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welcometothejianghu · 6 days

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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 有翡/Legend of Fei.

Legend of Fei is a 2020 adaptation of priest's webnovel Bandits that tells the story of a competent yet sheltered young swordswoman, the terrible gremlin boy who decides they're married now, and their various friends as they venture into the jianghu to acquire the legendary MacGuffin that will do ... uh, something, probably.

This show is a delight. It is pure goofy, tender-hearted sincerity. It has so many precious baby angels with adorably pinchable cheeks performing so many fetch quests in so many styrofoam dungeons. It is funny on purpose and funny on accident. It is 51 episodes of rollicking, slapdash, green-screened adventure.

I am trying real hard here not to bite on @agendratum's wonderful rec post for the series, which includes the words "discount word of honor with teens," a phrase that lives rent-free in my head. Go look at their work for a more detailed character guide. What I have here are a mere five reasons above and beyond said post that you should watch this darling little show.

1. All the production values of a sixth-grade class play

This show flopped pretty hard, and I can understand why. It was a highly anticipated drama with two big-name headliners. Fans expected a lot from it! And what they got is something that looks and feels like a mid-budget syndicated UPN show from 1993, complete with how all the high-schoolers are played by actors in their thirties.

This show is comically janky and earnest. Stunt people fall down before they're hit. Breakaway furniture abounds. Actors bounce gently off "stone" walls. Damn near everything was filmed on sound stages with greenscreens. (Filming ran from September 2019-January 2020, stopped for pandemic reasons, and finished March-April 2020. While this certainly is not the only cause of the show's jankiness, it definitely contributed.)

This it not a show with no money; this is a show with an appropriate amount of money spent poorly.

The flow and pacing of the story are as smooth as a car crash. So many times, a scene with Characters A and B will be happening, the show will cut (sharply) away to a different storyline, and by the time it jumps back, Character A is in a completely different location and Character B has departed. When did that happen? Why did that happen? Where are we now? No time to ask questions! Establishing shots are for weenies! This director knows filmmakers who maintain narrative continuity, and they're all cowards.

Speaking of the narrative: I've seen Saturday morning cartoons from the '80s with more depth. I would be hard-pressed to explain what exactly is happening that's driving the plot. There's big business with a deposed emperor and a forever war happening on some distant front and disgruntled veterans of the army that's fighting it ... but, like, it doesn't matter? All those machinations are barely relevant to the plot at hand, which can be summed up thus: Bad Guys want Thing, Good Guys go on adventures to stop them from getting Thing.

And I am listing all this messiness as a selling point -- as the show's primary selling point, in fact -- because I think it's all charming as heck. This show is plain, unpretentious fun. It's a downright romp! It's got a very teenager's-eye-view of the inscrutable situation driving the whole plot, which does a good job of drawing attention to how maaaaybe this whole situation is bullshit and the grownups should stop killing themselves and other people because of it.

Here's a good metric: If the Ye Olde Haixing parts of Guardian warmed your heart, you are in exactly the right frame of mind for this.

There's no way to tell how much of this campy, underfunded aesthetic was intentional, and how much was the result of both poor budgeting and way too many cooks in the production and screenwriting kitchens. I'm not going to say this was a labor of love, because it was at best a labor of like. Everybody onscreen is giving it their all, but no one's giving the same all as anyone else. Go into it expecting that and nothing more, and you'll have a great time.

2. Punching the Bechdel Test into next week

Are you someone who loves c-dramas, except for the part where you're like, gee, I sure wish there were some girls in this? Oh, my friend, there are so many girls in this.

I actually kept being stunned while watching it by just how many girls are in it. Old girls! Young girls! Evil girls! Nice girls! Rich girls! Poor girls! Strong girls! Weak girls! Just a whole lot of girls!

Truly, it's not just how many female characters there are, but the sheer variety of them. The main octet includes an awkward tomboy who can kick your ass, a spunky brat who's not above crocodile tears to get what she wants, and a soft femme who's a brave little toaster despite having zero martial arts skills. The show absolutely loves them all and thinks they've all got important things to contribute, no matter how hard they can or can't punch.

And that's before we get into how many female side characters there are, both heroes and villains. I've seen that some people hate on these side characters. Those people are wrong.

Maybe the best part is how much they interact. There are many scenes with multiple female characters in them, sometimes with male characters too, and sometimes just the girls. Because this is a jianghu story with martial artists, several of the female characters have unique skills that they pass on to other, younger female characters. Women are often the honored masters of things who have competent all-ladies support staff. And there's no sense that they wash out after a certain age -- even the grannies can still school you as needs be.

