gotta say, the new dw intro really scratches my brain just the right way

So I'll start with the fact that I am, indeed, a fan of Chibnall's era. I am an even bigger fan of the 13th Doctor. I'll also start with the fact that I quite literally grew up with RTD's writing and loved Ten with all my heart. But now I am an adult and some of RTD's writing has left me a bit scared. Here's my "live streaming" review on The Star Beast. SPOILERS BELOW!

I'm going in order of how I processed things, so it's gonna be chaotic. My first essay is this: You know why this post is so long? It's because we're not livestreaming things anymore. I'm not immediately with other fans in real time, typing out our little posts. I'm quite literally doing this at my leisure. I'll miss watching DW live. Now then, in order! 1. The music? Ten out of ten. I have always loved Gold's compositions and he did not let us down. And this opinion is only being generated from the new(er) theme song. Which leads me to...

2. Look at the B U D G E T. Even the opening credits has a budget that you can just FEEL. Those stars/galaxies? Very nice... And then I have to chuckle over the low level lighting / 2000s era effects of David Tennant's full profile voiceover of Donna and his story.

3. Him taking the boxes, seeing Donna's face, and slowly putting the boxes back is an RTD special and I LOVE that kind of comedy. It just makes me chuckle. And then him having a full blown panic over hearing Donna shout "Rose!" which... 4. Having these little call back moments feels rather bitter since we're calling this a reboot of the show. UNLESS the reboot is when Nucti starts up? But the fact that I'm confused just shows how bitter I should be. Again, my Chibnall love is showing. I don't believe in yet another reboot for DW, but that's a marketing thing over anything else... I hope. 5. I'm glad the 2000s Rose/Doctor shipping era lives strong through the name Rose. I know those fans are going to be happy and they deserve it. 6. NOW... Donna having a family. Okay. I'll have a separate post but... Does anyone else think that Donna having a husband just doesn't fit for her? Especially with her memories erased? Idk, I just never envisioned Donna getting married after the whole Lance thing. BUT I'm glad she's happy and the husband seems so nice. 7. Donna giving up that lottery money? Also strange considering she lost her memories. The first time we meet Donna we get this feeling that she's a bit shallow, which makes sense because she has to develop as a character. That was her character development so here KEEPING the money would have made more sense here. Which...

8. Rose. That's all. She's great!

9. Hey, can't help but notice, but when did the 14th Doctor have time to make a new screwdriver, huh? What gives? AND - AND there's not a single hint of 13's sonic on there. HMM. What the heck!

10. FORGOT SOMETHING. Whatever the line was "that says mistress" "Oh, catch up, will you?" I don't know how to take in this scene quite yet, but it's making me pause. It felt... Off kilter. Maybe cause I love 13 so much, I don't know. There's always callbacks to other faces when the Doctor first regenerations, but this felt... Wrong? Also, TEE HEE my mind went to Missy IMMEDIATELY and I love that little connection my fic writing brain is going wild.

11. WHY DOES UNIT HAVE SO MUCH MONEY???? Look at this uniforms, holy cow! I almost don't like it? Like, they're an underground agency. WE JUST SAW THEM GET DESTROYED BY CYBERMEN IN THE POWER OF THE DOCTOR. Are we just ignore that entire episode or...?

12. Donna not being able to keep a job? Yeah, THAT one I believe haha.

13. "I will burn down the world for you, darling" says Donna Noble to her transgender kid. WHICH IS AMAZING, WHICH MADE ME SMILE SO WIDE I WAS HAVING A PARTY IN MY BRAIN. There's my Donna! 14. "Gramps used to talk about flying saucers" oh god my heart. I teared up a little, not going to lie. Wilf, I think about you every single day. You made the Doctor the person he is today.

15. MEEP IS SO CUTE. OH WOW. I know "evil" is coming but SO CUTE RIGHT NOW.

16. To go from some excellent animatronics from the Meep to whatever those alien, fly things are was HILARIOUS. What, we'd run out of money for those costume's? Were they meant to look like a typical RTD alien back in the 2000s? How does that work?

17. WHAT THE ACTUAL FLYING FUCK WAS THE SONIC DOING. Wait, did Disney give the sonic some magical powers? Why are we suddenly writing in the air? How are we getting readouts of the ship from the sonic like that? Could it do that before? Why would we not do that before? I'm dying that's so funny.

18. Shirley seems cool!!! I hope we get more of her! And I love the nod to PROPER representation. Chibs did a good job of that as well. Edit: REAL representation! Good on RTD. The scene with the stairs and she says "don't make me the problem"... I am not a wheelchair user but I do hope that was properly done. 19. "I absolutely love her [Donna]" LOOK AT 14 HAVING FEELINGS! Aww, I hope 15 follows through with the feelings! 11, 12, and 13 have been so locked up, so scared to love... Having a Doctor that's ready to loudly embrace their love for things would be such a good character development. (My fear would be RTD ripping that away in the most tragic way possible, but that's a future problem I suppose).

20. I'm at the scene where Rose is talking to the Meep in the shed, and just, again, THE MUSIC. We did have some good musical moments in 13's era but, even I have to admit, nothing as pretty as this. It really is something, round of applause once again.

21. LISTEN. L I S T E N. I don't condone slapping the Doctor. I don't. In fact, it's wrong. It's very wrong. And you can't slap 13, can you? So slapping 14 shouldn't make sense. It's the definition of sexist. It's just not something you should do. BUT. B U T. Jackie's "stitch this, mate" is always in my head and now THIS "here we go again" after Sylvia gives the Doctor a good slap... I laughed, okay? It was funny! But really, in the good year of 2023, there shouldn't be comedy like that. That joke should have died. BUT I LAUGHED. So I'm to blame as well.

22. "Never mind about the ferret from mars." I LOVE the mars callback from Donna, thank you very much.

23. Kate looking after Wilf damn near brought tears to my eyes. Kate, you are the real hero of the DW universe. Thank you.

24. This is... This is gonna be another post. But. Okay. So. The whole "you're assuming he as a pronoun". Right. Okay. I know groups of people that talk like that. Both online and in person. Personal life spoiler, I work(ed) in musical theater. I've seen it all. I, personally, do not like this whole... "Let's be really obvious about it" thing. And also highly believe in someone else first telling me, when it fits, what their pronouns are. Having someone pull the defensive "YOU ASSUMED" crap doesn't work because humans don't think like that. It's a whole other rant, but yeah. This felt forced and I hate when shows do that. Representation is important but FORCING that representation doesn't help.

25. what's the. what's the sonic doing. what. how'd it. we got lines in the air. we got unbelievable shield. we. he waved it like a wand and now. what the. how'd. (Yo, not me head cannoning that this is 13 banging around in 14's head demanding that they have a better way to protect their friends. Love it). I WILL HAVE A LOT MORE THOUGHTS ON THIS.

26. DW has money now. That will continue to blow my mind.

27. "This is a sonic screwdriver and if it's good at one thing, it's resonating concrete". Oh yeah, Doctor? I'd like to bring forth you, never once, being able to do it. Not once! (And now it's good at creating magical shields and complex, alien holograms, but that's point #25)

28. Where'd in hell's name did he get that wig and how soon can Donna throw it out a window?

29. MEEP YOU - YOU UTTER AHOLE. Man, it was SO CUTE

30. O k a y. I take back, holy crap what point am I on? I take back point #7. So there's some of the Doctor left in her, eh? That's why! I dig that. I really, really dig that. Sorry for being a downer, that was my mistake.

31. I too can come up with technobabble bullcrap that means nothing. I sometimes think that's RTD's biggest failing, his incessant need to over describe things. EDIT. JEEZ, a good five minutes later as we're STILL talking gibberish.

32. Hey, I see you "glass wall between Donna and the Doctor" and raise you "glass wall between Wilf and the Doctor". OW. I demand emotional compensation!

33. Listen, I just got over 13 keeping every. single. emotion inside of her. She never raised her voice, she never really cried, she never had a chance to just scream and yell and be angry at the universe. The fact that there's 14 RIGHT HERE, screaming, because to save Donna, he has to lose her YET AGAIN. Just angry and devastated and grieving... It's a stunning scene, it's a scene that makes sense, but my 13 loving little heart says that this is 13's moment to be angry and it was taken from her.

34. Also, ha, I know Disney bought DW, but did we just "Winter Soldier" Donna Noble. We gave her trigger words to keep her memories at bay? Really?

35. "Hold on a minute," said in Ten's/Fourteenth's voice... Was that.. Was that ELVEN'S theme music while Donna was being, well, Time Lady Donna? Because that was... That was GOLDEN. How amazing is that? What a great idea!

36. You MONSTER, RTD, making Fourteen hold Donna the same way he held the Master? What the hell is that about?

37. The.. The nonbinary, but binary. I... It's... Something! Okay, I'll get there. I'll have a post about it. Maybe. But. Yeah, it's something!

