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#bc I think its a good example of him still struggling with certain emotions
cryptids · 11 months
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I think that both Gaara and Naruto are very emotional people who have also struggled a lot with emotional regulation... like their reactions have always been very intense and would sometimes overwhelm them (anger and sorrow/distress especially hit them really hard)
It's like... they both have trouble "feeling too much" as a consequence of their trauma and have emotional responses that sometimes veer out of their control. It's really clear with Naruto pretty much every time he starts to go kyuubi mode and/or breaks down crying whenever something reminds him of his childhood. And I think people tend to forget Gaara is like this too bc he went from being so unhinged (like "anger problems" would be understatement of the century here lmao) to always being so calm and rational, but even after that change you can tell from his internal dialogue that his feelings surrounding his trauma and loneliness etc. still run very deep.
Another thing that sort of ties into this imo is the way they both really yearn to feel loved and wanted by the people around them. Gaara decided to become Kazekage for basically the exact same reasons Naruto wanted to become Hokage, thinking it would give them the opportunity to gain people's admiration so they'd feel needed... and what Gaara said about how Naruto achieved their dream of becoming necessary presences in the world, bc both of them grew up feeling like their existences were unwanted and meaningless. I'd say they both are the kind of people who need a lot of love and attention and emotional support/reassurance, but neither of them will ever demand or even just ask for it bc they both feel like it's their responsibility to have to 'earn' it.
Anyway I'm not really going anywhere in particular with this lmao, just some random thoughts..... I think it's one of the many things that make them so similar deep down despite being such different people? Like their whole being mirror images of each other thing that gives them such a unique ability to understand each other
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saberspirit · 3 years
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jiang cheng character analysis essay under the cut! bc he means a Lot to me (its 5 pages im sorry)
tl;dr my thoughts on his relationship to his parents, his relationship with anger and feelings of inferiority, what zidian represents to him, his siblings (largely about what led to him and wwx falling out), and my thoughts on reconciliation between him and wei wuxian in the end.
tw!!! for child abuse and death, also warning for spoilers for the ending. 
alternatively can be read on google docs for accessibility
foreword: by writing this it is not my intention to imply this is the end all be all interpretation, or that i know more than fans of colour (especially chinese/chinese-american fans). i’m looking at his character as a white fan and through a western lens. i understand there are nuances i wont understand, but i have tried and continue to look at him w/ an educated view point and i’m always trying to continue my own self-driven education. i’m as always open to criticism and correction, although i understand it is no ones job to do so. it’s purely an interpretation from someone relating to his themes that i talk about here. thank you for reading! 
Jiang Cheng has a very complicated relationship with his parents (understatement), though different from Wei Wuxian’s complicated relationship w/ them (some overlaps being given).
It’s obvious to me that JC identifies more as his mother's son than his father's—feels he has to be because surely that’s why he feels neglected and like he’s constantly being found wanting by his father (even if Fengmian does Not mean to come across that way and isn’t a cruel man). He identifies with his mother’s anger and feeling of not being what his father truly wanted or loved and I don’t think he realized the effect she had on him with her constant comparison game—trying to measure him up because Madam Yu used him as a playing piece in her constant warring with Fengmian and instilled a sense of otherness in him and his deep-rooted feelings of inferiority and not being Good enough, not being enough in general. And yet he still deeply loves them even through all that he’s been through because of them both.
He never grew up learning how love should be in a relationship; should be from a parent to a child. The love he learned is a different type of conditional love from WWX's (WWX being that he doesn’t trust it in the first place, knowing it will leave). JC receives love and praise but knows it comes from a silent arrangement: it’s transactional. He upholds what his parents want and he gets…a form of it. Jiang Fengmian loved him in a way that you just kind of do love family, perhaps without a real reason otherwise—not pretty, but it is as it is. Madam Yu loved him in a way one loves a possession: she saw too much of Jiang Fengmian in him and JC was a reminder of how unhappy she was and how much her husband didn’t seem to care about her or what she gave him. (This isn’t to downplay Yanli's role in JC’s life: I think she was truly the only one to show him unconditional love in a way that he understood and recognized but it's unfortunately different from siblings and fell on half-deaf ears when all JC really wanted was his father’s approval).
Madam Yu was (afaik) stated to not be physically abusive (aside from the whipping when the Wens came from Wei Wuxian), but she was one-hundred percent verbally and emotionally abusive (for example, punishing WWX w/ isolation from the family w/ seclusion, or in general just how she talked to JC and WWX). She broke those two boys and it's something that can’t be undone…and Zidian represents that trauma, abuse, and expectation and JC’s anger and resentment that was the product of it. It’s literally lightning in a whip form; able to bind without harm, but it’s primarily used to hurt; it can reveal a true form; control over it is only relinquished to one’s family and loved ones.
JC doesn’t just lash out verbally at Wei Wuxian when they meet in his second life, he literally does. It’s his anger under his skin like static, driving him forward and being unable to rest because he’s constantly looking for closure he can’t have. He resents how his parents and Wei Wuxian made him feel but it’s also the only thing he has of them, and he clings to that (and therefore Zidian). It’s the last thing, bar Lotus Pier, that he has of his family anymore, and he wields it like a weapon…because ultimately it’s the only thing he's known for a very long time. Anger is an easy emotion. He wears it well. It was an emotion he learned from his mother, and he is his mother’s son.
As a side note for Zidian: Jin Ling refusing to take it from JC in the Burial Mounds to me was very much about not wanting a goodbye. He's a stubborn kid—JC mirrored what his mother did to him in handing off Zidian before certain death, and I think Jin Ling realized "take care of Zidian" meant "because I can’t anymore". JC wanted Jin Ling to stay safe and keep a hold on their family's legacy, but Jin Ling refused it and stepped forward to protect JC—JL is tired of goodbyes and afraid of losing more people, but also that stubborn streak to protect his family back. He went into the fray himself even if it’s not what JC was asking him to do (but then to JC’s chagrin the kid never really does do what he asks usually, Jin Ling has a good head on his shoulders and he’s as stubborn and quick to anger as his jiujiu but he’s also as incredibly loyal and caring). And I think it's a good vehicle to show that JL is breaking that cycle for them both.
Back to Jiang Cheng and anger and his siblings though. Yanli is all about showing affection in her words and actions (ie. meal sharing, peeling the lotus seeds, etc). WWX struggles to show it in forthright actions, let alone verbalize it (he’s truly bad at it) so while WWX does love his brother and shows it in actions like giving him his golden core…it’s not something JC picks up on well, or at all because he doesn’t even get told about the core until the Guanyin Temple. Jiang Cheng is someone who needs verbalized confirmation and very obvious action. But then to be fair, JC is also not good at verbalizing his love and care (he and Wei Wuxian are two peas in a pod w/ this one). It’s often behind barbed wire because 1) that’s how it was shown to him and 2) because it’s safer and easier to hide behind anger. He really does use it as a shield to protect his real feelings because he’s used to his feelings being trivial and being thrown in his face, and is used to loss. It’s a buffer.
This leads to a problem: Wei Wuxian does love him unconditionally, but I don��t think JC knows that. When he’s faced with the golden core surgery after everything, it’s definitely obvious, but it’s so twisted up in being hidden from him, in his own fears and feelings of failure and reliance that it’s soured. And he struggles to reach out and be frank with his own worries.
And this leads and lends to the severity of their falling out (not the only cause, but a big player in it).
He deeply loves his brother, but it's also entrenched in his bitterness and fears. If it was initially hard for him to verbalize because of those issues (on top of being a teenager/young adult and his feelings of inferiority irt WWX), he’s now in the current day steeped in sixteen years of loss/grief/trauma. Of unresolved tension between the two of them because WWX never told anyone anything—even if that’s just how he is, nothing personal towards JC except maybe that it’s his little brother, his shidi, and he doesn’t want to put a burden on those he loves—and JC tried time and time again to believe him and in him.
The problem was that his trust got thrown in his face time and time again. His older ‘peers’ (clan leaders) mocked and insulted him to his face for his naivety, pointed out that what WWX was doing was an insult to JC and their family, that WWX’s actions disrespected him and that he should do something about it. WWX’s actions themselves alongside him never letting JC in on anything further isolated them and put walls between them. This sewed the seed of the idea for JC that maybe he was naive. That WWX couldn’t uphold his duty and promises to JC and their family while also upkeeping his own personal code of ethics. (Not that it helped that Jiang Cheng also started lashing out at Wei Wuxian in minor ways for not having Suibian, but he didn’t exactly know why, to his credit).
His trust was him trying to care for WWX through all they’ve lost, but he’s also under the immense pressure of leading and rebuilding his home while also being looked down upon for his inexperience and ties to the man the cultivation world loathes.
Jiang Cheng believed WWX when he said he'd help him, wanted him to and expected him to. That’s his big brother and ultimately family comes first, so it was out of the question that WXX wouldn’t uphold that duty to him. Jiang Cheng is barely an adult as Sect Leader and was still a teen when they lost everything, so of course he wanted to rely on and believe Wei Wuxian when he said he'd help. JC doesn’t usually rely on others—I’d wager he hates relying on WWX especially as a callback to the inferiority complex—but he lets WWX in when they have the “Twin Prides” talk, lets him in when he promises JC to help him rebuild their home…and then WWX lets him down several times.
Post Burial Mounds there are signs that JC notices, if not consciously then subconsciously, that something is off with his brother (the demonic cultivation, the flute, the lack of Suibian, his weakness when pushed, etc), little things that he noted but didn’t have the time during a War to think too deeply on. He’s more relieved to just have him back where he can see him, happy that his brother can help them. Jiang Cheng gives him his vote of confidence in his abilities, in him, because he never thought of WWX or his methods badly (having been a fan until it became a symbol of losing Wei Wuxian to Something Else). Even if he had thought something of it, did have a concern, they don’t easily talk to each other now.
That much is obvious when after various meetings post the Sunshot Campaign as WWX is struggling with his temperament and resentful energy, after WWX saves the Wen remnants from the Jin Clan, and Jiang Cheng shows up at the Burial Mounds. He still believes in Wei Wuxian, still is bound to help him, and wants to help him. He’s willing to sacrifice the Wens for his brother. His actions and words are not pretty, but by god is he desperate. Jiang Cheng wants to save him and hides it with harsh words because once again he’s not good at being forthright with his feelings. He’s at his wits’ end, he’s barely 20, and suddenly he's losing Wei Wuxian too. It’s not about them being Wens because at this point he’s aware they’re helpless—it’s because it’s WWX and he’s supposed to make the right decision and be competent. It’s freshly post-war and he’s scared: his big brother is leaving and he feels powerless and he Hates that. Once again feels like he’s not good enough. Not good enough to save WWX, not good enough to lead, and he’s under intense scrutiny. He tells WWX as much that at this point he can’t help, and it hurts him to not be able to. Jiang Cheng wants Wei Wuxian to help him, help him. It’s an admittance wrapped in hurt and hurtful words, and WWX throws it in his face because he can’t let him in.
It’s not meant in any malicious way. Wei Wuxian is also traumatized, scared and hurting and dealing with the changes demonic cultivation is causing within him. But this is a key moment when JC for once verbalizes his fears and WWX tells him, ‘good, you don’t need to worry, I don’t have anything to do with you from now on’. (And of course, WWX is doing this to protect JC, but this response is what JC is afraid of).
So we have two times that JC has tried really hard in his own ways to let WWX in. To rely on him and be honest with him and WWX ends up…breaking his promises and leaving him and their family behind. And to me, that explains his actions when the last time they speak before he dies (that we’re shown anyways). WWX is sitting down with Jiang Cheng and Yanli. JC is the one that set up them being able to meet him, the one that reached out even after they fought to make his defecting from the Sect look convincing. He was the one that told Yanli that WWX should be the one to give a courtesy name to her child.
And then WWX brings Wen Ning. Yanli is open to Wen Ning sitting in and enjoying their family tradition, but JC can't understand why. Why WWX chose these people over his own family. He resents it. When he says "you might not be able to come back, to your family" I can imagine how much it destroys him to hear WWX say "but the people I’m returning to are also my family". Because what does that make them, WWX’s siblings; what does that make the promises and the years spent raised together, the duty he had to them first. Wei Wuxian might return to the Burial Mounds, but Jiang Cheng has to return to an empty Lotus Pier. The ghosts of his parents and ghosts of memories of his siblings he’s never getting back (because Yanli will be in Jinlin Tai after her upcoming wedding).
Repeatedly over and over Jiang Cheng reaches out, but time and time again it’s like WWX is telling him he’s not enough: not enough for WWX to rely on, not enough to protect him, not enough for him to want to return to, not enough to be family.
Then the cultivation world comes for WWX and his amulet. Yanli is killed, as far as JC can tell, because of the mess WWX made, and once again he’s in the dark about everything. Then WWX dies and rumours swirl that JC killed him, and maybe he did, maybe he is his brother’s killer even if Wei Wuxian would call it a misunderstanding. He’s left alone with an orphaned nephew in Lotus Pier with his entire family, bar an infant, dead.
So Jiang Cheng spends the next sixteen years without answers, with WWX having reinforced his insecurities and fears that stemmed from the abuse he'd suffered during childhood and then died. Yanli died when she never should’ve been in danger in the first place, seemingly because of Wei Wuxian. And he's so angry. He lashes out at memories and reminders, lashes out at anyone who chooses that same path that WWX chose over his family.
By the time Wei Wuxian’s come back from the dead and JC knows it’s him, WWX is still deflecting, still hiding still not telling him the truth. The fact that WWX comes back at all hurts purely as a fresh opening of the old wound, but the fact that he doesn’t come to find JC, that once again JC and his family isn’t a priority and once again is second best (this time to Lan Wangji)?
He doesn’t kill his brother. JC sits him down in a room and tries to talk but old hurts rile up and he reaches for anger again. WWX isn’t forthright and it makes it worse, neither of them are good at communicating: too many things unsaid, that can’t be said, too many misunderstandings and neither of them knowing how to talk about it. JC has Fairy there and it’s a minor act of revenge. JC uses what he knows is WWX’s weakness to intimidate and immobilize him, but it doesn’t help either of them actually talk.
Reconciliation is going to require WWX being able to talk to him without deflecting and JC getting angry so easily. But by this point, he’s given WWX a lot of chances and it’s why I think they could and would easily post-canon. Jiang Cheng's starting to come to an understanding that WWX did and still does care about him. He didn’t give him his golden core for no reason, and JC starts to understand why WWX did it for him and that he knew JC well enough to hide it in the first place.
