In season 1 of Justice League, there is an episode called "Fury". This could have been a great episode, if the subject matter wasn't just so misogynistic.
In this episode, Aresia, an Amazon, creates a virus that only affects men. In doing so, it highlights all the incredible women who does the same job and better as them but who are invisible because they are women.
Obviously they make Aresia, crazy, hysterical, the super villain of the episode to be destroyed at all costs.
''mope, mope, a woman is a misandrist so she will destroy the entire humanity'' when in all the galaxies (on absolutely all the planets in all the episodes) the problem is indeed the behavior of men and males and that the only societies that function are those of women exclusively. It was cool to have Amazons, until I realized that they only serve to demonize and dehumanize women who obviously have the nerve to recognize the patriarchy. And it wasn't even the entire humanity, just men.
Usually, we have Wonder Woman (Diana) who warns women against men, protects them when they engage in sexual harassment, street harassment, coercion, manipulation, etc. She's also a critical of make up, marital life, marriage, having relationships with men etc. An icon. And there, the whole moral of the story of the episode is to say ''not all men''.
This is really the moral of the story, because the plot's end of the episode is the Queen of the Amazons (Hyppolyta) who tells Aresia that ONE day in ALL the history of humanity, ONE man saved her. He saved her from violent men, who transformed women into sex slaves, before that, she was already a survivor of the war of men who had genocided her villages, some rapes against women too, etc. JUST MEN KILLING AND MASS RAPING.
But since ONLY ONE, ONE DAY, apparently did just ONE good deed, which let's face it, is NORMAL behavior!!!
Not good, not bad, NORMAL. The bare minimum.
This makes him the hero and her the villain.
The Amazons live among women, no man is allowed to set foot on the land of Themyscira, by law. They have observed men from afar, sometimes forced up close, they are feminist and realistic when it comes to the situation of the evolution of our planet and the place of men and patriarchy in the responsibility for these developments.
Knowing this, and worse, saying it openly to other women, protecting them from men, makes them BAD. But not in the sense of not nice but inhumane, horrible and VILE.
This is one of the rare episodes we get to see other Amazons who are BADASS WARRIORS GODDESSES but it turned them into sick unrealistic villains.
When they are the most realistic on the entire show. They are marking FACTS.
I am so proud of them but I HATE with all my heart how they did them dirty for daring to say the truth about men.
AND Aresia is fully clothed, not hanging around, saving the world from men in a underwear but clothed, less sexualised then Diana.
Aresia can wear flat shoes, a full clothes costume but she's the villain.
While Diana is in underwear and heels.
I also noticed that she has 2 allied, one with a full practical clothes, and another one in underwear too. One with short hair and the other with long hair.
Guess who betrayed her for men and her not all men speech? And who stayed with her?
I don't remember if the betrayal of Star Sapphire (in the middle) was part of Aresia's plans tho but that's not my point.
There are two sisters. The younger sister whose sweet, kind, lovely, well mannered and beloved. Everyone wants her. Everyone wants to spend time with her. Then there's the older sister who isn't afraid to speak her thoughts and isn't "traditionally" well mannered like the good sister
So the bad older sister who was going to end up alone is shacked to this man by her family who pulls crazy tricks in order to "tame her" i.e. rob her of her true nature and destroy everything that makes her who she is. One second he is her prince charming the next he says hurtful words to mess with her mind.
Use of mental manipulation, isolation, and physical punishment is used to tame this shrew so that she becomes obedient.
The story ends with the shrew turning into a socially acceptable young lady by changing everything about herself and resembling someone else entirely. The family loves her now that she is "tamed" and basically is ready to start a family of her own with her loving husband who she considers superior to herself like a good woman shud.
Now I basically described Taming Of The Shrew. By William Shakespeare. But it's also literally. A Court of Silver Flames by Sjm. 🤡🤡🤡🤡
Acosf is basically a rip-off of Taming of the Shrew with bad smut and falsely marketed healing journey.
Imagine being 9 years old and asking your dad about the things you're interested in doing when you grow up and he's like "No ❤️! But you can get married, have babies, and then maybe your sons can do those things ☺️🫶 "
This is a very very unfinished thought but I've been thinking a lot as I reread the books about how the women of House of the Dragon don't really get catharsis and how that'll likely be worse in S2. Say what you want about asoiaf but a number of named women there experience catharsis.
They kill their abusers (Lysa, Cersei, Dany). They regain some agency after a violation (Lysa, Cersei, Lady Stoneheart, Dany), and they refuse to forgive the people complicit in their subjugation (Lysa, Cersei, Dany, Lady Stoneheart, Jeyne Westerling).
Obviously, three or four isn't enough in such an expansive cast of characters but the point remains that they claw back their autonomy however they have to. They're allowed to be angry, bitter, unforgiving and cruel to their abusers in a way women in House of the Dragon just aren't allowed. They're allowed grief, grief that is violent and destructive.