38. DOES UNIT HAVE AVENGERS *cough* sorry it's been a while for Marvel me *cough* STARK TOWER. WAS THAT STARK TOWER? Damn, Disney, you really did bring us back to superwholock Avenger's "Clint in the vents" era, huh?

39. "It's a shame you're not a woman anymore, because she would have understood... Something a male presenting Time Lord will never understand." You can't... You can't do the whole "nonbinary" thing and that just immediately point out gender like that. What. The defeats the entire purpose. The whole point you're trying to make is that gender DOESN'T matter, and yet... And the Doctor has always, always been nonbinary. I refer to the Doctor as "they" when speaking as a collective whole, and many of us have done that. I use pronouns when talking about specific Doctors because humans have always used pronouns. Again, 11 and 13 have made mention that gender has NEVER mattered to them. I just... You can't be poking a bear and then expecting the bear to not to come after you if you've changed the poking object from a stick to a teaser.

40. I gotta laugh that Rose and Donna had the most peaceful "regeneration" we've ever seen. Somewhere in there, a Doctor or two is screaming lol.

41. Oh... The TARDIS is ugly. DON'T HIT ME. STOP HITTING ME. I MEAN It. Not, for real though, Oh my god, what. Why. The colors. Or lack of colors, really. What the fuck. Where's the... Where's the personality? Where's the sass? I've loved every single TARDIS change but THIS... This is a hard one to swallow.

42. The TARDIS having an shit fit over Donna spilling coffee on her is WONDERFUL. That's so funny to me. With everything she's been through with 13, that was just the best way for her to get her revenge! All in all, strange episode, yeah? I mean, what WAS that plot? It was really more of setup for the next episode, and double really meant to reunite ten and Donna, which was well done, but also... Why? It just felt a bit all over the place but very much cushioned by nostalgia. I'm done now. My fingers HURT. As always, and as I say in all my fics, I'm here if you want to chat. Reblog this, PM me, tag me in stuff!

alright the thing is. listen i love chibnall's commentary on empire & power but what really caught my eye this episode was bel's story, & the way it parallels my (our?) experience of the pandemic. i know people have touched on this before, talking about the general themes this season deals with & especially the isolation vinder seems to have endured for however long he was stuck in that outpost, but with bel it's just so on point.

i mean her first scene has that speech which just kills me, about how "the biggest changes to our lives start small; catastrophes creep in quietly. & by the time you realize, the life you once had is already behind you." this could not more obviously be about the pandemic, but just to really reinforce it we have that shot of her hiding from the daleks only just passing her by, talking about how there's no one with the ability to stop them spreading to regions that she thought would be safer. the maps don't matter, nowhere is safe, & the days ... we see how the days slip away from her in totally unpredictable ways.

then there's like. okay maybe (definitely) i'm reading too much into this one but that first appearance of those tiny evil blue swarms. bel catches sight of them & clearly knows that her best option is to stay where she is, her only option is to wait it out, but she sees those people on the other side of the field & they make a different choice, try to outrun it, & they die. & her body language when she realizes they're running for it - she's shaking her head at them, not in disapproval but in an attempt to communicate that they shouldn't do that, but either they don't see her or they don't listen. & she has to watch these people she doesn't even know run towards their own deaths bc she's on the other end of the field & it might as well be the other side of the planet for all that she can do to stop them.

next sequence again has a voiceover that takes me out at the knees. "it feels like the last days of the universe ... & here i am, still doing what i do [...] who'd have thought that one thing could do so much damage?" who doesn't relate to that in this day & age, as we live through at least three separate end-of-the-world-as-we-know-it scenarios & just. try to live our lives, to keep moving forward through the mess, & hoping that the darkness won't sustain & we'll see each other again soon. bel has a lot of agency but she what she doesn't have is power, which limits her agency in ways that aren't very obvious at first glance? she can't stop the bad things from happening, all she can do is watch & work to protect herself to the best of her ability. & she is very able, but she doesn't have the power to protect others, & i just. fuck, i relate, okay.

& then the. that conversation with the cyberman, my god. this whole time in the backdrop of bel's story there's been this situation where. the universe has ended, pretty much, & yet these imperial powers - daleks, cybermen, sontarans - these ridiculous imperial powers are still squabbling over things that don't fucking matter when it's the end of the universe, jesus wept. bel is so cathartic for me in this scene bc ... rule what, exactly, why does any of it matter when there's not going to be anything left!? why are they acting like nothing has changed, like what they thought mattered before is still what matters now, how have they not realized that the only thing that matters is love? the only thing that matters is each other, is compassion & connection & working towards a kinder tomorrow. love is the only mission, idiot. tell me it doesn't all sound so familiar you want to scream.

the last scene is where we find out about her connection to vinder, & her pregnancy. i admit, this one made me cry. being apart from the people you love is always hard, especially when it's not your own choice, but when it's during a major catastrophe & you don't have anyone else & you're just alone? oh, i felt that. i felt so isolated, & sometimes it honestly felt like all i had of the people i wanted to be with were memories that i was wearing out with how often i revisited them. how many people were separated for months or years bc they couldn't be in the same place? i didn't see my grandfather for eighteen months bc even if i'd been willing to risk bringing something into his home, we live in different countries. my grandmother died & i wasn't able to attend the funeral that was taking place a two-hour drive away from me. i cannot fathom how much worse it would have been if i were going through something as major as a pregnancy alone, without even my partner there to support me.

i just. bel's story fucking got to me, okay?

[initial reactions] Doctor Who - Revolution of the Daleks

TLDR: I liked it! But I do have some nitpicks. But bottom line, I liked it! Especially the exit! 

Apologies going in, if it’s rambling and incoherent.

First off, I’m going to get my criticisms out of the way:

- They really need to hire these two people:

a) Sensitivity readers

b) They need to have people of color in charge of casting. Andy Pryor has done a great job casting people but. Since they opened up casting more actors of color to be more diverse... most people in guest roles die. So it ends up being Not A Great Look.

It’s the kind of breezy: We’re hiring more actors of color without really considering the optics of it. Colorblind casting in this way shouldn’t be colorblind. More diversity behind the scenes is needed, especially in casting.

Colorblind casting isn’t representation. Execs have to consider how it looks that a black man is helping create ‘Security Drones’ for the government.

c) I get why Jack Robertson lived, and I’m actually okay with it because I know Chibbs is going somewhere and he’s interconnecting Specials to be their own kind of continuity, so next Special or series we will have Robertson appearing. But I can’t believe the Doctor believed Robertson. Unless she’s really learned from not interfering with politics, but man I wish there’s more vindication to that. I do have a sense of where this is going though, more on that later.  

d) I wish they’d gone harder with the Dalek = Police thing.

e) I really kind of wish the Doctor escaped on her own.

And now for my thoughts and the happy!

RYAN! I LOVE RYAN. I LOVE RYAN BEING EMOTIONALLY MATURE AND PUSHING BACK ON THE DOCTOR. It felt... earned that they do and, Ryan’s always been the more hesitant of the three and the more grounded. I love that it’s Ryan that the Doctor confided in, I’ve always felt like Ryan was the one Thirteen connected to the most after Grace died. And I love his development, ever since Battle of Ranskoor Av Kolos Ryan is the first to quote the Doctor back to herself from the guns rule and now here to ‘New can be scary’, reminding the Doctor of her own words.

But also, I love that Ryan felt more connected to Earth, with his friends. Yaz was always the one who looks to the horizon. I like that Ryan pushed back on the smokescreen the Doctor tried to put up. Ryan was tired of the smokescreen. He had 10 months to work on his feelings about it and realized... he liked being home.

I wish we saw more what they were doing at home, like what Chibnall wrote for the Ponds in Power of Three. I did see this was his arc he was building to.

I liked that Graham was torn but eventually his loyalties are with Ryan.

I honestly think the fam thought the Doctor was just gone for a week, her time.

Also: FINALLY A COMPANION EXIT WHERE THEY’RE THE ONES WHO WALK AWAY. And because it’s time.

NO MORE TRAPPED IN A PARALLEL UNIVERSE OR DYING OR BEING CONVERTED PLEASE. Anyway, that is why I was vindicated because I was getting pretty antsy at all the twitter posts almost gleeful at the thought of companion death.

Nope. No more please. No more world ending, universe ending, heartbreaking ends. I want a Jo Grant walk away, and that is what happened. (Er, I hope we don’t get a Tegan leaving from Yaz, though. Sad and disillusioned walk away).

Yaz. Oh, dear, Yaz, who seems to have tossed her career away running after the Doctor’s shining star. I loved her conversation with Jack, he was a nice contrast and sounding board. Also, Jack was much kinder to the Doctor because they didn’t miss each other, the Doctor (according to RTD’s retcon) deliberately left Jack on Satellite Five.

Yaz is willing to run and jump without looking because of the Doctor and I love that we got her feelings about this.

And, of course, the Doctor. The moment Ryan said she missed 10 months, I felt she knew the clock was ticking on her ‘fam’. She’s trying to be good to them and do right by them.

(The Doctor knows Ryan’s ready to leave, she knew it. She’s trying to be in denial about it. But she knows).