He started to reach that conclusion shortly after Wen Ning told him—oh the pain of it having been WWX's chosen little brother figure—and Jiang Cheng had gone around asking people to unsheathe Suibian. It's why he brought Chenqing to the temple in the first place.
I think it speaks to his maturity that he decided at that moment he couldn’t say what he wanted to tell WWX in the end. I think he knew neither of them was ready, but I also think it speaks of how much he misses and trusts WWX to have let him go for now…I think he knows they will meet again as long as they both live, and that they'll be better for having waited. After some time to think, digest, they’ll be ready to be family again and all that entails.
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snkpolls · 3 years
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SnK Episode 62 Poll Results (for Manga Readers)
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The poll closed with 314 responses. Thank you to everyone who participated!
Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.
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RATE THE EPISODE 303 Responses
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There was an interesting contrast this week between anime only viewers’ and manga readers’ reaction to the episode. Anime only viewers overwhelmingly felt positively about the episode. But for manga manga readers, many of the cuts in the anime dampened their enjoyment of the episode, and for some ruined it entirely. Still, overall, the episode got positive reception, even if it wasn’t overwhelmingly enthusiastic. 
a little rushed but still very enjoyable. it defo got the point across about Reiner's struggles
It was... Fine. I'll give it a solid 8/10 on emotional value and finally seeing these chapters animated. But accepting that the anime and manga are not the same and that there will be cuts is hard.
Wasn't very good. The cut scenes really hurt the pacing and overall story.
i thought the pacing was way too fast :(
Stunning. Beautiful 
Another great episode. My only criticisms are the music that was used at the beginning of the episode, which didn't really work, and the cuts but I understand why that had to happen.
Disappointing
Impeccable. The adaption was both efficient and emotionally effective. Zero misses so far - I'm officially a MAPPA ho. 
Really great! Feels different from the manga and makes me excited for future episodes, because even if it's not perfect, we will always have the original material + some fun new scenes that the anime is adding, can't wait for more
WHICH OF THE FOLLOWING MOMENTS WAS YOUR FAVORITE? 304 Responses
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The much-anticipated scene where we learn amputee-kun is actually Eren was the most favored of the episode, with 37.5% of the vote. Following behind that with more narrow margins were the introduction to Marley’s titans, Annie and Reiner’s fight and Reiner’s suicide attempt. 
The first part was very rushed and I wasn't as impressed by it. But I was very impressed by the second part of the episode once the warrior kids made it to paradise. I also very much enjoyed how they animated the scene of Annie taking out her anger on Reiner after Marcel's death. There was just something about the use of colours that really appealed to me. 
The Reiner and Annie fight and Reiner's suicide disturbed me a lot more this time around, partially because I haven't read the chapters in a while, but this is easily one of my favorite episodes now.
WE GOT THE FULL ED LAST WEEK. AFTER SEEING IT IN ITS ENTIRETY, HOW DO YOU FEEL ABOUT IT NOW? 294 Responses
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The majority of the fandom are enjoying the new ending, with 65.6% loving both the song and the animation. 11.2% are enjoying the song… but not so much the animation. 11.9% feel that it’s “just okay.” Some are enjoying the animation, but not the song, and a few more dislike both. 
The song and the animation are truly beautiful and gorgeous. I couldn't imagine better. It is always so peaceful after the full of emotions episode. 
Beautiful song, although the bit with the streaks of shiny animation look like 480p and are a little boring. 
I didn't see it 
Bold of you to assume I watch the EDs and don't just skim ahead to the preview.
i'm not interested in the ending
There was a half ED?
ON A SCALE OF 1 TO 5, HOW MUCH DID YOU ENJOY THE SEQUENCE INTRODUCING ALL OF MARLEY’S TITANS? 303 Responses
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A very tiny fraction of voters weren’t impressed with the way MAPPA executed the scene that introduces us to the Marley titans and why each warrior was picked for the titans they received. However, the majority of respondents felt very positively about the scene, with 221 even feeling they, too, will become a titan as a result of the awesomeness. 
I really liked the marley titan montage but why the hell were the female titan's boobs so big? It looked so out of poportion
It was awesome and I loved the introduction to the Titans
OUT OF ALL THE TITANS THE MARLEY MILITARY HAD 9 YEARS AGO, WHICH ONE WOULD YOU WANT TO HAVE? 299 Responses
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Whether it’s for practicality or aesthetic reasons, we all have different titans that appeal to us more than others. This race was a close one, with the Female Titan holding on just slightly over the Jaw Titan in terms of favoritism. The Armored Titan came in at a distant third with the Beast Titan and Colossal closely behind. Only a very small fraction would like to inherit the Cart Titan from Piku-chan.
WHICH OG WARRIOR CANDIDATE WOULD YOU WANT TO ADOPT? 299 Responses
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Overall, the majority (29.1%) wouldn’t want to adopt any of the OG warrior crew, whether because the responsibility is too much or because they don’t like kids at all (or perhaps, a missing third option being they don’t like any of them). But for those who would happily take on one of the OG warrior kiddos, 24.1% would most like to take Reiner home (and probably give him lots of hugs). 21.1% adore little Pieck and would shower her with parental love forever. 9.7% probably want to pinch little Bertolt’s cheeks, and 8.4% wish they’d adopted Annie instead of her father.
A LOT OF THE SHIGANSHINA BREACH HAS REUSED WIT ANIMATION FROM PAST EPISODES - THOUGHTS? 303 Responses
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The majority of respondents felt positively enough about seeing WIT’s S1 style mixed in with MAPPA’s, with 42.9% feeling it flowed together well enough, and 26.4% understanding why they didn’t reanimate the event (despite preferring it if they had). 11.2% don’t care at all, and 8.6% think it was way too jarring. There are some who are reminded that they miss WIT’s style, and others who have a continued appreciation for MAPPA.
KAJI YUKI HAS LOWERED HIS VOICE A BIT TO DEPICT AN OLDER EREN. THOUGHTS? 301 Responses
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Overall, nearly everyone seems to be pleased with Kaji Yuki’s more “mature” sounding Eren, with 76.4% feeling he is portraying an older and more jaded Eren perfectly. 11.6% are lost in their lust for a 2D drawing and are focused entirely on that (we understand lol). A few are simply indifferent to the lower tone, and a smaller percentage just prefer Eren’s voice prior to the timeskip. 
Anime onlys can spot him more difficult, which I like
Made sense to me, he’s not a teenager anymore after all, plus works better for this “new” Eren who’s less angry and shouty all the time.
I didn't even notice lol
Eren is adult so changing his voice was a very good choice. I like his new sound.
It was stupid that he ever talked so low before now. He was fifteen and he sounded like an adult, well they all do that bc it's standard anime shit but it makes it even harder when they become real adults.
NOW HE REALLY SOUNDS LIKE KENMA 🔥
WE’VE LOST COUNT OF HOW MANY TIMES WE’VE SEEN MARCEL GET EATEN. BUT OF THE OPTIONS BELOW, WHO DID IT BEST? 296 Responses
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Seeing Marcel get eaten 2000 times seems to be a running gag at this point, so naturally we had to include this question. Whether it’s recency bias or objectively true, 44.6% feel that MAPPA’s take on Marcel’s death was the best. 30.4% feel that Isayama’s more recent art style truly does Marcel the most justice. 14.2% liked the way WIT Studio portrayed the scene and 10.8% like Isayama’s older, more grungy art style.
RIP Marcel
DO YOU THINK THAT REINER WAS CORRECT, THAT MARLEY WOULD HAVE HAD ALL OF RBA EATEN IF THEY HAD FOUND YMIR AND RETURNED HOME IMMEDIATELY? 292 Responses
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In the hypothetical scenario that Reiner hadn’t convinced Annie and Bertolt to stay on the island, the majority feel that Reiner was wrong in his assessment that they would be executed practically on-site. 55.1% believe that the idea would have been out in the open, but ultimately rejected. Though, 35.6% feel that Marley is too ruthless and uncaring toward Eldians to care what the situation is, and would absolutely hand over their titans to others deemed more capable. Very few felt Marley would be understanding by default. Many write-ins feel that Reiner is the only one who would have been executed for the failure. 
Depends on if B/A emphasize that it was Reiner’s fault rather than their own.
If all of RBA got eaten then I think they wouldn’t use kids for their next attempt. Maybe teens around the age RBA were after training in Paradis military
Magath would have pointed out how wasteful it would have been, but probably even him couldn't have saved reiner
He was wrong. What would be the point of feeding them to other children, if they were the best candidates? Too much of work. 
Reiner said that there's a possibility that they couldn't find Ymir even if they try. He has a point. But I don't think Marley would have RBA eaten even if they lose Jaw.
They wouldn't go through with it because they seem to lack other qualified warrior candidates.
I think Magath and maybe Zeke would have tried to convince the government to not go through with it and that Reiner might have been the only one sacrificed.
Obviously. They would have indisputable proof that sending a bunch of kids to carry out a massively important mission is the dumbest shit they could have ever done and immediately they'd put the titans into older soldiers.
They'd let them live a few more years just for propaganda and used them for other battles, then they'd have them killed around their midterm.
Possibly, but they put a lot of time, effort, and money into training their warriors. It would be a big decision to execute all of them and start over. Maybe they would have executed Reiner as an example.
WHAT’S THE FORECAST FOR TONIGHT? 295 Responses
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In our least-serious question of the poll, we asked you guys to try and predict the weather based on Bertolt’s sleeping pose. 18.3% believe his legs-on-the-wall pose means clear skies, 13.9% are certain it means rain. 13.6% are confident in an overcast night. At 11.5% foresee storms coming and 11.2% think it’s gonna be snow. 18% are probably just annoyed with the question. A few write-ins pointed out that Bertolt was, indeed, sleeping in the Hanged Man Pose.
It’s gonna be partly guilt ridden old man with a 90% chance of suicide by hanging
Blood and guts
HOW IS THAT EVEN COMFORTABLE?
Let's just call it hail
Hanged man posture, dreamed about the old man
raining titans
No one can make me like the warriors even if I don't blame them for what they were forced to do as kids. idc what quirky habits they have.
There'll be clear skies for some time but don't be deceived, heavy rain is incoming
This was amazing because it's a reference to The Hanging Man on Tarot cards: he's willingly being hanged for his sins. Look it up, it's so cool.
HOW DO YOU FEEL ABOUT MAPPA CUTTING A GOOD CHUNK OF REINER’S TRAINING? 302 Responses
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With only 20(ish) minutes to fit in all of Reiner’s backstory, cuts were inevitable. MAPPA made the decision to nerf most of Reiner’s struggles training as a Warrior Cadet (among a couple other more lengthy scenes during and after the wall breach). 62.9% are sad that some of these scenes didn’t make the cut, but also understand that we can’t have it all. 13.2% actually preferred seeing Reiner’s backstory in MAPPA’s condensed version, while 12.9% feel it completely ruins the characterization of the warriors.
I don't even remember what was cut 😂
Slightly ruined the warriors’ characterisations (especially Reiner’s)
I thought they could have shown a bit more about Reiner's underdog, it's something that really made me sympathise with him in the manga. 
Kinda disappointed, since some scenes were essential for a little background on their lives
Honestly, even after all the cuts and the restrains it tells the story of a "warrior", Reiner.
Mappa fucked RBA backstory and I would bet it's because they are biased towards Eren and 104th...
I wouldn't say it ruined their characterisation, but it did leave it a lot more shallow. I would've loved to see those scenes animated, but I also realise that things will have to be cut to fit everything in, and I think these cuts still preserve the forward momentum of the story reasonably well. 
The important scenes were animated, so it's good that way
MAPPA cannot animate every panel and the best will be, if fandom finally understands that. Every episode has limited amount of time and MAPPA is doing everything they can to make episodes good and easy to understand for anime onlies. I was fine with cutting because I know that episodes aren't long and there are more important stuff to animate than every part of training.
WHAT ARE YOUR THOUGHTS ABOUT NOT SEEING ANNIE PARTICIPATING IN THE FIRST WALL BREACH? 298 Responses
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MAPPA completely glossed over Annie’s role in the wall breach, showing her being choked by Reiner and then waking up in the refugee camp later. 40.9% state they would have preferred seeing Annie play her part in the mission, though they accept that it isn’t there. 34.6% are concerned that those who don’t read the manga will just be confused as to where Annie was during all of the chaos (Oh no! Did RB leave her passed out in the fields!?). 16.1% are simply just disappointed altogether. A small fraction felt it wasn’t necessary anyway and have no problems with the cut. 
I feel kinda iffy about it because that was one of my favorite parts of the chapter, but oh well... it is what it is.
Kenny's scene should be eliminated.
I mean it's not like the female titan could destroy the walls herself. I think nobody expects it and then her absence makes sense
Yams did an oopsie in the first place retconing 
It really confused me lol for a moment I completely forgot what she even did in the manga and had to reread
KNOWING NOW THAT ANNIE IS ACTUALLY ADOPTED, DOES THE JOKE ABOUT HER BEING KENNY’S LOST DAUGHTER HIT DIFFERENTLY NOW? 299 Responses
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We learn after Annie comes out of the crystal that her father is actually an adoptive parent. Annie, in an attempt to cover up why she’s stalking Kenny in the underground, claims (or jokes) that she was born to a brothel worker and is Kenny’s lost daughter. We asked if this made the joke any less funny to readers, though most of them didn’t think so at all. Only 14% of respondents say the new knowledge actually makes it a little sad. Some people forgot entirely that Annie is adopted and voiced their confusion in the write-ins. 
wait,,,,, she.,,,, she's adopted ??? wha- how did i completely forget about this
Kenny's gay anyway so it's impossible! Sorry, Annie :/
I don't really get this joke tbh 😅 Do people think she and Kenny look alike?
We're all Kenny's lost daughter
It just brings into question her true parentage, like how she can scream summon other Titans and if that’s a royal blood thing or not. But probably doesn’t matter since it hasn’t come up in the manga yet 
I hadn't thought about it before today.
She's adopted?!?
HOW DO YOU FEEL ABOUT MAPPA’S EXECUTION OF REINER’S ATTEMPTED SUICIDE? 302 Responses
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With such a weighty scene, execution is of utmost importance. So we were curious if you guys felt that MAPPA hit the mark. Overall, MAPPA’s take on this scene got positive responses from the fandom, with 42.4% feeling they felt about the same as they did when the scene came up in the manga. 26.5% actually thought that MAPPA did a better job with the scene, whereas 26.2% felt that Isayama’s original take on the scene is still superior. 
