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mbti-all-the-things · 3 years

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Myers-Briggs Types as Songs from my Greek Mythology Album

The album is called From the Kindly Ones, and it tells the stories of figures in the Greek Underworld, from the point of view of the Fury Alecto, who punishes or otherwise knows them. Each one teaches a lesson Alecto feels the figure needs to learn, or features some other opinion the Fury has.

There are 16 songs, so I figured, why not? Each blurb includes the title, the type, a sample lyric, and some explanation. There are four sections of the album: Kings, Queens, the Innocent, and the Guilty.

The lyrics are here, and the entire album (a rough acoustic recording) is included here if you want to listen to your type’s song!

I. KINGS

Dictator - INTJ

It’s no fun when you didn’t want to be the ruler of the world ? But the job is yours, there’s no denying

Hades’ song is about a man in an unwanted position of power, forever set apart with terrible duty and ability from the rest of his kind. But he was granted this broader perspective of the world for better or for worse, and I think the INTJ Mastermind type can relate.

Peaches Before Gold - ENTP

You earned the gold / You made the score / You saw a win and made it yours

Midas’ song cautions against ambition and greed trumping interpersonal relationships. While he gains unimaginable wealth, he becomes unable to show his daughter what he’s won. ENTPs can be prone to falling into a need to “win” above all else.

Down - ISFP

Death is no giant; it’s more of a king / Small like a tyrant, and just as inevitable

Sisyphus’ song details why he is condemned to roll a boulder up a hill forever. He was cunning and creative, and managed to cheat death more than once, for which he was punished. The ISFP’s individualism can sometimes make them believe that rules don’t apply to them.

The Dictator Remix - ENTJ

Lie on the chaise lounge while they lower grapes in front of you / Go on, keep chasing the high like the dictators do

Tantalus’ song is a mirror of Hades,’ showing a man who grasped at power his whole life, trying to cheat the gods, only to hurt those around him and damn himself. The ENTJ can be incredibly focused on success, but needs to understand humility to be truly powerful.

II. QUEENS

Friend of Fury - ISTP

You drew a bath of roses and you stood behind the king / You heard it then, the sound of blood when it decides to sing

Clytemnestra’s song depicts a woman taken advantage of her whole life, who finally breaks the chains of society to take revenge on her husband. The ISTP is an independent, practical soul who often thinks against the grain and is willing to take swift action, like this queen.

Upside Down - ESFP

You’re a creature of ego, oh Lady in the Chair / To see Aphrodite’s face beside your own could grant some clarity

Cassiopeia’s song tells the story of a vain queen who boasted of her daughter’s beauty above that of a goddess. While ESFPs can fall into the trap of vanity, they (like this queen) also have strong bonds with others, especially taking pride in their families.

The Queen of All The Ghosts - ESFJ

I was once like you / I was once a martyr, too / You, a sign of spring / Me, a warning of the justice I would bring

Persephone’s song gives a glimpse into the mind of Hades’ wife, and how her internment in the Underworld was more her decision than the myth leads us to believe. Like the Queen of the Dead, the ESFJ often makes quietly strong decisions for their family and for their own needs.

III. THE INNOCENT

Good Boy - ISFJ

If they would listen to your words and not the mouths that they escape / I think they’d love you, dear

Cerberus’ song is a sad one, but it’s also full of compassion. The three-headed dog is most often seen as a terrifying figure, but the narrator of this song sees him as an innocent. The ISFJ’s desire to care for others and natural gentleness is on full display here.

Falling From Grace - INFJ

So climb the stairs to heaven while I wait here on the ground / Paying no attention to the bodies raining down

Icarus’ song warns against perfectionism, following the story of a young man who up until now has easily navigated the patterns of life. INFJs are prone to god complexes due to their ability to see beyond the surface of life, but they may come crashing down if they are too reliant on it.

Coins - INTP

‘Cause the ferryman will take it from under your tongue / Doesn’t really matter if you die young

Charon’s song covers the ferryman’s singular interest in his mission: ferry souls across the Styx and receive payment for it. The INTP can become completely fixated on a certain topic, neglecting all else to puruse what they deem most interesting at the time.

Follow Me, Prelude - ISTJ

One, too bound to his lyre / And one who a liar kept in the ground

Orpheus’ and Eurydice’s songs are preceded by this very short prelude. While it’s the shortest song on the album (sorry, ISTJs!), the practicality of this piece lines up with the ISTJ’s. They are also very to-the-point, and these lines pack a powerful punch, summing up the next story.

Follow Me, Pt. 1 - ENFP

What you wanted was a mystery, even to me / Why do I follow you when I don’t even know where you’re leading me?

Eurydice’s song is the only one on the album from the subject’s point of view, rather than the narrator’s. The story of her open heart and innocent nature mirror the ENFP’s, idealists who may find themselves in the sad position of loving those who cannot love them back.

