Currently amused by the idea that Aang is a delinquent. Forget punk or prep, he has tattoos, he's constantly destroying public property, he's encouraging kids to run away from home, he's homeless, he has no qualms about lying or stealing, has gotten into street fights, skips school, acts out in class, and he has canonically gone to jail and made friends with the criminals there.
Short of drug use, he is the textbox definition of a delinquent, he just hides it with how fucking cute he is.
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just some casual early morning fishing and some not-so-casual evening pining after your best friend
mini explanation of how this would take place if it were a prequel to the dangers of not confessing comic
After ozai’s defeat, they finally take a break and go on the fishing trip they lied about. And it’s amazing, and fun, and Zuko’s heart is aching throughout every second of it. Because he’s drowning under the weight of his impending duties as firelord. He has Responsibilities. But all he wants to do is be with Sokka and have the time relaxing with the people he cares about, actions that he was deprived of during his youth. And Sokka’s about to be halfway across the world, back at his home, where he belongs. And it would be selfish to ask Sokka to stay. And even more selfish to tell him how he feels when he knows soon the trip will be over, and it will never work between them, and Sokka probably doesn’t even feel the same way. So he stays silent.
And misses his chance.
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I sort of like the thought that Zuko and Aang take the Sun Warriors' warning not to tell anyone about the dragons a little more seriously… and they keep it between them. Of course, they trust Sokka, Toph and Katara. Of course they know they wouldn’t tell anyone, but now three people (including Iroh) know the truth about Ran and Shaw. And that’s three too many when you’re trying to keep a secret.
(and there are other people at the temple as well - like Haru, Teo and The Duke - who, while trustworthy, aren’t as close to them as the others, and when it comes to secrets with as much consequence as this one, you can’t afford to take any chances.)
Furthermore, the culture within the Fire Nation since Sozin’s rein has been warped. The culture is not to respect the dragons as the original firebenders, it’s to conquer and kill them. It’s the ultimate proof of your strength as a firebender. All it takes is one mistake before rumour spreads, and people go looking for the ultimate hunt. It’s not something Zuko or Aang can risk.
Whether Katara, Toph and Sokka (and Suki) ever find out the truth is up to you. But post-war, after Zuko returns from a strange, poorly explained trip with a dragon, and eventually develops the ability to use rainbow fire, either the others have some questions about Aang’s knowing look, or they are finally let in on a monumental secret.
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bro i swear ara might be one of my Favorite characters she makes me so sad but i also like girly get a grip 😭 i love the way u write everbody especially sokka because hes so different but still has his yk quirks and tbh when ppl write him romantically they kinda leave it out
heres ara cuz i am this 🤏🏻 Close to just giving her a playlist since shes so ..woman. yk what i mean??
anyway i kinda Imagine her cut to be simliar to zuko and very uneven cuz bro Zhao will not acutally give a fuck to at least make it nice
this is just a fall from grace even tho its Basically the best thing right now since shes away from all that crazy shit
OMG ITS THE GIRL! The one & only Ara!!! I love how you did a before and after, girl thought she had her shit handled! Only to have her shit handed to her. She has serious sad girl energy but you’re so right she needs to handle it haha.
Thank you so much for this I am squealing with joy you’re amazing!!!
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the problem with buffy the vampire season 5 episode 18 is that it ruined all other romance on television for me to an extent. sure I can still sometimes kinda have fun with other messy morally gray men getting sexily tortured by villains & making big sacrifices for the hero. whatever. it's fun enough. I guess. but no other show can ever actually come even marginally close to replicating the pure sacrifice & bravery of a thing that is supposed to be soulless - a member of the very species the protagonist hunts & kills nightly - being willing to suffer & die for a cause he knows he'll never be rewarded for fighting for. nothing can ever compete with "'cause buffy ... the other, not so pleasant buffy ... anything happened to dawn, it'd destroy her. I couldn't live, her bein' in that much pain" spoken to no one, with no hope that buffy would ever hear, assuming buffy still wants him dead!!! like. hello?????
