What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
66 notes
·
View notes
Linktober Shadow Day 7
Gloom Hands
This goes out to the way I cackled hysterically once seeing these things in TOTK, well done Zelda Team. They're a terrifying concept and I really feel exploring that could be fun, even if this prompt gave me a headache and a half.
Bit late today because we've been pelted by way too many storms/lightning and writing on mobile with lightning shaking your house is generally a bad idea, so I spent most of the time writing this and the Linktober prompt by hand, then transcribing it back onto mobile as soon as I could touch eletronics without the major risk of being zapped and picking a god and praying that my internet wouldn't be too funky so I could get it out on time. Short one again though because I still need to finish the Linktober prompt so it should come out later today or fully tomorrow, sorry folks.
Anyway, as always can be read as romantic or platonic, also Sage is here both because of the prompt and because the mental image of Wild Reader and Sage trauma bonding over the extremely twisted nature Gloom/the Malice have compared to just dark magic in general in LoZ was too funny to resist, if Nintendo won't talk about the many variations of Dark Magic in LOZ and how it affects any who come in contact with it then lord darn it I guess I'll just have to do it myself (or as much as I can without breaking out the companion essay to the Realm of Darkness and Realm of Light essay which I'm already having trouble digging out).
TW:
Technically graphic descriptions of decay, gore and eldritch horror, and Reader just not having a good day in general, don't recommend reading I'd you're highly squeamish.
When you’ve first met Sage, as the Chain temporarily dubbed him, you and Wild didn’t miss the way he looked so, so haunted. Emotions warring like a storm as he looked Wild over in a mix of disbelief and the weariness of a wounded fox getting ready to bite just to escape, at the Chain with such longing ache that made one’s heart break, the way the first time he met Wolfie he didn’t hesitate to throw himself atop the canine and hug him so close like he was trying to melt into the fur, and looking at you like he didn’t know wether to cry, scream or to shut down before he buried it under the mask you knew your resident Champion could use when trying so desperately to keep it together, hands shaky as he signed in a way that set your teeth on edge and felt like you had taken a dozen of ice arrows to the back, urgent, 'It’s not safe. None of you should be here. You need to leave. Now.'
Needless to say it was alarming, even as you all knew just how ferociously untamed his and Wild’s Hyrule could be, with being overrun with so, so many types of divinity through each crack, root, drop and flesh of it’s beings. From Hylia’s cold calculating care, the Three Goddesses blood, tears and breath of life, to the Malice’s howling self sustaining fury, The Lost Woods ever overgrowing freedom and even the remnants of the Fierce Deity’s hunt in Satori’s and Malaniya's savage display of cyclic eternity, it wasn’t any surprised that apart from the Traveler’s Hyrule it was the most aggressive one with the smorgasbord of energy so thick it made even you choke on it everytime you stepped foot in it. Beautiful and free in an echo of it’s once untamed state in the age of myth even before Sky.
Over time, you and the Chain learned how to adapt to it. To listen to the warnings Wild gave about the Guardians and about the remains of Malice in his monsters, of how the moon had been forever tainted with it and how, until Sheikah tech was fully repurposed it would be best to avoid the castle all together it was difficult but manageable, and even if Sage’s reaction was alarming (and he seemed even more troubled once Wild passed onto him from Sky that, while he wasn’t to come with them yet due to how things were apparently ‘fated’ to happen, there was no way you all could leave quite yet, distantly sticking by Wild and Twilight when possible and checking on everyone’s health when not doing so), you’d though it would be much the same for his own, and in parts you were right as the Chain had taken to the new environment like fishes to water even if it took some adjustments.
Though you were quickly proven wrong, and you could have laughed at your past self’s naivety.
It was meant to be a quick run to clear a black blooded monster camp, and while decently challenging, it was over quickly between the Chain getting more apt at fighting the enemy, Sage’s addition as the man fought as ruthlessly and ferociously as Wild, switching between deadly marksmanship and feral combat on a dime and the absence of the unnaturally inteligent black scales lizalfos, you’d rest and be on your way quickly. Or so you all thought.
Twilight had been the first to smell it, the bubbling of dark but distinctively twisted magic, even more so than Zant’s brand of madness. Wild the one to spot it, the rot black and blood crimson building up at the edges of camp from his vantage point but it was Sage who had tensed, eyes snapping to the faint glow the Master Sword emmited just as the sky darkned before his frantic, alarmed howl swept over the Chain, the sheer desperate, protective panic making all of your boys still, because Sage never used his voice unless he absolutely had to, “IT'S NOT OVER! MOVE!”