IV. THE GUILTY

Follow Me, Pt. 2 - INFP

Should I listen to men who would tear me apart? / I’m sorry, my love, but your face isn’t worth my heart

Orpheus’ song depicts his devotion to his art and ideals, and how that extends beyond his devotion to Eurydice. The fiercely individual and creative INFP needs to balance their focus on ideals with reality and relationships, which Orpheus has unfortunately failed to do.

Visitor - ESTJ

Hera saw it in your heart (she held it there herself, you know) / And so she knew how it could stain your darkest clothes

Heracles’ song is about the demigod’s disproportionate strength and rage, and how Hera manipulated both to cause his life harm. ESTJs are strong-willed and tough, and need to be careful of allowing their rigid tendencies to break the softer world around them.

Doomed - ESTP

Sitting on the head of your father’s coffin / Sitting on the bed while your mother’s watching

Oedipus’ song tells the story of a man told of his dark fate, who fulfills it in his effort to avoid it. ESTP individuals are bold, which can come at the price of taking opportunistic risks. Like Oedipus, they could end up acting on something with unexpected consequences.

To Cower, To Covet - ENFJ

Theseus, do you think of your friend in the pit? / Pirithous — condemned, while you got away with it

Theseus’ and Pirithous’ song shows the double standard of condemnation when a slight is personal rather than impersonal. The ENFJ is an idealistic leader who may, like Hades with these young men, hold others to a high standard - but who also may be too hard on themselves.

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phantaloon-books · 4 years

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I finally read The Tyrant's Tomb and boi I loved this one so much, so here's some my opinion on it (they're not in chronological order)

warning, this is long af and sorry for cursing a bit, I can't help it

Apollo's character arc is lowkey one of the best Rick has written, I'm sorry if you don't agree, but he's gone from wanting others to solve his problems and relying on the halfbloods to intentionally avoiding others doing things for him, volunteering for the quests and saying it should be him that faces the terrible stuff so that demigods and other creatures don't suffer

something really interesting is how his perception of himself has changed, and it's almost worrying how genuinely self depreciating his inner dialogue is, because he no longer sees himself as mighty Apollo, he sees himself as worthless and useless Lester, and his narration is highkey depressing

Also, Apollo disliking and being somewhat disgusted of the god he used to be, realizing the horrible things he had done and how horrible he was and that he looked worse as the former Apollo than as Lester, regretting things he'd done, that's top tier development

(I'm sorry but I love the entire scene with the ravens, the part where he just screams "I'm sorry" it feels as if he isn't just apologizing to the ravens, but to everyone who's been affected by what he's done as a selfish god)

Reyna so openly turning down and laughing at Apollo for suggesting they be together is my favorite thing ever lmao I couldn't stop laughing, like she knew what gods can do if you turn them down (even if it was just mortal Lester) and she didn't give a damn, it was so fucking funny

people say Rick only includes diversity for the sake of including it and to gain popularity, but I still enjoy the fact that he does, because as a teacher he must have had all kinds of students of all religions, colors and sexualities, he includes diversity because he's seen diversity. anyway my point is I love that we have Lavinia, a Jewish lesbian from a Russian family, and she's not ashamed of being any of them

I'm sorry I just love Apollo so much, I've grown to respect him so much, and even if Hermes once said them gods often forget their oaths and promises, I have a feeling Apollo won't ever forget Jason's request that he never forgets what's it like to be mortal

Frank still admiring Apollo despite everything, and despite the fact that he looks like a messed up teen makes me go all uwu

Frank being portrayed as this clumsy and awkward kid but also this powerful and brave leader is my favorite thing ever because I think Frank is underrated and I dare to say that he's one of the strongest demigods we've ever met, even stronger than some of the nig three children

the whole thing about the undead army is honestly so creepy, especially when we see it from Apollo's perspective cause se him slowly succumb to the venom's effect, and that part in Tarquin's tomb where he "calls Lester to be part of his undead" was genuinely disturbing, at least to me

some books in the past have touched the part of the nature spirits not being given enough attention, but I really enjoyed how Apollo comes to realize that he only worries about demigods and gods when all lives are worth the same - mortals, halfbloods, nature spirits, gods, and even monsters

again, I love Apollo's arc, it's just AHH he's becoming so caring of life it just makes me happy

Reyna choosing herself to make herself happy is everything, and inspiring to every single woman who is told by others that they need someone to be happy, I just love it, because self love is the most important love of all

I haven't said anything about it, but man I love Meg and Apollo's friendship, they just care so much for each other, Meg who's so scared of losing her loved ones and Apollo who's so scared of not being able to be loved or to love, but they still love each other, and I'm glad it's not romantic, because yes fraternal love is also what people need, and their friendship is what they need

aurum and argentum being cute doggos rather than the steely (no pun intended) and cold dogs we met in HoO warms my heart. I don't understand why they're so cute and adorable, or maybe that's just how Apollo sees them, but they seem to act like actual dogs in this book

the fact that Reyna never confirmed nor denied being attracted to Thalia just makes me all hyped up, like we love Theyna

