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not-handsome-enough · 1 day

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DICK KNUBBLER MAYE STILL BE ALIVE

Kinda

Alright before I do anything take this with a grain of salt, cause it’s probably a continuity error / can be easily explained away BUT if you all would like to hold onto some hope please just hear me out. And also it offers a question for yall.

Alright! So!

On twitter someone had asked Brendon and Gene about Murmaider III and its placement on Dethalbum IV ( which btw shoutout to Gene’s wife that was brilliant ) and Brendon had mentioned that what sets 3 apart from the other two was that it was more dreamlike, and that it was made AFTER Army of the Doomstar. Now since Brendon and Gene weren’t the ones to make the order on the Album we can’t set a timeline for the songs ( though they are set in Brutal to Dreamlike order once again shoutout to Genes wife you goddess ) we can at least say that some songs were made post Army. In fact we could also make some assumptions about what songs were made DURING army. So I’ll separate that list here.

NOTE : YALL DONT NEED TO READ THIS PART THIS IS JUST ME RUNNING WITH “ some songs were made post AOTD which ones could they be teehee “ JUST KNOW MURMAIDER AND SOS WERE AFTER KUBBLER DIED OK SORRy I’m not deleting that whole thing I like it

Songs with “ * “ are canon, the rest are personal interpretation.

DURING ARMY OF THE DOOMSTAR:

* Aortic Desecration ( the first song of salvation but obviously not )

* SOS ( song of salvation )

Gardener of Vengeance ( Nathan directly references this during the scene where he confides in the band and Knubbler that he doesn’t write songs about hope and he’s just doing what he knows. I believe he wrote and recorded this but felt it wasn’t good enough to be the song of salvation and moved on. HOWEVER the language he used could place this as post AOTD because it sounds more like a thrown out there example kinda like how he figured out SOS in the cave )

Poisoned By Food ( Again I think this is a scrapped song of salvation since besides the actual poisoning of food a lot of the imagery feels like the what the metalocalypse was described like )

BLOODBATH ( guess what another scrapped song of salvation. This one feels like a ‘you don’t scare me I’m going to confidently stop you because if I go down you go down with me’ song. Also it could be Nathan trying to reach out to Magnus since he was one of the people on his list. Also quick note I’m going song by song so I don’t know if I’ll notice if any other songs would reflect the list I just got out of work so I’m not gonna catch it all rn )

Horse of Fire ( this is tricky because lyrics like star still blazing allude to this being written before aortic desecration but also Nathan didn’t have the talk with the whale until the deadline came up in which he had to go with aortic desecration <he wouldn’t have had time to write about the fist or the hand.> But the lyrics don’t have the <we should reach out to the fans> revelation that SOS has. Maybe this was a draft for SOS but I think once Nathan figured out what SOS was meant to be it just came to him naturally. I’m not sure. HOWEVER since the doomstar is referred to as a star that is still blazing and not a portal that’s been destroyed it’s safe to say this is not post AOTD. Either way this is an important song to keep in mind if you look at this speculating )

POST ARMY OF THE DOOMSTAR:

* Murmaider III ( stated by Brendon Small in the interview. He said he feels that the boys would have written this after AOTD and based off of interviews he’s had in the past about his songwriting process it’s hard to not take this as canon so. )

DEADFACE ( I think this is post because while the song plays during the movie only Skwisgaar knew about the possession so the lyrics wouldn’t quite make sense yet. It’s a tricky placement but I can see Skwisgaar playing around with it since he does play the notes during the movie )

Mutilation on a Saturday Night ( this feels so much like a we survived so now we’re gonna party song I can’t see Nathan Skwisgaar or Pickles make an argument for this being a Song of Salvation. Also all the fucked up shit they talk about references what happened during the metalocalypse but it’s spoken in past tense like a ‘hey we fucked shit up but we fixed it so now we’re just gonna keep fucking around haha’)

I am The Beast ( simply cause I don’t see this as something Nathan would write during AOTD but the ‘ I am a beast this is my domain and when I speak you scream my name ‘ could work as a salvation line but it feels too much like a Mutilation Saturday Night ‘I can write whatever I want cause I lived and I’m not gonna hold back’ vibe )

Satellite Bleeding ( this feels like the first song they would have written and recorded after the doomstar died. Kinda like watching the sky clear up after a storm. )

Now despite me rambling on about this I would like to draw attention to what’s canon. Specifically SOS and Murmaider III. These songs came out after Knubbler died. Yet Dethalbum IV credits Knubbler for production.

Drawing your attention to how crediting in the Dethalbum works, each album has a little section for Dethklok to get musical credits and thank whoever and whatever. There’s also production credit and location credit. On ALL of the Dethalbums Knubbler is credited as producer. Cause he’s the producer makes sense yeayeyaeyah. But whenever there’s a change in location or production, there’s additional credits.