...Of course, the sad thing is, I'm touting all this ladyfolk representation when maybe 20% of the total listed cast is female (doing quick math from the MyDramaList cast page). Pound for pound, the Untamed's listed cast has a (slightly) greater female:male ratio, and nobody would call that a girl-forward show. It just makes a difference when what female characters you have, you push toward the front of the narrative and give them reasons to have relationships with one another, instead of making them occasional props in the background while real (read: male) people get to be people.

The entire reason the Bechdel-Wallace Test exists is not to praise or condemn any individual piece of media, but to comment on larger trends in the depiction of women in fiction. It's not a problem when one thing doesn't pass the test; it's a problem when nothing passes the test, or when the things that do pass skate by on single moments and technicalities. The more things that fail its three criteria, the more that indicates the prevalence of an attitude that regards women only as accessories to men's stories.

Legend of Fei is aware that not only do women have inner lives, but they relate to one another in very specific, culturally informed ways. The female characters in this are not just male characters with incidental she/her pronouns. Zhou Fei not only gets to be the protagonist who goes on the whole hero's journey of growth and change, but along the way she also gets to have some complicated interactions with her own gender and how much expected modes of femininity do and don't suit her. But it's also not because she's Not Like The Other Girls! It doesn't make her better or worse to be that way. It just makes her more like her mom -- and if there's one thing I know that makes a teenage girl break out into a cold sweat, it's the idea that she's anything like her mom.

This little drama is hardly some revolutionary piece of thought-provoking feminist insight, or anything like that. It's just that if you're feeling the lack of ladies in your c-dramas and wish to see girls on film (as it were), Legend of Fei may be what you're looking for!

3. Chaotic bisexual (asexual?) extravaganza!

priest's work is queer as fuck, and while this story itself does not rise to the level of being textually gay, there's still a great big rainbow flag flying over the whole business. You can rest assured that when two dudes or two ladies are giving one another meaningful looks, it is not an accident. We all know who's writing this.

Do you like relationship charts? Because I've got a doozy for you:

How many of these are me making jokes? Way fewer than you think.

There are of course some actual canon couples in there, and the amount of real estate they take up in the narrative means your affection for them will make or break your affection for the show. Fortunately, all the teen pairings are super-cute!

Zhou Fei embodies the bisexual stereotype of liking all the ladies and maybe one dude. Xie Yun falls so hard and fast for this beautiful butch-by-local-standards that his head spins. Together, they are the romantic backbone of the story, and they are just a treat.

I've seen people say these two have no chemistry, and I think that's bullshit, but okay, let's assume that's your read on it. You can still understand why they like one another, beyond your standard, he's a boy, she's a girl, what more do you want? Zhou Fei likes Xie Yun because he's funny, emotionally available, and socially unacceptable. Xie Yun likes Zhou Fei because she's fierce on the outside and warm on the inside. Sure, they're in love, but what's more important is that they're good partners and great friends.

(I think it helps that even though the characters are supposed to be around the same age, Zhao Yiling is literally a decade older than Yibito is, and he clearly thinks even off-camera that she's dreamy.)

Also, it's great when he helps her sheathe her sword. This is a couple that's going to take about three whole minutes to figure out pegging.

Li Sheng and Wu Chuchu are the normie couple. He is big strong boy-man! She is small helpless lady-girl! ...Except no, this is yet another case of a wife guy who thinks his girlfriend's strengths are awesome; it's just that in this case, her strengths are her brains.

The fact that her attack and defense scores are nearly zero does not keep Chuchu from being the most competent person in any given room. She starts out as the girl who's important because she's got an important dad and an important key item, but she winds up being basically Jianghu GameFAQs. She never stops being soft and pink and feminine and tender, and she never learns to fight worth a damn, and none of that keeps her from being a vital (if unfortunately kidnappable) part of the team!

Meanwhile, Li Sheng is never really a male chauvinist, because he's grown up under his aunt, who kicks so much ass. But he is a bit of a cocky teen-boy turdface who needs to get knocked down a few pegs. It's great, then, that the show pairs him with the kind of helpless femme that he's supposed to want, then has him decide the fact that she's miles smarter than he is is the best.

And then there's these dipshits.

