Spring's Harvest!

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these

lil doodle I did

Small gift for @themelvorganization I really liked their comic, so I decided to make this in picrew. The link to the picrew is https://picrew.me/en/image_maker/1349935/complete?cd=Zgsw711EpD if anyone wants to try it out! All the Melvins are from their comic EXCEPT for SK Melvin. He's from my au.

just a little doodle

wait some of y'all don't think that death was narratively satisfying??? he spent the entire season rotting away and sloughing off of (and OUT of) bodies he was not meant to be in, grasping at a life he had outlived because he was unwilling to let go, literally got ripped out of the HEART of the world he tried so hard to destroy and then that world summoned up a 5 second rainstorm to boil him alive and burn away his facade of humanity so he could grovel at the feet of a witch and then get stomped into nothing by the denizens of the world, symbolizing the people he hurt by enforcing the covens, people ostracized and punished for not conforming, and the titan he used to manipulate people with by claiming he knew its will. what's not clicking

This is a passive rant that I think needed to be said, haha.

DF (Admin): I think the most silly thing about writing Blue and Violet is the fact that I am barely keeping track of anything I have written.

I cannot, for the life of me, remember what and what I have not actually written so far in the series in terms of character exploration with Macaque and Mayor (what they have done, what they think, what they feel, and actual full out sentences on what they think about each other and other characters- the literal development of the Shadowpuppet relationship. Have I actually written enough scenes to develop the relationship for it to actually move onto this point in the story or is it not enough? Or is it too much actually?). Like have I actually mentioned or elaborated on these things and actually wrote it into the series? Or was it all on my head, or in my notes app, or a rant in the comment section? I don't know.

So I sit here staring at the next chapter, the current draft, and I contemplate if I have actually written everything I needed to write to build up to this chapter. And I do this with every single chapter. But especially this one, because this one is... Is something. There's stuff in here I want to keep in here but... I don't know if... It makes sense to write it, because, have... Have I actually written enough context to lead up to that point? Because all of that context is already in my head but I don't know-

I want to blame this on my poor memory, but I also think it's a little bit because of my poor dedication as the literal writer to keep track of everything that's been going on in the series so far, and everything that is supposed to happen in the future of it. How silly of me.

So I guess what I'm trying to say is: if any of you have spotted any inconsistencies, or if the pacing is off, or if some things seemed to have come out of the blue with no actual build up or prior elaboration... It's because of this. My silly brain, forgetting what has been mentioned in the fic series and what hasn't.

If any of you read this, thanks I guess XDDD. Enjoy this warning/apology.

Here's the tentative outline of the TSG paper, as okayed by the professor whom I've been discussing the project with:

intro to the trend of recent adaptations/retellings reframing TSG as a story about grief

an assertion that the book is really about healing from childhood e m o t i o n a l n e g l e c t (CEN) (my thesis?)

defining CEN and distinguishing it from traditional grief

an analysis of CEN in the text

how this interacts with what these adaptations/retellings are doing

conclusion about the importance of the text’s depiction of CEN and why it’s worth acknowledging/exploring

It's a relief to pin this down and be able to go into this with some kind of focus. I've already got a start on the first paragraph. I'm trying a method of drafting by just constructing the basic argument and then working in all the evidence and research later. My college papers tended to take forever to write because I drafted them with Finished Perfection in mind for each sentence, which is stressful and easy to get bogged down with. We'll see how it works. The paper needs to be completed by October, probably the end of the month at the very latest, but I'd like to get it finished in enough time to fully polish and not have to stress about a tight deadline.

I can do this. Probably. It's been a few years but I might still have it in me.

Your honor my client simply wanted to fuck around and find out

i Need you to understand that i am just a simple little digimon redemption machine

the squeaky lil gazimon that serve etemon on the server continent? get those critters some beef jerky and cat toys

devimon from adventure? that's a friend waiting to happen

i see milleniummon and i go "that's a friend right there, get the lads some fruit salad"

kurata can suffer in digihell but i'll take his gizmon, they're cute

i just think they're neat

-sky

ughhhh, today was a day. hopefully, when I wake, the morrow will be kinder..

i wish i could just write fics

more Octo2 thoughts bc it's been a hell of a weekend for me and I need something nice to think about (shh, my weekends are on weekdays, don't ask, just know tips are better on the real weekends, and I will eventually one day not work in food and have real weekends off again hopefully); under the cut bc lategame spoilers, as usual

alskdjaskld completely forgot Throne's Ch3 Father's Route, so I did that real fast before heading to Stormhail. Apparently? I forgot? Did not pay attention? To the fact that Sebastian/Father actually is never directly stated to be Claude's son, and insofar as we know he was just born in some shitty town and had to resort to stealing to survive (and therefore wasn't raised to be a Blacksnake), and joined the Blacksnakes of his own free will after moving to the city?? So like, sure he could still be Claude's son bc *vaguely gestures at Mr. Bigtits Sexiroth and his terrible horrible fucked up MGS-scheme to not be Vide's vessel* and it could be he was only allowed into the Blacksnakes bc he was secretly Claude's son, but it's still an interesting detail that unlike 99% of the Blacksnakes, he wasn't raised by/in the organization itself.