It’s a small detail but when she processed the ‘ten months’ bit, she quickly looked to Ryan. Because if it’s one of the subtext things around is that she wanted to be a better father to Ryan than his real dad. But she still skipped out on him unknowingly.

The way he just brushed it off, because the worst part is. Ryan is used to it.

It’s sad that the Doctor opening up to the fam was brought on after a decades’ long solitary, and probably a promise to be better. But, she calculated wrong, or the TARDIS deliberately chose to go to that time. Whatever the case, just when she’s opening up to them is when Ryan decided his time with the Doctor was at an end.

God, the moment when Thirteen said: “Mostly... angry.”

I felt this. hard.

I think it was @ssaalexblake​ who mentioned that Thirteen acknowledging she’s angry might help with all of Thirteen’s repressed anger issues. And I think these are baby steps towards that.

She’s actually been so angry for so long, but she kept pushing it down. Like I said, Thirteen, in a way, reminds me of Raylan Givens of Justified. People think he’s mild mannered, but as his ex-wife amicably opined, Raylan was the angriest man she knew.

And I feel this for this Doctor but at least, now she’s addressing it. The first step in fixing a problem, is identifying the problem.

This was made in 2019. Thirteen being in a repeating lockdown felt very 2020 to me. The things that made me go: Oof, was the Harry Potter thing, the Doctor’s always loved HP. Unfortunately it’s post-2020 hindsight where we go: whoof.

I love Thirteen still mouthing off and being obnoxious towards other Doctor Who baddies. The Weeping Angel thing is cool and so are the Silents. BUT ALSO THE DOCTOR CALLED THE P’TING TINY! AND SHE TRIED TO EAT THE PRISON BARS. 

And then, of course, being more obnoxious with the Daleks. It’s pretty clear the difference in rawness of the Doctor’s feelings for the Daleks and the Cybermen. The Daleks’s an old ember. Her feelings for them are ice cold. A purity of feeling. The Daleks are evil and she has no compunction on killing them, the Cybermen? More personal and a raw nerve.

She’s willing to be cold towards the Daleks. 

I really like that Yaz has more skin in the game, and she knows what she can lose now. And after her talking with Jack, after seeing his perspective on it, and from his words knows that sometimes the Doctor just disappears from people’s lives.

And I love the pushback:

Skewered.

But true because she is trying to stay still and be with the fam and not leave them. But the unfortunate truth is, the Doctor does run away, and the Doctor does leave people behind and a lot of the times, the Doctor doesn’t come back because they’re an emotional coward.

The thing about Thirteen is she’s probably the longest of the Doctors to not disappoint her companions. She’s always managed to stop bad guys and always been there for them.  It’s an impressive track record for the Doctor. She’s built herself up in their eyes as someone they can rely on, and then she failed them by not getting back to them in time.

It’s not her fault, and none of them know how long it’s been for the Doctor, by the way she’s asked them I feel like they think she’s only been gone for a week.

Honestly, I’m impressed how the Doctor didn’t make it about her -- being in prison for longer than they thought. She’s looking at it from their point of view, because she already knows what big leaps in time would affect her friends.

TBH Revolution of the Daleks felt like shades of Last Christmas in that the Doctor regretted missing out time with her companion/s. In Last Christmas, the Doctor got his time back with Clara, in RotD, time passed.

Back to the Doctor and the Daleks tho.

This reminded of Twelve’s: “You are monsters. That is the role you seem determined to play. So it seems I must play mine. The Man that stops the Monsters.”

(Look, Chibnall’s Moffat references aren’t as sledgehammer, but he does reference a lot of Moffat’s things.).

Except with Thirteen, I’m actually more terrified. Jodie does this thing where her eyes goes black and she kind of disappears into herself, this is what happened here. This promise isn’t actually good IMO.

This is not a comforting face. This is a ‘I’m gonna kill a whole boatload of Daleks face and I’m not sorry, in fact I might enjoy doing that’ face.

(And, a brief aside to Robertson, I feel like the Specials have their own kind of special ‘movie’ continuity and more of his story will play out in the Specials, where hopefully he will get his comeuppance because, to me, I feel that’s where it’s going. This is more groundwork laying.

I don’t like it when the Doctor interferes with Human affairs, especially government -- because look what happened with Harriet Jones and how the Doctor broke the Golden Age. Also, I don’t want real world leaders to exist in the Whoverse because I want them to have a completely different track from us. So. Yeah, New Year’s Specials have their ongoing storyline. I’m actually not mad about it, and I enjoy Mr. Big’s performance. He’s a sleezeball. A sleezeball that knows more now. (He isn’t T rump but he isn’t better either). At least I find him enjoyable and not outright offensive. I’m okay seeing him again for the next Specials. I hope next time he does get his comeuppance.)

Now, the goodbyes:

 The HUG.

We’ve been waiting for the Doctor to be more physically affectionate with the fam, and it took the Doctor being locked down for decades (maybe?), and Ryan and Graham leaving for her to hug them. And we’re all right, Thirteen gives great hugs.

The feeling Thirteen’s been running away from is here, sadness. It’s good that Yaz decided to stay other wise... she’s just going to run headlong into forgetting her problems, Doctor Style.

And again, learning and re-learning things: ‘It’s okay to be sad.’

Oh, Thirteen.

(Before Twelve, I don’t think I was this sympathetic to the Doctor -- no wait, I was with Nine. Ten and Eleven tested my patience but it’s with Twelve and Thirteen where I’m 100% invested in the Doctor.

I also love that they’re kind of soft touching the Timeless Child thing, and as someone on twitter mentioned, this feels like an examination of an adoption story. The Doctor is going to search for their identity, their home).

I honestly wish Jack stayed in the TARDIS with Thirteen and Yaz. Jack’s a great balance, especially pushing back at the Doctor and her tactics. Her NUCLEAR tactics. I am glad that the Doctor’s still a dick to Jack, not much of an asshole as they were when the Doctor was Ten but still a dick.

Also, one thing I really love about Barrowman is that when he’s in Doctor Who, he knows it’s not his show and he doesn’t showboat, and the man can showboat. 

I’d rather Jack than random guy that I didn’t even know was gonna happen until very late.

Anyway, TLDR to all this: I enjoyed this very much! Still a lot to be parsed through in things that needs to be parsed through as I mentioned, but on the whole? I loved it.

Chris Chibnall ruined Doctor Who

Doctor Who sucks now. I’m sorry for starting this off with such a blatant statement, but we all know it’s true. And this angers me so, so much, because it used to be one of my all-time favorite shows, and now with a female lead it had so much potential, lost in shitty writing. Here we go.

I have to admit, I used to be one of the people against changing the Doctor’s gender. I thought it would be weird, that they were only doing it for PC reasons, etc. I changed my mind since then, but needless to say, I remained disappointed. I think that a female Doctor would have been a refreshing take on the character, it would have shut up people (like me at the time) and it would have made a lot more people take interest in Doctor Who. Jodie’s era could have been amazing, magical and revolutionary. But alas, here we are.

Jodie Whittaker’s first episode was watched by a little over 14 million people if I recall correctly. But why did the show fail in keeping that number? Simple: the writing sucks. Chris Chibnall is not a good showrunner. He took elements he knew of Doctor Who and tried to copy them, without understanding what made them special.

Let’s start with character development. The Doctor. There was a moment in Spyfall when Yaz says: “what would the Doctor do?”, and for the longest moment I thought… “what would this Doctor do?”, which is NOT something I should be thinking this far in Jodie’s run as the Doctor. It’s all been oh’s, wow’s, unnecessary exposition and not a single truly emotional moment, one that makes me feel like I know or relate to this Doctor. I feel like they tried to make a sort of female Eleven without everything that made him special. Jodie said multiple times “yeah, I can play an alien”, and of course, she could have. But the problem it’s not just about playing an alien. The Doctor is an extremely complex character, with extremely complex emotions. Emotions we are yet to see from her. And I am not saying she isn’t a great actress. I absolutely loved her in Broadchurch, a show that was also run by Chibnall. She is capable of showing emotional range. So why hasn’t she? Shitty writing. My guess? Chibnall is scared of criticism saying that this Doctor (a woman) is too emotional, criticism that wouldn’t have existed in previous Doctors' incarnations. Which is bullshit, and also leads me to my next point: the companions.

Having three companions may have sounded good in paper, but the reality is that none of them has had enough screen time to properly develop as characters. My guess? In the eyes of Chibnall (and probably the BBC, I don’t know), a team would lessen the controversy around the new Doctor. But they didn’t bother with them.

If someone asked you to describe Yaz or Ryan’s personality, what would you say? …Exactly. The only one worth watching is Graham, and even he hasn’t had a proper storyline. They tried to show more of their struggles in Can You Hear Me?, but here’s the thing. It is far too late in their arcs for this. At this point, it just felt way too forced. As someone with depression, It would have been great to see more of Yaz’s struggles with it, but just one episode is not nearly enough. Also, she connected with a police officer who we are never going to see again! Don’t you think it would’ve been better to see this development in her relationship with the Doctor? NONE of them have a strong friendship with her. They just say she’s amazing because she takes them places and shit. Not because they actually want to spend time with her. What are Yaz’s reasons to be there? She wanted to be more than just a cop that gave tickets, she wanted to help people, yet she just…left? And she has mentioned being a cop like, once since then. How does this make any sense?

