dude the TOP song you posted (truce) fucking kills me and the way you described the animatic is??? so good???? I'd bawl actually /pos
I need to know if there's any other TOP songs you relate to the furies/any DE character really, or any slower songs even if they aren't by TOP
OH AGREED ABSOLUTELY!! TRUCE MY BELOVED... and THANK YOU!! we are imagining animatics and crying together! /pos :'] <3
ooh!! well, i havent listened to a lot of TOP in a while, so i don't have many recommendations there unfortunately :'] but for other slow, soft songs, let's see... i'll put them under a cut with all my explanations, but ☀️ "See The Day" by The Altogether (Volition song!), 🍃 "Rounds" by The Oh Hellos (Shivers song!), 🦋 "Would You Be So Kind" by dodie (general skills song, Suggestion primarily!) are the best contenders!
Pretty sure you've seen it already, but from a different ask, i recommend "Almost (Sweet Music)" by Hozier! (and "Like Real People Do" if you want to cry and yearn with me, though my DE ideas for it are very loose hkjhg) these are slow ones i like hkjhg <3
"Goodbye" by The Altogether is a Harry and Dora song :0
"Soldier, Poet, King" by The Oh Hellos is one i specifically relate to Volition (my beloved protector/motivator/crownhead blorbo! [picks him up and wiggles him!!!]), but i would make one of those animation memes for it with every skill slotted into a "soldier" "poet" or "king" position.
☀️ "See the Day" is both another The Altogether song and another Volition song! a real "the worst is over. we made it through. we're going to survive this. it might not get easier yet, but we'll come out the other side and we'll be alive" song. it makes me cry hkjgh
🍃 "Rounds" by The Oh Hellos is a soft Shivers song, though the lyrics don't start until halfway in. ough my god listening to it makes my heart ache (/pos) <3 La Revacholiere singing to Harry in the wind. "Will you start when I end? Yeah, I'm long in the wind..."
"Northern Star" by Dom Fera, a song Harry would sing for karaoke and dedicate to Kim, and then they'd waltz a little clumsily on the dim, starlit sidewalk on their way home for the evening... <3
🦋 "Would You Be So Kind?" by dodie BUT SPECIFICALLY THIS VERSION, because i love everyone's crowded but earnest vibes. this one is led by Suggestion ("oooh you wanna fall in love with us so bad right? right???") and makes me grin, you GOTTA imagine all of the skills squished together in the front of Harry's brain all trying different tactics to get Kim to fall in love with them, (rhetoric: "I HAVE A QUESTION..." ency: "let's write a story! be in my book!") at 2:35, after all the skills singing together loudly, it's just Harry himself singing to Kim, with all the skills slowly backing him up. the ending is all of them fucking ECSTATIC celebrating when harry finally kisses kim hkjhg jesus this'd be so cute hold on i have to go plan this out i have so many thoughts hkjdh
"Seven" by Sleeping at Last would be a sweet Reaction Speed song (ironic that im adding react speed to a list of soft, slow songs though hkjgh) "I'm ready for whatever comes next!" <3 Reaction Speed is a fast, restless little fella who can't sit still for long, always loves moving, acting, doing. he's like the personification of a verb hkjhg <3 i would also accept an interpretation for echem <3
"Cosmos" by Jawbreaker Reunion is a song that The Furies recently suggested to me as a jean song and it's so right for that, very soft and i like it very much :'] (you should also ask The Furies if you want to, it's much more musically inclined than me, i feel hkjhg <3)
awuahg thank you for asking and for reading!! i appreciate it!! <33
oh and here's links to all of the songs in the tags: Come Together Now, Two, Four, Five, Six, Eight, Nine, RPG Animation Meme (<- homestuck lmao)
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𝐢 𝐬𝐡𝐨𝐮𝐥𝐝 𝐡𝐚𝐭𝐞 𝐲𝐨𝐮 ─ 𝐜𝐥𝟏𝟔
summary... a reunion between old lovers after five years and charles can't keep his eyes off of you. or his thoughts for that matter.
faceclaim... christina nadin
pairing… charles leclerc x reader
warning… none so far. petty charles.
note... this is going to be part of a series that includes both one shots and smau but can be read as a stand alone
series masterlist
main masterlist
part two → current (part three) → part four
charles is a mess. truthfully this is to be expected but after five years, he thought he would be better than this but alas, you’re still as magnetic as he remembered you to be – even more so, if he’s being completely honest with himself.
