Had she been having a good time? Cordelia wondered. Perhaps she had. So far she'd been mostly able to keep her mind off the ways she'd horrifically failed everyone she cared about. And that, after all, was the very purpose of the journey. Once you had lost everything, she reasoned, there was no reason not to embrace whatever small happiness you could
Chain of Thorns
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Contact Other Plane really is such a perfect wizard and warlock spell, because it truly encapsulates the hubris of those classes. It's the most extreme "fuck around and find out" spell. It's like, you can make a collect call out of this world. You might get some answers, but you also might go insane for trying it. You'll be fine in the morning, though. You will learn nothing from this experience.
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I keep coming back to how in Hell Screen when Yoshihide is torturing his apprentices for reference material, that he uses a snake and then a bird, and the two animals eventually attack each other and vanish after escaping the room. Two very Sinclair coded animals... Given Sinclair's already established understanding of Ryoshu + the fact in Demian he is, of course, also an artist even if that aspect of his character has yet to be shown in Limbus, I just really like to imagine in Ryoshu's canto we might get a former apprentice character who she had mistreated before and has now grown up to hate her and consider her an enemy and that Sinclair will get an Identity based off of them...
Relevant passages below for anyone who hasn't read Hell Screen or wants to look at them again.
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Reddit guys often act like Post-Evilification Nishiki is some kind of independent masculine icon compared to the way he was in Yakuza: 0 but the truth is that Patriarch Nishiki is. Lmao. He is infinitely more fragile and pathetic than he ever was in the eighties. All the energy he puts into concealing his weaknesses is subtracted from his ability to control them - which makes him a good leader for a gang of brutal thugs, but as a private person it strips him of all his strengths, and what’s left is neurotic and bloodthirsty and unstable and 100% charmless when parlaying with others on equal footing instead of barking orders at men who are terrified of him. He’s much wealthier while simultaneously being down at least fifteen percent in body fat, all his features razor-sharp, almost like he’s starving. He tries to convince people he’s on top of everything but you just know he isn’t getting any sleep. He’s a blatant contradiction, so desperate to inject a sense of value into the power he’s chasing but so uninterested in denying just how ragingly miserable the pursuit is making him. When Yumi reminds him he won’t be happy even if he has the money, he freaks out and demands that she acknowledge what he’s “achieved” - it’s about his worth, not his happiness, and the latter is an afterthought without the foundation of the former. He’s never been more dangerous or more hard to love and it’s eating him, wearing him away, all the people who once held him up transformed into names on a list of his failures. I am shoving him in a washing machine and turning on the spin cycle as we speak.
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me: there's cinnamon in the tea? ugh I don't like cinnamon in tea.
"you're so picky. you have to go to an unfamiliar house, so what're you gonna do if your mother-in-law likes cinnamon in tea? don't have such preferences. it's not attractive on a girl 😄"
yeah I'm busting my ass off and greying my hair and losing weight at an unhealthy rate for my degree so that a lady who I have never met in my life can dictate my life choices before I even meet her. okay.
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Don't mind me I'm just thinking about how - besides with his mom who he barely saw - Sanji was never taught that love is freely given. The people who care for him are people on the other side of a transaction to him; he pays them back in some way. He works on the Orbit, he pays back a debt on the Baratie, he is The Cook on the crew. He gives something so that he can receive care in return. When he wasn't "good enough" as a child he learned that has to be able to provide something to receive the love he always yearned for.
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Shazam: Fury of the Gods is obviously about Billy and his journey as a hero and he's the main character or whatever but more importantly the movie is 100% centered around Freddy.
It's about Freddy's self-worth and struggles with being a hero and with how Billy acts about the hero thing(because neither of them understand the underlying reasons that they make the decisions they do) and it's about how unbelievably strong Freddy is and how he doesn't think he is strong even while he is doing things no one else can.
Freddy is constantly doing things that should not be possible for a person to do and he does them anyway but he doesn't think it's enough. It's not fixing everything so it's not enough and all he can focus on is what he can't do.
Even the final act which is very very centered on Billy is about how Freddy can't do anything about this whole situation. Where he is actively pulling off incredible feats but he isn't saving anyone so what good is this.
In conclusion: I am very normal about this movie
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