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birdmenmanga · 4 months

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I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.

Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.

The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"

I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too

#just thinking thoughts...#disco elysium #idk man when did we get so scared of failing!!#people never want to speak in class because 'what if I'm wrong :((('#well then you are wrong... that is okay... it's normal to fail... sometimes saying the wrong thing is a great way to jumpstart a topic...#'getting a good grade in X is both normal to want and possible to achieve'#okay sure but have you made peace with the fact that getting a BAD grade in X isn't a bad thing?#a bad grade in being friends... okay... so you didn't check up on someone in 3 months... you failed... that's fine...#you can learn from it!! you can learn how to keep in touch with people. how to take care of them when they're sick.#how to resolve a dispute. how to communicate and compromise. these are all things you are not born with #and will fail first before succeeding at #Like yes I get that in the age of surveillance your failures may be recorded and preserved forever and that's not great #but if we don't normalize failure I really think we'll just suffocate and die

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soosoosoup · 27 days

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Funk branch au

Au and branch design by @bbc-trolls

#dreamworks trolls #trolls #trolls au #trolls branch #trolls prince d #trolls queen essence #trolls king quincy #thank you bbc-trolls!! for both making this au! and for giving permission for fanart <3 #oooghghg love this au #never knew I needed something so much #Funk family! your perfect! your everything #forgive me my queen! had a hard time drawing you #funk trolls are a bit of a struggle lol #‘branch gets adopted by another tribe’ you will always be famous #yeh funk fam and even funk trolls as a whole would be a good fit for branch #their advanced tech. how accepting/understanding they are (cue twt talk about differences) and did you see them get ready to battle!#the more I think abt this au the more I love it #the more I think about funk trolls the more I LOVE THEM<3 #they're so cool #this took a little long to make. kept adding more and more lol #in case your wondering Quincy is giving a talk about how him being different to both pop and funk is okay and should be cherished #like that talk in twt about how the strings/troll genres are different and to not deny it cause it's an important.#silk sonic on repeat making this! edit: forgot to say thanks to lonedawn for mentioning the album on bbc’s og post! you are so right <3 #also listened to other funky songs #need more funk music!! it reaches as special part of the soul #can not recommend 'atomic dog world tour remix' enough. it's so good. prince d's verse at 1:27 fav #trolls fanart #excuse the messiness #funk branch au #my art <3

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inkskinned · 1 year

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you get used to it, but it's tiring, because they need you to understand your own life as a series of goalposts. what college are you going to, what's your major going to be, whatcha gonna do with that, oh where will you settle down, when can i expect grandkids.

for the longest time my goals have been so blurry that they track into each other, their undefined edges slipping quietly back into the soft night. today i want to be a writer; tomorrow i will want to be a doctor, later i will wish i took that law school free ride. how the fuck do people just know what they want to do with their life?

where do you want to be in five years? i want to be alive; which is a huge step for me. ten years ago i would have said i want to be asleep and meant i hope that i'm dead by then.

but i want a yellow kitchen and a stand mixer. i want a garden and a fruit tree (cherry, if i can make that happen) and a big yard for my dogs to play in. i want to come home and read poetry out loud to someone and have them close their eyes to listen. i want a summer watergun fight. i want to make snowmen. i want to be the house to go to for halloween. i want my life to settle around me in a softness, for it to lay down gently. if i am very, very, very lucky, i want to travel; finally go someplace overseas.

of course i don't know what i want to be doing professionally. what i actually want to be doing is curling up beside my dog, settling in to read. i want to be making myself a cup of good coffee.

i can't answer the other questions. whenever people asked me what do you want to be when you grow up, i used to say i hope i'm happy.

i hope i'm still kind, five years from now. i hope i never get jaded and mean. i hope i have stayed in therapy. what do you picture yourself doing? when will you actually be an adult about this? why are you so afraid of being ambitious?

am i not ambitious? the other day i rearranged my furniture which doesn't quite fit into my apartment. i watered my plants. i'm going to try to propagate a cherry seed. my five year goal is to spend more time laughing. to lie down in a patch of sunwarm moss. to relax for a minute. to close my eyes and think oh thank god. this is why i stayed. this is finally it.

