There's something about like. A certain genre of posts / Online Opinions about insecurity/depression/misery/complaints that are so unhelpful that they wrap right around to being straight up hilarious.
and it's the ones that are more or less written to the tone of "Feeling bad? That's gross!"
Like, just so you know, don't voice your insecurities/ have low self esteem, because that's offputting! You're gross and weird. Don't be insecure about that, though. That would be stupid if you felt insecure about people disliking you for being insecure. Not attractive. You should be thinking about being as attractive as possible.
You shouldn't make comments about suicide, even if you're suicidal! Keep those thoughts entirely to yourself. Make sure nobody around you knows you're thinking about this. It would Make Them Uncomfortable. It's better to keep these thoughts in your head where they can fester.
Don't post OR talk to friends with complaints about you feeling miserable or depressed. Tbh people who are sad/upset a lot? Kinda a red flag! You are probably miserable because you're a bad person and you've brought this on yourself. If you don't have friends, it's because you're awful to be around. Easy! Solved the problem for you. And no, there is no nuance to this, got it?
So, make sure to feel bad about feeling bad, but don't feel bad about it, because, well, that's just gross. And annoying! You might've wanted your brain rotted thoughts to be Peer Reviewed, you might have just needed to vent- you might've been hoping for some comfort, to get things off your chest. Well, don't! Don't talk about thoughts or feelings that are negative with your friends, you'd be burdening them and that's only meant for THERAPY. #SponsoredbyBetterHelp #MentalHealth
like, DAMN. that's so helpful. you're so good at helping. I um really liked the part where these are all hard and fast rules that encourage keeping feelings bottled up and keeping your friends at arm's length. That's really funny of you.
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Hello Internet Stranger looking up G Gundam on Tumblr dot com!
This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.
If you are not looking for this content please scroll on.
If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -
Then go ahead and feel free to:
Check The Tags Of This Post For The Pairings
and click the Read More below!
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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....
For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon
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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.
The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like
Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.
He has Argo smuggle him out to avoid detection.
Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.
He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable.
He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.
Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.
Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.
Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.
Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.
So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.
There's a bit of a twinge in Domon's heart as he leaves that he can't really place.
After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.
They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.
He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.
I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.
But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.
The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.
@thedragonchilde @amplexadversary @youreaclownnow
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Alright here's my full (possibly hot) take on redesigning Hazbin Hotel characters and making a video showcasing those redesigns while you criticize the official designs.
First and foremost, you are redesigning someone else's OCs. Hazbin Hotel is, in essence, a passion project for Viv. How she talks about it makes that incredibly clear to me. The only difference between Hazbin Hotel and, for example, the story I'm developing surrounding some of my D&D OCs is that Hazbin Hotel got picked up by a streaming service and is significantly more popular than most passsion projects get.
Personally if someone wanted to redesign my D&D OCs, I wouldn't mind it, in fact I'd probably think it was really cool that someone would want to redesign one of my OCs to be closer to their tastes in terms of what they like to draw. I would, however, be made incredibly uncomfortable if someone made a video redesigning them where they also pointed out everything they thought was wrong with the designs. I didn't design these specific D&D characters to be 1-to-1 accurate to their classes in D&D or to look professionally designed. I designed them how I wanted them to look for the story I'm telling because I don't plan to ever play them in a campaign. The main character Avlan is a paladin, and I can acknowledge that his design might not look exactly like a paladin. One of the tabaxi in the story (Ice) is a bard and the other (Spark) is a ranger, and I acknowledge that their classes might not come across well in their designs. The single tiefling I've designed for this story (Tragedy) is a cleric but might not come off as one in their design. But I specifically designed them to be easy for me to draw because I want to be able to tell this story through my art. Having someone say "oh, Avlan's armor isn't paladin enough!" or "Avlan's fur colors and patterns should be closer to a wild rabbit's because harengon shouldn't be based on domestic rabbit colors!" would fucking hurt (especially because I'm so attached to Avlan, but it would hurt just as much if similar comments were made about Ice, Spark, or Tragedy). I am so passionate about these characters and being told their designs are bad or wrong in some way would be like a stab in the heart, and it would still feel like a stab in the heart if this story ever got a massive fandom behind it. Giving Avlan more complex armor because you think it'd look cool or just want to see what it'd look like? Sure, if I could draw more complex armor I'd give him more complex armor too. Giving him more complex armor but also shitting on the armor I decide to draw him with? My motivation to draw him in his armor, potentially draw him period, would be dead for WEEKS.