The women of House of the Dragon don't get angry. They stand around and stare plaintively at the camera, they cry prettily, and they plead for peace and non-violence. They suffer and suffer and suffer and there's no relief.
Started watching a "problem with greek myth retellings" video and it began with a blurb montage like "Condemned by the misogynist guys of history, this is the true girlboss feminist story of [A WOMAN]" and like. brb writing one of those about crown prince rudolf. It's ok he's like a misunderstood girlboss to me<3
First off, from the very first scene with Miri asking Rei where he's going and then saying but his home is here, and he says "THAT'S TRUE". AS TRUE AS HOW MUCH I CRIED UPON HEARING THAT
I think this episode was a great continuation from last episode's Kazuki-focused perspective, where Kazuki accepted to move on and essentially to live in the present from now on, the present that includes Miri and Rei. And now we got to follow Rei trying to find his place and accepting that his heart belongs with the little Kazuki & Miri family that he has little by little become more a part of than he realises.
I think the episode did a great job portraying how conflicted Rei is as he stands in-between having to continue his family business and having found a new home, which he might not necessarily feel like he belongs to (yet), but which he wants to belong to. And it's the way he did not outright say this, but what he does say is that there is something he also wants to protect, in direct parallel to his former mentor who was fighting to protect his significant other!!!
I also love how Rei's journey in this episode didn't end on some super optimistic final note (which last episode kind of did with Kazuki, the sun breaking out when he comes to his realisation and the colourful flowers and everything) but rather showing how Rei has simply taken the first small steps towards the future he wants, and sometimes that's enough.
Like, he's brooding and contemplating his identity and place in the world when Kazuki calls and he just lets it ring, but he picks it up in the end. Kazuki comes and he doesn't want to get in the car, but he does. We get to see their first meetings and how Kazuki took care of him, and even back then it was just a small step Rei took - he let Kazuki help. Rei asks if they can really change, and Kazuki doesn't know - but he took the step to ask, and Kazuki answered honestly. And that's already a change, this decision of theirs to step by step try to do the right thing so that they can live their lives the way they want, together with Miri. And in this episode it culminated in Rei smiling at sleepy Miri and the birthday table prepared by Kazuki, and that's enough for now.
Idk idk just think this series does such a wonderful job in showing the character's personal journeys and the difficulties of not just their jobs and lifestyles but also, very obviously, of two men raising a child together, and it does this in such a magnificent way with the perfect balance between optimistic and realistic. This episode was just another part of the wonderful whole, and it stands out so well on its own while still being such an important turning point in our main characters' story as a whole!
Also that ending scene?????? i won't survive the angst of the next episodes
i saw disney brand she hulk shampoo at walwart last week and my first thought after ugh capitalism was haha nice mens rea reference
I COULDN'T BELIEVE IT
I had completely forgotten that the She-Hulk show was coming out at all, mostly in self-defense, and when the trailer came out just as I was starting to post the story I was big :O. This does somewhat ruin the joke of having an obscure character like She-Hulk partnering up with the obscure character Moon Knight, since with Disney+ shows they are very much no longer obscure, but maybe it still works because it looks bad. And it's double hilarious that my jokes about She-Hulk's beauty line leaked into irl lmfao.
Although I do have to say - although it is TREMENDOUSLY WEAK and VERY COWARDLY and OBJECTIVELY DUMB how skinny they made her look, I disagree with people saying that she should just look like the Hulk with a ponytail. That's really not the point of She-Hulk. It's important that She-Hulk is very, very conventionally attractive. That she is tall and buff, yeah, but wears all the slinkiest dresses and the highest heels and is constantly having casual sex and sips martinis with the girls. I talked about this in the fic, but if the Hulk is all about Bruce's hidden undesirable authentic self, then She-Hulk is all about Jen's publicly desirable inauthentic self. The Hulk is who Bruce really is - angry and childish - while She-Hulk is who Jen wishes she could be. She's wish fulfillment for Jen, which means that she is hot and confident and a sex goddess and everything. Up for debate about how interesting this is, but it's very much the character.
I feel like Disney+ is gonna give some kind of "be yourself!" moral to this story, but the She-Hulk story deeply does not lend itself to a "be yourself!" moral. That is never the point and that's never the stage she reaches. It's more like she's always running from something, and she keeps on filling up that emptiness with superheroism and Law and Order and Avengerness. In the comics she did eventually learn that although She-Hulk does have a lot of really amazing value to her, Jen Walters can have value too. It's not that She-Hulk is bad, it's just that she's not all there is to Jen. Fun!! Cool Mens Rea reference!!
There are many occasions I can remember in my early childhood of not wanting to be Black.
I was four or five, in nursery school. We were being taught to describe ourselves, “you should say whether you’re fair or dark in complexion” the teacher would say. I recognised those words from my story books. Fair was what princess were, dark was what the witches were. I was fair.
My teacher and I would argue over it. She would insist I put down dark, I wouldn’t. I knew I was meant to be fair.
On another occasion, a friend of my mums got a new camera from America. Us children excitedly went to his house to see it. It was silver and sleek and had something I’d never seen before- filters.