Apollo just gives off Eddie Brock vibes throughout the entire book and that's hilarious asf. ever since the start he's said to look like shit, feel like shit and be injured with deathly poison that will turn him to a zombie. if that isn't Venom vibes I don't know what is

I've said it once and I'll say it again, Frank Zhang is one of the strongest demigods Rick has ever introduced in a series, and him facing two immoral and godly in power emperors, burning one to death with his own life fire and injuring the other enough for Apollo to do the final kill is top tier

"If I'm going to burn, I might as well burn bright. This is for Jason." bitch actual goosebumps

We've seen countless deaths before, but something about Frank killing Caligula and Apollo killing Commodus seems so... mature I guess is the word, or well for a more mature audience. I can't describe how or why, but it feels more real, more like actual human death

I can't deal with how human Apollo seems in this book gosh I really am sorry I keep bringing this up, but I feel such warmth

the story of how Frank overcame his curse is actual BS and as much as I love Frank, it makes no sense that they spent all that time thinking of ways to keep the wood secure only for this. idk I mean id that were the case wouldn't the curse had vanished when he broke Thanatos free? he was willing to die then just like against Caligula, so why now but not then?

Don reincarnating into a laurel is peak bittersweet feeling and it actually hurt because in a camp where fauns were seen as dumb and useless, he helped Lavinia organize everything and destroy the canon things on the yachts

I'm still not over Jason's death, he really did deserve better. It makes sense, plotwise, because out of all of the huge characters from the past, Jason, Percy and Annabeth's deaths would impact others the harder, and push them to do better. And I understand that you gotta show, not even the main characters survive sometimes. Still, I'm hurt.

Thalia talking to Apollo during the funeral for the fallen campers made me actually weep. I'm not sure if it was because of Jason, or when Thalia talked about how much Artemis loves Apollo, or when Apollo "accepted" halfblood children of Zeus as his family

Also, you know who deserved better? Harpocrates, damn right he deserved better. I nearly cried when I read his death, cause he embraced it like one would an old friend in happiness. He and the Sybil deserved better. Dakota also deserved better

On the other hand, I tried so hard not to laugh at 2 am as I read Tarquin demand answers from a cat? he genuinely thought a cat would tell him where the Sybilline Books where and I couldn't handle that

This book is cruel but in a much more human way? The maiming of the pegasi wings? that's horrifying, but in such a human way, unlike what we've seen in any of the greek/roman gods series, and it's unsettling

Meg is braver than any of the other demigods were at that age (maybe excepting Nico), cause she's not embarking on a quest to retrieve an item or rescue someone or bring back their sister from the dead, she's facing her own abusive father while aiding a somewhat weak mortal in releasing the oracles and gaining godhood back. what's she getting from it all? absolutely nothing, she's gifted some seeds and she hangs out with unicorns more than other people and she's lost everything, but she's willing to lose more to help her friend. she's heroic like no one else is, because she's the first who doesn’t want anything more than being with her friend (Percy wanted whoever was taken back, Annabeth wanted to be able to be more, Nico wanted to bring back Bianca, even Bianca wanted freedom). the only other person who didn't have somewhat selfish (but kot wrong) interests while doing something heroic at a young age has been Hazel. What I mean is I love Meg and everything she does

Thalia being that chill over Jason's death bothers me so much, as if she wasn't the happiest when she found out the brother she lost 14 years ago was alive after all, and she had a part of her family back, and it was ripped from her, and Thalia is just not one to easily forget or move on from things, it's just unrealistic that she would only need a little furious session of throwing things to be okay with Jason's death as if her brother was not just taken from her all over again. it's impulsive Thalia we're talking about, who fought Percy when dealing with Annabeth going missing, it's just not her to be over his death that quickly. Sorry for Rick but I think differently

I also kinda don't like that Tyson went from being freaking General of the Cyclops, to the guy that has the Sybilline prophecies or whatever, it's important and all, but he would have been of great help during the battle and they had him waiting for help in the shrine hill like his potential went down the drain

but a thing I really loved was how different Camp Jupiter seems from Lester eyes compared from Percy's or Hazel's or Frank's perspective, it's hilarious. The other three see this place where everyone is serious and shit but Apollo just sees beyond the seriousness and it's actually refreshing, cause he's the first not to make CHB seem immature in comparison and like I said before I hated that in previous books

also Reyna laughing watered my plants, cured my depression, and made the world okay again, I just love her

all in all, this is my favorite book of ToA so far, and I'm really excited to see what's to come, and how Apollo and Meg will face Nero and Python, but more than anything I'm looking forward to what will happen to Apollo, and whether if given the choice, he'd go back to being a selfish god or remain mortal for a while, with his newfound friends

Also I really miss Annabeth so can I please see Annabeth, I just want to see her cause she won't deal with Apollo's shit and I can't wait to see that, I miss my girl

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