I think that while the manga's intent is for the reader to feel Reiner's pain and emotions during what he thought were his last moments, the anime focuses much more on making it disturbing and depressing (both taking into account the same things, just choosing to highlight different aspects of the scene). Not a bad change but I prefer the manga's portayal, it made me feel so much more attached to Reiner
Actual scene was good, but the build up was lacking.
I really liked the flipping back and forth 
Not nearly as emotional as I expected
The lighting was so good in the anime version. 
Bruh we needed the flashbacks cause they depicted Reiner's journey and regrets
I think it was more impactful in the manga, but MAPPA did it amazing too
The scene looked more serious but the building of the characters didn't live up for the moment. 
It impacted me differently than in the manga. I prefer the manga scene, but the anime's was still really good
I was worried about it being overly censored so I’m glad it wasn’t 
The execution was about the same, but it had a bigger impact when you read it for the first time
The drool was a great touch
WHICH OF THE FOLLOWING CUTS WERE YOU DISAPPOINTED DIDN’T MAKE THE EPISODE? 292 Responses
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While we shouldn’t dwell on cuts too much, there will still be things that people are disappointed didn’t make it into the anime. The scenes which were most missed this week were Annie’s role in the wall breach, Reiner passing along a tired Annie over to Bertolt atop the wall, RBA discussing their infiltration plans in the field (also known as the tree-uprooting scene), seeing Bertolt, Annie and Marcel surpassing Reiner in their training, and Reiner breaking up Eren and Jean’s fight (noticing Annie is exhausted). Well, at least the manga still exists, right?
I wish they didnt cut some of the flashbacks right before Reiner tried to kill himself. 
Really great episode, but Bertholdt looking up at the wall before breaking it was such an iconic panel, I'm a bit sad
Any cuts are a negative. I dont care how much it makes sense for the anime onlies, I just wish they somehow incorporate some of the small slice of life scenes that made the Marley arc special.
Truly loved it despite cuts and pacing, but just wish we could’ve seen that tree uprooting scene!
I still hold the sentiment that Mappa is cutting way too much from these episodes. The amount of small details getting cut from every chapter/episode results in losing out on smaller moments that in my opinion have a real impact. While I understand a 1 to 1 replica might not be possible, the amount of cuts is too much imo. Missing out on nearly all of RBA assaulting Shiganshina was a huge disappointment, and less Falco and Gabi scenes makes it tough for me to connect to them. Talking to my Anime-only friends though, they are very into this season, so I'm glad to hear it works for them. 
I'm not necessarily sad they cut so much, I feel like as an Anime only I wouldn't have noticed! The only thing I wish that had been kept was Annie's involvement in the destruction of wall Maria. 
I was sad they cut stuff but that’s inevitable.  The only cut I’m sad about is the scene before Bertholdt  breaks the wall.
some of the cuts made sense, some made other scenes kind of occur out of nowhere, like annie with kenny.
SO FAR, WE’VE LOST A FEW INTERACTIONS BETWEEN FALCO AND GABI AND SOME MOMENTS WHERE FALCO IS BLUSHING OVER HER. DO YOU THINK THIS WILL LESSEN THE IMPACT OF HIS EVENTUAL LOVE CONFESSION TO HER? 296 Responses
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While the Falbi romance isn’t a major focal point of the series, it does play a big part in their storyline and overall character development as their involvement in the plot increases. MAPPA has had to let a few scenes go, so we were curious if manga readers felt it would lessen the impact of Falco’s inevitable confession just before the rumbling starts. 31.4% feel that the anime is doing just fine at portraying Falco’s feelings. 28.4% feel the impact will be lessened, but that it’s fine due to it being a minor plot point anyway. 14.5% are upset about the missing pieces and 11.8% think MAPPA will make up for it later. Smaller groups of voters either don’t understand why Falco likes Gabi or just don’t care. 
I'm more dissapointed about Zofia and Udo getting cut than those two.
Kid romance is lame anyway
It's not gonna hit like the manga but it's still pretty important plot imo
What works on paper doesn't always work animated, they're doing ok 
I hate gabi gahh
It is obvious he likes her anyway
Not really, they've established he has a big crush on her since he pretty much came out and told it to Eren
DO YOU THINK MAPPA DID A GOOD JOB OF HIDING EREN IN PLAIN SIGHT? 297 Responses
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We failed to ask this question last week, but it still applied well to this week’s episode. When it came to anime only fans, we wondered whether manga readers felt MAPPA did a good job at making him as mysterious to anime watchers as Isayama did to us manga readers. 40.1% felt that MAPPA did a great job, as many anime watchers didn’t seem to catch on. 25.6% feel that they didn’t do any worse or better than Isayama did. 13.8% feel MAPPA did not do as well as Isayama, as some anime watchers easily caught on. 9.4% think they did completely awful at pretending it’s not Eren. Some write-ins felt we couldn’t objectively judge this as we already knew it was Eren anyway. 
I think the voice gave it away the most. The sneaky animation was great! 
Hard to answer because chapters were a month apart while episodes are weekly and I’ve already read the manga when it came out
well, I can't say much about this. since I know he is eren, I was just focusing on how Kaji Yuki will handle this important speech
They even didn't try to hide him. I'm disappointed because I wanted anime onlines to feel what we - manga readers - felt, when after few chapters we found that the hobo man was Eren. 
I honestly didn't even realize he was supposed to be hidden from the readers/viewers at this point. It was so obviously him in the manga and the anime. Genuinely confused by how many people did not catch on. 
Watching some reactors they were like "...wait...that *looks* like Eren...but his leg is amputated...his leg would've grown back??" but as soon as you heard his voice it was instantaneous 
I, being a manga reader, had a hard time getting how you couldn't see that it was Eren, but some of my friend only got it at the last scene.
Hard to say. WIth the manga, it took me a few reads to catch on, but now that I KNOW, it's hard to say anything.
Yes, I'm watching the episodes with my anime-only friend and he still hasn't figured it out
I think they did a good job, but with anime being the medium it was easier to guess due to both hair/eye color and voice.
It was nice, I was actually surprised that some of my anime only friends didn't even realize that it was Eren talking to Falco this episode
When Eren was finally revealed in the manga, I was *shocked! I had *no clue that was him! I think the anime did a great job, but of course had to reveal him sooner. It was perfect both in manga and anime imo.
It's obviously him once you see his eyes, but I don't think that the animation team were trying to make it a big shock reveal, they want this scene to say "this is probably Eren, but can you be 100% sure" to keep anime onlys engaged and reassure them that the main cast is still relevant.
Yes, but the manga hid him better, it took me way too long to realise it was him while reading
HOW WAS KAJI YUKI’S DELIVERY ON EREN’S SPEECH TO FALCO? 299 Responses
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The vast majority of respondents were very pleased with Kaji Yuji’s delivery on one of Eren’s most prominent speeches. 38.1% felt it was exactly as they had hoped it would be. 28.1% were extremely happy, and feel that any delivery by Kaji Yuki as Eren will be 100% spot-on. 24.7% are simply just content with it. Smaller fragments of respondents just wanted to voice their thirst, or felt that the delivery could have been better. 
Better than I could have ever imagined
I don't really care
Eren is the best main character ever
Not my native language so I can't really tell how good it is, but Kaji's delivery seemed about right
It was a bit fast but good
Very good. You get a real sense of how clueless but trying to be tough Eren really is.
EREN TELLS FALCO HE HOPES FALCO LIVES A LONG LIFE. KNOWING WHAT WE DO NOW, WHAT DO YOU THINK ABOUT HIM SAYING THIS? 298 Responses
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Eren already knows he will bring destruction upon the world, so it’s a wonder why he would bother telling Falco he hopes Falco will have a long life. 64.8% believe that he truly means it from the bottom of his heart, despite knowing his future actions will likely affect Falco. 10.7% believe he said this because he has already seen that Falco will survive the Rumbling. 10.1% aren’t really sure what to make of it at all. Smaller numbers of people think Eren was only trying to gain Falco’s trust and didn’t mean it at all, or believe that Falco will take part in Eren’s eventual demise and Eren is already aware of that. 
He saw him in his memories so imma believe what he says
I'm sure there is part of Eren that hopes for a good long life for Falco. Just like there was part of him that couldn't help but save the refugee kid. But that doesn't mean he isn't any less dedicated to his plan to genocide a whole lot of people. He has his conflicts, but in the end he's still going ahead with the attack on the square and later with the rumbling.
I think it's the same deal as him saving the immigrant kid when he knew that he would die in the rumbling.
In an ideal world Eren would want *everyone* to live a long life--he's been portrayed as someone who cries and disassociates while he commits his genocide so we're meant to understand he doesn't enjoy it. Sadly it doesn't matter what he hopes or wants when he's decided murdering everyone is what has to be done..
THE PREVIEW SHOWED PIECK AND PORCO NEXT TO REINER AT THE DAYTIME FESTIVAL. THIS WAS NOT IN THE MANGA. WHAT DO YOU THINK THIS MEANS ABOUT POSSIBLE ANIME-ONLY ADDITIONS? 298 Responses
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Many of our respondents seem to be looking forward to Pieck and Porco’s inclusion in the daytime festival. 47% are hopeful that this will mean some wholesome bonding scenes between the Warriors and the kids. 26.5% don’t know what to make of it, but are looking forward to it nonetheless. A handful of people think it will be similar to how WIT included Sasha in the Clash arc - adding minor details without changing anything in the story-line. 7% wish that MAPPA wasn’t doing this at all, and 5% are hopeful this means that MAPPA will find a way to repurpose Pieck crawling on all fours next episode. 
I still want Pieck butt
IN THAT SAME VEIN, IT SEEMS LIKE EPISODE 4 WILL ADAPT CHAPTERS 97 AND 98, ENDING ON THE FINAL PANEL OF 98. HOWEVER, THE VAST MAJORITY OF CHAPTER 97 WAS ALREADY ADAPTED IN LAST WEEK’S EPISODE. WHAT WILL THIS MEAN FOR EPISODE 4? 293 Responses
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Who wants to place bets on the contents of next episode? While the largest chunk of people don’t know what to expect in episode 4, others are happy to speculate. 19.8% feel (or are at least hopeful) that MAPPA will fill in some screen time by repurposing already-skipped scenes. 19.1% feel that there will be minor additions, but not too much. A solid 16% feel that there will be a few anime only additions during the daytime festival. 10.9% are placing bets that episode 4 will actually bleed into chapter 100 before the end.
Mappa won't have to cut a lot of stuff like they did to ep 3
The title "From One Hand to Another" immediately made me think we would actually be getting Eren grasping Reiner's hand and transforming at the end (meaning chapters 100 and 101), but that's just so much. The title may just refer to Magath and Willy's handshake. 
What about just enjoying the show?
WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 298 Responses
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As expected of the fandom! Reiner and Eren’s reunion is the most anticipated scene for episode 4, with 74.8% having voted for that. 17.1% are most looking forward to the daytime festival, and 6% are excited to meet Willy in anime form for the first time. One commenter is very invested in the banquet and how it’s executed. 
Not this ep but if they cut the Udo and Kiyomi scene I'll RIOT!
ADDITIONAL THOUGHTS ON THE EPISODE?
I'm upset so much was cut from Reiner's backstory but the cinematography is freakin' excellent I can't even complain
*cheers MAPPA animators for their hard work* ... Perfect for anime onlies, I think. Made me almost wish I hadn't read the manga so I wouldn't have missed the cut scenes.
Cuts aside, the animation was much better than the previous episodes. 
"The one scene I really wanted was Bertholdt looking over the wall and seeing the EMA trio. Of all the cuts, I think that was the only one that was damaging to the story. I also kind of wish that MAPPA animated the reused scenes. I kind of like comparing and contrasting the animation styles of both studios so its a bit of shame that we didn't get anything new from Episode 1.
I'm really impressed with how much MAPPA is managing to squeeze in each episode and I'm content that Reiner's flashback was covered in a single episode rather than two. It just makes sense pacing-wise. The only real criticism I have is that in the flashback scenes where everyone is supposed to be 12 years old, they don't sound 12 at all. Their voices are way too mature, especially the males, and I understand they're voiced by adults, but I feel like they could have at least tried to sound more like kids. Other than that, great episode.
Elaborating on the missing content: they really shouldn’t have cut Annie’s transformation prior to wall Maria being breached. It makes it look like Reiner choked her out and then a minute later bert was kicking the wall through. 
I'm in the boat, where i think it wouldve been better if Mappa didnt cut out so much, but considering what there is to cover, we will live,but i hope they dont end up butchering everything Also the bit with reiner’s dad would be confusing to anime-onlies since it cross-cuts between that scene and him on the parade. I’ve seen some reactors think it was a daydream, or that he left during the parade. 
It was quite rushed, but I understand why they did it, the flashback wouldn't have been as impactful over 2 episodes, and I do think when the Marley arc was first introduced in the manga, manga readers were quite inpatient to get back to the main cast, so they might be feeding off that feedback. 
Mappa has become my favorite studio of all time. Not just in regards to anime, but studios in general. Their discography is on another level (imo) and the fact that on top of every other masterpiece they’ve made, they’re doing an outstanding job with my favorite series of all time just solidifies them as the first and probably the only anime studio that I can truly Stan.
Lots of (I think) Important stuff cut, but the meat is still in place. I like my meat to be juicy and marbled, while Mappa cut out all the fat that makes for a flavorful meal. I completely understand why and I am apathetic about it.
disliked the fact the wall breach was so quickly glossed over, and the transition between mappa and wit style was jarring to say the least
Regardless of the cuts, i think it flows together nicely. The anime has always been more speedy than the manga so i kind of expected this. I don't think it'll get as bad as s3 part 1 in terms of pacing. I trust in Mappa, so far i haven't been disappointed at all. The animation and backgrounds are absolutely stunning. That warrior titan sequence was incredibly well done. Props to the animators!
It was a bit confusing mishmash of scenes, but there were some good moments sprinkled in like the introduction of all of Marley's titans. The emotional reactions, however, just weren't the same as they were when reading the manga, to be honest.
I’m really glad they cut the part with RBA hanging onto Female/Armoured neck by a rope. That whole thing seemed stupid to me. Doesn’t match up with previous chapters and I feel like SOMEONE would have noticed two kids hanging onto the Armoured Titan’s neck. 
I think MAPPA is doing a really good job so far, can't wait to see the battle in Liberio. I'm not bothered at all with the CG titans because firstly, they look really good, and secondly, I understand why they had to do it. I also hope they don't censor many things or cut out some dark scenes that are important to the season because I would love to see everything animated. 
Felt like watching a recap episode... And it wasn't supposed to be one, so
I'm really dissapointed that mappa cut so many things from manga. Reiner's backstory is my favoure part of snk. Suicide scene completly lacks impact. 
