocket focuses on interacting with baby Groot, Gamora, Drax. He, unlike in the first movie, hardly ever interacts with Peter unless it's to tease him or to defend him (in the beginning of Vol. 2)
There's a noticeable pushing away.
And, unlike the first movie, there is little to none mirroring. There isn't any mirroring but there is a lot more, from Rocket's part, self conscious posing and guarded expression while Peter is still dynamic.
Possibly because Rocket is a little more closed off and he's compensating because he's not used to Rocket pulling away like he is, especially from Peter and on some level Peter doesn't know how to cope with that so it's making Peter agitated as well, and well
Rocket doesn't like to be open, vulnerable like that. He doesn't. So he's pushing Peter away.
And the reason why? The reason why he hunches his shoulders, his ears hang forward, and he avoids eye contact? The very things he does when he's feeling vulnerable? Is because he loves Peter and is trying to cover it up.
He loves him. What happened last time he loved someone dearly? What happened?? So he pushes them away so they don't get hurt because he blames himself for the hurt that's happened in the past.
He pushes Peter away.
He only ever adopts that body language in the movie when Peter is brought up or he is talking to Peter, and the only reason why he didn't act that way when getting the music together or whenever talking to the high priestess is because he was 1. Focusing on something else, and 2. He was defending Peter, he had his arms crossed in front of him in a defensive, guarded posture, his feet shifted slightly, and his chest puffed, because what the priestess said about Peter pissed him off.
(he is imperfect, his friends of past were imperfect, he's been dealing with this shit his whole life, he's mad, and trying to make Quill feel better. It doesn't work, the rift deepens, yadda yadda.)
When Yondu brings up Peter while they're waiting for baby Groot to grab the fin, Rocket does his vulnerable pose, whenever Peter leaves and tells him, 'are you trying to make everybody hate you?', he does that pose, and besides that he also does the pose when he's trying to get dressed in the Kyln, after getting sprayed down.
Another positioning aspect I noticed, is that, throughout vol 1 and vol 2, Rocket is in between Gamora and Peter. Consistently in between Gamora and Peter. The only time this ceases is after Yondu makes Rocket acknowledge he's in love with Peter ('for what? for honour? for love?' Rocket looking at Yondu with a heart broken expression of surprise because he saw through him, because he knows.) And Rocket and Peter mend their breaking chain by Rocket apologizing in his own way ('and he stole batteries he didn't need?' 'of course not.'). Because they needed to mend that broken chain, because Rocket needed to know that he felt the way he felt and accepted that and moved on with acceptance because Peter likes/loves Gamora. Peter doesn't feel that way about him. And so, after their relationship is mended, and Rocket realizes this, he literally and metaphorically moves out of the way of their relationship.
Only after Peter and Rocket's relationship is mended does Peter enter a relationship with Gamora.
Because! Peter and Rocket has always been the most important relationship in the group. Everything would go out of tilt if they had a rocky relationship. (heh puns)
Anyways. 2nd Vol. Love, and 1st vol. Attraction.
More Things I noticed:
Rocket's resting position is his arms crossed, and feet neutral, posture neutral. He crosses his arms often, but depending on the look on his face and the things goin on, changes why he's crossing them, and Peter's resting position is both his hands on his hips, sorta like he's about to put his fingers in his pockets. Both Peter and Rocket talk with their hands.
Whenever Pete is pissed, he brings his arms closer to his body and balls his fingers into fists. He, much like Rocket, goes from 0 to 100. Especially when it involves those he loves.
Whenever Rocket is pissed he spreads his feet evenly for more balance and brandishes his claws and shows his teeth (unless he has his guns, or he's drunk, then it's slightly different as with Peter.)
Whenever Mantis went to pet Rocket the first time, he was listening and barely snapped at her fingers with his teeth. He heard Drax joking, is my theory. He coulda snapped her fingers clean off. He didn't.
Peter has open body language most of the time, his arms open, and his feet apart, he becomes more closed off and tense when he's angry (body language right) and he becomes more deflated when he's embarrassed (shoulders hunched, eyes downcast, twiddling with fingers/thumbs, not as talkative)
Peter checks on Rocket more than he does anyone else when they are fighting (except baby Groot, he checks on baby Groot a lot, everyone does, he's baby Groot). Not out of lack of trust or doubt of capability but out of worry and care. When he was fighting Ego, he didn't look for Yondu during the fight, until after Yondu was already getting crushed, but multiple times, he looked for Rocket.