You could be purple or black and white or have glasses or hats you weren’t really wearing. You could also be white.
When I saw my pale face in the small screen. I smiled. I was elated. I spoke in the voice I’d heard from Disney and stared for hours at my proper self. I cried when we had to go home that day.
On another occasion, my parents were debating moving to Europe. I must have been around 5 or 6. I begged to go. Going to Europe also meant getting braids. I wanted those tiny ones that you never plaited all the way. In Blonde. Long and straight. In Europe, without the horrid sun, I was sure I would turn white. We didn’t go. I stayed Black.
At ten, for my big double digits, I could finally get a sew in. The hair was straight and long, down to my belly button. When I went to school the next day, everyone said I looked like an American. I cried when I had to take it out.
Eventually I grew older. I knew I was stuck in this Black body. But I could change it. We were ten in secondary school and I made a friend. She told me about this soap and cream. She used to be like me she said but now she was white. I knew I couldn’t ask my parents for this soap so she agreed to sneak me some. Ultimately, I was too scared and so I said no.
When I was eleven, I got my first phone. I delved into the world of social media instantly and learnt of a world outside my own. Even with everything I could try, I couldn’t be white I’d tell myself but maybe I could get close enough. I would scroll through instagram and YouTube and pick women and try my best to act like them, if I couldn’t look like them. I used to go on wikihow and learn how to do their accents.
At thirteen, I discovered social justice. I was thrust into a world of anti racism, of feminism, of gay rights, of trans rights activism. I heard stories of little boys who always wanted to be fairies and little girls who hated having long hair. It felt familiar. I read and read and watched and watched and stopped. I wasn’t happy but I could be.
At fourteen, I stopped relaxing my hair. At fifteen, I joined the Afro-Caribbean society. At sixteen, I called myself pro-Black. At eighteen, I stopped going by my western name. At nineteen, I remembered the five year old me. I read stories and listened to TikToks and scrolled through Twitter and kept seeing her. I wondered how her life would have turned out if she had been allowed to keep being unwell. I cried.
So the YA dystopia I started writing at 13 has a lot of problems that need rewrites if I ever choose to do anything with it but the literal dumbest one is that I had this uniquely British lib brain rot at the time that guns are bad and should never be used. Weapons were fine but these bitches were fighting for their lives and were using swords despite having just as easy access to modern artillery. It wasn't an issue with violence or taking lives it was just guns because "Americans use guns and mass shootings happen" as though that is in any way applicable to the scenario it was discussing. Yes common sense gun reform is an important legislative issue in the states but bestie facing off against genocidal super soilders is not the time to die on that hill. There was absolutely no issue discussed with the ethics of stabbing and neck snapping hordes of faceless villains just as long as they weren't shot by a pistol.
Daenerys and Arya knowing they're the main ASOIAF girlies that have everyone from dudebros to (fake) feminists feeling threatened because of their importance
From what I’m hearing about this week’s episode, I’m starting to wish that this show was called Becoming Mary so that at least we didn’t have to see or hear about anything Thomas was doing and it could be more ambiguous.
yikes... you worshiping male characters regardless of what they do while criticizing jen walters for the few bad aspects of her show that can be attributed to the writers and not her... your blog says everything about why you make it a point to hate watch she-hulk every week and it's incredibly disappointing. i'm not some mcu fan who loves everything they put out, but man, it's tiring seeing people criticize media like she-hulk in bad faith waaaay more than mediocre white male media. oh well :/
This is... actually really funny because you don't always get anon hate that tells on itself so much.
I've been very clear and consistent about specifying that I don't dislike Jen Walters and in fact really like how she's portrayed by Tatiana Maslany. Her performance is the only really worthwhile thing the show has to offer, and it's why I find it so frustrating that they don't really do anything interesting with her. Every post I've made has been about the writing or specific narrative choices or the CGI or something to that effect.
As for me "worshipping male characters", whomst??? I'm not even really sure who this is about, as there's not a single male character I've posted about uncritically on here. Best guess is that this is about Matt Murdock, which like... I drag him constantly for being a shitty person and a crappy friend. I think his narrative arc is incredibly compelling and the Netflix series was really good, but I hope I don't need to explain to you that there's a difference between finding a character's narrative compelling and liking them as a person/co-signing their behavior, especially when you also criticize that behavior.
I think a lot of the criticism for she hulk has been bad faith dude bros whining because a woman was in a marvel thing, and that's dumb bullshit, but you can't lump all criticism in the same boat. My problem with she hulk, which is my problem with a lot of marvel's stories centered around women, is that they market them as though they're some groundbreaking feminist storytelling and then do very little to actually develop the story or characters well and coast on mediocrity that's only made passable by the talented women they cast. It's a huge disservice to the characters and to anyone who actually gives a shit about them. I'm not going to applaud them for crumbs, and if you're going to sell your work on it's "feminist storytelling" then you sure as shit better deliver more than a shallow girl power narrative. It's 2022.