Marietta however does seem to have been part of the Blacksnakes, which has the disconcerting implication that she's uh, related to Claude despite bearing his child later on (which I honestly wouldn't put past him, and if Throne is somehow the Cleopatra of a fucked up Fantasy Ptolemy-esque family tree, I honestly wouldn't even question it at this point, there is so much weird shit going on in her story arc).

I'm still not entirely convinced Marietta didn't pull a Hatoful by pretending to kill her child w/ Sebastian and actually killing her child with Claude (making Throne actually Sebastian's daughter, and therefore making the whole "not Vide's vessel" thing make a bit more sense, although I have a new theory cooking for that as well that doesn't require her to not be Claude's actual daughter), but the evidence is stronger for Throne being Claude's literal daughter so, anyhow, her story arc is still a very messed up MGS-esque Fantasy John Wick story. But I mean, I still have one more chapter for Throne to try and scour for information for why she isn't Vide's vessel, what's going on w/ the Blacksnakes and their superpowers, and also how exactly the legend of the prince and princess might shed light on Solistia's distant past (I mean, we know the prince was probably Claude, but the princess? Arcanette maybe? and what of the two fighting kingdoms? does the Great Wall and the lost kingdom therein have something to do w/ it?)

Ochette's Stormhail chapter was pretty straightforward. I did waste most of my money buying fancy armor and weapons though, even with Partitio's 20% discount via his follower (who is ironically Masoud). It did have some interesting timeline info though (Glacis's egg was shattered 10 years before the start of the story, around the same time Ochette was required to choose her animal companion). I'm really going to have to watch a walkthrough/playthrough of everything though and actually take notes on the various years and stuff to put together a proper timeline one of these days...

Oh, and Osvald does say the Pit of D'arqest is "just south" of Stormhail in his banter w/ Temenos, so yeah, it seems like the Infernal Castle and the Pit of D'arqest are related if not the same location. Interesting to keep in mind for when I eventually go and level grind there.

Finally pinpointed the two things about Temenos's story arc that were irking me. The first I knew, and that was that "genocide survivor joins her peoples' killers and also seeks the power that her people literally abhorred which is also the source of power for her peoples' killers to...try and destroy said killers" just does not work as a plot for me. Love the concept of Kaldena as a character, but god her arc is a mess. Writer's could have done something more interesting with her than...all that. She deserved better writing.

The second thing is, uh, the entire Stormhail chapter. I didn't really process it my first run bc Crick's death is so out of left field that I was too surprised to think about it, but the pacing for this chapter is just...weird (certain scenes could have been slightly rewritten and put into Ch2, or at least the events could have been rearranged so there weren't these awkward pauses and transitions into new scenes; I get there were trying to let Crick get enough screentime to make his death matter, but honestly the entire thing is just kinda poorly paced by my tastes).

But more so than the pacing, HOW AM I SUPPOSED TO BELIEVE THAT BOTH TEMENOS AND CRICK ARE INTELLIGENT ADULTS which they clearly are except for this one thing IF THEY IMMEDIATELY SPLIT UP AFTER SOMEONE TRIED TO KILL THEM ONCE? HELLO? Is this a horror movie? Are you perhaps, young teens in a mediocre slasher flick? Someone tried to KILL YOU and you decide no, it's fine, let's take a break for the night, I'm going to the inn, you can head on back to the Sacred Guard which we just established is where the killer is hiding, this is a very logical, good plan with no flaws whatsoever.

Like, listen, I don't think Crick's death was really necessary (it doesn't actually add that much to the overall narrative in my opinion, aside from shock value, and we already had Jorg getting killed bc he Maes Hughes'd himself by knowing too much, you can't...pull the same trick twice without some fancier plot setup usually), but what really irks me about it was it was entirely avoidable if the two had just gone ahead and either investigated together (confrontation with Cubaryi could have still occured, except Crick would be there), or headed to the inn together since Crick's entire thing is protecting people and someone literally just tried to kill Temenos (and then they could have investigated and the chapter could have more or less played out the same except Crick may or may not die, like they could have had him die protecting Temenos before or after the fight w/ Cubaryi, although again, I don't think his death adds more to the story than leaving him alive would have, and my general thoughts on character deaths in fiction is that they should always be absolutely necessary for the entire narrative and plot to work)

So anyhow, yeah, Temenos's Stormhail chapter is actually where his story kinda starts to feel eh to me. I wish to release an army of puppies to chew on the writers' furniture and slippers, just for the frustration. Because like, as I thought, there doesn't have to be that many changes to Temenos's story to make it work for me, the pacing and random "horror movie protagonists IQ" doesn't work for me. Or Kaldena's writing. But both those things would require just the slightest rework to make the entire narrative flow smoothly.

Anyhow, looking forward to seeing Hikari get zapped off a bridge next (I know it's supposed to be serious and dramatic, but Rai Mei literally just zapping him off the bridge is so funny to me, she really just sees him and casts Bolt of Fuck Off). I'll also be keeping an eye out for Ori since her journals indicate she should be around for this next chapter.

I'm almost finished with this notebook with it's horrible paper, and I just finished the first page of my Big Project

making some progress on the cheating fic and might have something to share soon 👀

hello sending an ask bc i cant reply from my saw blog somehow but regarding your last post yeS IT’s what drove me crazy about your fic it lives in my head rent free!!!!!

the wind is howling outside. is that you. oh my god i asked that and it stopped don't be embarrassed i love that