ANOTHER NOTE: I DONT HAVE THE KLOK OPERA CD I HAVE NO IDEA WHAT THE CREDITING SYSTEM LOOKS LIKE ON THERE but if someone happens to be selling that cd outside of eBay please let me know

Let’s look at them.

Dethalbum I ^

Shit ton of credits right, and on the other page which I didn’t take a picture of and can’t because I’m not home at the moment there’s credit to Snakes N Barrels for “Kill You” with each member listed. Take note that songs that are considered exceptions are credited differently and locations not at Mordhaus are credited.

I lied I have the other page. For those without the dethalbum cds the actual credits are usually on another page and “Kill You” got mixed in with it

Anyways

Dethalbum II

Hey Knubbies gets to thank someone this time! Anyways once again Knubbler is credited for production, but also Dethklok. Keep this in mind. Also the fact that different location credited for Murmaider II but it’s recorded at Mordhaus

Dethalbum III

Knubbler credit AND Abigail credit along with Dethklok AND once again location credit is Mordhaus and another fuckass place. Only thing that’s not really credited is Magnus with The Hammer but idk if he was like Toki and William where they play the songs but don’t really write or if he actually wrote The Hammer. I’m not a HammerHead, I’ve seen people interpret him as both, but at the end of the day idrk.

So what about Dethalbum IV

Knubbler is credited. At Deus Keep. Only Knubbler. Only at Deus Keep. “But he’s not credited as a Producer” True! If the album was released in universe it would probably be a producer credit. Especially since Brendon and Ulrich have Producer credit on the page prior. Maybe it’s because Knubbler didn’t make it to the final production stage. Or maybe he’s staying hidden undercover..

Remember earlier. He canonically was not around for two of these songs on this album. He could not have recorded OR mixed SOS or Murmaider III. Even if you don’t fully think that Murmaider III was made Post AOTD, SOS was done post Knubbler death. Hell, the song was dedicated to him by William! But there’s no separate credit for SOS.

If we went on the same basis as previous albums SOS would have been credited to that part of Norway where they traveled to that I forgot the name of and I’m not gonna look up but you get the point. Or even Dethklok would have been credited as production. I could also say something about how Murmaider III wasn’t recorded in the Mariana Trench and how the whale isn’t calling to Nathan anymore but that’s for another day. Right now though, it’s just Knubbler. Just Knubbler and Deus Keep.

Which leads to 3 possibilities.

Knubbler Lives: Knubbler survived ( the flashing things on the ground were teleporters ) and Deus Keep is rebuilt. To celebrate their survival they make Dethalbum IV but don’t release it

Knubbler Died: The band recorded the last few songs on the album at the remains of Deus Keep. Knubblers presets aren’t changed so credit remains to him. Once again not releasing it.

It’s not an album: Dethalbum IV doesn’t exist in universe. That’s why there’s no producer credit. That’s why Nathan doesn’t thank the klokateers ( he thanks the army of the doomstar which is just him thanking fans ). Dethklok recording it post AOTD is more to do with how Brendon records dethalbums than in universe writing.

I like to think that this is just an unreleased album in universe since the record label is more than likely destroyed, but it has the possibility of releasing one day if society is rebuilt to what it once was. But it really depends on if you think the album is canon to the universe. Cause there’s no Mordhaus credit on Dethalbum IV and there’s no way for SOS to have been recorded at Deus Keep and blablabla

something fun to think about tho yk?

TLDR: two songs on dethalbum IV were made after Knubbler death yet the credit doesn’t change for him in the dethalbum so there’s a chance that he recorded and mixed those songs cause he is alive and well horray

#metalocalypse #take this with a massive grain of salt #take it with a rock of salt tbh #dick knubbler #I’m rambling like crazy but :(#also I just noticed on dethalbum IV it’s the first time Murderface isn’t placed last in credits #I’ll be honest if Knubbler wasn’t credited at all on dethalbum IV I would have cried very much #I FORGOT TO SPOILER THIS I AM SO SORRY #ARMY OF THE DOOMSTAR SPOILER #SORRY #ARMY OF THE DOOMSTAR

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hwaitham · 17 days

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⸝⸝ ˙˳ ⑅ first piece of marginalia ( of many , hopefully :3 ) about eremite!al haitham && akademiya student!reader ♥︎ f!reader + not proofread + subtly implied trauma on both reader n haitham's end

you first meet the eremite who's to serve as your bodyguard throughout your research expedition on the day of your departure, at your designated meeting spot under the pavilion in pardis dhyai. its stone pillars cascade with vines of sumeru roses that shine a sweet lavender hue under the morning sun— one of which you've plucked and tucked into your hair earlier, leaning over the railing to gaze at your reflection in the pond and smile at the beauty of it.

(and a petal which has unknowingly slipped off and fallen to rest ever so delicately within the dip of your clavicle.)