I really dislike the fact that MAPPA is trying to show only bad side of the marleyan officers. They removed the gate guards, they removed the scene where Magath is telling RBA to stay safe (on Paradis). One of the best parts of the manga is showing that the both races (Eldians and Marleyans) have good and bad sides. By removing positive aspects of Marleyans MAPPA is creating totally different picture. This way the anime onlines may find the whole rumbling even more justified. The episode was pretty good and the OST has made some scenes to feel more dark and serious (especially the moment where the new titans are introduced), but sometimes I feel like the characters are speaking and acting way too fast. I was waiting for the scene with Kenny and Annie, but it took only like few second and was cut. I love MAPPA's version of Kenny. He has more serious aura and looks more like his manga counterpart. In other words;  wrinkled grandpa with skinny neck :) 
It honestly wasn’t my favorite, but I still loved it. I feel as though they skipped around a lot and there wasn’t a lot of scenes that actually tied together and I’m worried anime only watchers might get confused. Definitely some of the stuff I wanted to see animated didn’t make the cut, but I still love the animation style, the characters and the story!
WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 285 Responses
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Thank you to everyone who participated! We’ll see you again next episode.
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ambitionsource · 3 years
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Who in the a class is in some kind of therapy?
what a question LMAO. but honestly, a very fair one indeed. while discussing this, es and i ended up basically dividing it into three groups (if someone isn’t mentioned, it just means none apply)
Is In Therapy Currently
Isadora || as we know from the canon of S3, isa is currently in therapy to work through the grief of valerie dying as well as like... the built up abandonment issues, anxiety, and struggles she has articulating or processing emotions lmao. it also helps her learn better methods to work with her autism
Farkle || i mean... we all watched S1 & 2. we know why he’s there LMAO and by god does he need it. it’s good that he’s improving though!!
Chai || she officially started therapy after the events of S1 while she was abroad because evidently her parents divorce really fucked with her emotional state and coping mechanisms -- as well as having sort of emotionally distant parents and having to navigate the world on her own. basically, money =/= nurturing. but yeah i think she realized what she did with tormenting her classmates wasn’t Healthy perhaps and so she sought out the resources to fix it on her own. her parents certainly weren’t going to be much help
Clarissa || clarissa has been in and out of therapy here and there since she was little, mainly for managing OCD. usually she’s fine and her appointments are infrequent (monthly at this current rate), but she tends to go back to her therapist when circumstances get very stressful, like the events of S2 (she mentions going back to therapy in a scene with charlie and haley in 210)
Not In Therapy Currently, but Has Before
Riley || though not by choice, riley went to therapy for a stretch of time in the aftermath of her bullying experience freshman year. by the start of S1, though, she’s on the tail-end of it after a whole summer full of it. she also had stints in family therapy when she was little when cory and topie were having their first bouts of marriage problems, but she doesn’t remember all that obviously. she’s thought about going back for herself because of all the divorce strain, but ultimately opted against it bc she didn’t want to go through cory or topanga. she mainly sticks to talking to eric if things get too overwhelming and using the coping mechanisms she already has
Darby || miss darbs spent some time in therapy in late elementary school due to having issues socializing with her peers. i think she’s always been a bit awkward and desperate to please, so that can get messy with kids cause kids are mean. she was also definitely bullied at that age for being really tall and so i think her parents put her therapy out of genuine concern just with the hopes that like, she’d be able to develop some coping mechanisms and have a safe space to get advice if they didn’t have the answers. and in some ways it helped, other ways no -- her friendships aren’t the healthiest still (as she’s the doormat), but i think she holds her own BETTER with the plastics having gone to therapy than if she never developed those emotional tools at all
Has Not / Is Not but Really Fucking Should Be in Therapy
LUCAS || this is like the most obvious blinking lights sirens wailing example ever. he is a walking textbook for endorsing therapy. between the domestic abuse, mommy and daddy issues, self-esteem in the subbasement, lack of life purpose, inability to read others well emotionally, inability to process his own emotions, the physical aversion due to his trauma, his kleptomania, his risk-taking behavior, his habit of lying, the fact that he has canonically walked off for days at a time with no warning, explanation, or safety net, that he sleeps in a fucking technician’s booth, he used to free-climb buildings SOMETIMES IN THE RAIN, no sense of self-preservation, intrusive thoughts, inability to express appreciation or affection in a normal non-stressful way...... this man is a therapist’s dream and nightmare. they could spend YEARS unpacking him. but will he ever go to therapy? no. because he a) doesn’t think he needs it, b) can’t ask for help ever, and c) could never afford it. and at this point, d) if his dad heard he was seeking help like that he would shut it down instantly. anyway, he’s the biggest case here. underline him in red
Charlie || charlie is a great example of someone who is like coping... sort of... not really... it Looks like they’re coping but they aren’t really and they really need help. like yes, charlie has stability in certain areas of his life that others don’t, and he’s extremely self-aware of his privileges, but i think that’s part of the problem. he’s convinced himself he doesn’t need or shouldn’t get external help because there are people who have it so much worse than him and he doesn’t... he doesn’t really need it, does he? he’s fine. he’ll be fine. and even if he did think about getting “help,” i think his first instinct -- and advice from others -- would be to go to his church leadership, which is not a suggestion made with ill will but just isn’t helpful considering half of his trauma is tied to his relationship with god and the church and faith. he needs a more objective space to unpack all of that, and obviously church itself is not the answer. i think that charlie will be able to work through a lot of his initial issues on his own with time and patience with himself (something we’re in the thick of right now -- we’re just barely in the acceptance phase), but he should really go to therapy in the future just to like... work through all of the long-term trauma he endured from his upbringing and bridgette’s exile and the dueling psychology of church vs sexuality. like... that’s gonna take some time to unravel and he needs to be in the right place to pursue that on his own. will he, i dont know, but i think when he does a certain heaviness he’s been carrying his entire life will finally like... lift. and he’ll be able to breathe better
Asher || so asher is a bit of a clusterfuck LMAO like he’s diagnosed officially with generalized anxiety disorder but he never saw a specialist, his mom diagnosed him since she’s a psychologist. the complexity here is that because of that... well, they say you should never let family be your personal doctors and i think that’s true for mental health professionals too. like emily basically gave asher the generic coping rundown when he was really young, and then he went on to develop his own coping mechanisms with, at least, a very fundamental understanding of what’s wrong with him. but he kind of developed his own complex about it all too, bc i think emily took pride in him being able to figure it all out and be so capable with his own mental health without ever going to therapy and he kind of internalized that, as well as having internalized a lot his mom’s perspectives and opinions as a mental health professional in a way that its like... well my MOM said that, so i feel kind of some type of way about it. so its all really complicated and twisted in his head and he just doesnt bother to unpack it (something, ironically, therapy would probably help lol). the thing about asher is that for all intents and purposes, he does cope well and he is really in tune with his own mental state. it’s just that he could seriously benefit from having an objective party help him untangle some of his neuroses i think and it would take some of the constant stress off his shoulders, but he’s honestly too stuck in his ways at this point to go. that being said, he’s a vocal advocate for therapy and its benefits -- just not for himself
Nigel || as discussed a bit in the ask i answered about him, i just think nigel carries way too much pressure on himself and he could benefit from someone helping him work through things instead of carrying all his stress on his own -- even if its less complex than some others. he’s like same range as clarissa.
Maya || maya has no issue with self-esteem, but i think she could still benefit from someone helping her actually unpack her issues over her dad and why she is the way she is. a therapist who specializes in narcissism would be a good fit for her -- not because she is one, but she does have... certain quirks where i think having that specialization can help unravel her motivations and actions a little more easily
Missy || she’s just a fucking mess. she shouldn’t be redeemed but i think therapy could really do her a favor and maybe make her less terrible and psychopathic towards people who aren’t like her. maybe
-- Maggie & Es
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can i hear some phineas and ferb autistic headcanons? would make my day :)
HELL YEAH!!! sorry this is delayed i was rlly tired this weekend for no reason sdgjdhgdfg (this is more analysis than headcanon at points but ill try to work in headcanons too)
phineas, ferb, candace, baljeet, and doof are definitely autistic so i’ll focus on them. i also like irving and maybe isabella being autistic but those five are Definite
phineas and doof also have adhd and candace is comorbid with Something Else but since i project my mental health onto her i need to figure out what im comorbid with first lol
ferb is partially nonverbal which is obvious but he does have strong passions and feelings, he just expresses them sort of clinically and straightforwardly.
even phineas struggles with complex emotions and usually just focuses on positivity, because really dire situations can make him have a legit meltdown if he processes them (summer belongs to you, night of the living pharmacists, etc). some emotions are just easier to work with than others yknow? and you subscribe to a certain outlook and when things dont fit with that outlook you panic.
phineas is also really bad at reading people and thats why he never gets isabellas crush on him or that candace wants to get him in trouble.
phineas and ferb make their own stim toys, and have definitely gone above and beyond. a giant castle made of sparkly slime, the world’s longest tangle toy, a 100-sided fidget cube, infinite chewing rings where your teeth never leave marks so you can chew on them forever...they can share with every neurodivergent kid in the area. honestly i wanna write a fanfic where they make an autism-based theme park with this sort of stuff!
the gelatin episode was basically just them pursuing the sensory goodness of bouncy jelly
candace is very secretive abt her autism even tho she stims a lot and, like, sits in certain ways for optimal comfort and such, and her special interests in busting her bros/her boyfriend/ducky momo/certain bands/etc are Very Obvious. but her friends support and love her even tho shes insecure and they sometimes struggle for a while to adjust to her needs.
her brothers rlly want her to be more confident but its difficult bc theyre the savants and everyone loves them bc they have a productive creative special interest in building and being imaginative but she just gets so easily distracted so she feels less productive :(
(also i like the idea of stacy being autistic too which is why she’s sometimes late to the punch observing things and has a similar inferiority complex as candace and they totally bonded over these issues)
candaces whole ‘busting’ obsession is very much about her obsession with rules and order and keeping thing predictable and under control, though as the show progresses she warms up to her brothers’ behavior because it is, in its own way, predictable
candace rlly struggles with being seen as an Adult because shes been infantilized her whole life due to her emotional issues, and she still doesnt rlly know what being an adult truly entails outside of controlling her younger siblings, she copes a lot with her childhood passions and aesthetics since its easier than changing with the times. but once she has to get to college and everything then she adapts well and as we see turns her passions into a successful law career!
baljeets special interest in math is obvious but also he struggles a lot with expressing his emotions too, he has his own routines both in scheduling and the role-playing nature in his dynamic with buford, and tends to find things funny that nobody else does because of his niche interests
doof isnt diagnosed but perry knows how to accommodate his symptoms bc theyre similar to how candace, phineas, and ferb can behave at times, ie being socially clueless, needing to rehearse things, having narrow interests and passions they can focus on for hours, etc.
also doof does raptor hands a lot to the point its lampshaded
i can see doof having a lot of stims and doing a lot of stimmy things without realizing it, i think he chews on things sometimes for instance. he gets overstimulated easily and it gets him really pissy (theres always so much noise and light outside his building) so he needs something to ground himself which is why the routines with perry help.
everyone on this show is so routine oriented, like, its mostly a meta joke but everybody has a certain way they say things, theres a basic structure for how their day has to go and if it doesnt follow that structure they panic. baljeet has his color coded schedule in the most obvious example, phineas and ferb have their catchphrases and need to create one big new thing every day, candace has busting, doof has his dynamic with perry, etc. any time these routines are disrupted they notice and it feels very Off to everyone.
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tossertozier · 5 years
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you mentioned possibly doing a ben or mike writing guide.. would you.. be willing to post a mike one. i'm plotting a fic and im struggling to get my mans down?? also i think abt ur fics weekly bare minimum.
hi there!!! i did my best. i tried to not sound preachy or like a know it all bc y’all know i can barely write. i hope this is helpful in some way!! disclaimer of of course this is all just my opinion & there’s no wrong way to write, you’re the only person who can tell your story!!
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i think the first really important decision you have to make as Person Writing Mike is his
family & background
-are both of his parents alive?
-if yes, what’s their relationship like?
-if no, who’s his primary caretaker? what’s their relationship like?
-if no, when did they die? did he cope well with it? what’s his relationship with their memory like?
these are really really where you gotta start to write mike imo. or any character! i think one thing stephen king is to be admired for is he doesn’t neglect the parent-child relationship as so many people who write youth do. your parents are the most important people in your life for a long time. i don’t think there’s a wrong or ooc way to answer the above questions tbh. canon has really left a wide open field for you to run amuck in.
(example: i’ve mentioned in the past that my & tfat mike being a small adult is no mistake and intentional. it’s a bit of a throwaway scene, but i mention in on pointe that mike’s parents are coming. it’s intentionally done there too. mike is goofier, more outgoing, more immature in general in that fic in the small bits he’s in & that’s all a response to his familial life. )
culture + friendships
after you answer those questions, important follow up questions are:
-are the losers his first set of friends?
-how much social exposure has he had?
-has he dated? who is he attracted to?
-who influences him? (celebrities, family, culturally)
-what are his cultural interests? what does he do in his free time? how would that impact how he interacts with the rest of the world?
again, no wrong way to answer these. i’ve seen a super broad spectrum of indirect answers to these questions. even thinking about where he might pick up patterns of speech can make him feel much more like a realized character. i’ve noticed some people dip fully into aave to an extent that doesn’t even seem logical in their character’s current situation & it can really seem like a caricature, but i think to write mike without any sense of aave at all is a little ?? too. just be cognizant of it is my only real advice here. it doesn’t so much matter as long as you don’t forget who mike is which next point
humor & personality
-what do you think he would find (shows, comedians, youtube videos) really funny?