Whenever they landed in the area they needed to to connect the bomb to Egos core, Peter slid over Rocket and landed at his feet and Rocket smirked at him. (It was a soft, sorta fond smirk, not the devious smirk he usually does.)
This was a lot of information. I hope this made sense. I got distracted 60 times. I lost count and recounted. That's probably not an accurate number. Please leave questions in the notes for me to answer if you have any, and I will do GOTG VOL 3 after I have it so I can rewatch it as many times as I need.
Thank you, Rocket loves Peter, and Peter loves Rocket (although he doesn't really realize it in GOTG VOL 1 and 2. I think he knows there's a fondness maybe but it's not a conscious thing.)
Thank you for coming to my Ted talk.
I love gamora, please, she's amazing. This is not hating them, it's literally just a rocket and quill post.
Tags:
@cheeburgah99 @wisefoxluminary
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oshiawaseni · 1 year
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Japan’s concept of confession and why Ochaco might not confess
“Confession” is a big deal in a country as subtle as Japan. Not all people have the courage to confess, but when starting official relationships confessions are often expected. This is what I know confessions to be like in the world of manga: Person A talks alone with Person B and shares with them the secrets of their heart. “I like you please accept my feelings.” This usually ends either with them going out or A being rejected by B. The usual reason for the rejection is “I like someone else.”
I’ve been having some more ideas about the day Izuku fell into Kacchan’s arms and how what Kacchan did for him was almost confessional in a way. He told Izuku what was in his heart, why he bullied him and that no matter how much he tried, he just couldn’t escape him. He called him “Izuku” and we saw the impact this had on Izuku’s face. 
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Izuku just couldn’t believe that Kacchan was calling his name properly for the first time in 12 years, it completely shocked him, and after apologising for everything, he told Izuku, “Come home, let’s do this together. We need to help each other in this fight against AFO.” 
The conclusion of this confession was that Izuku acquiesced to 1-A’s request for him to return, but it was only really possible because his attachment to Kacchan triumphed over his motivations to stay away. It was Kacchan who broke down his walls with his apology. It was Kacchan who filled him with hope that things would be better, and Kacchan who finally hammered into Izuku how important it was for him to be part of the collective. That his inclusion was very wanted and needed, and that he in turn can rely more on everyone as well. That together, they can push forward, trusting in and helping each other.
I think what hurt Izuku the most during his solo arc was being away from his friends, but especially Kacchan. Because that day in the rain, he literally gave up on his solo vigilante mindset for him. After hearing Kacchan’s unbelievable words he had patiently longed to hear for years, it was impossible for Izuku to stay away from him any longer. As he passed out, he stumbled a few steps towards Kacchan who, without missing a beat, caught him in his arms and gently held him. This embrace told us “From now on it’ll be different. I’m gonna be here for you, Izuku.”
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So to recap all of that... Kacchan became vulnerable and spilled what was in his heart, Izuku accepted his desires, with it all culminating in them becoming closer. Which is just like a successful romantic confession!?
I think after watching this all go down, something inside Ochaco clicked. A lot of the class are rushing over to Izuku when Kacchan catches him because they’re just so worried about him, but a few of them, Ochaco included, stay standing back. It doesn’t make much sense at all. But we’re given a zoom in of her without knowing any of the thoughts going through her mind.
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They got Izuku back, but she doesn’t really seem all that happy. Momo says to her “this is just the first obstacle we aren’t done yet” and she agrees. Ochaco knows that there’s still more they as a group need to do for Izuku to make his return happen. But the fact that there’s a few panels dedicated to zooming in on her staying put, her almost emotionless face (mirroring Shoto’s) while she’s watching Kacchan save Izuku and his new unbridled intimacy he has with him - could be telling us that there’s something else she’s processing.
Is this moment somber for her because she realised the person Izuku needs the most is none other than the person he has openly admired since she first met him? The very same person who always bared his fangs at Izuku because he was scared him getting close?
Was Ochaco witnessing the beginning of something new between them and suddenly finding herself sidelined as a contender for Izuku’s affections?