Ryan was supposed to have dyspraxia, which hasn’t been mentioned since the bike thing, I think. It would have been great to see this being an actual part of his character and seeing him coping with it whilst traveling around in space and having dangerous adventures. But nope, they completely forgot about it, as well as his Youtube channel. Also, what are his motivations, his ambitions? Why is he there? In Can You Hear Me? we learn about his friend’s struggles with mental health, but again, shouldn’t it have had more impact coming from Ryan? A character we are supposed to care about at this point?

As for Graham, like I said, he’s the one with a more formed personality. He’s a goofball, he worries about the “kids” of the group, he’s a father figure. Great. But the problem is they presented him as wanting to travel with the Doctor to get over his grief, but they hardly show any of it. And there wasn’t any hint throughout the first season of him having any sort of thirst for revenge, so him wanting to kill Tim Shaw just came out of nowhere. But my biggest problem this season, was when he was opening up with the Doctor about his fear of his cancer returning and she just… said: “I’m sorry, I’m still socially awkward”???? WHAT THE ACTUAL HELL? There’s been plenty of times that we’ve seen this awkwardness. It is ALL we’ve ever seen from this Doctor. This was NOT the time to say this. This could have been a beautiful way for them to connect, to show more of the Doctor’s emotional side, yet what we got was a “suffer in silence bro, I’m so awkward lol”. REALLY? The Doctor has always shown compassion. Even if they don’t understand what their companions are going through, they are always there for them. Why would the writers think this was a good idea? It’s infuriating. 

I’ve been watching a LOT of Youtube videos talking about why Chibnall’s run has been a disaster. I really liked one called “Is the Doctor a hypocrite?”, by B-WHERE. In the video, they essentially say that this Doctor’s moral compass is a mess. In Arachnids in the UK, for example, she somehow thinks locking up all of the spiders and letting the queen die suffocating is more humane than just killing them quickly, which is what the villain does in the end. Ummm? Okay? Listen, the Doctor has always faced difficult moral decisions, even scary ones, like in the Family of Blood two-parter. But as the video says, they’ve never claimed to have moral superiority. And maybe this could have been a more distinctive flaw in the character, a flaw that maybe her companions saw and disagreed with. Like Ten’s wake up call at the end of Waters of Mars. But no. Again, it’s just plain shitty writing.

Ok. Now... The Timeless Children. Jesus Christ. There are so, so many reasons this was the worst thing to ever happen to Doctor Who, but y’all are probably wishing for this rant to be over, so I’ll just mention two.

In over fifty years, we’ve NEVER needed an origin story for The Doctor. The show is called “Doctor Who” for a reason, the question that should never be answered. And they just go and shit all over one of the most beloved sci-fi shows of the twentieth century in a single episode. Again, this is mentioned in several videos, but I thought the same thing right after watching the episode: making the Doctor another “chosen one” goes against everything the show represented. The Doctor was an ordinary alien who was not very good at the Academy, ran away with a stolen TARDIS because he disagreed with the Time Lords way, and couldn’t even control where the TARDIS would go at first. The Doctor is an idiot in a box. The Doctor helps because he wants to; because it’s decent and kind. ANYONE could be like the Doctor. And now, it turns out he’s always been special. The Doctor is the reason why Time Lords regenerate. The character is basically a god now. Why is this a bad thing? This changes EVERYTHING, and yet, it WILL CHANGE NOTHING going forward. Ruth’s Doctor says so herself, it doesn’t change who the Doctor is. Oh, but it does. It changes who the Doctor WAS. None of it matters now, none of their sacrifices, it meant nothing. That’s what makes this so heartbreaking. And I had so much faith in this season. I actually enjoyed a few episodes, like Nicola Tesla’s Night of Terror. I thought they were going down the right path. But Chris Chibnall has ruined my favorite show in just one episode. My only comfort is that there’s still plenty of Classic Who episodes I haven’t watched. Those will be the ones I’ll look forward to. 

(Also, that’s nOT HOW REGENERATION WORKS! IT DOESN’T BRING TIME LORDS BACK TO LIFE! IT HEALS/PREVENTS THEM FROM DYING WHEN THEY’RE IN PHYSICAL DANGER. GOD, CHRIS, WHY ARE YOU SO STUPID!) Okay, rant over, deep breaths. Thanks for reading!

HOW CHIBNALL PISSED ME OFF

I have been away from Tumblr for years, but here I am now. The reason for my return is simple: Chibnall pissed me off and Facebook is not the right place for a a rant like the one you are going to read. Posting it on twitter would make more sense, you say? Probably. But I have no time to count words. I will start with why I had high expectantions on Chibanl and then I will explain how he shuttered every single one of them. 

1. When I heard Chibnall was coming after Moffat I was happy. I have always had that twisted relationship with Doctor Who where I loved the adventures, the adrenaline, the jokes, the discoveries, the aliens, but I also loved the feels and angst that came with the Companions and the Master. I had seen Broadchurch, so I “knew” Chibnall, I was sure enough he would not mess around. I was so wrong

2. Female!Doctor. Not a fan. Nu-uh. I have never felt the need for a female Doctor. There were plenty of great female characters in Doctor Who, both in the Classic era and the New era. Every single one of them had their own personality, their own skills and flaws. It was great, because they were actually people. Doctor Who was the first show that I watched where I didn’t get annoyed by female characters. They were strong in their own ways, and that didn’t mean being a super killing machine without special fighting skills. They were real and they were fundamental. Without them the Doctor lost his moral compass and we saw that more than once. So no, I didn’t need a female Doctor, I was alreay represented by amazing women in the show who were not less important than him. Moreover, I have no problem feeling represented by a man, I mean... men are still people, they have feelings and I am capable of understanding that. It’s called empathy. I am not so stupid that I cannot relate to a character only because they don’t have my genitalia. 

3. Lack of imagination. Another problem I have with a female Doctor is the same I have when authors remake characters, when they change gender or ethnicity to a character to give people representation. It’s insulting. You are basically saying that you are not capable of creating a new character for that minority (being women, an ethnic group or disabled people) without using a pre-existing character. It means that in your head, to detach yourself from the negative stereotypes, you need a white male model because you are not able to imagine a minority character without those flaws on your own.

4. Companions: Graham was fun compared to Ryan and Yaz, but if we compare the Companions to the older ones, the new ones lose. And lose real bad. They left me nothing. They characterization is non-existent, they follow the Doctor and that’s it. Ryan should have disability but it appears only when the screenwriter remembers. Meh. I don’t have much to say about them, they really didn’t left any impression on me. I was not fond of Martha and I can list reasons why, I couldn’t stand Clara and I can go on 30 minutes saying why. These new ones are just... meh.

5. The Doctor. I didn’t see him... her... them. Let’s start with a note: I saw Jodie in Broadchurch and I didn’t like her there, so when I found out she was going to be the new Doctor, I was not amazed. If it had to be a woman, I would have preferred someone else, but anyway. This Doctor didn’t have any special features, it just looked like an hyped 10 or 11, but without their depth. Kind is an adjective, not a character trait. I feel that her character was not studied enough, she didn’t have enough depth. It got better with the beginning of this new season but honestly? You can’t be able to write a character properly only when they face their nemesis. 

6. The episodes. Oh. My. God. The first season of this new Doctor was a series of episodes that looked like they jumped out of the 60s. Teaching people through an entertainment show doesn’t mean you have to take the show, make an episode on whatever the problem you want to discuss is and make some sort of documentary about it. It means you try to explain to people through fun, adventures, analogies... those who watch DW now are not 6 years old. They know that if you show them a genocide on another planet with segregation, spaceships etc, you are telling them not to be racist assholes. They do not need Rosa Parks to give them a lecture. Episode in which appears a villain with an unkown objective and we don’t see ever again, but ok. 

7. The cherry on top. The timeless children. What. The. Actual. Fuck. So Chibnall just decided to take 60 years of TV show and toss it into the garbage can, right? That was the purpose, right? Because otherwise I don’t see it. So the Doctor is a creature from another planet, not Gallifrey, who can regenerate. The Gallifreyan see them, think “oh nice” and go all Frankenstein on them. Noice. I have just a teeny tiny itsy bitsy problem with that. And for one I mean so many that they are more than the leaves on the trees in the Amazon forest. You are nullifying “End of time”, “This is Gallifrey”, the 50th anniversary... moreover Clara saw their past, she would have seen that something was off. They can’t remember? Fine. But it’s still there, it’s not like they transplanted their brain. 

8. The name of the Doctor. The big secret. The name that must never be spoken. The name that was keeping the universe together... and they revealed it like that. Brendan? Really? The name of the Doctor was a legend, you were not supposed to name them for real! Brendan? SERIOUSLY?