-does he have something he quotes often? something he started saying ironically but never stopped?
man i know i’m all there’s no wrong way to write mike !! in this post but i will say real quick that i think mike is funny and i don’t really respect depictions of him where he’s not. i think this is where the movies really just fucked up. book mike drops some of the funniest lines of the book. and honest to god tip is to write out a scene as you feel the urge too, look away for five minutes, look back and give half of richie’s lines away. (or... dialogue.) this sounds like a joke but it was what i did when i first started writing & tfat
i’d always be like “n the funny part goes... to richie.” and thats a fandom inclination too. nooooo. avoid this trap. it doesn’t even make sense. have u ever been in a friend group where only one person... makes jokes? that’d be genuinely so weird. especially bc if you give the joke away to someone else, you can also build on it. amazing things start happening when u start thinking of the characters in flexible patterns. like for example, i almost always give absurdist humor to stan now. wholesome to ben.
mike’s humor is largely situational to me. solid comedic timing & he’s an observant person. sometimes i read back my own writing & have to change the pov bc richies making jokes about things he would never ever notice to make fun of. mike would. mike genuinely sees all. i think he’s just got one of the most analytical brain of the losers. & i think intelligence is subjective and people are smart in different ways but i think it’s foolish to write him as anything other than incredibly intelligent both academically and emotionally. he’s just a natural observer and pattern notice-er. which brings me to my next mike thing:
love & selflessness
i think the biggest part of mike being harder to flesh into a fully realized person is the fandom tendency to make him kind and nothing else. here’s mike. he’s nice. next. bc the book kind of points out his selflessness in his decisions and it makes itself one of his strongest character traits.
especially bc nice seems to trump him having any other emotions. ...no?
i believe in general, but ESPECIALLY in the case of mike, that kindness is a choice. it’s one i genuinely believe he’d make, over & over again. but a choice he makes. he gets annoyed with his friends being annoying like anyone else would. he gets hurt when he feels left out. he feels tired & anxious & hungry and all those other human things. sometimes he might not let it show outwardly, but there’s a difference between that and not giving him feelings at all.
people are selfish. it’s a defense mechanism. it’s to protect us. it’s not a bad thing. we think of how the world impacts ourselves first. we don’t always act upon those thoughts or voice them, but don’t forget to let mike have them. he doesn’t need to be happy for his friends all the time, or rooting for them or supportive. he should have his own things going on.
also. mike’s not a doormat. yes, he stays in derry. but those were life-death consequences for generations of children. it’s really not comparable to almost any decision mike would make in a pennywise free universe. yes, he made a sacrifice in the book but i don’t think he’d just lay himself down in any given universe to whatever fate wants to hand him. but this is where i end this topic bc i’m actually only barely beginning to get to this topic in my own fic!
it’s hard writing the losers young sometimes bc i do feel relationships are naturally a little unbalanced based on basic maturity levels as young people. sometimes friendships just are unbalanced bc of who people are at that time. everyone involved can still be good people in these relationships. it’s about growing together and learning how to be good friends to each other.
for example, in &tfat: certain losers are always checking in with others. others are really wrapped up in their own shit and don’t really notice what bothers the others. it would probably take a chart the size of a textbook to explain how i think this dynamic wholly pans out in full. and yeah, i think it grates on mike a little bit that he is always the checker and never the checkee.
but even when mike snaps, even when he gets upset, i always write it coming out of him with a lot of love. i genuinely think mike, regardless of experience in that fic, has the deepest understanding of love as its own concept and an understand of how exactly it rules his life and and his relationships. mike knows to feel strongly about something he has to care about it. there are lots of things he just doesn’t care about. in the book it’s stated he’s difficult to connect with as an adult. he’s distant. he’s focused on what he wants to focus on. i think mike is actually the most interesting when he becomes a little bit of a disaster man with very little time for what doesn’t interest him.
which last thing, dislikes & disinterests
-what annoys him?
-what makes him genuinely angry?
-what bores him to tears?
i always make jokes that i bring up the nastier parts of the losers bc i love nasty boys but thinking of things people don’t like is as much a part of them as the things they do.
for example, in &tfat, i write richie as making fun of “nerdy” things like anything you could find at comic con. i write bev as not giving a fuck about sports. bill doesn’t care about richie’s music tastes. eddie hates getting condescended to.
bc of the ... kind thing, mike’s one of the harder losers to do this with. i genuinely think mike would listen to any of his friends tell him about anything. & he knows, in return, they can’t say shit when he wants to ramble about history. but dislikes can also be super situational.
again, for example in & tfat: mike doesn’t like when his friends talk about college right now. no one is really being sensitive to him at all. he hates getting blamed for stuff that isn’t his fault, mostly bc it keeps happening.
anyway. i based a lot of my mike (mostly sense of humor and personality) off of a mix of real life friends of mine. it’s a luxury. i know. i’ve been blessed to have friends from literally all walks of life & for me borrowing little habits & quirks & sayings & jokes to slip into my fics and characters is my way of writing one massive love letter to those ive known. i hope i’ve helped you in some way anon. n if not.... don’t be sad i’m hardly one to take writing advice from anyway jandjxjx
overall, as i used to do often, i’d genuinely stop myself and say: is this a person, or a convenience for the plot? and if it was the latter, sigh, and get my backspace key ready.
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smores100 · 4 years
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once again we’re in full agreement lol. What’s your take on s3 remakes you’ve watched? Wondering how you feel about Skam FR as it’s kind of a similar situation to me where the chemistry & beauty is there but the writing and style is iffy (overwrought &overdramatic). My favorite s3 is druck. As a wlw I had high hopes for españa but it was p slow/v desexualized—a whole discussion, but my other gay friend & I were disappointed given how remakes with guys don’t hold back in that respect.. Thoughts?
Honestly re: wtfock tho I really do wonder if they had like one good writer in the room surrounded by fools. Bc it really does feel like some group projects I’ve been in where I feel like I’m the only one who’s not a fucking fool and carry the whole thing while having to fend off bad ideas (but when the majority rules, those bad ideas/execution get put in). I wonder if that’s what happened w wtfock.
re: wtfock, lol group projects are the worst….idk what wtfock’s writing process was like, but i’d love to know it. according to their wiki there were 3 writers this season? all seem to be male, naturally. did the two other writers have good ideas but there was a main writer who overruled them and did his own thing? or maybe they’re the rl one brain cell squad, that would explain a lot :p in any case, i’m unimpressed (friday’s clips did not help with that).
as for the other part of your ask….oh damn i have so many Thoughts on that, lol. this is probably gonna get long and messy, but you asked for it!
* druck - my absolute favorite. it’s the only one i’ve watched since s1, so that definitely played a part in my emotional investment and attachment. still, there was more to it than that. it was the closest to og imo in vibe and style (it felt small, real, lowkey, quiet, natural like og, as opposed to - as you said - overwrought and overdramatic + overproduced like the others); they cast an actual trans guy to play a trans character, if you wanna talk about a skam remake doing something REVOLUTIONARY? druck is the one; i loved matteo’s and david’s characterizations, how they both had a bit of isak and even in them, and the role reversal in some scenes, made things feel fresh *and* fit their characters/story; i LOVE that teens matteo and david were played by actual teens michi and lukas!! they’ve completely ruined me for all other remakes, bc thissssss is how it’s supposed to be! thisssss is how it should look like! THEY ARE KIDDOS. and they (druck and michi/lukas) truly captured what it’s like to be young and fall in love for the first time, the awkwardness and the nervousness and stuttering and fumbling around, the softness and pureness and innocence of it all!!! also they have THE BEST dynamic - other people might prefer all the hot kissing and steamy making out and the smouldering looks, but me? i just couldn’t get enough of their dumb chaotic energy, best friends who love each other deeply and are also constantly little shits to one another. gimme them pranking each other and playfighting every day! and then being soft and THE HANDS and matteo being a clingy koala basking in david’s affection :3 i also loved how for the most part they didn’t just copy/paste og’s storyline, they made some changes and knew how to make *other* changes accordingly for it to make sense and fit the story *they* were telling - for example, replacing the ‘call your gf’ scene with matteo’s panic attack/breakdown (one of my fave scenes), or their reunion at the end of ep 7 (replacing the desperate kissing + sex with a comforting and relieved yet also bittersweet and melancholic hug), or even matteo getting advice from his drug dealer instead of the school’s doctor, lol. also THE BEST BOY SQUAD, hands down. and matteo is my favorite isak bc to me he felt like his own character instead of just another isak, he was different and reletable and a constant Mood. that being said - it wasn’t perfect and it had its issues. there were a few times when i did feel they stuck too close to og scenes and it didn’t *entirely* work for me, just felt a bit off; i will forever be disappointed that they didn’t directly address and acknowledge matteo’s mental state/depression, bc there were enough signs imo to indicate that he did suffer from something. they mentioned ‘therapy’ in mia’s, alex’s and kiki’s cases, i truly thought they would with matteo as well, but alas, they dropped the ball on that one; i was extremely upset with david’s outing, but i’ve since calmed down and have managed to see it in a more positive light, tho i still have mixed feelings about it and am not fully on board with that decision, still wish it had been done differently (but at least! it wasn’t brushed off and was addressed immediately and eventually led to david having agency and yelling out his pain!!! which was good and important and cathartic); also eps 8 and 9 were pretty messy writing-wise, things either didn’t make sense or would’ve made more sense had the clips were organized differently (that random ping pong clip….?). overall tho, the good outweighed the bad, and it remains my fave
* skam france - now that’s a tricky one. the way i felt about it in the first half of the season, is different from the way i felt about it in the second half of the season, is different from the way i feel about ever since watching druck’s s3. it’s funny you should say how similar it is to wtfock for you, bc i’ve been thinking the same thing for quite some time. those neighboring countries sure have a shared flair for the dramatic! fr’s s3 was pretty much the first s3 i watched (i gif-watched half of skamit, couldn’t get into it). i wasn’t planning to (i was extremely unimpressed by the couple of s1 eps i tried watching, and same by axel’s acting in those first two seasons), but even is the loml and they got me gooood with their eliott pov trailer, which might have affected my excitement over it during the first half. back then i really enjoyed it for the most part, despite some clips being rushed or missing the point thus not fully having the required effect (their locker room scene, for example, or the ‘generalizations are bad’ convo), or how much i hated basile (a character so obviously written by a man it’s amazing), or the cheesy piano music. there were enough good things for me to focus on instead (more in a bit) that i could ignore the things i didn’t like or weren’t as good imo. however, all the positivity got sucked out of me when yann noped tf out after lucas came out to him bc WAY TO MISS THE POINT OF SKAM!!! and things went downhill after the director’s IT’S NOT DISNEYLAND IT’S FRANCE 2019 comment. i’m getting all upset just thinking about it, but to say *that*, to explain that horrendous decision bc lowkey homophobic reactions are realistic!!! only to THEN be all ‘haha jk yann isn’t homophobic! we just wanted you to *think* he was! he’s actually an awesome friend who took several days to reflect on all his past wrongdoings while his bff was at home having a nervous breakdown bc he believed his bff hated him!’ ughhhhhhhhh, miss me with that shit. great that they had yann apologizing for his past comments, but the way in which it was done was for pure shock value and angst, completely ooc for his character (all season he was all ‘tell me tell me tell me let me help let me help let me help’ only to do *that*?? nahh), and interesting how out of everyone the only black character was the only one with a negative reaction (remind you of anyone), highlighted even more during ep 7 aka the ott lucas coming out tour. then ep 8, that should have been 100% all lucas and eliott and building up to eliott’s manic episode suddenly had that weird random pov changing clip in the middle of it which truly wtf, basile was still basile, lucas thanked chloe for outing him, more scenes felt rushed, they had sex in school where people could come and go in front of huge windows in broad daylight and luckily didn’t get poisoned from licking all that paint! and i did not like the flatshare, i absolutely hated mika and lisa kicking lucas out of his room - which he pays rent for! - and manon not even trying to put up a fight, and them being like ‘roommate isn’t just a place, it’s a way of living. that’s a family, and you’re more like a cousin.’ ‘a second cousin.’ ughhhhhh and then when eliott was recovering from his depressive episode, they *still* didn’t give lucas his room back or at least let eliott stay there, he was sleeping on the couch, i’m aldjlajdafj. can’t believe i’m gonna say it, but TAKE NOTES FROM WTFOCK. tl;dr there were some good moments in the second half, but i was feeling bitter more often than not about certain things, so my enjoyment wasn’t as high as when it first started. and after watching druck, druck’s brand is definitely much more my style. plus, i was already struggling with making myself believe axel and maxence were in their teens, but after druck it’s completely impossible, so i just pretend they’re in college or something lol. all my issues with it aside, i’d still rate it higher than wtfock, bc overall the writing was better, more coherent, and made much more sense. i also liked lucas’ friendship with the girls; i loved that instead of copying the underwater kiss + 21:21 like some others have, they came up with their own thing i.e. polaris, which i thought was lovely; the lucas/manon crying in the middle of the night together in front of the tv was one of my fave scenes of the season; also love how we were introduced to eliott on the first week! and they spent time together! and specifically the piano playing scene, ohhhh; and in general elu are sweet and i reeeeally like axel and maxence and their friendship. so yeah, it had some major issues, but i’d rather have a coherent story with something done for shock value and drama ONCE than an incoherent story with several shock value moments.
* skam espana - sorry to hear you girls were disappointed! i only watched half of it, so i can only comment on what i saw. i decided to binge watch s1 and give s2 a shot when i heard they were giving cris isak’s story - it felt a bit weird to me, but it was also something different and new, and i did have an appreciation for their decision to have a wlw season (also much more revolutionary to me than showing a gay bashing), so i was intrigued and willing to try it. sadly i didn’t really vibe with s1? it’s totally a personal preference i think, maybe even a cultural thing idk, but it felt very fast and loud and hectic to me, idrk how to explain it. i was just more into the chill more lowkey vibe of druck and skamnl. but i still gave s2 a shot, and idk, it still wasn’t my cup of tea. i thought it was ok for the most part, but there were some things that bothered me - joana/cris felt underdeveloped to me? and things b/w them felt like they were moving so fast from the second they met, like jona was so intense and forward ALL THE TIME, they had like 6 almost kisses in a really short time, like shhh slow down. i remember disliking their ‘call your gf’ scene, it felt really petty and kinda mean to me? bc i felt like joana came on to cris *really* strongly and *very* frequently, so cris was more than entitled to feel hurt and betrayed when she found out joana had a bf, but then cris was kissing a dude and joana positioned herself and her bf in front of cris so she’d see them kissing too, and i just didn’t like bc seriously?? cris is valid, just apologize to her and explain?? idr much else tbh, they had some really cute and sweet scenes afterwards, i’m still against doing the underwater kiss + 21:21 so i was kinda meh about that (tho aesthetically speaking it was BEAUTIFUL, and i’m like, fiiiiine girls deserve an underwater kiss too, i’ll allow it just this once!), and that cuddling clip in ep 6 i think was sweet and the last one i watched. like i said, i was less vibing with this remake, and iirc it was going on during druck’s s3 and skamnl’s s2 - which were my faves, plus skamfr was on too i think and i was lowkey following it too, so….there was just too much all at once and something had to go, and it was skamesp. it was also around the time when panaphobia-gate happened, so *shrugs* i’m not wlw myself so your opinion on it being desexualized is probably more valid than mine? i just know when i did watch, there was a lot of kissing and making out and being cute and touchy with each other, so i thought it was ok? as i’ve mentioned before, i don’t need to see a naked butt or anything like that to *get* it lol, i thought they were lovely! but that’s just me. i will say that my faaaave part was most definitely the cris/amira friendship. they were so wonderful! one of the best skam friendships imo. i might one day go back and finish the season just for the heck of it, but they didn’t do anything major or highly offensive that made me have negative feelings towards it, it was just a personal preference + circumstances (too many remakes!) that made me be less into it and drop it before the end.