Normally in c-dramas, I'm used to triangles that are a strong canonical line between the main guy and his girlfriend, a strong but unacknowledged line between the main guy and his best friend, and maybe a faint dotty wisp between the girlfriend and best friend. Not so here! Ying Hecong, Li Yang, and Yang Jin (L-R above) are a damn near equilateral triangle. I mean, okay, technically they're set up as a more conventional love triangle, where both boys like the same girl, and she does sort-of choose one of them in the end. But in that arrangement, you'd expect the boys to become rivals -- and they never are. In fact, they become special allies who trust and take care of one another more than they do anyone else.

They're a great weird trio. Ying Hecong is a poorly socialized weirdo whose special interests are poisons and befriending snakes. Yang Jin is the chief of Doctor Village, a position that he got not by being a doctor, but by being a dumb jock who didn't realize fast enough why nobody else wanted the job. And Li Yang is the spoiled little sister of Li Shen and cousin of Zhou Fei, prone to getting what she wants by pitching a damn fit about it, who has decided that both of these boys are hers now and she can do whatever she wants with them.

(Li Yan is actually the most Actually A Teen of all the characters, and is the one who makes me wish so much that more of the cast had been played by actual age-appropriate actors. Some character traits are adorably tolerable when someone's twelve and verge on really fucking annoying by the time that same person is twenty-five.)

If you are into OT3s where two partners have to join in solidarity with one another so they can survive their third, you've found your pot of gold. Each one of them is enough of a catastrophe that they need two whole love interests to manage them. Between the three of them, they almost make one well-functioning human being.

Now: A thing to note about all these relationships, and one thing that may be surprising to you about something adapted from a priest novel, is that this show is negative horny. All of the romance is extremely chaste. At no point does any grownup worry that leaving these teens alone with one another will lead to some hanky-panky. Nobody ever volunteers to chaperone, or seems to need one. The adults aren't particularly horny about one another either! This is the kind of universe where people blush while tenderly embracing, then go to pick their baby up from the local cabbage patch.

Even my jokes about Zhou Fei's fuckable grandpa are just jokes, because nobody actually wants to fuck him. They all want to duel him, or to fuss over his health, or to follow him around and bask in his nobility. He has two kids, but we never meet their mom(s?). He deflects the obvious interest of multiple beautiful women with ease. He is the perfect man, both fuckable and unfuckable at once.

This may be what's having people read the main pair as having no chemistry. They have a lot of chemistry! It's just not a particularly sexual chemistry. It's extremely tender and playful, and there's plenty of physical intimacy. But it's not horny.

And that's not on the two actors. I've seen both of them look at someone else like they wanted to eat that boy alive. That was a choice this show made, to play all the romance about as spicy as when the puppets on Mr. Rogers' Neighborhood hold hands. The only hints of horniness are in the fighting/injured bits, because sex is a big no-no, but nice polite violence is always okay! (Hey, uh, culture? We need to have a talk about this.)

4. The Grownups

As you may have gathered, most of this show is about the younguns. But a great deal of the supporting weight is carried by characters who are supposed to be of their parents' generation (even if most of their actors are only a decade or so older than the "teens").

I cannot fully in this post detail my great affection for every adult character; I wouldn't have room for anything else. So here's my top-three shortlist of the most memorable old folks.

If you like your ladies badass and crazy, Duan Jiuniang is here for you. Her grip on reality is ... well, it's complicated, but it doesn't stop her from being able to roast you from the inside out with her special skill. She's a terrible teacher and an even worse step-grandma who's made a lot of life choices that weren't what she wanted, but were what she needed to do to survive. I have no idea where she got those hideous leggings, but I kind of want a pair. She doesn't stick around past her one arc, so enjoy her while you've got her.

Speaking of crazy, the Phoenix, Mu Xiaoqiao, is a beautiful, tragic, genderqueer, completely insane middle-aged drama queen with a pipa to play and an ax to grind. I would watch an entire hundred-episode drama just about his campy antics. Hands-down my favorite character in the show. I'm not even going to say anything more. This bitch must be experienced. Love you, baby.

This fucking DILF. Holy shit. Shen Tianshu has a chocolatey voice and the world's most inconvenient prosthetic hand. At first his facial hair seems excessive, but then you see him without it in flashbacks and you're like, no! put it back! put it back! Frankly, I'm glad for the tufty brows, because this man does so much eyebrow acting, and you wouldn't want to miss a sinister moment of it.