“al haitham, yes? um, hello!” you greet the eremite as he walks into the pavilion with a quiet waver to your voice, bow respectfully, try to still the timid pitter-patters of your heart that only seem to worsen the longer you're in his presence.

because this man standing before you is large— tall, broad, as stunning as the pale blue moon. his upper body is strapped with tough sinew and yet his waist remains lean, torso mostly bare save for the pashmina shawl draped about his neck and the worn leather holster slung across his chest.

and he's silent. offering you only a small bow in return before giving you a quick once over, gait unhurried as he takes one, two long strides to stand by your side. it's an arduous task to bring yourself to look up at his face, but you do— lips parting in awe when you realise he's unlike any other desert eremite you've met before.

the trimmed red silk tied around his head shelters only one of his eyes.

how interesting, you think to yourself, for what you know of desert eremites is that they are convinced all things betray, even their own sight.

you bite your tongue to stop the questions that bubble and ebb at the forefront of your throat from tumbling past your lips, the innate scholarly need to learn and dissect and digest and know. a surprised little squeak escapes you instead when he turns his head and catches you staring, meeting your curious eyes with technicoloured cyan.

“is something the matter?”

“no, not at all! i'm sorry, i didn't mean to stare,” you flush hot under the intensity of his gaze, play with the flouncy sleeve of your blouse while you giggle nervously. you're unsure whether it's his size, or his beauty, or his quiet dominance that makes you feel much more shy than you'd like to feel, far too giddy— as if you're a little girl back in grade school.

“alright. shall we get going then? we're losing daylight with each second that passes.” al haitham holds a hand out in front of you, waiting expectantly.

you tilt your head in confusion and pout. what's he asking for? a tip? your hand?

“your bags?” he heaves a sigh, rests his other hand on his hip. you feel a hint of irritation in his words, and your heart wilts a little, “did you want me to carry them?”

“oh!” you exclaim in realisation before hoisting your travel bags further up your shoulders, force a reassuring smile on your lips. “it's okay, i couldn't possibly ask that of you. i can handle it myself, really!”

that couldn't be further from the truth, and al haitham sees right through it, with your shoulders hunched forward from the leaden weight of your bags slung atop them, the wince in your step as you walk towards the pathway, how you nearly topple over when you lose the slightest bit of balance.

“hey,” he pinches his brow, a certain roughness in his voice when he calls out to you that withers into something more gentle, tender after you turn to look at him. sweet and innocent and dewy-eyed. like a flower too frail, one whose stem may snap clean off if looked at the wrong way. “let me take them.”

al haitham doesn't allow you to protest, swiftly lifting your bags from your shoulders and holding onto them with ease, their weight nothing compared to what he's had to endure throughout the entirety of his life.

“it's my job to take care of you these next few weeks, and i intend to do it well.” he walks ahead of you, the longer mint strands of his hair swaying with the wind, the air around him lifting into something lighter— even if it's only by the most minute amount. “besides, you'll tip me generously if i do, won't you?"

his voice lilts mischievously, and you can only bring yourself to watch on in awe. nerves melting into excitement, cheeks warming not from timidness, but anticipation of what lies ahead in the next month— for your research, yes, but also for something closer to your heart.

a companion, a friend.

you smile a smile that reaches far past your eyes, bounding up to him with those clumsy fawn legs as you try to match his pace. two of your steps for one of his own. “of course i will, thank you so, so much! and i'll do my best to keep from making trouble for you— it'll make your job easier too, i hope!”

al haitham hesitates for a brief moment when you thank him so earnestly, so wholeheartedly, so unlike any of the other scholars he'd been commissioned to act as a guard for. with your smile so cloyingly sweet and your kindness so childishly naive, he can't help but feel a bit grim.

how much violence did it take for you to become this gentle?

the faintest of smiles— honeysuckle soft— curls up on his lips and he gives your head a single pat, sweeps the spare rose petal off of your clavicle, quietly wonders what he's gotten himself into by accepting this commission.

“silly girl. come, let's get going.”

#< haithie 3 #&(*^&@)*(&& hieeee ! ! omgeeb so 🥺 this is how i imagine reader n haitham to meet in this au . .#i rllie like imagining alhaitham w someone who is more . . . gentle n naive n almost timid ?? like despite all The Horrors they are still #not worn down by it all ( or so it seems C; ) n remain tender towards the world #bcos . as we know . alhaitham is . . not exactly that . he is much more guarded n cautious after experiences frm his own life #+ also seeing what happens to others #so putting him with his ' diametric antithesis ' jus sounds rllie precious in my eyes 🥺🥺#how they cn learn frm each other ! show each other something they've never seen before 🥺#maybe fall a little in love in the process . . . WAAAH #anws :3 anywhosies :3 this is what this au is all about :3 n i hope ! ! ! i hope #if / when i continue to post lil blurbs about it #this is what u envision too :3 #WAH !#um um um ! ! 🥺 if u like this au or wnt to see more of it . . . then may i selfishly ask u to interact with this post ??#even a like is fine ! ! or u can tell me too !#'s just to gauge interest bcos rn i dont weally knowwww if anyone is interested in this besides like .#Me ><

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