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Hey! Could I get to know some of your headcanons about dickfigures/your designs for them? :D
ya ya sure!!!!
i already have my designs for them up if you havent seen, here they are!
as for headcanons idk how long this post will be so ill just add a read more for anyone who might not wanna scroll thru it all lol
red!!!!!
his real name is rowan bc i thought it was cute, also it means “little red one” which is eVEN BETTER
he’s nonbinary masc and bisexual! the self projection is REAL
he has adhd
most of my headcanons kinda flow into my own version of dick figures because i’m not very Satisfied with canon NJSJDNSKM so like. for example red doesn’t just kill people or whatever. he gets into fights and has scars and wears bandaids a lot bc of them
he graduated college with blue, he got a bachelor’s degree in fine arts (honestly idk how college works bc im a grade 10 baby so if thats like totally wrong just let me know also im. canadian so idk how american school system works LOL)
red got suspended a lot in high school but never expelled. mostly bc he got in fights that were mainly him protecting stacey from shitty people (he sees her as his sister so he was rlly protective) and the school wasnt really sure what else to do so they just. you know. suspended him a bunch of times hoping itd do something but it didnt
he hates his dad! reason being is bc when he was born, his dad was actually an alien able to disguise himself as human, so he wanted to take red back to his home planet cuz red turned out to be more powerful than anything his dad had ever seen. but red’s mom was like Nope, so she snuck out with him and his plush cat (kitty amazing) and they were never found. red is very close with his mom and is scared of his dad coming back someday
we know he canonically likes rlly loud music so im just gonna project here and say he’s a metalhead. at least, some form of it. he likes the alt scene music and industrial rock. examples being deftones, nine inch nails, skinny puppy, rage against the machine, kittie and others. it keeps him focused and calm
bLUE!!!
we know blue was bullied as a kid but i dont wanna say red also bullied him bc i feel like thats just wrong to me? MAYBE ITS NOT ACTUALLY but it just makes me sad so like. lets say red, being as protective as he is, stood up for blue a lot cuz he was like “oh this kid cant fight” so he knew what to do
blue dated pink for awhile but they mutually agreed to break up after blue realized this wasnt what he wanted (he came to the conclusion that he was gay, well, he knew for awhile but it was Internalized Homophobia)
he grew up in a very conservative family so to see the world completely differently by meeting red, ems (lt), pink and stacey was a very good thing for him. unfortunately even tho his family did love him, it was conditional so they stopped talking to him after he came out. thankfully he’d already graduated high school by that point
despite being emotional blue isn’t very good at understanding how he’s an emotional person. he’s able to distinct one feeling from another and analyze them, but it’s just... hard for him to kind of. process WHY he feels a certain way? which is what’s led to a lot of his struggles in getting closer with ppl
he loooves reading and writing we already know this but i mean come on. he also got a bachelor’s degree in english/ela. so he’s able to become a teacher ig but he doesn’t really want to? at least not for awhile yet
blue was ems’ first friend. at first he couldn’t understand why they had tics but decided he shouldn’t get into someone else’s business. he didn’t find it weird, just cool!
he and red would always pair up for projects if they had classes together!!!!!! blue would do the writing/research and red would do the illustrations. they always turned out really good even if it ended with red cramming it at the last minute
surprisingly hates broseph more than red. well i mean its not surprising, because broseph was always a huge DICK to him
blue’s real name is wyatt!!!!! i forget the meaning but i felt the sound of it and the meaning fit him well
piiiiink!!!!!!!!!!
she’s still in college, getting her doctorate to be an astrophysicist!
pink is very very smart and will help anyone who’s struggling with something in school. she was basically the genius who always got in the honor roll every year. but, she actually was really anxious especially with exams
pink encourages stacey to go back to school, and sometimes stacey does, but she always ends up leaving again. it’s a little stressful but pink has hope for her
she’s never drank one sip of alcohol in her entire life. she smoked weed once, but it felt weird so she didn’t do it again
ever since she and blue broke up she’s been very supportive of him bc she herself is bisexual!!! so she sees nothing weird about it. in fact, about almost a year later she started dating stacey
pink’s real name is lily. when she became friends with blue she met red through him and she was like “can i join your nickname thing” and they said “sure” so they called her pink. stacey sometimes calls her pinky or just pink but mostly lily
pink helped red with academics. even tho he was sometimes insufferable to work with (/j thats a Joke i promise she’s a very patient person) she didn’t give up on him!!!! in return he helped her out with some fitness stuff cuz pink was always insecure about gym, and later when she graduated she actually got into exercising bc of red!
she loves travelling and going for walks. she owns a lot of houseplants and she’s given them all names and takes very good care of them! she also owns an albino ball python named Velvet
STACEYYY!!!!!!!
stacey is nOT actually all about sex this time ok. i don’t like that. i mean she did have some personality in canon but it wasn’t much? anyways she just really likes to express herself thru tight/”risque” clothing like fishnets and leather and pleated skirts and thigh-highs and platform boots, all of that. basically she’s a goth girl but doesn’t really “act” like one
she’s really intelligent when it comes to animals and insects and will tell you anything you need to know. when she goes back to college she gets a degree in environmental science
stacey can play the electric and bass guitars!!!! she was in a band back in high school but it never really went anywhere beyond performances at parties in someone’s garage. not that she didn’t like it, looking back on it makes her feel happy, but she wished it continued. probably why she has a hard time going back to college bc she’s not sure what she really wants
stacey is a trans woman btw!!!!! unfortunately it was a little difficult in high school to be who she was bc some kids were jerks, but there were a lot of others who supported her which is good
she views red as her brother as well and they still hang out a lot
i haven’t really had time to focus on stacey and make headcanons and stuff for her so i don’t have a lot but... let’s say, secretly, she’s a scifi nerd. and for the sake of debate, let’s say she’s a marvel fan. if you count being a fan of deadpool as being a fan of marvel
LOVES GIRLS.... loves pink!!!
has very similar music taste to red’s!!!!!
emssss!!!!!!! (lt)
instead of being a stereotype of ppl with tourette’s syndrome, it’s just a normal thing that isn’t focused on a whole lot. it doesn’t make ems swear but if they get really really frustrated they’ll curse while doing one of their tics
ems is agender, i’d say they’re also ageless but i don’t really want to make them too “nonhuman” because i feel like that’s dehumanizing to people with tourette’s. so let’s just say most laws of existence don’t apply to them
they’re very friendly!
they’re an aspiring musician, just like in canon
ems is also big into horror movies believe it or not. they’re pretty critical of them though like most horror movie fans, and only like specific ones (i’m not a horror movie fan myself so i can’t say what Specific Ones they like ajsdhbjn just imagine they have good taste okay)
they r very artsy too and like doing crafts cause it gives them something to focus on. it’s just a hobby though it’s not something they’re Professional at
they love nature and flowers and trees and all kinds of plants and animals!!! they like to document what they see when they travel thru nature and stuff so they bring a camera with them (and their phone, but, you know whatever)
ems was never really affected by things people said to them regarding their syndrome. to them it was something they were born with, so they couldn’t bother to feel bad about themselves. in certain situations theyre able to control it but 90% of the time they don’t care about what ppl think
aaaand there u go!!! as for minor characters like raccoon, jason/trollz0r, broseph, dingleberry, they all exist (raccoon isnt a racist stereotype tho), i just dont focus on them a whole lot. most of my hcs for stacey and ems here were thought up on the spot since i havent had time to lay out all my ideas for them but i hope what i have here is good !!!!
also, red and blue ARE dating, and pink and stacey ARE ALSO dating. gay rights
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the-mf-bread-babies · 4 years
Text
28/7/2020
— TRUE VOLUME ONE —
VOL 4, ACTUALLY, BUT WHATEVER.
R. W. NORTH
i dedicate this volume to no one except for me bc i was the only one who wrote this. self love ok
_________________________________
CHAPTER ONE
“Halle Berry Did Two Movies Like This”
Damon was kidnapped. This is bad. Oh, there should probably be some explanation behind this. Sorry.
_________________________________
CHAPTER 0.5
“Short × Backstory × Summaries”
After four years of the most iconic event the universe had ever experienced, The Sixth Augmentation, also known among the locals as The Fusion, Doomsday, and several other names, one particular group of people had formed a good family amongst themselves. This family had three human members and several other non-human members, including, but not limited to, cats, banshees, ghosts in general, reptiles, and beings our planet couldn't invent through biology and even through thought.
This family's main members were Dennis and Aaron, and Damon and Sawblade. Their whole lives were completely changed after having to stick together in a ghost town and raise chickens and cows and plant crops for food. That sounded like a description for a rom-com or something. This is not a rom-com. Well… yet.
The family had settled down in the 74th district of the third Earth that joined the Amalgamation. The district had possessed a variety of… everything, really. The Eiffel Tower was a few blocks away, there was an upsidedown barn there, half of a condominium building, a quarter of a Tesco, and god knows what else. This diverse array of resources had been responsible for new buildings in the area that combined specialties from around the world, and while they were mostly fusion restaurants, there still existed things like Tesco cosplaying events and such. Apocalypses bring odd things to the world, and some are worth trying… for example, otherworldly foods.
This subject was a difficult topic to tackle among the residents there. Mainly, the dangers and morality of doing such a thing– you'd have to consider the effects it would bring to your health, if you're harming their ecosystem, if you're harming the people who lived with the beings before it was introduced to you– it really had to be quite challenging to negotiate a good compromise.
Well, except for Aaron. Meet Aaron… again, this time, since he's changed a lot after what happened. Aaron Russell is a simple man; most of the things he does in life are things a normal person does– eat, sleep, have companions– everyone does that, but not the way he does.
Even before he entered the amalgamation, he was always trying new things, mainly foods, but also things like video games and hobbies. Yes, the sight of the contents of his fridge could bring a stroke to someone from a hundred years ago, because goddamn, is he dangerously experimental.
The reason Aaron doesn't enter discourse on things as insignificant as what one eats is because while he does acknowledge the fact that the opinions of the natives on who should consume their resources should be very much respected, he also knows that it's human nature to hunt, to explore, and to be curious, as long as it isn't endangering oneself. He would eat risky foods, but anything that sets off his fight-or-flight instincts if he saw it live is definitely a no-no. Even though he's an adventurer at heart, he follows the rules and does what's right. But goddamn it, if he gets disappointed at a failed experiment, he's never touching anything resembling that. So, in his opinion, the safest route to an entertaining journey is…
Video games.
His library of games range from first-person shooters to slime rancher, from dating simulators to… well, a majority of video games nowadays have dating in them. But yeah, Assassin's Creed, Metal Gear, Borderlands, Spider-Man, Life is Strange, Smash Bros, and Luigi's Mansion are just some of the many franchises he's into. And then the companions, God, I mean, the man lives in a haunted house with his co-worker, some random kid and, like, thirty cats. He's friends with mythical beings, now. If anything, the amalgamation changed his life for the way better.
Dennis, on the other hand… is sort of the opposite. While escaping from certain clearly bad conditions is something he absolutely loves, he doesn't really know where to go after that, since he didn't really think it was possible. His family was bad, he joined Aaron's. Then? What was he supposed to do, cut them off after decades of living with them? Thankfully, the augmentation came along. Dennis is a man who daydreams about living a life he couldn't possibly achieve, but when he does, he didn't plan ahead. To get to this amount of joy in his life was unfathomable for him; back before he moved out of his hometown, he was essentially living a lie.
His life was planned out for him– move out at 20, get a stable job at 22, marry his old high school girlfriend his parents keep bothering him about at 25, and forever dread his life starting at age 27. Then, kids at 30. Even though this life seemed to be nice, and even to him had its benefits, he still hated it. Sure, he would be open for a very short-term relationship with Chloe from French 2, but jeez, is she super republican.
Dennis's views on life differed significantly from his family's, and even though he disliked seeing anything that reminded him of them, he still moved around in the Midwest, and stopped when…
he saw a certain someone at Krispy Kreme.
Now, everything is history. He and Aaron renovated the old family workshop into a pet store, and thankfully, business was way better. Not only did Gabriel start up a traveling psychic service and Lan, a plant store, but even Dennis sold a lot of art. All thanks to the Krispy Kreme store at the end of the street that was…
… crushed by a condominium building. See, this is where it all gets messed up. The Russell family surely had enough members for now, Gabriel and Lan didn't want any grandchildren in the near future, and so did Aaron and Dennis, but, well, something, or rather someone, came along.
Here's Damon Eddmil Ameakfen, or “Nomad Middle Fakename,” after unscrambling the anagram. He, like Dennis, also couldn't really care less if he, or his family, suddenly disappeared out of nowhere. Outside of having a number of inconveniences, the thought of it doesn't bring any emotional distress to him.
Instead, Damon finds joy in finding out practically everyone he's ever known could've died as soon as he arrived on Eris-6, knowing those unlucky dumbasses don't deserve… well, not exactly ‘they don't deserve to live,’ but really, it's what they all believed, except directed towards Damon and others like him.
If Damon stayed on Earth-3 forever, and in that same, depressing place, he'd be dead by now, really. He's not exaggerating or whatever, he'd probably either kill himself or get killed. Whatcha gonna do.
But, obviously, he's still living, and it's all thanks to Aaron and Dennis for their acknowledgement and appliance of common sense when it comes to living. That sounds like he came from a family of very dangerous carpenters, but really, if anyone important in his old life had even a speck of common sense in analysing people and knowing what's right and wrong about someone, he probably wouldn't have been so suicidal.
So thanks, Aaron and Dennis.
CHAPTER 0.75
“What's Going On Now, Though?”
Moving on to the present, the Russell family now are the only living inhabitants of [town name.] The others were tragically moved into NULL by their forceful officers. Now, they live in stealth, their identities changed. After years of searching, NULL had classified them as deceased and had closed down inspections within the town. However, they still had to be very cautious about their actions– they never went outside the city, and they always preferred to travel in tunnels and alleys, always moving around in the shadows.
For months, they believed NULL was no longer their biggest concern in living there, but unfortunately they were proven wrong.
Apparently, surprise inspections are a thing.