Somehow… this could be what it was all about. And that’s why I think there’s a good chance Ochaco gave up her crush on Izuku for good when she witnessed Katsuki return his love and embrace him after that emotionally-charged apology. After this, a more defined distance between her and Izuku appears visible in their next scene together. A respectful distance of Izuku’s own choosing.
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It was like a definitive line had been drawn out that can’t and perhaps shouldn’t be crossed. Maybe they both understood that the person Izuku wanted close by his side has always been Katsuki. That desire wasn’t simply a pipe dream to Izuku anymore, it had become reality. And who is Ochaco to get in the way of that?
And then it’s almost like she is bookending Katsuki’s confession to Izuku with a confession of her own about Toga, putting a close to the Izuocha chapter and she makes a comment which feels double in meaning. “I guess that means we are the same.” or You love a boy, just like I might love a girl. (To put it bluntly)
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And Izuku remembers this line again after he gets separated from Kacchan and Ochaco is telling him to go. Go back to Tenko. Go back to your Kacchan.
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The concept of “knowing how someone feels because you love them and always watch over them” comes up from time to time in manga. In a way, that’s also a reason why Kacchan and Izuku understand each other as deeply as they do and they aren’t afraid of showing it off. They were always watching each other from a safe distance and learning things about each other in this way. I think during chapter 322, this concept is what was happening to cause such a realisation in Ochaco. (And it’s also for this reason Tsuyu, who never had feelings for Izuku, still doesn’t get it.)
It was hard for her, knowing everything she does about Izuku’s deep attachment to Kacchan, to learn that Izuku’s affections for him weren’t one-sided and they were now closer than ever before… That’s why I don’t think she’ll want to get in the way by confessing anymore. If Kacchan’s apology was intended to be compared with a romantic confession, then Ochaco is probably aware that Izuku already “has someone he likes”… and that person isn’t her.
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aroanthy · 28 days
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trying to write something about how much i hate the ‘misandry in utena/the utena fandom’ crowd but it feels kind of redundant to me. i think i just don’t consider people who use the word ‘misandry’ serious people. i do however feel an obligation to occasionally make my position clear on that front, because im aware i tougapost and some people love to bring that guy up as the misandry in the utena fandom poster boy. which is so fucking stupid because touga is not victimised by ‘misandry’, touga is victimised by homophobic violence which is wrapped up in misogynistic violence, both of which are the cogs in the machine we call patriarchy. touga is not affected by misogyny in the same way that anthy is, that’s one of the key takeaways you can get from their being foils, and i don’t really like the whole ‘oh patriarchy hurts men too’ stuff because it neglects the fact that men reap so many material benefits from what some people deem ‘harm’ to them (emotional repression being the big one. it’s not great but when you’re the privileged party and gain power from it, who cares? it’s like the inverse of kozue trying to use sexuality to gain power: she can’t do that). but touga is a shitty dysfunctional person who has been shaped by violence and in turn perpetuated violence, and his character excels, imho, at examining how patriarchy functions and attempts to homogenise life’s many complexities. same deal as nanami really. they just play different roles in this gender essentialist nightmare that crunches out any grit. and you can extend that idea to all rgu characters but i am who i am and that is a kiryuu siblings enjoyer
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wisecrackingeric-2 · 7 months
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youtube
I feel like not enough people have seen this video it is S O G O O D I literally cannot express how well it dissects Luis’ character I NEED MORE PEOPLE TO SEE IT
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The fact that it’s an electric chicken that scares the team as a whole is hilarious.
Even more hilarious when you realise Jay is practically almost immune (s6 when he was struck by lightning x3), so that means he’s not afraid of the only dangerous aspect of it, he’s just afraid because it’s a chicken.
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oatmilk-earlgrey · 5 months
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Hahaha
imagine if the ghosts realise they have had the power to move on this whole time if they have the will to, but because they all died so young and had things holding them back in life, they’ve all been holding on. The ending of season 5 (technically the ending of the main show) establishes the love & family dynamic, yes, but it also shows how all of the ghosts have lived their afterlives vicariously through Alison. To the point where they’ve had a second chance at life, which is really beautiful.
And I really think Robin would like to move after all this time, so maybe starting the conversation about it up again, he’ll realise that he can move on when he’s ready. And I guess there’s comedic potential where there’s a gentle, heart wrenching ‘oh could’ve done this agesss ago’
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