you look different – older. where they used to be rounded, baby face is all sharp bones. your hair looks different, longer and styled. and you smell different too, no longer the floral scent you’ve been using since you turned fourteen.
you’re a stranger, he thought. he no longer knows your favorite color or your favorite meal or if you still like strawberry yogurt. he doesn’t know your favorite show or what perfume you use. he doesn’t know you. you’re a stranger and yet your eyes still do that thing where it creases to the point of being close when you smile and you still run your hand over your hair in an attempt to subtly fix it and your eyes still looks like pooled honey when the sun shines on it.
you’re so different, a practical stranger and yet so familiar, like going back to a childhood home finding everything in the wrong place yet still knowing your way around with your eyes closed.
he’s staring. he knew he is and he knew the amount of trouble he’d get from his team for it. he knew that everyone on twitter was probably already freaking out about it. he had clear instructions to act like nothing had happened and that the leaked pictures didn’t exist all. he’s supposed to act like you’re just another interviewer and this is just another media obligation he’s forced to do and you’re no one to him but he can’t help it. he can’t pretend like you’re a stranger when you left such a big imprint in his soul and he doesn’t have every freckle and skin tag and every inch of your skin memorized.
and so he stares. he stares at the way you shift in your seat in an attempt to get comfortable. he stares at the way the long sleeved white dress hugged your curves. he stares at the way you smile, the way you laugh. he stares and tries to remind his heart the way you’d left, the way he’d begged you stay. with you a few feet in front of him, closer than you’ve ever been in years, charles reminds himself the things he had to do to put himself back together after you broke him.
he tells himself that he hates you the same way he has been telling himself for five years now. he hates you and the way you walked away from him so easily. he hates you and the way you moved on so quickly. he hates you now for the way you’re not even affected. he hates you for loving him only to leave him.
“and that’s all for today, everyone,” you say with that dazzling smile that makes him dizzy. he needs to get away from you. you’re clouding his judgment and messing with his emotions.
after making sure the camera has stopped rolling, charles quickly removes the mic attached to him. the smile drops from your face as you see him so desperately hurried to get away from you. though you supposed you deserved that.
“mate, you good?” carlos asked him quietly as charles practically slams the mic on the table. he seems worried and charles hadn’t even realized how angry he looks right now. he glanced at you, watching as you discussed with the producer, the wind blowing at your hair and the careless smile on your face. he hates you but you’re also the most beautiful person he’s ever met. he hates you and he’s so fucking tired of wanting you.
he forced a smile on his face for carlos’ sake. “fine.”
he’s already walking away when you called his name, not like you had in the show – filled with fake friendliness. this time, his name rolled off your tongue effortlessly. you called his name like you had a thousand times before, like nothing has ever changed. the entire set was calling to him but he didn’t seem to hear.
“charles,” you called and immediately, he stopped in his tracks. he only heard your call and somehow that made him angrier at himself than he ever could be at you.
his face is empty and void of any emotions as he turns to you and you swallow down the lump in your throat as you force a smile at him. you hoped it doesn’t look as fake as it feels. “we need to take a picture. for social media.”
he may as well have spat at you with the look in his eyes. it made you feel small. he makes you feel small and suddenly you’re eighteen again, so small and insignificant next to him.
as you and the two ferrari drivers posed for the photo, both charles and carlos respectfully wrapped an arm around you. you can feel the heat of charles’ body next to you, seeping right through your dress and spreading across your skin. his cologne is different – more rich and expensive but somehow still so him but his aftershave is the same as it has been since he was fifteen, so familiar and comforting to you and you almost can’t help but lean into him.
he’s pulling away before you can gather your thoughts, already walking away from you.
—
charles should be celebrating. he finished on the podium which is pretty much a miracle nowadays. in fact, it’s a miracle to even be finishing the race with how his season is going but he’s been pretty distracted the whole weekend, seemingly only ever able to get you out of his head whenever he’s going two hundred miles per hour. he almost wants to laugh if he doesn't feel so pathetic. it’s somehow still exactly like before - with him needing to find some ways to risk his life just to be able to get you out of his mind.
drinking the night away as he wallowed in self pity due to the thought of you is also entirely too familiar.
“mon pote, comment peux-tu encore la laisser te faire ça ?” hugo asked, watching him. “cela fait des années” mate, how are you still letting her do this to you?... it’s been years.
charles only gave a sarcastic smile. he doesn’t entirely know the answer to do that either. apparently the years between the two of you didn’t matter because you still have the exact same reaction to him. you make him lose his fucking mind, unable to to think straight. he does things he says he never will when it comes to you. he becomes desperate and weak and unable to handle his own emotions. he doesn’t understand himself when you’re around.
maybe that’s why you left in the first place. the two of you affected each other far too much. it’s entirely too easy to get lost in each other and forget about everything else.