It was all the warning any of you got before reality twisted, straining, and then finally screaming, the heavens staining with crimson as if gutted open, the eyes of a sin against nature itself cutting through your relief and infecting your veins with terror. It shakes you to the core, freezing with indecisive flight or fight as you spotted the tide. Heart in your throat as you tried to comprehend what you saw.
“WHAT THE-“, Legend cursed, looking ashen as his grip on his fire rod tightened. Really, all of your heroes look disturbed and you can’t blame them.
“Get to high ground if you want to live! We can’t fight these things.”, snapped Sage, much more composed, but no less frenzied.
None of you hesitate to listen.
(There were some unspoken rules, when in Wild’s Hyrule the first time around. If there is something the Champion, the most reckless of all Links, wasn’t willing to fight head on or said wasn’t worth it, the best course of action was to listen, specially if the group was vulnerable.)
The hands screech, the tide rolling over the land with an reality splitting clamoring, a sound so filled with fury and so, so twisted it made your Hylian’s ears friends bleed and you lift a hand to your head in pain as Wild pulled you along, Sage leading the charge for the nearest cliff face as Warrior’s threw Wind over his shoulders and Twilight didn’t hesitate before doing the same to Four, the frost from Legend and bomb arrows from Time and Sky barely doing nothing to slow it’s relentless charge, merely taking from it a distorted, pitched crescendoing belt of pure rage and the overlaying of many tortured souls screaming all at once, of Hyrule rejecting this existence from the world but wounded at being unable to vanquish it, the sound it makes as it spreads and drags itself across the ground with uncanny speed with it’s many, many arms like something in between sludge and smacking, wet, rotten flesh.
Sage switches between shooting arrows to helping the other Links up the cliff and shooting at it’s eyes with the strongest bow he has,making as many arrow fusions on the spot as he dares. The others quickly taking as many ranged weapons from their sides to do the same. You help Hyrule up the clifface, while Wild swipes Cryonis over the field, climbing up himself, being hauled to Sage’s side.
You are almost there when one of the hands latch onto your ankle, and you go down with a scream, Sage all but dropping the bow in his hand in favor to latching onto your hand with snarl. And
It.
Is.
Agony.
(It burns through you like your very atoms have been set on fire,bthe hands take the opportunity to sink into you, long long unnatural fingers sinking into your flesh in a unhurried blanket of darkness, the Demon King’s will is roaring, growling with abyssal rage, if it cannot rule Hyrule, it would kill everything in it instead. Gloom sinks into your cells, raptures the membranes and makes the skin slip, frantically invading, you taste rotten flesh on the back of your throat and the scent of wither and ash choke you as it sinks into your flesh, marrow, breaks down your bones bit by bit, cracking and infecting and breaking down your very essence with the fury of a dead deity which refused die, decay on an accelerated rate all over where the hands clutched like a vice as the Links trunfo pull you out or attack it and it is painful and it’s excruciatingly wretched and make it STOPCEASEITHURTS-)
A well aimed Skyward Strike severs the connection, the pain stops and you fall into Sage, breathing hard and unevenly, grasping at him like a lifeline, clawing and counting at Wild’s arm on your other side like a wounded animal, your taste blood on your throat from the screams that were ripped from it, Hyrule falling to his knees on your side as healing magic washes over you like a shroud, trying to get you to respond.
Reality howls along with you, before all is silent.
It barely took a second.
“... Just what were those things?”, rasps Sky, horrified, a sentiment echoed through the Chain, though you can’t focus on it, trying not to choke on your own blood and to pull yourself together, Wild’s hand unconsciously settling on your pulse, shaking, and Sage’s tense tone cuts through the air as he scans the area. Still tense, tone hoarse.
“... The reason why I wanted you to leave.”
Later, much, much later, before you all leave, you learn they are called Gloom Hands.
It’s unanimously agreed that all you hold loathing for those abominations, even long after you’re forced to leave Sage.
He whispers something to Wild on the way out, hugging him close, trembling. Your Champion nods, you can’t make out the words, but you make sure to hold him as close as you can before you go, indulge him in checking for your pulse even long after you’re healed.
You hope he’ll be safe, he hopes that the next time you all see each other again, it’ll be under better circumstances.
45 notes
·
View notes