Lighting and Mike and Will and El - Full Analysis (Pt. 7)
This one is just going to focus on El getting arrested. There’s quite a bit there to work with in terms of light, which surprised me at first but.
It makes sense.
(Also stuff in brackets? Not related to the light analysis. I just kept getting distracted by colours and characters,
anyways-)
S4:E3 - Getting Arrested
So, the cops show up at the door. Will and Jonathan are in frame and the lighting is normal.
Then El and Mike come down the stairs and Will’s lighting gets a little brighter. Compared to Mike and El, it almost seems like Will is the main focus of this shot.
But El is the one getting arrested.
This also happens before they fully know what’s going on, so it makes sense that Will’s lighting shines like that. This is a group shot with Mike clearly looking in.
While our view does come from the door, there are a lot of perspectives there. Our two prominent narrators, Mike and El, are also present. So it’s more likely than not that the light is being dictated by one of them.
And here is where I think that this is fully Mike’s perspective. Like the scene with the disco ball, Mike’s attention is on El again, but only because it has to be. Something bad is happening, she’s getting arrested and they just fought, and this is where his attention is drawn to her.
But her face is still half in shadow, similar to Mike’s perspective of her at Rink O’ Mania. I don’t think that Mike is necessarily scared of her here, but more so scared for her. But with how Mike saw her at Rink O’ Mania, it could be either one.
And Mike, in El’s perspective, is carrying that same light from before. Even though we know that the light doesn’t really naturally fall like that on him. I think that’s her shoulder in bottom left of the shot as well, indicating an over the shoulder view. (I should look up what that’s actually called)
(Oh! It’s called an Over-The-Shoulder shot or and OTS shot. It can indicate and understanding in a conversation between two characters?? I’m looking at this and it’s really cool. And like the switch from over the shoulder to single view can contrast that understanding?? !!!!!!!!!!!!
!!!!! And there are things called POV shots! Reading this, it’s saying that it starts with a character being established as looking at something and then a first person view. It’s like the second to last picture I put in this post with Mike behind the grate. That’s so cool!!!!!!
might make a post about different types of shots though so I can have it as a resource. And because it’s really fucking cool
anyways, sorry, back to the analysis- )
When El is in the car, there is a window between her and Mike. Mike and barriers is a reoccurring theme this season, but this is one of the first times it comes up this explicitly.
The lighting here is following El’s narration. But what’s interesting is that Mike’s face is beginning to look bit less bright. Like when Mike left the room and we were briefly in Will’s perspective. But we’re still in El’s perspective.
And now we see Mike’s view (OTS shot, so cool) of El. Again, the light on her face is normal, even a little dimmer than we’d expect on a character.
Switching back to El’s perspective once more, we can see that Mike’s face is still half shaded.
El might be realizing something here about her and Mike’s relationship.
Also i forgot to mention it before, but her and Mike are both wearing blue plaid, but Mike’s has yellow stripes and El’s has red. El’s costume carries through the rest of the season and it’s really cool to see her slowly loose all the blue from her outfit. I think she does realize that she needs to let go of Mike at the end of it, so it’s not all bad.
Character growth is always nice.
We’re in Mike’s narration here because El is gone. This frame has Mike, Jonathan and Will in mostly normal lighting. Will is a little brighter but it’s not to much of a concern yet.
Until he starts talking and puts an arm in from of Jonathan and Mike. The angelic lighting starts to return as soon as Mike’s attention is further drawn to him.
Also, Will’s shirt here is blue, red and yellow (and white but that’s less important-I think. Anything's possible). In a few of the Rink O’ Mania shots, Will was framed with mostly blue and yellow light but also a few small red ones. Like when They’re in the booth, the red light shines on Will’s side first in the reflection on the divider (disco ball in the middle), and when him and Mike are arguing, there is a red exit sign in the background.
I think that the red in Will’s outfit and framing is indicative of one of two things: Will and El being similar people. or Mike seeing El where Will is/being aware of her.
(With will and el being similar people, I mean that they’re very much siblings at this point. They’ve had tones of parallels throughout the series and if there is a bond that can’t be broken, it’s Will and El’s. We call them twins all the time but, it really is what their relationship is like. A key difference between Will and El, and Henry, is that Will and El don’t hurt people without reason. Without good reason. Season one, Will grabbed a shotgun because he was being chased by whatever kidnapped him. But we never saw a shot fired, even then. And El has only hurt people when she feels extremally threatened- with Angela she tried to make peace before Angela went too far- and when they’re hurting her friends. Henry is far more self righteous than them.
I keep getting distracted, my god
back to the analysis, again-)
I didn’t go too in depth into the light colours at Rink O’ Mania (there was a lot going on) but it’s kind of neat.
Back to El, she’s being taken away. She looks back out at Mike who ran out to the van.