“elle a l'air différente. elle a aussi une odeur différente,” he says before taking another shot. you’re so different and he hated it. he hates that there are things in your life he doesn’t know anymore. he hates the fact that you changed your perfume and that you can so easily pretend like he’s no one to you. if you can act like he’s no one to you so easily then perhaps he didn’t mean as much to you as he thought he did. she looks different. she smells different too.
you were his lifeline, the air in his lungs. you were everything and he would have given up anything just to keep you. he would have given up racing and his dreams – everything so he didn’t have to lose you.
joris rolls his eyes. he knows this entirely too well unfortunately, he’s seen this exact scene before. “cela fait cinq ans, charles. bien sûr qu'elle a changé.” it's been five years, charles. of course she's changed.
that only makes him laugh bitterly.
—
on the other side of the city lies you, cocooned in your fleece blanket as you stare at the wall.
throughout the years that you and charles have bumped into each other, it had mostly been just surprise in his eyes – as though he could never quite believe that you’re in front of him. usually, you’ll be gone before it can change.
today was different. there’s no surprise in his eyes nor was there any of the familiar warmth you’re so used to. today, he was filled with anger and indifference. he looked at you as though he hated you. and the worst part is that he probably does. the entire time it was as though he couldn’t get away from you fast enough, like he couldn’t stand even being in the same room as you. your entire life, charles has only ever looked at you with adoring and devoted eyes and now he can’t even stand to look at you.
“il ne vous déteste pas,” arthur says over the phone with a roll of his eyes as though you’re being ridiculous for even suggesting such things. he doesn’t hate you.
but arthur wasn’t there. arthur didn’t see how charles practically ran away from you. still, you say nothing to the matter, far too upset to even bother trying to defend yourself.
“i’m going to go to sleep, art,” you say softly instead. “it’s pretty late here.”
you and arthur say your goodnights before you shut off the call. but just as you’re about to place your phone down for the tonight, it lights up with a text message. your eyebrows knit together in confusion. who’d be texting you this late anyways?
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I saw Challengers earlier today and I decided to start a running doc of some of my feral thoughts in an effort to not forget what's currently marinating in my brain after my first watch
I want this movie to get a long theatrical release/run because it deserves it, but that's unfortunate because I also NEED to have it accessible to me in my home ASAP so I can pull on all its threads and take screencaps. Alas.
EXTENSIVE SPOILERS BELOW
might add to this later as I remember things, idk
-The parallel of Art spitting his gum in Tashi’s hand and in Patrick’s hand… My jaw dropped soooo early on. Anyway they obviously both act as Art’s “coach” at different times in his life in different ways. (The jerking off teaching?? Scream???) Art craves their guidance and approval as a form of love (which is also directly responsible for his confidence issues) and initially likes to follow their leads in every situation
-The parallel of Tashi making out with both Art and Patrick up against cars… delicious
-Patrick’s car is his “bed” and it’s where he and Tashi fuck. Nice
-Wait now I’m sad because… lowkey Patrick is homeless because Art and Tashi are his home…………….
