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#and the design!
redhairedgirl95 · 2 years
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Can you rank all Winx transformations?
Winx transformations ranked!
Enchantix - My all time favorite! The big wings, the song, the hair ... Enchantix is such a vibe and it can never be topped
Winx - You never forget your first love. <3 The song is superior
Dreamix - I love it. They look so grown up (as they should)! (the song is catchy)
Onyrix - they all look like movie stars on a red carpet. Iconic (the song is not that original, but I’ll allow it)
Charmix - cute but ... not much of a change, right? Just the OG with a charm and a bag (lame song)
Believix (Zoomix/Speedix/Tracix) - I don't dig the costumes. To me, only Flora's seems fairy-like. Nope, don't like it. (love the song, tho)
Harmonix - what’s with the skirts? impractical, much? (the song is gooooood)
Sophix - lovely, with the flowers. Not ugly, but not good (lame song)
Sirenix - not enough mermaid-like. hat’s up with the hair? Just ... Why? (but the song smashes!)
Lovix - winter fashion (I don't see the love part - and what about the song???)
Butterflix - cute. Unfortunately it’s basically the same dress in different colors. I hate the little dance at the end (lame song)
Bloomix - Nope. Aisha’s the only good one (song so and so)
Mythix - I just don't like the animated style (sorry not sorry - song bah)
Tynix - What's up with the hair?! This whole subplot of the Mini Worlds is just not for me (lame song, bad design)
Cosmix - No. (bad song)
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kittarts · 6 months
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New Coraline design drop
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jordanbolton · 5 months
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To The Substitute Art Teacher - Jordan Bolton
Pre-order my new book ‘Blue Sky Through the Window of a Moving Car’ here - https://smarturl.it/BlueSky
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jun-hug · 2 months
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I drew cats from stardew valley :D
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kofi | commissions | instagram
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fly-the-pattern · 18 days
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The dino benches are super cute. The angle is a little weird, though. And there's other seating if you're scared of dinosaurs. Looks like there's non-dino flat benches in the back on the right and a raised stone bench / retaining wall area on the left with grass and trees. I'm a little worried that there's no arm rests on any of the seating areas, though. It might be difficult for people with mobility issues to stand back up. Super cute for in front of a dino museum, though! And I totally want one.
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kochei0 · 3 months
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I turn to Ares.
Thanks to Tyler Miles Lockett who allowed me to draw inspiration from his ARES piece for page 2! Look at his etsy page it's SICK
⚔️ If you want to read some queer retelling of arturian legends have a look at my webtoon
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sylvies-kablooie · 4 months
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i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.
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hamletthedane · 9 months
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So, I follow this “bad commercial interior design” Facebook page and-
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zegalba · 3 months
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Bed of Lettuce by Paul Octavious
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lilaeleaf · 10 months
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Some poor suffering gobs!!
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emmaklee · 11 months
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mimimar · 2 months
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the woman who holds the moon
prints available here. my cover for this month's issue of baffling magazine.
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ames-draws · 7 months
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I'm fed up with "maybe later".
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jordanbolton · 2 months
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To The Person Who Walked Past The Window - Jordan Bolton
My first book ‘Blue Sky Through the Window of a Moving Car’ is now available to pre-order! Get it here - https://smarturl.it/BlueSky
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feefal · 9 months
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Eukaryotic cell gang!! We love women in STEM.
The organelles of the cells have been translated into human anatomy, so the nucleus is the brain, the vacuole function as the lungs, and the mitochondria is the heart since it’s the… you already know, I don’t have to say it ;)
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mcmansionhell · 4 months
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
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