#writeblr #warm up #something something something took a lot of words to say #um my goals are really specific quiet things #and they're still valuable #bc i used to literally only have the goal of <3 bad things <3 #i was like ''who needs to picture the future? imma head out before then"#good news!!!!!!!!!!! ur in the future!!!! and u stayed!!! and thank god u did bc u actually fucking made it kid!!

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molinaesque · 8 months

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Astarion: I think he likes us. Tav: I like him, too. But I'd never say it to his smarmy face. Raphael has a crush on Tav and tries real hard to act cool about it.

#raphael #raphael bg3 #raphael baldur's gate 3 #bg3 #baldur's gate 3 #Raphael is that suave charming bad boy who tries to look cool as hell (heh) in front of his crush like an absolute nerd #meanwhile my tav also has a crush on him so we're both losers really #bg3gifs #korilla hearthflame #screaming at the “came out on top” line... the writers definitely did that on purpose and it makes my brain go brrr #because that definitely means he likes you carnally since we found out about HoH #Also look at Tav's faceeeeeee #They're like “OH”#Like it just hit them #Omggggggg

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cuddlytogas · 3 months

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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pseudophan · 21 days

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he was honestly so insane for saying this in 2013. him making fun of himself now is one thing but he really just had a breakdown for about a year and a half and then was like wow that was crazy huh! man was i insecure lol!

#people act like dan's no homo era lasted for several years #but it really was just like. two at most #and not even that really #i mean it was def several years of being a bit weird about it but the really bad part did not last too long #anyway my old ipod's name is chester-wolf howelester cause i got it right after this #also these tweets aren't technically deleted they're just among the many that don't show up in search #so i stole these <3 #phan #dan and phil

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x-i-l-verify · 4 months

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Something that I've noticed ever since the Smiling Critters were introduced is that they can so easily be paired off into complementary duos, ones that are specifically designed to teach children fundamental lessons about life and self-care from two different angles. It's really interesting to me.

Like obviously you have Dogday and Catnap, with their sun/moon, dog/cat dichotomy, that stress how important it is to have fun and get things done during the day, but also that it's important to wind down, relax, and get a good night's sleep.

Bubba Bubbaphant and Craftycorn were introduced as a duo in the Smiling Critter show's intro, and their dichotomy is quite obvious. They are basically the right and left sides of the brain personified. Bubba is the left side of the brain, logical, analytical, focused on math and science. Craftycorn is the right side of the brain, creative and imaginative, focused on the arts and self-expression. They represent learning and academia in all its forms, the different ways people engage with and understand the world.

Hoppy Hopscotch and Kickin' Chicken form the sportsmanship duo. They are both portrayed as enjoying sports and the outdoors, but in different ways that highlight the different ways sports can be played and enjoyed and also what it entails to be successful at them. Hoppy Hopscotch may be loud and impatient, but she is also a team player, shown in her willingness to slow down her fast pace to make sure none of her friends are left behind. Kickin' Chicken, on the other hand, is laid-back, relaxed, and chill, the described "cool kid" of the group, but he's also described as having a ton of perseverance, more of a "slow and steady wins the race" type of person.

This leaves Bobby Bearhug and Picky Piggy as the last pair. Fittingly, these two are all about how to meet the fundamental needs of yourself and others. Bobby teaches children how to nourish themselves emotionally through showing and receiving care from others, while Picky teaches them how good food is important to nourish the body and soul. Depriving oneself of either of these things only makes oneself and therefore everyone around one miserable, because those fundamental needs are no longer being met.

Like fr, this is some pretty genius marketing right here. You have enough characters that every kid will have their favorite, but not so many that any would get lost in the shuffle, because the lessons each one of them would teach would be integral to the group as a whole. It really makes me that much sadder we saw basically nothing of the Smiling Critters during the game itself, because Mob Games struck gold with this concept, only to ultimately do nothing with it. :/

But I guess that's what fandom is for, eh?