Why is it suddenly okay just because someone's passion project was picked up by Amazon Prime? Why is it suddenly okay to be "fixing" someone's character designs just because the project has a much bigger budget than most artists get and is on a popular streaming service? It's not. I don't care if you're a professional character designer, or think a specific character would look better with certain traits, or just don't like the character designs.
Hazbin Hotel is still Vivienne Medrano's passion project, and redesigning her characters and making videos talking about everything you think is "wrong" with them is, honestly, disgusting. You can make videos explaining your choices in your redesigns without putting down the designs that already exist, whether you like them or not. Me thinking Lucifer looks better with his tail not restricted to his full demon form doesn't suddenly mean I don't like his official design, because I fucking love it. If you wouldn't do it to an artist whose passion project is just a webcomic here on Tumblr, don't fucking do it to an artist whose passion project got picked up for a cartoon by a big streaming service (or any company for that matter).
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im not saying its WORSE or anything but having permissive parents is also an incredibly weird kind of leash. i CAN do anything i want technically, and they'll accept it, but they'll also shit their pants in fear if i do anything but go to school and hang out downtown until 6pm. one time my mom INSISTED to come get me with the car less than a full kilometer away from home bc she was scared for me. and here i was, in my sluttiest outfit, sitting in my mom's car at 1am, because of course mother cannot go to sleep if the child is not back in the nest for tonight. i have a door to the outside in my room, i have the key, i can leave anytime i want. but i remember when i was fully nocturnal and i'd return from a little walk in the neighborhood at 5am and my mom would just look at me like i just told her i swallowed the whole medicine cabinet. i dont want to hurt my parents. i also dont want to be providing a detailed roadmap of everything i intend to do while out. that's what i mean when i say i feel like moving out would fix me.
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Not reblogging it for reasons, but I really agree with that person on here who said people are reframing depression and generally feeling shit all the time as a good thing because of the horrors of Gaza. There are people on here heavily implying that you feeling bad and finding it more and more difficult to live with yourself is actually an appropriate response to war and genocide. In some way, it might be. But the thing is, where does that lead? Does it lead to decisive action in accordance to your values, or to nihilistic stewing and self isolation from your community?
The post went on to call it anti-recovery culture- I don't know if I would call it that, because I get why people don't like recovery culture, especially in relation to addiction, but mental illness also. I think that's something I'm not qualified to speak on. So I wouldn't call this anti-recovery culture. Instead I would call it pro-burnout in activism culture. Do you honestly think people who are the most productively working in their communities and participating in actions to help overseas are feeling like this? Or do you think they have learned to use self-accountability and community support to reign themselves in when they begin to burn out emotionally, and rest and recuperate their mind in order to come back stronger? Ask yourself, is that wrong of them to do, because they should be feeling bad, because after all that is the appropriate response....does it mean they don't care, because they don't spend all their time feeling shit? Or perhaps, the truth is, they do care, and are demonstrating it all the time, but they also understand that them feeling shit literally doesn't help anyone. Why can we not talk about or acknowledge this?
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hgs brainrot has returned due to tbosas .. speaking of hgs here’s an ask abt the hgs au: if things were totally different, and Wilbur were to be a 12 victor, what do you think a possible mentor-tribute dynamic would look like between him & Niki? I feel like it would be similar to Snow & Lucy in the way that he’s just going out of his way to cheat n help her
anon u have in fact struck jackpot because this is a concept i was spinning some thoughts abt before bee mentioned avoxes and we went OOOOH at that!!! so yes i have considered rainduo as a mentor-tribute dynamic and would love to talk about that concept too :]
so for this concept i think wilbur and niki would be close friends throughout childhood from 12, and then in their teens wilbur is reaped and, well, no one has particularly high hopes (he's a writer and a musician at heart, not a fighter) but through sheer trickery and dumb luck, he makes it to the end of the games. wilbur pulled some pretty fucked up tricks to win - when you can't use brute force, you have to use your brain - and partly due to the trauma of the games, partly due to his shame and survivor's guilt, he sinks into the capitol and relishes a new life there as a socialite. to him, the old wilbur died in the games and the new one has taken his place - to niki, and to his other friends in 12, whatever the games did to him made him into every vapid heartless capitol victor there is.
or. niki has her doubts. they all saw how horrible the games were, but surely there is some part of him left, some part that's hurting, even if it's buried deep?
anyway.