-The storm = Patrick and Tashi having sex = the reason why Art’s half of the giant poster/ad on the side of the building falls down so only Tashi’s side is left up. Iconic, loooove a good visual metaphor, especially shown nonlinearly
-The parallel of the forehead kisses??? Art and Patrick on the court at the start when they won the doubles, and Art and Tashi in the sad almost-sex scene towards the end??? I will throw up
-Disclaimer and reminder I’ve only seen this movie once and might reform any of these thoughts later BUT…
One of Art’s main things is, as he tells Patrick towards the start, not wanting to be “left out.” He loves and he wants both Patrick and Tashi (but he doesn’t fully want to acknowledge the extent of his want for Patrick for years, and that repression is part of his problems…). He gets “lit up” about the thought of them together not because he’s jealous of one of them but because he’s jealous of BOTH of them; he wants to know it all, he wants to be in the room, he wants to be with them both, he despairs at the thought of losing either of them (but, at the start, especially at the thought of losing or being of lesser importance to Patrick. Obviously he’s a fucking idiot as evidenced by how Patrick goes to see him FIRST at Stanford. Ugh). We see all of this at the start when Art wants to know if Tashi and Patrick fucked. We see this in Atlanta when he witnesses Tashi cheating on him with Patrick but doesn’t directly confront either of them about it; he only skates the edge of confronting it with Patrick in the sauna while also lashing out at him. Patrick tells Art at Stanford “it’s nice to see you so lit up about something, even if it’s my girlfriend” during the homoerotic churros scene because Patrick’s clocked all of this about Art, too. He clocks it further in Atlanta when he shows up to Art’s practice with Tashi and his mere presence makes Art hit the ball harder. It obviously all comes full circle; the cocktail of emotions that Patrick and Tashi being together gives Art coalesces again for him on the court in the Challengers match: Tashi’s threatened to leave him if he loses… and she’s maybe got one foot out the door with Patrick of all people, who Art already “lost” in the past as the love he’s been mourning for 13 years. But what’s important is that THIS time, unlike Atlanta, Art learns about Tashi cheating on him with Patrick not by accident but rather because Patrick actually tells him. Patrick understands the significance of how this will get Art lit up again and make him play the way he needs to for all of their sakes, and it’s fucked up, but… what this means is Patrick doesn’t leave Art out. He TELLS Art – and he tells him in a way only they understand while they’re on the court together again. Of course Art goes through several stages of emotions in response to that fucked up information… but ultimately that moment of honesty and realization between the boys is what Art needed and puts where all 3 of them stand into sharp relief, shedding a light on who they’ve all always been and what their individual needs are.
Art’s always wanted to play tennis, but that desire is framed around his relationships. Tennis is only something he truly enjoys or that fully makes him happy when he’s experiencing it through his connections to other people: he wants to impress, earn the approval of, or celebrate with those he loves who are watching (like his grandmother or Tashi) – which is partially why he wants Tashi to be his coach in the first place. And of course, tennis all began as something Art found joy in because he was always doing it with Patrick. It’s clear Patrick feels the same. At the start, neither of them cared much about winning for the sake of winning unless it was doubles because they competed as a team and that was “really fun” for them. With the singles competition, they kind of cared less about the wins at the start; Art assumed Patrick would win and didn’t care back then, and then Patrick was willing to let Art win so he could impress his family, and they were both fine with all of those sentiments. Tennis was first and foremost something they did with and for each other. As Patrick later tells Art in the sauna, “I miss playing with you” – and, of course, at that point he’s definitely not only talking about tennis. But in that final match, after so many years, Patrick and Art finally understand each other completely again. It’s like they’re in love (because they are and always have been), they go somewhere really beautiful together… etc. They finally reconnect on the court and feel that thrill as they become synchronized again, which is what tennis was always about for them.
And Tashi, who’s irrevocably connected to them both and whose primary love is and always has been the sport itself, gets what SHE’S always wanted: to “watch some good fucking tennis.” It’s why she pitted the boys against each other vying for her number at the start. Though she needs/wants both boys in different ways on an individual level, she doesn’t particularly need or want anyone to ~be in love with her~; she wants the men who are in love with her to entertain her and challenge her and give her a show. So that’s what she tries to accomplish again in the end by telling Art she’d leave him if he lost the Challengers match… but the missing piece in her making that threat – the element that would get Art truly fired up – was that she’d potentially leave Art for Patrick. That final piece of info, when Art finds out about the cheating, is what reconnects them in all of the above ways. Because it’s about all 3 of them and their triangular codependency. They’ve all been broken for 13 years because they all need each other and tennis to be fully functional. Split any of it apart and they just don’t work.
-Literally this is a film where from the moment of the injury they’re all constantly mourning. They all lose their greatest loves that day… Tashi essentially loses tennis, Art loses Patrick, and Patrick loses the two of them. Everything after that is just them being affected by how they’re all mired in various grief and feeling incomplete… until that synchronization at the match when they finally become whole again. Going from that bed scene that was breaking my heart to the final match was HEALING. Things are still fucked up and in progress, but they’re fucked up in a way they all understand, which gives them a path forward. This movie has a fiercely happy ending in that regard… and what I’m saying is that… after the match, once they communicate further, and much later down the line… Art and Patrick should go back to playing doubles and Tashi should coach them as as doubles team. God they’d eventually all be so happy I wanna CRY just thinking about them doing that. It would take them awhile to get there — because yeah, Tashi is living vicariously through Art’s career as an individual player and maybe if Art retired she’d then want to live through PATRICK’S career for awhile — but I think if they worked out their relationship then their tennis could come to reflect the needs of that relationship too, and doubles can still be “good fucking tennis” in its own satisfying right, y’know? I think they could get there and it would be a beautiful collective restart.