This story's true beginning takes place in March of 2025. Even though it was supposed to be spring, winter still ruled the other seasons because of the location of the district. After years of only experiencing the same season, the family got used to it– except for Damon…
Damon hailed from Malaysia, which, by the way, doesn't have the luxury of experiencing four seasons. Although he did visit Cameron Highlands once as a kid, living somewhere where the temperature was constantly below zero had proved to be a very difficult struggle to him. The unforgiving climate constantly cursed him with fevers and frostbite. Despite that, he absolutely loves the gloomy, cold weather, and wishes he could spend his entire life there, cozily wrapped up in three blankets.
This problem had a butterfly effect on him being kidnapped, though. Snow was one of Damon's favourite things about the climate, and that meant he went outside a lot. He usually made it home safely, except for one unlucky day.
CHAPTER 0.875
“The Abduction”
It was a normal day for the Russell family. They followed their daily routines, but unfortunately, NULL intervened.
“Hoodie, other hoodie, three scarves, watch, bracelets, mittens, metal bat, pepper spray, water, keys, backpack, hockey mask…” Damon muttered to himself, “I think that's all.” He walked over to the dining hall, meeting Dennis and Aaron. “Hey, I'm heading out,” “want anything?” He asked, his face almost covered to protect him from the cold. “Uh, not really. We're outta cereal, though,” Dennis replied, petting Sawblade, who was laying on the dining table. “Moisturizer, if there's any.” Aaron requested, eyes unmoving from his year-old newspaper, annoying Damon slightly. “What brand… what kind… which outlet… how much… just moisturiser, or a whole set?” Aaron pondered for a while, “Two,” “from Wal-Mart.” he teasingly replied. Damon rolled his eyes and stomped out the door. “Heh…” Aaron smirked.
Damon walked outside and immediately jumped facedown into the snow, making a snow angel. “hheheheheheeeheheh” “snoww” he giggled, rolling around. “Okay, enough of that. You're 19, dude,” the man muttered to himself disappointedly, dusting off the snow from his clothes and readjusting them. “Moisturiser… cereal… um…” he thought. “Yeah, that's all.”
Damon continued walking before realising something he forgot. “Camo! Shit!” He yelled, completely disguising as a snowman, carrot and all. He bounced along the street, as it was the least sketchiest way to go to the shops there. As soon as he reached the grocery store, he dropped his empty backpack onto the ground and faced the other way, ignoring the store.
Damon noticed the usual sound of rustling leaves, followed by the backpack being swiftly dragged across the pavement. Chittering, and after that, the bag was thrown back at him. It was packed with the groceries he wanted, and a bottle of shampoo. “Hey, my hair's not that bad.” Damon commented sadly, facing the store again. A small, teasing chitter shot back, making him narrow his eyes. “Sure, yeah, whatever, man,”
Damon hopped back home, questioning what the being, or beings, running the grocery store were, but eventually accepting that he'll never know that. Suddenly, loud squeaks grabbed his attention. It sounded like it came from the store, but why? Did he get the wrong order? Did he steal something on accident? What's going on? Damon anxiously thought of all the horrifying possibilities until he saw what he never thought would terrorise that city again.
NULL agents.
Despite his efforts to escape and hide as fast as possible, an agent caught him and chased him. Damon, seeing this, scuttled underneath a passageway they never used. It lead to a tunnel that they tried to develop for the past year, but ultimately failed to do so. Luckily, it was the perfect opportunity to block himself in with the remaining dirt pile next to it, thanks to Dennis's unwillingness to throw it out.
Except it wasn't.
Frogs hopped everywhere in panic, scaring Damon enough for him to stumble over. Ah, he remembered this. Aaron turned the dirt pile into a froggy apartment. Whoops.
Swatting the amphibians away, Damon was trying his best to cover the hole leading to the tunnel, but…
A NULL agent grabbed his arm and used a stun gun on it, leaving him helpless and screaming in pain. Suddenly, an idea sprang to mind.
Damon sprayed the living hell out of the agent with pepper spray, but sadly, their helmets had proved that idea to be useless.
Then, he was left with no choice but to whack his arm to death with a metal bat. So long, watch he had from 2014. You could've taken the UPSR exam next year…
Well, except he couldn't chop it off, there were frogs on the bat, and he just put on hand cream this morning. That means they could die at his touch, and that would be more tragic than his death. Damon was now running out of ideas, begging for some ghost to hear him and come kill the bastard, but no one came.
Oh, nevermind.
D: “I'LL F**KING KILL YOUR ASS, MOTHERF**KER!!”
A: “AAAAAAAAAAAAAAAAAAAAAAAAAA”
Dennis and Aaron came rushing in, with Aaron unsheathing a katana and Dennis loading a rock salt rifle. How they got those weapons, Damon really doesn't know, but thank God they're here.
“DAMON, ARE YOU OKAY?!” Dennis yelled loudly, his voice cracking and tears streaming down his face. “DO I LOOK–” “ARM!!!” Damon shouted back, “OTHER THAN THAT, VERY, BUT I HAVE FROGS!!!” Aaron signalled to Dennis to split up, with both of them on either side of Damon. “TRY NOT TO DIE!!” Aaron wisely advised, grabbing Damon's arm and getting into a fighting stance. “HOLY SHI–”
[squelching sounds]
[gunshot]
[heavy breathing]
[gunshot]
[gunshot]
[loud yelling]
[gunshot]
[splattering sounds]
[gunshot yet again]
“Okay, don't freak out, I sterilise this baby every day,” Aaron softly assured amidst Damon's screams of pain. Dennis aimed the rifle through the dirt, shooting it again. “HOW MANY FUCKING BULLETS DO YOU HAVE??!!” Damon shouted angrily, continuing his screaming shortly afterwards. “Okay, we're just gonna carry you,” Aaron said reassuringly, although Damon felt like he was in walking distance from the grim reaper.
“Herhehsjjdnfbdjs” Damon cried. “YudhrhuYduYdudh” Aaron looked at him sadly. “Okay, there ya go.” Damon thought he was engulfed in the flames of hell by then, but thankfully, it was just the operating table from the old pet shop.
“Hey, this is okay. You can be like Junkrat now.” Aaron said softly, somehow successfully calming Damon down. “Yeah… Junkrat…” “Or like… Iron Man… or something…” Damon responded slowly. Dennis watched them worryingly before realizing something. “Shit!” he muttered before running back to retrieve the arm. Sadly, it was gone and probably under NULL's hands now, so there was no getting it back.
Aaron looked at Dennis while he was treating the wound, hoping for him to retrieve the limb. Alas, the man shook his head, sweating in fear. “Oh, that's okay, I can, like, staple a stick here or something…” Damon assured. “If anything, having a gnarly scar and a fake arm is way cooler than just the scar, guys.” he said calmly as his arm stopped bleeding.
“Is that bad?” Damon asked confusedly at Aaron. “What? No! That's a really good sign!” he said happily. “That makes it sound even worse…” Damon confessed sadly, sending Aaron into mega-reassuring mode. “NO!!! NO!!! IT'S GOOD, DAMON!!! YOU'RE ALIVE NOW!!! ALIVE!!! PLEASE DON'T DIE!!!” Damon just stared at him in further confusion.
“If it helps, you'll see Brendon Urie in hell later.” Dennis said softly. “I'd rather die infinite deaths.” Damon shot back, disgusted in the offer. “What's wrong with Brendon…” the redhead asked. “He's racist, Dennis,” Aaron replied, examining Damon for any other wounds. “Jesus, that's a lot of bacne.” “Brendon Urie's racist? I thought he was g*y.” “G///ay people can be racist.” Damon replied. “I thought you liked the guy?” Dennis asked in confusion, looking at Damon. “Dennis, that's Gerard Way,” “What the hell!”
“Sorry,” Aaron apologized. “just some bandages so it doesn't get infected or anything.” He explained, gently wrapping Damon's… well, what used to be his arm, in bandages. “I'm Rick Sanchez… no wait… Deckard…” Damon mumbled happily, forgetting Rick Grimes' surname. “Yeah,” (Rick Grimes has his arm cut off in the comics, they didn't do this in the show due to budgeting concerns)
A short while later, the three joined Dennis in boarding up the windows and doors to keep NULL out. However, due to Damon's injury, he instead helped carry around tools and other equipment with his healthy right arm.
The house was now the most secure it had ever been, with no direct contact to the outside world. Gabriel had organized shifts for the house ghosts to surround the house and guard it. Dennis and Lan moved the farms into spare rooms, and Aaron distributed weaponry to the whole family. Note to self: Gabriel and Lan are still alive and you should put them in at the beginning.
0 notes
adambstingus · 6 years
Text
5 Directors That Should’ve Stopped After One Movie
Some filmmakers are like marathon winners; they stay consistently strong and fast for an inconceivable amount of time, and when they finish, you are left inspired by their existence. And some directors have careers like my performance in my second grade’s three-legged race. I fell at the start, busted my nose open, and writhed on the ground for a while as my partner walked away from me. The following five directors did similar things in their own metaphorical three-legged races. What began as a burst of glorious potential devolved into something hideous and often embarrassing.
5
Zack Snyder With Dawn Of The Dead
Zack Snyder has always been the Mountain Dew Code Red to Christopher Nolan’s iced coffee. They both direct grand adventure movies, but while Nolan’s philosophy is that of the kid in the back of the freshman year writing class with the scarf, Snyder’s is frat bro existentialism. Snyder is pretty great at examining the darkness that lurks in the hearts of men, but only when those men are grunting at each other, “HOLD ME BACK BEFORE I LAY THIS MOTHERFUCKER OUT, DUDE”-style. In any other case, it’s a toss-up. For example, in Watchmen, he totally got the plight of radioactive superman Dr. Manhattan. But the only female on the team, Silk Spectre, was shot like she was in an impromptu Axe Body Spray commercial.
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The only movie that Snyder has done that’s consistent throughout is his first, the 2004 Dawn Of The Dead remake. If you haven’t seen it, it’s about a bunch of people being eaten by zombies at the mall. It’s also fantastic in a way that few remakes actually are, mainly because it does not seek to replicate or expand upon the original. A lot of times in horror remakes, directors try to cram in “answers” to questions that they think viewers have, which totally robs the movies of their potency. We’re scared of the things we don’t know. When we say “Oh, man. He uses a chainsaw? What the hell?” we don’t want the director to respond with, “Well, he got his chainsaw from the old slaughterhouse he used to work at.” There’s nothing terrifying about learning where Freddy Krueger shops for his sweaters.
Instead of that route, Snyder actually chops off any of the rough edges of the source material. The original ends with a bunch of bikers attacking the mall that the heroes are in, which leads to a lot of cool gore effects, but bites the face off of the movie’s sense of pacing. It robs us of the intimate climax that Dawn Of The Dead could’ve built to. Snyder’s version doesn’t have that problem, as it’s a horror/action film from the very beginning. Sure, it’s not as satirical as the original, but it doesn’t need to be. Snyder is not interested in creating a horror film that’s also an allegory. The zombies don’t have to represent anything. They can get by when they’re just being spooky zombies. Constantly reminding me that “The real villain … is man” is the best way to get me to hate both zombies and English teachers.
Sadly, Zack Snyder’s next project would be 300, which had cool action scenes but was the movie equivalent of a guy whispering motivational quotes to himself in the mirror at the gym. And since then, all of his films have either been bloated epics or that thing about warrior owls. It’s a shame. Because when Snyder makes films that aren’t really about anything other than what’s on screen, he shines.
4
Terrence Malick With Badlands
Terrence Malick is the #1 “Well, I appreciate his work” director in the world. “Well, I appreciate his work” directors are a rare breed, as they’re usually either obsessively loved or “appreciated.” And by “appreciated,” I mean “I know a lot of time probably went into putting all of those pretty colors on screen, so I can’t hate this one too much.” I truly appreciate Terrence Malick, even though his films feel like staring matches with an old computer’s screen saver.
His first film, though, is a refreshing take on a genre that needs all of the fresh takes that it can get. Badlands is a serial killer movie, and the biggest problem with the serial killer subgenre is that very rarely do such films actually make us disgusted with a serial killer. Instead, we marvel as the killer says awesome quips and performs super sweet serial killer melee moves. Silence Of The Lambs is a great movie, but it’s hard to feel bad about a guy who eats other guys when he’s Jason Bourne-ing his way out of police custody. Yeah, the hero should be the person who hasn’t wantonly killed multiple innocent people, but I saw the killer do a double backflip off the diving board once, so my vote is set.
Badlands makes serial killing look really awful. Like, “Dude in front of you doesn’t know how to work the self-checkout lane” awful. It’s the story of a 15-year-old girl who becomes enamored of a 25-year-old man, and then gets swept up in a life of theft, violence, and cross-country travel when he decides to start murdering South Dakota. So we see the killer through her eyes, and as her opinion of him grows sour, any chance that we have of admiring Martin Sheen’s sweet bangs slowly evaporates too. Sheen is a shitty dude in this one. Like, “Friend who doesn’t put your Blu-ray back in its case and instead just lays it bottom-side-down on the floor” shitty.
3
Roland Emmerich With Universal Soldier
From the mid ’90s to the present, Roland Emmerich has been a constant source of the loud and mediocre (Independence Day, White House Down, Stargate), the loud and dull (Godzilla, The Day After Tomorrow, 2012), and the loud and very, very historically inaccurate (The Patriot, 10,000 BC, Anonymous, Stonewall). He is the “Hold my beer” to Michael Bay, and no matter what trends are popular in Hollywood or how financially successful his previous film was, we can always count on Emmerich to deliver something that somehow damages the intellectual standard of the explosion.
Emmerich started as a filmmaker in Germany, and most of the films that he made there are either impossible to find in America or were released years later and just on video. His first American film to receive a theatrical release was Universal Soldier, which features Dolph Lundgren and Jean-Claude Van Damme as soldiers who get resurrected to become … universal soldiers? I’m not sure what the “universal” thing means, but I guess it’s because, now that they’ve been brought back to life, they’re not limited by the earthly definition of “kicking ass.” They can now kick all the ass in the universe. Side note: This theory is remarkably unconfirmed.
For Emmerich, Universal Soldier is amazingly subtle. And that’s not just because Van Damme is given the emotional range of a yam in this film. It’s mostly a big chase movie, and not just the typical Emmerich “Leave nothing in this major American metropolis un-fireballed” fare. Van Damme and his reporter girlfriend stop in a town, Lundgren catches up to them and shouts, Van Damme escapes, and Lundgren responds with more heavily accented shouting. Compared to Emmerich’s other stuff, Universal Soldier is Driving Miss Daisy.