9. Doctor and Master. They were friends since they were kids. They grew up together. They studied together. They went on adventures together. They lost friends together. They grew apart and they kept fighting each other... but they were best enemies. Ok, a couple of times one really killed/let the other die, but go back to the beginning and count those times. They were two faces of the same coin, getting on each other nerves and saving each other over and over again. For the Doctor, the Master was the only other Time Lord in the universe for so long he was willing to pardon a genocide to save him (more than once). Their relationship was based on the fact that in a way they were complementary: the Master has no restraints, while the Doctor tries to be good when they both have done so many terrible things (including genocide, eh Doctor? You are not so innocent, honey). Their relationship was beautiful and painful. And it went down the drain. You are telling me that the Doctor is a superior being, they are not equals anymore, they are not two faces of the same coin, they are not even the same species so what are we talking about? And the coldness of the Doctor while she lets him die? Who the hell are you?

TL;DR Chibnall took a character I loved from a show I loved and torn it apart. The season and the characters were not written as I expected, I mean that they were 2D version of themselves, no depth there. Nothing interesting. I think he tried too much all at once: female Doctor, 3 companions, one shot episodes. Man, pick one thing you want to change and stick with it. You already have to run a show you have never run before, so you have to understand how to make it work. 4 characters are difficult to handle all at once and at the same time give them all the right space, depth and characterization in seasons that have less than 15 episodes each.

I am so pissed. I didn’t appreciate Jodie, but in a little corner of my mind I had always tought I would come back to Doctor Who once she was gone, but that’s not possible anymore. Funny thing is, this show made me meet the majority of my friends, the people with whom I started hanging our 6 years ago. We would have never met without DW probably. I kind of feel robbed now.

Rosa - Doctor Who blog

(SPOILER WARNING: The following is an in-depth critical analysis. If you haven’t seen this episode yet, you may want to before reading this review)

It comes as a massive relief to say that I really enjoyed this episode. There are a number of ways Rosa could have gone wrong and while Chris Chibnall has managed to crank out two surprisingly good Doctor Who episodes so far, it’s hard to shake off old fears. Oh my God, I thought to myself, a historical episode about Rosa Parks and the Black Civil Rights Movement. Is Chibnall biting off more than he can chew? 

Thankfully Chibnall had the good sense to hire a co-writer that can keep his white privilege in check. Malorie Blackman. Author of the critically acclaimed Noughts and Crosses series of books depicting an alternative reality where Africans developed a technological advantage over Europeans and where white people are segregated under this world’s version of the Jim Crow laws. It’s safe to say that Blackman knows a thing or two about exploring racism and, being a black woman, she’s much more qualified to talk about issues of race and to represent Rosa Parks and the Civil Rights Movement as a whole than Chibnall is. The result is, without a shadow of a doubt, some of the best Doctor Who I’ve seen in years.

One thing I’m glad about is the way Rosa Parks is depicted. Historical stories (particularly New Who historical stories) have an unfortunate tendency to go completely over the top with it. It’s just not enough to have a character who played a significant part in human history. Oh no. They’ve also got to be the specialist, most important person in the whole wide universe. The result is that we’re often left with a wafer thin episode that completely romanticises the period of history the story is trying to depict, waters down all the more complicated and unsavoury parts of the historical setting and turns the famous historical figure into a shallow caricature of themselves (see Agatha Christie in Unicorn And The Wasp, Winston Churchill in Victory Of The Daleks and Vincent Van Gogh in Vincent And The Doctor). Rosa, thankfully, doesn’t fall into the same trap. Rosa Parks isn’t treated as a god among mortals. She’s treated like an ordinary person, thus making her actions that much more powerful.

Vinette Robinson (who appeared in a previous Chibnall penned story 42) does an incredible job playing Rosa Parks. Again, more emphasis is placed on how ordinary she is rather than how historically significant. Nowadays we of course view her as the genesis of the Black Civil Rights Movement and she has rightly been praised and immortalised for that, but it’s easy to forget that she was a real person behind the legacy, which is what the episode really delves into. We get to see her fear, sadness and frustration in this oppressive society. And it really brings home how mundane her actions really are. Sure we can see from hindsight how her actions would influence others and change the course of history, but she wasn’t some heroic freedom fighter taking a stand. She was a woman who just wanted to sit down on a bus after a hard day at work. And the fact that she, Martin Luther King and other black people actually had to fight for the right to do something so trivial is utterly ridiculous.

Some have criticised the episode saying that this is too heavy a subject matter to deal with at 7pm on a Sunday evening. I couldn’t disagree more. For one thing, this isn’t the first time Doctor Who has handled difficult subject matters (Nazism and genocide have frequently cropped up in past stories after all). But I think the criticism mostly stems from people (white people) being left feeling uncomfortable by the story and are trying to avoid having a serious conversation about it NRA style, claiming that this isn’t the right time for it. Well... when is it the right time? Nobody wants to have this conversation, sure, but we’ve still got to have it. And as uncomfortable viewing as it is, it’s important that it is not sugar-coated and that we’re reminded of how difficult things were for non-white people so that shit like this never happens again. So no, I didn’t think the use of violence against black people or racially charged language up to and including the n word were inappropriate. It was an accurate depiction of the environment at the time and if you felt uncomfortable by that, then congratulations, that’s precisely what you’re supposed to feel.

In fact I honestly thought the episode’s depiction of violence against black people was quite restrained, making the acts of discrimination that much more despicable in my eyes. Using gratuitous violence would have been a cheap shot and Chibnall and Blackman mercifully avoid that route. What makes the episode so chilling to watch isn’t the things that white people do, but rather the oppressive atmosphere they create. It’s not the arrogant tosspot slapping Ryan across the face for touching his wife’s glove that had me on edge. It was the scene after that where everyone is just silently staring at the TARDIS crew in the cafe that really made me feel queasy. The threat is implied, yet constant, which is infinitely scarier. After the likes of Steven Moffat and Mark Gatiss boasting about how their episodes were going to be ‘the scariest Doctor Who stories ever’ only for them to amount to a hodge-podge of tired horror cliches and a dumb monster going ‘boo’, it’s a relief to see writers take a more subtle ‘less is more’ approach. I’m sorry, but the bus driver glaring angrily at Rosa is much more terrifying than a Weeping Angel. Period.

Which brings me to Krasko, played with smug charm by Joshua Bowman who succeeds at making you want to reach through the screen and punch his racist face repeatedly. Again, some have criticised the episode for its ‘one dimensional villain’ and, again, it only seems to be white people making this criticism. Not to make sweeping generalisations here, but non-white fans seem to be largely happy with how Krasko was written and depicted, probably because they’ve had to deal with pricks like him at least once in their lives. I’m guessing the source of the criticism comes from him not having a backstory or concrete motivation other than he hates black people. But my response to that is... does he really need one? Would Krasko have really been a more interesting character if it was revealed that he was bullied in school or a black kid had stolen his My Little Pony lunchbox? Does there really need to be a reason for why he hates black people and wants to ‘put them in their place’? I would have thought him being a racist white person would have been enough reason to hate him frankly. Let’s not forget what happened when Star Wars and Marvel respectively gave their villains Kylo Ren and Kilgrave tragic backstories to provide context for their despicable actions, at which point the fans proceeded to romanticise the fuck out of them, calling them misunderstood. Maybe (and this is just my opinion) giving Krasko a backstory wouldn’t have made him more interesting, but instead would have been seen as an attempt to justify and excuse his shitty behaviour, and maybe, just maybe, we’re better off without one. Just a thought.

Besides, it’s not as if we don’t learn anything about Krasko. We’re given enough information to work with. He’s a time traveller from the future. He was put in prison for murdering two thousand people (quick side note, did anyone else laugh when the Doctor said the Stormcage was the most secure prison in the universe? Remind me, how many times did River Song break out again?). He’s clearly intelligent, as demonstrated by him coming up with a non-violent plan to ruin the lives of generations of non-white people in order to circumvent his neural inhibitors. While it’s never overtly mentioned, he’s clearly some future version of the alt-right and is there to act as an extension of the true villain of the story. Because that’s the thing the people criticising his character have overlooked. Krasko isn’t the villain. White people are. The society Rosa Parks lives in is the true villain. Krasko is there not just to get to the plot going, but also to subtly demonstrate that while things do get better for non-white citizens, there will always be that racist element within our society. Hell, Ryan and Yasmin even spell it out for you in their conversation whilst hiding from the police. While people like Rosa Parks and Martin Luther King made a huge impact and helped change things for the better, racism and prejudice hasn’t just magically gone away. It’s still around. There are still people who cling on to these extremist and bigoted views. Some might argue that racism has become so entrenched in Western society that it will never fully go away. That there will always be some remnant hanging around. That’s what Krasko represents. So if you thought he was a rubbish villain because he had ‘no backstory or motivation’ then I’m afraid you’ve completely missed the point.