-I gotta say, I can't imagine Tashi pregnant. Wild to me. Sorry to their daughter. Oooo also... I think Patrick would be great with kids... when he gets to meet Lily and become "Uncle Patrick" they're gonna hit it off so fast. Help me
-*holds up Tashi watching them kiss after she orchestrated it*
*holds up the Challengers match*
It’s the same picture. Except the kisses were kisses whereas the match was actual sex.
The moaning and grunting… I’m insane.
Also Tashi’s “COME ON!!!!” is arguably the sole orgasm/climax we witness in the whole movie perhaps? Though you could argue the hug is too. In this essay I will, etc.
-Art begging for Tashi’s love/validation saying “Tell me it doesn’t matter if I win tomorrow” vs Art telling Patrick in the sauna “this is a game about winning the points that matter” / Patrick saying “I don’t matter?” AAAA oh my fucking Goddddddd I’m gonna die
-Thank you Luca Guadignino for your dedication to having Art and Patrick hold phallic drinks and food in each others’ presence. Specific shout out to Patrick at the beach party holding the beer bottle on his crotch
-Patrick = comfortable with who he is and secure in his bisexuality; honest and open
Art = repressing his queerness and his overall desires
Tashi = hiding who she is aka her dissatisfactions with life and the lengths she’ll go to because tennis is her true greatest love and always has been
COMPRESS, REPRESS... REPRESS, COMPRESS... AND THEN JUST SURRENDER, ONE TWO THREEEEE
-I need to rewatch to catch the dialogue because it was difficult for me to hear it over the music, but I think in the 3am Atlanta scene Tashi tells Patrick that Art’s grandmother had a stroke. IF that’s what she said (and if there’s no reason to believe it’s a lie Art told; like I said, I need to rewatch)… my immediate impression was that it’s a nod to Patrick being the voice of accuracy and prediction in this movie. Towards the beginning he tells Art (jokingly) that he hopes Art’s grandmother dies of a stroke, and that’s seemingly what literally comes to pass. He repeatedly clocks both Tashi and Art’s behaviors, describing them brashly to their faces (and to us as the audience), and he was right about his predictions. He’s the one who’s not repressed or unaware of who he is out of the 3 of them: when Tashi first asks if there’s something between him and Art, he looks away because he knows the answer is yes; he’s openly bi on dating apps; he tells Tashi he won’t be her lapdog unlike Art which we see later ends up becoming literal; he clocks how Tashi is hiding some of her true motivations when she seeks him out in the storm; and even from afar he predicts Art’s mindset about wanting to retire. For the most part, what Patrick does / says either seems to be or becomes truth. Hmmm, wait, as I’m typing this… something to look out for: the “I TOLD YA” shirt. Working theory: Tashi briefly wears it, she’s the voice of accuracy; then it blatantly switches over to Patrick and he wears it throughout the film and [waves to all of the above]
-Head in my hands thinking of how the word “love” is used in these tennis matches. Also something I need to make detailed note of when I rewatch
-Patrick grabbing Art’s thigh when they first watched Tashi play… oh my GOD
-Patrick pulling Art’s stool close and Art just smoothly sitting on it with no reaction… the way they kept looking at each others' lips... oh my G O D
-I just remembered Tashi referred to the boys being known as as “fire and ice.” What the fuck even.
-Tashi going to Patrick asking him to lose the match for Art… she’s literally like, "do this because I love tennis and if I lose Art then I lose the way I live tennis through him. Do this because if he loses this match he'll lose himself." And she's really like, "Do this because I know you’re in love with both of us." And Patrick is like, "A) fuck you because you know I’ll say yes precisely because I'm in love with both of you so how dare you ask this of me, and B) you’re kidding yourself if you think you don’t miss the challenge I give YOU simply by being myself because I don’t take your shit." Something something they're peers, you know
-Tbh for 13 years when Patrick gets his rare opportunities he’s @ both Art and Tashi like “you want to fuck me so bad it makes you look stupid.” And the thing is that he’s RIGHT. He’s right! Art in particular doesn't want to admit it because he's trying to convince himself he outgrew being bisexual / outgrew Patrick but it's obviously bullshit
-Realizing some of the sounds in the soundtrack intentionally emulate the sounds of tennis balls and rackets???? MADNESS
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