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there is, Obviously, fundamentally a difference between headcanon and an analytical reading of text, and treating the two as exactly the same is not only wrong but devalues both, but funnily, i've found people tend to forget that both of these things are the product of referencing our real life experiences and applying them where we see fit to make a more interesting way to interact with media. and you can't just like, forget that it's not JUST about headcanons and meta analysis and whatever, because people in real life also still matter. and in real life, there are different stakes and EXPERIENCES, and those experiences lead to thinking the way we do because that's how you Be a goddamn person, which is why it's ironic is all 😭
like, saying zuko atla has to be cis in order to be "properly" gay in order to be Truly Compelling narratively is fucking ridiculous. textually, zuko is not actually gay. he never was intended to be, he never will be intended to be, he was never even subtextually. the assumption otherwise is already rooted in fantasy, and the tongue in cheek assertion that it isn't, which means it has more credence, is ... dumb? childish? admitting to at least yourself that the things you talk about wrt character analysis aren't the intention of the creator is literally half the point of doing said analysis – you're MEANT to throw away the intended interpretation in order to give it a new life through different keyholes without entirely divorcing itself from the text. (in the same breath, insisting the creator truly meant One Thing when they absolutely would not have/don't care at all, and ignoring that the people who made the piece are going to put their own biases and experiences and background into the media itself and actually MUST be taken into account for things like this is just ... well. Stop That.)
i've personally never been someone to ever claim that The Writers All Along INTENDED to do something that they obviously didn't, like make a character from a 2005 cartoon lgbt+. this doesn't mean that reading doesn't have any substance or cannot possibly hold any meaning, or that it's wrong. if you can't be objective about your own readings what's the damn point... leaning into it being fiction, which changes just by being observed by a different person, is why it's fun or interesting to do in the first place. and yeah there are some basic cookie cutter headcanons people like to fling around, and there can be criticism for that otherwise, but claiming headcanons themselves AREN'T an offshoot of this way of thinking is fucking stupid. like it's plain wrong.
our own thoughts on why a character acts, what they do, what their presentation is, why their personality is what it is up to and including their sexuality, gender identity, religion, JOB, whatever, are made to fill the gaps the text can't or won't provide, and in the case of lgbt ones as long as it's not actively harmful (as in like insisting a lesbian character is bi or something) it is literally harmless seeing as it is fairly solidly a "won't", along with a whole bunch of other hc material that usually don't see the light of day on-screen nonstereotypically. people seeing themselves in characters isn't new but more than that, saying that you know this but then pushing it aside because The Analysis Means More when it's Realistic And Plausible is fucking dumb. and rude. bc the entire point of drawing the line of connections this way is how WE see them. being all like "oh well, your own personal identity is still valid otherwise, don't get your feelings hurt bc it doesn't matter," is moot if you've already asserted there's only One real way to be... plausible 🤨. which is to be NORMAL ! duh.
like, the read that zuko IS gay (and cis) relies on extracting parts through the lens of our own gay perceptions and is why cishet fans don't pick up on it, but you can ask pretty much any other lgbt fan and they'll agree. zuko's narrative arc IS compelling with the read that he is gay, from the way he is ostracised by his family, neglected and abused, the "punishment" he receives and then continues to become his own warden of, the order of his death and the banishment itself, sozin criminalising homosexuality, his inability to connect with others especially his own age, his inability to seamlessly interact with girls, his literal externalised viewing of seeing himself as someone with Two Sides, them being good vs evil, realising he can change the damn world through love and acceptance, striving for peace, being the face of change for his nation, relearning what it means to be who he is once he is free from his past, the shame and humiliation rituals, the claim of his father that he is worthless as a prince and person, AND MORE... and i cannot express enough here how fucking little it matters if he's specifically gay or WHAT THE HELL EVER 😭.
to claim in no small way that it's impossible for a trans person, or a bisexual person, or anyone else lgbt, could ever line up his narrative with their own personal one is so beyond ridiculous it gives me a headache. no, "plausibly", i don't think zuko is like, transmasc. yes, plausibly, he could be gay. plausibly, he could be amab nonbinary but no one seems to actually give a fuck about that for some reason (i wonder!). nothing would change in both cases, because he's not actually either, so i really don't see the point in making fun of or being frustrated by one to lift up the other because you want cisgender boot soles to brush the back of your throat THAT badly. the implausibility of thinking any way about a fictional character should be taken into account to an extent, sure, but at the end of the day neither of us are doing anything truly worthwhile, and no one is claiming that it's the intent from the beginning to say otherwise, so what's the point here. why are we doing this. let's go skip in a meadow together before i kill someone with this rock.
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