We can tell because of the grate that we’re seeing though her eyes. This is also the second barrier for Mike this season (visually represented, there are other barriers like fitting in at school and other non-visual metaphors).
She sees mike completely in shadow here. At this point in her narration, her view of Mike has changed.
We can see, going closer to Mike, that this lighting isn’t the same as what El saw. There is light on Mike’s face, but El didn’t see it.
El knows that Mike doesn’t love her, not in the way she wants him to. His monologue was such a disaster because she knows, and she knows that he lies all the time.
One last thing about costuming here, with the blue plaid, is that we see the yellow and blue disappear from Mike and El’s respective outfits. It’s like El was trying to be like Mike, and Mike was trying to be the things that El likes. It’s also really cute that yellow is one of El’s favourite colours because her and Will are really similar. But also- ( i can’t find the picture but)
In one of the shots with Mike on El’s bed, the picture visible in the corner of El’s Mike shrine was a cut out of mike surrounded by yellow paper. And in the car, driving home from Rink O’ Mania, Mike is framed by yellow again.
A lot of what’s going on with Mike and El seems to be them embracing who they are as people. With blue and yellow disappearing, they’re not preforming themselves for other people anymore, they’re just themselves.
Will being represented by yellow also tells us a lot about Mike.
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My brain is unwilling to let go of Twin AU prompts. Sorry for the long post lmao.
Jazz and Jason are getting pretty serious in their relationship, and honestly, they’ve both been hesitant to introduce their family members to one another despite constantly talking about them. They’ve been dating since she started her doctoral studies at Gotham U and she’s about to defend her dissertation, so it really is about time. He saved her in her first week as the Red Hood and he immediately felt at home with her (something, something liminal), she runs into him the next day at a coffee shop and thanks him for taking the time to help her.
Identities are obviously blown. Jason knows that her brother works in ‘politics’ and her younger sister is a travel blogger, and that the three of them don’t talk to her mad scientist parents anymore. Jazz knows that he came back from the dead, his adoptive family had a slew of issues in addition to their hero-complexes and that he would be prepared to kill for any one of his siblings. Their communication skills are top notch.
But then came the issue of actually meeting the family. Like Jazz knows all of the drama between the siblings but could not pick them out of a line up, or more importantly, know who to talk to if an emergency situation came up. Jason agrees, that yeah, it would probably be for the best if he could at least identify her little brother and sister if they had to like, meet at hospital or something.
So that was the plan. Invite just siblings over to their shared apartment, no parents and no fuss. (She even called Danny ahead of time to tell him not to portal straight into the apartment, he needed to walk in the door like a normal person. They could share Ghost King secrets later.)
Tim arrives first, he’d been working a case nearby and Jazz & Jason live pretty close to a nice coffeeshop, so he stopped along the way. He’d done some creeping to figure out that she drinks Chai so he brought one for her. Creepy and yet, endearing.
Ellie comes in second from the window, launching into a story about how annoying it was to find the place with all the gloom, didn’t this city have any respect for the dead? Tim doesn’t get it but Jason is laughing along so Tim files it away for later.
Dick comes in with a shit ton of Pizza he panic ordered, a fruit bouquet and two bottles of wine from Bruce’s cellar. Duke came along with him, a large tupperware of Alfred’s cookies.
Then Steph, Babs and Cass show up, immediately treating Jazz like family while also being hella suspicious about the whole thing. She notices them looking at her hands and Jazz explains that no, they weren’t doing this because Jason proposed. Steph and Cass are annoyed at Jason but tell Jazz she could do better if she wanted. Babs is happy they aren’t rushing into anything (she’s the only one besides Tim that knows how long they’ve been dating- this is just to throw out a red herring for the others)
Everyone is getting along and having a great time, Ellie being a natural entertainer along side Dick, everyone trying to tell embarrassing stories about Jason. Loud noises are coming from the hallway when they realize that neither Damian nor Danny had arrived.
Rushing out the door, the boys are alternating putting each other into choke holds and arguing about not being clones. Danny keeps phasing out of Damian’s grip and Damian keeps pulling out more knives. The hallway looks like it had been blown up and the two are continuing to yell at one another about going to a family dinner. Jason and Jazz just stare at them from the doorway, and wouldn’t you know it, they look like fucking twins.
Jazz grabs Danny, Jason grabs Damian, and everyone is fucking confused. Both sides of the family can confirm growing up with the twins, that neither are a clone. Ellie helpfully supplies that she’s the clone and that opens a whole other bag of chaos.
Eventually they get everyone to sit down for dinner and the night gets weirder from there.
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[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]
I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.
The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.
The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.
What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.
And it is fatal, we see as much in the movie.
Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.
And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.
To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.
Leo learned that gambling with his life as the betting chip is always the best move to make in the end.
And to make matters worse…this thinking is what works.
These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!
Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)
But still, he’s grown to accept the gamble of his life as a viable answer to their problems.
Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.
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