But sapphire didn't you hear that the devs didn't want them holding hands????

LMAO STOP

you guys are so fucking stupid fdjsklfhlkhf

another Fun little detail <- not fun but playing into the themes of classism.

every other knight’s armor is shiny and new

but ballister’s armor has scuffs on the edges. chipping.

they literally never allowed him to forget he’s a pobre </3

i’m so sick of writers who proudly proclaim that they don’t read and directors and actors and other filmmakers who smugly say that they rarely watch movies or any artist who acts like an audience is stupid for connecting with their work like what the fuck is wrong with you that you hold such contempt such derision for the art that you have chosen to make the art that so many people dream of the opportunity to make the art that brings meaning and connection to people’s lives it’s unbelievably disrespectful to both your audience and the art-form and if you can’t muster basic respect for either your art-form or your audience then kindly fuck off and do something else

Actresses being tortured on the set by male directors is a massive historical and present day scourge of the film and TV industries and it's really SO common when you look into it. like from Kubrick terrorizing Shelley Duvall (and only her) on the set of the shining to Tarantino strangling Diane Kruger until she passed out to Hitchcock replacing fake birds with real birds after Tippi Hedren rejected his advances (in order to scare and physically injure her as a punishment for not fucking him) to James Cameron almost literally drowning Kate Winslet to an actress on GOT being waterboarded ten hrs straight to get like a minute of footage to Brando improvising an unscripted rape scene on the last tango in Paris set with the directors permission that ended up traumatizing Maria Schneider (in fact quite a lot of the gratuitous, graphic rape scenes in film were included for the sadistic pleasure of the male directors at the expense of the actresses).

The list goes on and on and I could seriously talk for ages about how revolting it is that these men still have active careers bc the industry just tolerates it. No piece of art is worth inflicting this disgusting and unnecessary abuse on actresses (and it's ALWAYS the actresses isn't it, never the actors. Hmmm wonder why). We call these men auteurs and geniuses but they're really just pathetic abusive sacks of shit. I want to impale every male director who behaves like this and I want their rotting corpses displayed as a part of the universal studios tour.

Dreams do come true

THE SIGN (2023) EP. 4 // EP. 7

+ Bonus :

i honestly do have pretty high hopes for the next season of dr who but the fact that theyre trying to market it as a rebrand while simultaneously leaning as heavily on nostalgia as possible is both funny and aggravating

Metadede Week Day 1: "Sworn Partners"

Mysterious Lotus Casebook, Ep. 40 // The Acts of King Arthur and His Noble Knights, John Steinbeck

earthspark started it, i'm simply the messenger

I feel like we’re witnessing a new trope in military propaganda media emerging and it’s the “lets have a whiny overly-dramatic white liberal girl say that killing innocent Arabs is bad on-screen” to send a message to the audience that being against the US’s military crimes in the Middle East is something that only dumb sensitive lefties with pronouns in their bio do.

Nimona AU where Ballister is a villain but like, he's not even really that evil, like, at all. He's just, really bad at being a Villain.

And him and his "Nemesis" have the worst relationship, meaning that they have a great relationship because they don't even actually hate each other like Nemesis' are supposed to.

V!Ballister, doing an 'evil' monologue: Well well well, sir Goldenloin, it has been quite some time since we've last- What's wrong?

Ambrosius, whose face was scrunched a bit: Huh? Oh, it's nothing, these ropes on my wrists are just- they're burning and itching is all- you can keep-

V!Ballister, panicking and running over: Really?! Oh Ambrosius you've been here for hours! Why didn't you say anything sooner?! Are they too tight? Is it this new brand? I told Nimona not to get these ones but no-

*cue to Ambrosius staring fondly at Ballister as he continues to ramble about never buying this specific set of ropes again*

Half the time Ambrosius doesn't even know why he's fighting the guy, like, The Director is all "He's the personification of an Evil Villain" at Ballister and Ambrosius is staring at the same guy seeing him help a little girl get her kitten out of a tree and give a good bit of the money he stole to people in need and points at him like "Really????? "

Currently consumed by the thought of a stobin Hollywood studio era lavender marriage au. They elope from Hawkins and Steve takes Robin's last name (a scandal when the paps find out!) And work shit jobs until they hit it big. (Robin is a trailblazer director who verbally eviscerates people who abused their actresses to get a ""more authentic performance"". Steve is a leading man who shifts into Dad Roles in his fifties. They adopt a gaggle of children so his career isn't as full as Rob's and he is so happy about it.)

They are a power couple for over half a century and eventually come out (Robin as a lesbian who's had a partner since the fifties and Steve as 'just very queer. I didn't have the words back then and now I don't feel like labeling it' and their marriage as one filled with love and respect and caring without romance or sex. Calling it "every bit as real as any other marriage, except we never had the complications of fucking. We loved together and fought together and cried together and lived together. The only thing more important to us than each other are our children and grandchildren, and isn't that what every other marriage is?") to the confusion of nearly everyone because they clearly adore each other and constantly hold hands or sit on laps and call each other soulmates and gaze adoringly across rooms and once said about meeting that they knew, after that first month of teasing and jeering and growing pains, that they'd found the person they were meant to be with. That they'd be together for as long as they were given because to know someone so thoroughly that they know you better than yourself and you know them the same that you barely need to speak but you do for the joy of the other's company is a rare gift to be given, especially so young.

Because they never lied! It's just, people assume romantic intent or attraction when Robin and Steve don't! They're the loves of each other's lives but they are not romantically in love and that's hard for people to understand. Especially a high profile couple who was the Romantic Ideal for three generations. And so when they say they were never involved like that, it's hard for some to believe because those two love each other so openly and intensely and for that love to be something other than romantic doesn't compute.

But on the other hand, they had already been queer icons. Steve 100% played in a heavily queercoded war film in the fifties and Robin had a Way of shooting women and they'd been vocal "allies" since the sixties. They'd nearly come out in the eighties but by then it wasn't just a decision they could make. It involved their partners and their children and grandchildren, so they waited to do so. But they were activists early for queer folk and did their best to fight the good fight (and also 1000% cussed Regan out. As he so deserved)

Idk I've rewritten this post like five times as I was helping my brother move and I'm just. Very emotional thinking of a grand, seven decade spanning, queerplatonic love story in the studio era of Hollywood.

{ Gawin & Krist On and Off the Set of Be My Favorite }

i cannot explain it. arlecchino & freminet's potential relationship is so fascinating to me. i think the trio all has a bit of arlecchino in them but freminet's the one who's a potential threat. they both were under the previous director, they're both perceptive even of the divine (they could both read furina), they both use their appearance & personality to achieve their goals/missions. she knows how to redirect lyney & lynette's cunning/analytical nature/loyalty as she wants, and freminet will follow direct orders. so what happens when he decides something else takes precedence?

freminet says protecting his family has become his personal goal rather than an oath given by either director. do you ever wonder if arlecchino has considered the outcome of freminet deciding she's hurt his family & deciding to act on it, like how she killed the previous director?