I don’t know if “limiting the scale” is the key to fixing Emmerich, as he doesn’t have much luck in crafting personal tales. So maybe the key is Dolph Lundgren. Maybe Emmerich made a movie that was one big combustion, but Lundgren absorbed it all, and then released that energy by yelling. I’m no professor, but I think the science works out.
2
Seth MacFarlane With Ted
Seth MacFarlane is a comedy titan. Not satisfied with ruling Fox’s TV animation division, he’s also branched out into movies. And he’s made three so far: Ted, A Million Ways To Die In The West, and Ted 2. Guess how many of those were pretty solid? A hint is hidden in the title of this column.
Ted, the story of Mark Wahlberg and a talking stuffed bear, has some heart in it. There are plenty of movies about dude friends who have problems with each other whenever one of them gets in a serious relationship. They want to drink beer and fart out their dicks, but SHE likes organizing the apartment! Whatever will they do? Ted is still crass, but in centering the conflict around Wahlberg not wanting to abandon a literal stuffed bear, it truly nails home how infantile the whole “bros before respectable type-A females” struggle is. You can still have a fun life and chill with your bear, even if you’re married. And those who don’t understand that are the true dick-farters.
After Ted, MacFarlane made A Million Ways To Die In The West, which most closely resembles those Leslie Nielsen jokes-every-ten-seconds comedies, with the problem being that MacFarlane doesn’t have the warm presence of Nielsen. Nielsen was the comedy genre’s beloved uncle, while as an actor, MacFarlane is still its odd half-cousin. Ted 2 is about teddy bear rights, which expands a few jokes into a two-hour movie. It never ends up being as funny or likable as Ted, and feels like it was made not because MacFarlane wanted to make it, but because a Hollywood executive decided that Ted 2 was their only means of finally getting a third Jacuzzi installed.
1
Eli Roth With Cabin Fever
I’m always hesitant whenever a horror director says they’re making a homage to a certain era of horror films. This is usually because they let the homage aspects outweigh the actually-being-a-good-movie aspects. “But it’s a homage to ’80s slasher films! It’s not supposed to be a masterpiece!” Yeah, but it’s supposed to be competent and somewhat exciting, instead of a 90-minute declaration that you’ve seen Sleepaway Camp multiple times.
One of the only really good ’80s homages is Eli Roth’s Cabin Fever, which is sort of styled after The Evil Dead, but mostly does its own thing. Now, Cabin Fever isn’t perfect. Eli Roth’s writing would actually peak with Hostel Part II, which is a statement that no man should be forced to make. But Cabin Fever feels less like a guy trying to remind you of how great 1983 was, and more like a guy who’s trying really, really hard to make a fun, gory horror flick. Plus, it manages to pull off some gross-out moments that are sincerely shocking. Even in the age of things like The Human Centipede trilogy, which is edgy middle-schooler humor brought to life, Cabin Fever can still make you feel weird.
Roth’s next film, Hostel, desperately wanted to be like one of the graphic Asian horror films that Roth is a fan of. The biggest difference is that stuff like Takashi Miike’s Audition and Kim Jee-woon’s I Saw The Devil manage to place interesting stories and dynamic characters around their torture setpieces. Roth’s characters are a couple of dumb guys, which is meant to say something about how young American adults kind of treat other countries like playgrounds that they can fuck in, but it mostly comes off as Roth needing characters who explicitly won’t grow or change, because an arc doesn’t really vibe with a drill to the chest.
Roth would later make The Green Inferno, a movie that I saw on opening day because I can’t be trusted with my own money or schedule, and his next movie is a Death Wish remake. Remember that series, the one about Charles Bronson putting bullets in crime and crime-related activities? I don’t know whose idea it was to give that movie to the guy whose most famous scene involves cutting someone’s Achilles tendons, but I feel like it might have been a bad call.
Daniel has a Twitter. Go to it. Enjoy yourself. Kick your boots off and stay for a while.
Watch Independence Day right here if you’re a true American, and get one of the cool aliens in adorable Funko form and pity Daniel Dockery for hating everything amazing in the world.
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Nightmarish villains with superhuman enhancements. An all-seeing social network that tracks your every move. A young woman from the trailer park and her very smelly cat. Futuristic Violence and Fancy Suits, a new novel about futuristic shit, by David Wong.
from All Of Beer http://allofbeer.com/5-directors-that-shouldve-stopped-after-one-movie/ from All of Beer https://allofbeercom.tumblr.com/post/177815193117
0 notes
samanthasroberts · 6 years
Text
5 Directors That Should’ve Stopped After One Movie
Some filmmakers are like marathon winners; they stay consistently strong and fast for an inconceivable amount of time, and when they finish, you are left inspired by their existence. And some directors have careers like my performance in my second grade’s three-legged race. I fell at the start, busted my nose open, and writhed on the ground for a while as my partner walked away from me. The following five directors did similar things in their own metaphorical three-legged races. What began as a burst of glorious potential devolved into something hideous and often embarrassing.
5
Zack Snyder With Dawn Of The Dead
Zack Snyder has always been the Mountain Dew Code Red to Christopher Nolan’s iced coffee. They both direct grand adventure movies, but while Nolan’s philosophy is that of the kid in the back of the freshman year writing class with the scarf, Snyder’s is frat bro existentialism. Snyder is pretty great at examining the darkness that lurks in the hearts of men, but only when those men are grunting at each other, “HOLD ME BACK BEFORE I LAY THIS MOTHERFUCKER OUT, DUDE”-style. In any other case, it’s a toss-up. For example, in Watchmen, he totally got the plight of radioactive superman Dr. Manhattan. But the only female on the team, Silk Spectre, was shot like she was in an impromptu Axe Body Spray commercial.
Read Next
5 Superhero Movies That Are Only Worth It For One Scene
The only movie that Snyder has done that’s consistent throughout is his first, the 2004 Dawn Of The Dead remake. If you haven’t seen it, it’s about a bunch of people being eaten by zombies at the mall. It’s also fantastic in a way that few remakes actually are, mainly because it does not seek to replicate or expand upon the original. A lot of times in horror remakes, directors try to cram in “answers” to questions that they think viewers have, which totally robs the movies of their potency. We’re scared of the things we don’t know. When we say “Oh, man. He uses a chainsaw? What the hell?” we don’t want the director to respond with, “Well, he got his chainsaw from the old slaughterhouse he used to work at.” There’s nothing terrifying about learning where Freddy Krueger shops for his sweaters.
Instead of that route, Snyder actually chops off any of the rough edges of the source material. The original ends with a bunch of bikers attacking the mall that the heroes are in, which leads to a lot of cool gore effects, but bites the face off of the movie’s sense of pacing. It robs us of the intimate climax that Dawn Of The Dead could’ve built to. Snyder’s version doesn’t have that problem, as it’s a horror/action film from the very beginning. Sure, it’s not as satirical as the original, but it doesn’t need to be. Snyder is not interested in creating a horror film that’s also an allegory. The zombies don’t have to represent anything. They can get by when they’re just being spooky zombies. Constantly reminding me that “The real villain … is man” is the best way to get me to hate both zombies and English teachers.
Sadly, Zack Snyder’s next project would be 300, which had cool action scenes but was the movie equivalent of a guy whispering motivational quotes to himself in the mirror at the gym. And since then, all of his films have either been bloated epics or that thing about warrior owls. It’s a shame. Because when Snyder makes films that aren’t really about anything other than what’s on screen, he shines.
4
Terrence Malick With Badlands
Terrence Malick is the #1 “Well, I appreciate his work” director in the world. “Well, I appreciate his work” directors are a rare breed, as they’re usually either obsessively loved or “appreciated.” And by “appreciated,” I mean “I know a lot of time probably went into putting all of those pretty colors on screen, so I can’t hate this one too much.” I truly appreciate Terrence Malick, even though his films feel like staring matches with an old computer’s screen saver.
His first film, though, is a refreshing take on a genre that needs all of the fresh takes that it can get. Badlands is a serial killer movie, and the biggest problem with the serial killer subgenre is that very rarely do such films actually make us disgusted with a serial killer. Instead, we marvel as the killer says awesome quips and performs super sweet serial killer melee moves. Silence Of The Lambs is a great movie, but it’s hard to feel bad about a guy who eats other guys when he’s Jason Bourne-ing his way out of police custody. Yeah, the hero should be the person who hasn’t wantonly killed multiple innocent people, but I saw the killer do a double backflip off the diving board once, so my vote is set.
Badlands makes serial killing look really awful. Like, “Dude in front of you doesn’t know how to work the self-checkout lane” awful. It’s the story of a 15-year-old girl who becomes enamored of a 25-year-old man, and then gets swept up in a life of theft, violence, and cross-country travel when he decides to start murdering South Dakota. So we see the killer through her eyes, and as her opinion of him grows sour, any chance that we have of admiring Martin Sheen’s sweet bangs slowly evaporates too. Sheen is a shitty dude in this one. Like, “Friend who doesn’t put your Blu-ray back in its case and instead just lays it bottom-side-down on the floor” shitty.
3
Roland Emmerich With Universal Soldier
From the mid ’90s to the present, Roland Emmerich has been a constant source of the loud and mediocre (Independence Day, White House Down, Stargate), the loud and dull (Godzilla, The Day After Tomorrow, 2012), and the loud and very, very historically inaccurate (The Patriot, 10,000 BC, Anonymous, Stonewall). He is the “Hold my beer” to Michael Bay, and no matter what trends are popular in Hollywood or how financially successful his previous film was, we can always count on Emmerich to deliver something that somehow damages the intellectual standard of the explosion.
Emmerich started as a filmmaker in Germany, and most of the films that he made there are either impossible to find in America or were released years later and just on video. His first American film to receive a theatrical release was Universal Soldier, which features Dolph Lundgren and Jean-Claude Van Damme as soldiers who get resurrected to become … universal soldiers? I’m not sure what the “universal” thing means, but I guess it’s because, now that they’ve been brought back to life, they’re not limited by the earthly definition of “kicking ass.” They can now kick all the ass in the universe. Side note: This theory is remarkably unconfirmed.
For Emmerich, Universal Soldier is amazingly subtle. And that’s not just because Van Damme is given the emotional range of a yam in this film. It’s mostly a big chase movie, and not just the typical Emmerich “Leave nothing in this major American metropolis un-fireballed” fare. Van Damme and his reporter girlfriend stop in a town, Lundgren catches up to them and shouts, Van Damme escapes, and Lundgren responds with more heavily accented shouting. Compared to Emmerich’s other stuff, Universal Soldier is Driving Miss Daisy.
I don’t know if “limiting the scale” is the key to fixing Emmerich, as he doesn’t have much luck in crafting personal tales. So maybe the key is Dolph Lundgren. Maybe Emmerich made a movie that was one big combustion, but Lundgren absorbed it all, and then released that energy by yelling. I’m no professor, but I think the science works out.
2
Seth MacFarlane With Ted
Seth MacFarlane is a comedy titan. Not satisfied with ruling Fox’s TV animation division, he’s also branched out into movies. And he’s made three so far: Ted, A Million Ways To Die In The West, and Ted 2. Guess how many of those were pretty solid? A hint is hidden in the title of this column.
Ted, the story of Mark Wahlberg and a talking stuffed bear, has some heart in it. There are plenty of movies about dude friends who have problems with each other whenever one of them gets in a serious relationship. They want to drink beer and fart out their dicks, but SHE likes organizing the apartment! Whatever will they do? Ted is still crass, but in centering the conflict around Wahlberg not wanting to abandon a literal stuffed bear, it truly nails home how infantile the whole “bros before respectable type-A females” struggle is. You can still have a fun life and chill with your bear, even if you’re married. And those who don’t understand that are the true dick-farters.
After Ted, MacFarlane made A Million Ways To Die In The West, which most closely resembles those Leslie Nielsen jokes-every-ten-seconds comedies, with the problem being that MacFarlane doesn’t have the warm presence of Nielsen. Nielsen was the comedy genre’s beloved uncle, while as an actor, MacFarlane is still its odd half-cousin. Ted 2 is about teddy bear rights, which expands a few jokes into a two-hour movie. It never ends up being as funny or likable as Ted, and feels like it was made not because MacFarlane wanted to make it, but because a Hollywood executive decided that Ted 2 was their only means of finally getting a third Jacuzzi installed.
1
Eli Roth With Cabin Fever
I’m always hesitant whenever a horror director says they’re making a homage to a certain era of horror films. This is usually because they let the homage aspects outweigh the actually-being-a-good-movie aspects. “But it’s a homage to ’80s slasher films! It’s not supposed to be a masterpiece!” Yeah, but it’s supposed to be competent and somewhat exciting, instead of a 90-minute declaration that you’ve seen Sleepaway Camp multiple times.
One of the only really good ’80s homages is Eli Roth’s Cabin Fever, which is sort of styled after The Evil Dead, but mostly does its own thing. Now, Cabin Fever isn’t perfect. Eli Roth’s writing would actually peak with Hostel Part II, which is a statement that no man should be forced to make. But Cabin Fever feels less like a guy trying to remind you of how great 1983 was, and more like a guy who’s trying really, really hard to make a fun, gory horror flick. Plus, it manages to pull off some gross-out moments that are sincerely shocking. Even in the age of things like The Human Centipede trilogy, which is edgy middle-schooler humor brought to life, Cabin Fever can still make you feel weird.
Roth’s next film, Hostel, desperately wanted to be like one of the graphic Asian horror films that Roth is a fan of. The biggest difference is that stuff like Takashi Miike’s Audition and Kim Jee-woon’s I Saw The Devil manage to place interesting stories and dynamic characters around their torture setpieces. Roth’s characters are a couple of dumb guys, which is meant to say something about how young American adults kind of treat other countries like playgrounds that they can fuck in, but it mostly comes off as Roth needing characters who explicitly won’t grow or change, because an arc doesn’t really vibe with a drill to the chest.
Roth would later make The Green Inferno, a movie that I saw on opening day because I can’t be trusted with my own money or schedule, and his next movie is a Death Wish remake. Remember that series, the one about Charles Bronson putting bullets in crime and crime-related activities? I don’t know whose idea it was to give that movie to the guy whose most famous scene involves cutting someone’s Achilles tendons, but I feel like it might have been a bad call.
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Nightmarish villains with superhuman enhancements. An all-seeing social network that tracks your every move. A young woman from the trailer park and her very smelly cat. Futuristic Violence and Fancy Suits, a new novel about futuristic shit, by David Wong.
Source: http://allofbeer.com/5-directors-that-shouldve-stopped-after-one-movie/
from All of Beer https://allofbeer.wordpress.com/2018/09/06/5-directors-that-shouldve-stopped-after-one-movie/
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