I should also applaud Chibnall and Blackman for resisting the urge to shove in some pointless alien like other historicals have. Not only would that have distracted from Rosa’s story, the racist white people are scary enough thank you very much. While there are sci-fi elements in here, the episode quite rightfully focuses on people.

Speaking of people, let’s talk about the TARDIS crew. Yeah! They’re in this episode too! Haven’t really talked about them much, have I? The Doctor largely takes a backseat in this one, which I know some people have a problem with, but I think it was the right thing to do. We don’t want an alien white woman coming in and stealing Rosa Parks’ glory. Jodie Whittaker graciously lets Vinette Robinson take centre stage while she busies herself with other things like confronting and intimidating Krasko and organising fake raffles with Frank Sinatra. I really like the balance they’ve struck between light and dark with this Doctor (something Moffat tried to do with Peter Capaldi’s Doctor and failed at miserably). She’s funny, compassionate and caring, but there’s a little bit of Sylvester McCoy’s devious cunning in there too, which really comes to the forefront here. Did anyone else find it really disconcerting seeing the Doctor try to maintain history? Influencing events so that Rosa Parks had no choice, but to give up (or refuse to give up) her seat. While we know she’s doing it for the right reasons, in order to keep black history in check, she’s still nonetheless actively contributing to Rosa’s misery, which is actually a clever way of exploring how white people all contribute to a racist status quo, directly, indirectly, intentionally and unintentionally. And of course it all culminates in the Doctor and co refusing to give up their seats in order to keep history intact. The look on Thirteen’s face as events unfold says it all. The look of sheer sadness and self loathing, knowing she played a part in this, is haunting. Same goes for Graham’s realisation. The widower of a black woman and step-grandfather to a black teenager being forced to contribute to this racist institution is utterly heartbreaking.

But the standout of the main cast has to be Ryan. Tosin Cole truly shines in this episode, giving an incredibly powerful and moving performance. This in many ways is his episode as he comes face to face with the racist prejudices of the time period and Cole rises to the occasion. My favourite scene has to be when Ryan talks with Rosa, thanking her for everything she will do in the future and promising that things will get better. It’s incredibly emotional and I actually started tearing up with him. I’m also so happy that he was the one that got to beat Krasko at the end rather than the Doctor. I stood up and cheered. And his reaction to seeing Martin Luther King has got to be one of the most charming moments of the series so far.

Rosa is unquestionably one of the strongest episodes in all of Doctor Who. It’s incredibly well written and performed and it’s extremely powerful as well as being very subtle and nuanced. What’s more, I’m now completely sold on Chris Chibnall being the showrunner. Any lingering doubts I’ve may have had are now completely evaporated after this episode. Rosa proves that not only does Chibnall respect and value diversity both in front of and behind the camera, but that he’s also committed to creating something truly special with his tenure, using the Doctor Who format to explore hard hitting and difficult subject matters with care and respect. Truly excellent television.

Adrift

AKA The Rift goes both ways, and it’s super depressing. OR Jack keeps even more secrets than we thought, and I wish I never knew this one. OR Tosh and Gwen interact more in this one episode than in the rest of the entire show and it’s GREAT it’s literally the only good thing that happens.

So I’ve put off watching the last 3 episodes of Season 2 for almost a year. Probably will put off watching Fragments and Exit Wounds until at least next week.

Literally the only reason I’m watching it tonight is because BlindWave is posting their reaction to this episode tomorrow and I feel like that’s a sign that I’ve procrastinated for long enough. I’ll finally watch Fragments and Exit Wounds before they do in the next 2 weeks too. Not sure if I feel like going through Children of Earth again though... only ever watched it that one time.

Also, BlindWave lined up their Torchwood and Doctor Who reactions so all of the episodes that Martha appears in each show ended up being posted over the course of 6 weeks; 3 Torchwood episodes, then immediately she showed up in Doctor Who for 3 episodes. I was thinking that March was gonna be amazing because of how much Martha I’d be getting, and it was. It was great. But they watched the Doctor’s Daughter today, so Martha has left until Journey’s End. And now Torchwood is gonna get sadder and sadder and sadder for 3 weeks. Basically, this proves Martha is literally the source of my happiness and once she’s not in my life then it all goes downhill. Also expect my monthly Martha spam sometime in the next few days 😊

OK. NOW WE CAN ACTUALLY START THIS EPISODE.

God pressing play is painful. Just my babies walking dramatically in the opening is causing all the feels. Look how alive they all are. I’m not even at Exit Wounds and I’m mourning. Oh no Nikki probably beat herself up over that “Cheeky bugger” comment ever since then. It was with love! Not annoyance! You called him that because you love him! OH I FORGOT HE WAS ONLY 15 HE WAS A BABY. Oh Andy. He feels so attached to this case. See, I didn’t know X-Files back then, I still don’t watch it, so Andy calling Jack Mulder went way over my head. Also Jack. Babe. Stop keeping secrets. YAY TOSH! This episode’s super Gwen heavy because they filmed at the same time as Fragments and Gwen’s barely in Fragments. But last episode did not nearly have enough Tosh in it, so I’m glad that Tosh gets more time than the rest of the team in this episode. I love how thorough Tosh is. She knows Gwen would want her to try checking everything so she does it before Gwen even asks. God Jack. You know Gwen. You know she’s not gonna give up. Just say “Ok. Sometimes the rift takes people. But I didn’t want to worry you so I never told you.” You can leave out the island since she’d probably stop asking there. She might ask where they go, but you could just lie and say “I don’t know, and there’s no way to get them back because we don’t have a TARDIS. It’s unfortunate.” Problem solved. Or at least the Gwen problem is solved. The Rift is still taking people. “I should have known. Bloody Torchwood.” Yep. Gwen knows Andy’s right. LOL and Andy knows he will guilt her into going. THIS. IS. THE. MOST. PAINFUL. EPISODE. SHE LOOKS AT CROWD FOOTAGE. WOW I’M HURTING. How could he possibly feel unloved? SHE LOVES HIM SO MUCH. AND HE KNEW IT. HE HAD TO HAVE KNOWN IT. HOW COULD SHE EVEN THINK HE DIDN’T FEEL LOVED? I HATE THAT SHE’S BLAMING HERSELF AFTER ALL THESE MONTHS. THIS EPISODE HURTS. My girl Tosh coming through. My girl Tosh figuring it out. I love Tosh. I love Tosh so much. Also can we acknowledge that Tosh and Gwen are talking more in this scene than pretty much the entire show. My only complaint about Torchwood: Tosh and Gwen don’t interact enough.  This scene makes me want to cry. Everyone arriving. So many people. TOSH AND GWEN WORKING TOGETHER. THIS EPISODE DOES NOT GET ENOUGH APPRECIATION JUST FOR THIS FACT ALONE. WE NEEDED MORE GWEN AND TOSH INTERACTION IN THIS SHOW. I say as they only have 2 more episodes together... I’m not crying you’re crying. Ok Owen should have said after “They need counseling and support. That’s not us.” something along the lines of: “But maybe we can help them find resources?” I don’t know. Maybe it is because he’s dead and he has accepted that there are things he can’t change. But I wish he had done just a little more. So Rhys has a point about real life being what she’s fighting for. Gwen has a point about not wanting kids with her life being as chaotic and dangerous as it is. But Rhys shouldn’t shut her down when she wants to talk about something at work that’s bothering her just because it’s about work and they should be focusing on each other and their life when they’re together and not Torchwood. She’s upset about work, and it’s leaking into her life with Rhys, so it should count. Oh my god I’m not even halfway done with this episode. I’d forgotten that the naked hide-and-seek scene was this episode. Ianto’s coming through too. “This is high-tech stuff” I laughed at that because this is 2008. LOL Andy saying even by 2008 it’s not high-tech standards. “Have you got any vacancies coming up? You know, with Torchwood” *Cue me crying over the next 2 episodes* All I can think of is the blooper of him saying “Captain Andy.” I die. Rhys, that’s cold. I always feel bad that Gwen left Andy behind. He cares about this case too. But it’s gone beyond him. At least right now. Ok so is the boat coming back in a few hours? Or what? Ok. I love little islands like this. And lighthouses. So if this episode wasn’t about to tear out my heart, I’d be so happy right now just from the aesthetic of this. Of course Jack is there. Who are these nurses? They’re all literal angels. Where did Jack find them? What does he tell them? What is their story? Can we have a whole show about the nurses on this island? Taking care of the victims of the Rift? It would be like every single hospital show except twice the crying. Which is saying something. Oh ok he says they’re experiments gone wrong. “Jack, if you lost someone, wouldn’t you want to know?” OOOOOOH hitting Jack really hard. “You’ll never recommend me to Torchwood, will you?” “No.” OH BUT ANDY YOU DON’T KNOW THAT SHE’S SPARING YOU. That scream. The first time I watched this episode, it felt like it went on forever and would never stop. That stupid sad theme that plays during sad moments. Wow it hurts. Nikki crying gets me every time. I don’t think I’ve ever actually cried over this episode, but this time around the tears really threatened to fall. 