like og spin of the au, niki is reaped and this sucks - this time she does expect wilbur as her mentor on the train, and she expects some kind of warm welcome (maybe even an apology for leaving them so suddenly and silently? an explanation?) but she gets jack shit. wilbur is jaded and cruel and unrecognisable and niki entirely hates it. this is the part where i REALLY WISH we got some time of those two beefing with each other directly in canon (or at least interactions while niki was So Mad at him) but it's okay we fly blind. niki feels abandoned, lonely, thrown off of her kilter - she expected an ally in this place, but she doesn't recognise the person wilbur has become. she doesn't recognise his shallowness (...much), his ruthless advice for the arena, the way he doesn't seem to care for anything. she's scared and now she's lonely and it pisses her off - their mentorship is fraught. here are some thoughts from discord on that:
i tend to think of niki as a bit naïve before l'manberg or even doomsday - i think this is an au where this streak would come out real strong, and niki is stubborn that she can get through the games without losing herself. stubborn that she can stop things, that she can protect people. i don't think wilbur is cold enough (or, really, can bear to say aloud) to say that her odds in the arena are slim enough as it is, but he definitely tells her that she's making enemies and that her odds of survival dwindle with the more trouble she causes.
beyond that... hm. niki's trust in wilbur is almost unshakeable until nov 16, even when she outright says she doesn't recognise him anymore. i think she'd reluctantly listen re: don't burn down any buildings, but she would grow bolder each day she had to stay in the capitol. she gets more honest in front of the cameras. she makes more friends in training, and not the ones wilbur recommends. she throws barbs at him every time he makes one of those callous, cold-hearted comments about other tributes and rankings and odds. and besides, she's going in the arena this time, not him. she needs to practice her bravery.
it's like... she hasn't given up on him. she thinks the old wilbur is in there somewhere. (she is wrong. that is not how trauma works.) but she won't hold her tongue just because she
for extra angst points could definitely play up the whole 'feeling abandoned' angle between them as niki goes into the arena - probably due to how fraught their friendship gets leading up to the games. niki wants to focus on them and their friendship, wilbur has stringently cut off (almost) everything from 12 and refuses to let her in; he tells her to behave for the cameras, she tells him she never will. i think the last point in that screenshot would also make for a super tasty argument where niki feels wilbur has gone astray, that he's abandoned 12, and that he'll probably do nothing but sit on his ass and watch her die and he can't even bring himself to care about her anymore, can he? just more fodder for the arena. and honestly, i think wilbur would passively agree with most of that - he values niki's opinion, after all, even now, and if she says he's rapidly descending into a lost cause then she must be right. and it's niki, so she will be fine, and he goes to his bedroom that night and tries to pretend he is sleeping perfectly fine instead of feeling paralysed with fear.
okay now onto the games - YES HE SO WOULD. or at least i think he would go out of his way to help. as for cheating - he's a recent victor for 12 and i think he would value tommy (no doubt a link to him... i think they'd be in touch in this au also) too much to risk the punishment falling onto him as well. i get the vibes this is a games closer to 74th than 10th, so there are far fewer opportunities to cheat and the consequences of getting caught are higher. but schmoozing up sponsors? making stupid ass radio interviews or whatever to talk up niki's odds? sharing anecdotes from their childhood - some real, some entirely fabricated - across capitol airwaves to stoke their sympathy? 100%. with less to lose in this au, i think niki would be far less inclined to play nice for the cameras - i hope you starve, she spits at one of them, and wilbur appears on a talkshow two days later as she scrambles for survival in the arena to talk up how she always saved loaves from the bakery for the poorest mothers and children in 12. he borrows and begs and swindles to the point where it feels like cheating. but hey, this new wilbur is capitol-branded. he knows how to play the game.
if anything he probably sinks into the game a little too much. self-preservation is not his forte. probably wracks up a few heavy debts and favours to owe, but those are not priority until niki is out of the arena, alive. as long as she wins, and as long as the family he has isn't in danger, he will manage. wow it would suck if at some point those two goals became impossible to co-achieve. anyway
i kind of see niki's victory in the arena being similar to the one in the main au - if only because planning out an entire games is hard for meee >-< . she walks in bolder and braver for sure, and with a less strategic pick of allies, but they all get picked off and she spends a few weeks so terrified she can barely sleep and then she ruptures some fuel line and sets the arena alight with a fire that burns brighter and more ravenously than it should. but she wins, and she's airlifted out of a filthy, muddy creek she had resigned herself to die in, and wilbur barges his way through as many peacekeepers so that he can actually see her with her burnt skin and hair and unfocused eyes and trust that what was on the screens wasn't a fluke, and that they made it. and then it's just a matter of surviving the after.
i'm sure there are some other random quirks or tidbits i can think of re: this take on a c!rainduo hunger games au but these are my base thoughts!!
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