just remembered a fic on AO3 (or more likely LJ because it had that distinct late 00's experimental vibe) that appeared double-spaced oddly, in that some paragraphs would be spaced normally and others would have double or even triple spaces in between. it was about one half of the otp getting over the other's death (or coma, can't remember which), so all the comments were about how poignant the use of visual spacing was as a means to convey all the emotional holes in the character's life.
and then the author replied like... *giggle* guys it's NOT double spaced. try selecting the whole text
and we were all like "no WAY"
but we selected the text, and yes!!!
the "holes" in the story? they were actually lines and actions from the dead/coma character's ghost, rendered invisible to the eye by the simple trick of coloring the text the exact same as the background, revealed by nothing more than a click and a drag of the mouse
a story about the profound loneliness of losing your the partner of your life and having to make do without them, without anything to fill the holes they'd left behind, suddenly became a story about the profound helplessness of seeing someone you love suffer from your absence while you are right there, unable to do anything about it, unable to communicate that you love them enough to suffer unseen and unheard with them, just to keep them company they'll never know about
it was then that I truly realized how *superior* the digital medium is to plain printed paper, how the medium and the format can add to a story.
I think about that fic about once a year. I wish I could find it again
EDIT: FOUND IT!!!! UPDATE HERE
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Chiho Saito's Illustration Collection artbook is the highest-quality visual media in the Utenaverse. Oversized, single-sided, heavy pages with extremely high quality printing. It is the first artbook I ever scanned.
In 2001, the average screen resolution was 800x600, and I delivered a 1250px wide collection that for a while, took $60 A MONTH to host, because no normal website was hosting images of this ludicrous size. It took my scanner almost an hour to capture a third of each page. I spent months piecing the scans together in Photoshop. It was one of my first true Utena labors of love, and the result is that for decades, these copies have been the definitive copies of Chiho Saito's artwork on the internet. For a very long time, even kinda now, if you see these images, they're probably my scans.
But decades have passed, and I've never been happy with these results, because they couldn't capture the fine details, the paint spills, the sketch beneath poking out, the brilliant use of gradients of dark color to pop the image but drive me insane. What I am finishing up now is a true, archival copy of the artbook. One that delivers such high resolution, that these can print posters larger than the originals, and thanks to some truly brilliant descreening tech, (Thank you Sattva) I've been able to dig up fine details in the work that the printing obscured, but undeniably included.
It's been over 20 years, and it shows. 1250px? Nah, my archive copies are 15,000px wide. I can't wait to finish this and share it with the world. <3
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"We met next day as he had arranged, and inspected the rooms at No. 221B, Baker Street, of which he had spoken at our meeting. They consisted of a couple of comfortable bed-rooms and a single large airy sitting-room, cheerfully furnished, and illuminated by two broad windows."
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