Ok honestly. Even though Exit Wounds does a good job of tearing your heart out, and Children of Earth is just an endless stream of sadness for the last 2 episodes, Adrift might be the most emotionally draining episode of Torchwood. The rift is so much worse than we thought. These nurses are absolute angels. Torchwood before Jack was horrible to just lock them up. But they need to find some way to help the families and those left behind by the people who are taken. I don’t know what though. Telling the family they’re dead will make the victims feel worse because they’ll know everyone they love thinks they’re dead when they’re not (and the victims have to be asking to see them and want to know why they don’t come). Telling them they’re alive but can’t be visited just hurts everyone. And letting them visit could lead to cases like Nikki where the reality is worse than not knowing but hoping they’re out there or maybe even worse than finding out they were dead. I don’t know. God this episode is upsetting. I put it off for 11 months for a good reason. It hurts.

But also, I’m really excited to see BlindWave’s reaction. Because I love this episode I think it’s one of Torchwood’s best. And they like the smaller scale Torchwood stories the best. Wow Torchwood is so good in Season 2, especially towards the end.

WOW I didn’t play the promo for Fragments initially. So dramatic. Making us think everyone’s dying all at once.

I wonder what Gwen told Andy after all this. He had to have asked where she found Jonah and how Nikki got to visit him.

OH and shoutout to Nikki’s actress for tearing my heart straight from my chest. Good for you girl.

Update: Somehow I didn’t realize this is a Chibnall episode. Once again. So excited for Chibnall to take over Doctor Who. When Chibnall’s episodes are great, they’re GREAT. Like Countrycide, Adrift, Fragments, and Exit Wounds. We’re just gonna pretend that Day One and Cyberwoman didn’t happen...

aye, really starting to loathe the “yaz kills either graham/ryan whilst under the dalek influence” like-

1. first of all. hate this presumption that graham/ryan have to die. personally, im fine with companions dying - clara’s penultimate exit in face the raven was done beautifully, i think, and i will FOREVER resent them not leaving it like that. however with graham and ryan? literally, i just feel like... it’s so cheap. it offers nothing, babes! and it’s just infinitely LESS interesting than if you just kept them alive.

all the companions, in my opinions, still lack development. i do love them! i really am warming to them. but we’re two seasons in, and the fact of the matter remains they just... haven’t gelled too well with the show proper and they aren’t as fully realised as they should be by this point. and frankly, its not one singular problem moreso it’s an interwoven web of issues (hence it’s hard to really unpick that, without unravelling the whole mess) that have affected the show completely. the point is, despite being here so long, they just still feel so unexplored as people and a little unknown to us and idk!!! i think killing them, wouldn’t offer much in the way of anything interesting - other than, like i said, a very cheap way to instigate tragedy, and springboard some trauma-induced development for yaz&13 - because we aren’t really gaining more than we’re losing here, man.

clara’s exit in face the raven WORKED because it had been building up to it all season. i also dont like amy/rory’s exits (but that’s v potentially my own biases) but theoretically, i can see the vision for that- and the reason why that would be so tragic, is BECAUSE amy&rory are so fully formed at tht point that that loss hits. im not sayin graham&ryan dying would NOT be sad, but it’s... just too soon, still, for me. and when, narratively speaking, they’ve been setting up them thinking about leaving anyway? at least, ryan has? just doesn’t feel quite right at all and just like i said: a pointless attempt, at taking their exits, and doing weird tragedy shit with it for the sake of it.

especially when the ALTERNATIVE is they can stay on in the same way martha did: on earth, totally fine, and with the opportunity to reappear in later seasons. they can progress offscreen in ways that can be satisfying, in the way martha did. she moved on; she became someone different; and yet that change was still guided by what we had seen. same can be done with ryan and graham, finishing their stories and making them all the more satisfying.

2. piggybacking off of that. literally, this scenario of yaz killing them: what would that DO for yaz exactly? like.. what big payoff are u expecting from her? you’re just... horrifically traumatising her. and im wondering, like- where would that leave her in s13?  because she’s supposed to still be here, then, and supposedly travelling with the doctor. and again it just feels so damn cheap: because yaz really does still feel like she’s at the beginning of her story, despite being here for two years (and god am i a little mad abt that; it’s so, so sad that she really could be replaced with a cardboard cutout for most of s11). explore what we HAVE of her, first, before trying to go so damn dark with her. it’s not going to have the payoff you want. you have to work a bit more, to do something like that first. using some fucked up shit like that, just as a springboard for character development it just- it feels so damn lazy to me...  and again, i do not feasibly see how this could properly segue into s13 on that damn note. like the conse

3. and just... god in general. i just. okay again with chibbers and his writing. literally i dont want to sound so negative abt chibnall bc like SOME ppl really do just fucking attack . KILL. over every damn thing, without a breath and its like... okay babe. okay. and i mean, granted i can be a little like tht with moffat tbh - and so  i get ppl do get a little FERVENT when it comes to shit they dont like but- BUT MY POINT IS. i really dont hate-hate this era of who. s7 will still be my least favourite, even if i do still regard this all as bottom of the pile stuff- and that is frustrating, because it really does have potential! but anyway god. what was my fucking point. oh yeah. chibnall. if this was the case.... if this really did fucking happen. god no offence but fucking hell i do not trust chibnall to treat such a heavy scene well enough. not with the way s11 and s12 have been. and its just because... again this is all the WEB OF ISSUES with these seasons... but all of it just boils down to: every single script really needed a second or third pass over. ITS LIKE, things are kinda right, but its always jsut...wrong and its soi many things that just dont quite work and  instead all work in tandem to bring this ship down.

too many companions, leading to a bloated tardis; leading to none of them getting enough focus; leading to weaker characters whose dynamics with each other aren’t always hitting. there’s swathes of s12, where the doctor is just completely disconnected from the companions altogether. she just doesnt talk to them. and there’s a difference between her being detached, and her just.... LITERALLT FORGETTING THEY EXIST. i remember- was it ryan who disappears at one poimt, and she JUST DOESNT NOTICE? and then all of them disappear in fugitive? like its just so... the companion-docgtor relationship is so INTEGRAL to the whole show!!! it makes story beats less effective; not even that, the whole energy is brought down, because they just don’t TALK properly (and the dialogue... good god, is it stiff: and whilst i hated 11′s era of mutated LOL THAT’S SO RANDOM. THE HORSE IS NAMED SUSAN. BOWTIES FEZ FEZ HOW MANY MARKETABLE RANDOM SHIT CAN WE THROW AT THE PAAAGE it felt like characters were bouncing off each other... there’s now these long pauses, places where it should have been snappier, awkward remarks thrown in there and then) . it, again, bloats EVERYTHING bc half the time you have to just give stuff for these ppl to do and its like man, why! why ! its all so.... sloppy in a way that’s sad bc it was ALMOST right. things are ALMOST right here but it doesnt QUITE work and it needs pulling together into something neater, tighter.  AND GIVEN ALL OF THAT. i do not think, with the way he’s been handling things, this man would ever be capable of pulling off something as fucked up like that in a way that has any weight even disregarding the two above points

4 lastly. just fucking dont kill ryan man. c’mon. how many main, black characters have we had? hmm, let’s see. martha, mickey, danny, bill. we’re going at a 50% survival rate, with the other two facing pretty poor treatment in the writing room in general. no, im not letting it go: you cant literally refer to mickey, who was the first, like, leading black character on the show, as a fucking DOG repeatedly.  if you’re gonna decide to diversify the tardis, pay your dues; dont fucking axe him for what, again, really just feels like empty emotional tortureporn. ryan deserves better.

notes on rewatch of The Hungry Earth/Cold Blood

-2020...only 2 yrs fr now

-oh hai, judge fr Broadchurch

-oh, The Gruffalo

-they dug too deep like the dwarves in Moria

-not rly the most tourist-friendly part of Rio lol

-AMy why r u trying to stop him from waving back

-yeah mb don’t tell her how much it cost

-she looks kinda like Felicia Day. but isn’t

-”Ministry of Drills, Earth, and Science” yeah that totally sounds real....

-that music hurts my heart

-future goth...or future nerd

-”did you just say ‘jungle planets’??” lol yup he did

-Doctor, you lost his fiancee 

-looks like that church building is only used for storage anymore

-”i can;t do words; i’m dyslexic”  “that’s alright; i can’t make a decent meringue”

-”do you ever miss it?”  excuse me i have something in my eye Gallifrey feels rn

-this 2-parter is honestly so good

-heat vision glasses?

-wow claustrophobia

-ooh he’s getting touchy

-”do we have to say ‘vermin’? they’re actually very nice”

-”Homo reptilia” Chibnall doesn’t seem to know how biological classification works

-this isn’t “Independence Day”, Tony

-Nasreen is ready  to geek out

-them freaking out about “aliens!!!” when talking to the Doctor who...is an actual alien

-i have so many questions

-trying to calm down worried parents

-i don’t recall Rory actually saying he was police

-Restac and Alaya....twins? sisters anyway

-asking for celery...to eat or to wear?

-what is that, a taser???

-Alaya, good grief

-scientists vs. the military

-Rory getting a taste of how God felt after Adam and Eve ate that fruit

-aw Rory all “not my baby!!”

-Eldane looks like he’s wearing academic robes

-”we’re in the center of the earth, and there are lizard men” David Icke: “see??? what did i tell you?!?!?!?”

-amy looking tired of these negotiations already

-the Doctor’s like “i was rooting for you! we were all rooting for you!”

-Ambrose just shut up

-”and destroy my life’s work” well it’s either that or interspecies war

-yeah Nasreen is gonna stay w/ Tony

-this is breaking my heart. twice

The God Complex - Doctor Who blog

(SPOILER WARNING: The following is an in-depth critical analysis. If you haven’t seen this episode yet, you may want to before reading this review)

Oh great! Another Toby Whithouse episode! They’re always good for a giggle!

I’ve always felt Whithouse was the obvious candidate to take over from Moffat as opposed to Chris Chibnall. Granted not everything he writes is amazing, but he always maintains a decent level of quality and he seems to have a good handle as to what makes Doctor Who such a unique show. I absolutely adored School Reunion and while The Vampires Of Venice was a tad flawed, it was still hugely entertaining due to its camp silliness. The God Complex is very much in the same vein as Vampires. Although problems do crop up toward the end, it’s still very enjoyable overall.

The Doctor, Amy and Rory arrive at a hotel, only to discover it’s not a hotel at all. It’s a prison made to look like a hotel with other ‘guests’ trapped inside, their worst fears hidden behind every door and a hungry Minotaur roaming the corridors. Bit like a hotel I stayed at in Rome during a school trip.

Now of course the advertisements describe the rooms as containing their worst fears, but I do hope Whithouse didn’t actually intend this to be scary. Because if he did, he may have fallen short by a few... light-years. See the thing about fears that are personal to you is that only you find them scary. Everyone else just finds them either tame or just plain hilarious, especially if it’s something weird like a gym teacher or a man in a gorilla suit clutching some toilet roll, both of which appear in the episode and both of which are hysterically funny. So I’m assuming that Whithouse was going more for surreal rather than scary. And yeah, it works. It works really well. If Whithouse was going for surreal, this is definitely surreal. The hotel is a great setting and it does lend itself to some very weird imagery, like the dining room full of ventriloquist dummies. A lot of it feels very reminiscent of Stephen King. The most obvious is The Shining with perhaps a little bit of It thrown in for good measure. Not very original granted, but it’s executed very well. And I did like the Minotaur. Okay the design is a bit crap, but the use of fisheye lens and inventive camera angles help to make it somewhat threatening.

Let’s talk about the characters, starting with my favourite. Rita, played by Amara Karan. Having had to put up with obnoxious plot device in a mini-skirt Amy for what feels like two ice ages rather than series, you can imagine I was very excited when the Doctor offered to take Rita with him in the TARDIS when all this was over. A woman that’s not defined by her physical attractiveness or her importance to the Doctor and is actually a fully realised character in her own right? Whithouse, please, remind me what that’s like! It’s been such a long time!

Needless to say, I really liked Rita. She’s funny, really smart, she’s got a good head on her shoulders, and is able to keep her cool while everyone else is losing their’s. I particularly liked the exploration of her faith. She believes the hotel is actually Jahannam, the Muslim version of Hell, and I liked how she’s able to take it all in her stride. She’s confused as to why she’s been sent to ‘Jahannam’, believing she has lived a good and moral life, but remains steadfast that everything will be explained and that she will get out of this somehow. Plus it’s just nice to have a Muslim woman on Doctor Who. I certainly would love to see a Muslim woman become the Doctor’s companion. I was utterly heartbroken when she died, although I suppose I should have seen it coming. I thought Amara Karan gave a really good performance and would have  fit in really well with Matt Smith’s Doctor. I feel she would have provided a nice rational counterbalance for him. I especially liked her calm rejection of the Doctor’s all mighty saviour mentality.

I could have done without the stereotyping though. When Rita opens the door to her room, her worst fear is revealed to be her strict dad berating her for getting a B in mathematics.

Really Whithouse? 

In fact this episode contains a lot of stereotyping now that I’m thinking about it. I mean look at Howie. Bespectacled nerd with a stutter who blogs about conspiracy theories, likes Star Trek and is afraid of talking to girls. Joe doesn’t escape this either. He’s a gambler and we know this because he wears a horseshoe pin on his tie and dice cufflinks. It just feels really lazy on Whithouse’s part.

The other character I liked was Gibbis, played by David Walliams. Now this surprised me because David Walliams worked with Matt Lucas in the sketch show Little Britain, which I’ve always thought was about as funny as passing a kidney stone. They also worked together on the short lived mockumentary series Come Fly With Me, which was quite possibly one of the worst comedies I’ve ever sat through in my life. In fact I still vividly remember that Christmas. My family and I staring open-mouthed at the telly watching David Walliams and Matt Lucas in yellowface singing a really offensive, mock Chinese song about Martin Clunes. I actually consider it an insult to my backside that I had to sit through that deeply racist pile of dreck and to this day I still don’t know what possessed the BBC into thinking that was in any way appropriate. To cut a long story short, I don’t like Walliams or Lucas very much. What can I say? I have a thing against talentless hacks thinking casual racism is funny. It’s a quirk of mine. But yeah, I really liked Gibbis. It’s a great idea. A race of aliens that have survived by sucking up to their invaders and oppressors. It lends itself to some really funny moments (their national anthem is ‘Glory To... Insert Name Here.’ LOL), I liked how Gibbis’ cowardice is used to pit the characters against one another, and as much as I’m loath to admit it, I thought David Walliams did a good job in the role. Well I suppose even a broken clock is right twice a day (unless it’s digital of course).

As I said, I do mostly like the episode. It’s very surreal and engaging. Silly but entertainingly so. It’s just a shame the whole thing had to go a bit tits up at the end.

So the Doctor works out that the Minotaur isn’t actually feeding on fear, but on faith, and that the reason the TARDIS was drawn there was because of Amy’s faith in the Doctor. Okay, not a bad idea. It’s certainly a good way to explore their relationship and how Amy has never really grown up, as demonstrated when the Doctor talks to her and he sees her as young Amelia. The problem is the whole faith aspect isn’t done very well. For instance, I can see Amy having faith in the Doctor, Rita having faith in Allah and Joe having faith in luck, but Howie’s faith in conspiracy theories? That’s a bit of a stretch. And what about Rory? He’s repeatedly shown the fire exit because apparently he doesn’t have any faith in anything.

BOLLOCKS

Everyone has faith in something.

And then there’s the resolution. If Amy’s faith in the Doctor is so strong, would a two minute monologue really be enough to break it? It feels very similar to a moment in The Curse Of Fenric where the Seventh Doctor had to break his companion Ace’s faith in him, but the reason that worked was because it was genuinely shocking and uncomfortable to watch. He coldly attacked parts of Ace’s self esteem and made her feel like little more than a piece on a chessboard. Here it just feels a bit pathetic and half-arsed in comparison. Also you never get the sense that the Doctor and Amy’s relationship has actually changed once her faith has been ‘broken’. They’re still laughing and smiling like they normally do. With Seven and Ace, while he does apologise and explain why he did it, you get the sense that their once close relationship is slightly more fragile now going forward.

But one thing that puzzles me especially (and this is in no way Whithouse’s fault) is why is Amy’s faith in the Doctor so strong considering everything that’s happened. Would Amy’s faith really be that unshakeable after the Doctor failed to save her daughter? Or when he coldly left her alternative self to die in The Girl Who Waited? 

Which brings me to this. Remember in my previous review when I said I had a problem with how The Girl Who Waited was resolved, but it wouldn’t become apparent until now? Well this is it. Wouldn’t it make so much more sense if Amy and Rory left after that episode rather than this one? The God Complex is really jarring at the beginning because the three leads are getting along, but surely after what happened in the previous episode there would be some tension between them. Can they actually trust the Doctor after everything that’s happened? So I have a really hard time buying that Amy would still have faith in the Doctor. Or at least that her faith would be as strong as they’re claiming it is. I would much rather have seen Amy and Rory take some initiative and choose to leave the TARDIS of their own accord because of what the Doctor did rather than having them get unceremoniously dumped for the weakest and most patronising of reasons. He’s worried they’re going to get killed if they stay with him. Well big whoop! Get over yourself! Yes it’s dangerous travelling with him, but his companions are well aware of that. They want to travel through time and space because it’s cool, not because they’re too stupid to know better. If Amy and Rory want to take the risk, that’s their choice. By stripping them of that choice, the Doctor is basically treating Amy like the child he just encouraged her to grow up from and leave behind a few minutes ago.

The God Complex was never going to be special. I realise that. But it was still a decent enough story that was both imaginative and enjoyable to watch. It’s just such a shame that ending had to spoil it.