And he's not the only one! Every single villain is running with full Bad Guy From A Power Rangers Episode vibes. No piece of scenery remains unchewed. They're what make this whole thing feel like you're watching a stage play. Every arched brow, every expansive hand gesture, every maniacal laugh, all of it plays to the nonexistent back row. (In fact, one of them -- Eyepatch Guy -- was so over the top that we had to look up his whole deal. Shockers, he's got an opera background.) If you have affection for the points I discussed in selling point #1, you will have love extra for the adult antagonists.

If you've ever watched a show made for a young audience starring young actors, you know exactly the grownup vibe I'm talking about. No, real adults don't act like this. But these are not real adults -- they are adults seen through the lens of a YA narrative, where everyone has big emotions and ultimately pretty simple motivations. Violence is acceptable but sex is not, and sexualized violence is especially not. You can threaten the kids but you (mostly) can't kill them. Parents should be removed from the main storyline, by death if necessary (offscreen preferred). By the end of the story, all adults must defer to the wisdom and battle strategies of the kids or be ready to be taken down by them. The lessons of age and experience are ultimately only useful once handed to the next generation.

Which is fine! ...provided it's the vibe you're expecting. I'd put this as another item in the list of probable reasons that this show did not go over as well as it should have.

5. We use every part of the Wang Yibo

Okay, so if you're like me, your introduction to this beautiful man was the Untamed, where 95% of his job is to keep every one of his facial muscles from doing anything -- and, if you're like me, you then watched some Untamed behind-the-scenes stuff and went, holy shit, this boy can make expressions?

This boy can make so many expressions.

I'm not going to argue that Wang Yibo was necessarily miscast as Lan Wangji, because that's not a fight I'm interested in having with internet strangers. I do, however, think it's undeniable that the Untamed misused him by all but ignoring his two primary skills: his giant goofy smile, and his being a dancer.

Legend of Fei makes use of both of these to great effect. Xie Yun is a gremlin who can't fight but can dodge. The show loves to leave the camera on him and let him spin and duck his way out of battles with his own mischievous grace. Wang Yibo does a remarkable amount of his own flipping and fighting, with and without wires. In a world of stunt doubles and smash cuts, it's a delight to watch.

My favorite thing about Xie Yun is that he likes that girl so much. He looks at her like she's the best thing in the world. He is her biggest hype man. He's all wife guy. Every time she's stronger and butcher and meaner than he is, he's pulling out his pompoms and cheering her on. He is in no way emasculated by the fact that she kicks so much more ass than he does. He is actually her wife, and he knows it. Kick their asses, baby, he'll be your flower.

Wang Yibo sells that devotion with each look in her direction. He brings every piece of his inherent chaotic good energy to the role. He's a comedic scamp right up to the point where he rips your heart out. If you are at all a Yibito fan, you owe it to yourself to get this show in front of your eyeballs so you can see what trouble that precious baby boy has gotten himself into this time.

Bonus: Do you like Word of Honor? Because this is how you get Word of Honor.

So I'm betting a lot of you did what I did, which was that you watched Word of Honor, and you loved it, so you went to read the book, and you were like, the fuck? Because Faraway Wanderers is also great, but uh, after a certain point, they're two very different stories.

While I cannot prove this, I would place a large amount of money on the screenwriter for Word of Honor's having been very aware of this production while doing the adaptation. See, in case you haven't read it, Faraway Wanderers itself barely spends a page of time with anything outside of what the main dads-and-kids quintet is doing, which makes for a fun danmei webnovel, but doesn't translate so well to live-action. I am almost certain that in the same way that they used frog DNA in Jurassic Park to fill in the gaps in the dinosaurs' code, this screenwriter (who is a priest fan) used Bandits/Legend of Fei to build out Faraway Wanderers' moments into a whole drama.

The timeline goes like this:

June 2010: priest publishes Qi Ye

October 2010: priest publishes Faraway Wanderers

November 2015: priest publishes Bandits

September 2019: Legend of Fei starts filming

June 2020: Word of Honor starts filming

December 2020: Legend of Fei airs

February 2021: Word of Honor airs

So yeah, it's not like the Word of Honor screenwriter could have watched Legend of Fei prior to penning the Word of Honor script. But there's too many similarities to be coincidence. To be clear, I'm not accusing the Word of Honor screenwriter of ripping off Legend of Fei. Watching it is more like seeing bits of Word of Honor's first draft. The Color of Ocean and Heaven and its five tokens become the World's Armory and the Glazed Armor. Wu Chuchu becomes Gao Xiaolian. Mu Xiaoqiao becomes the drama version of Xie Wang. All the nonsense with Yu Wenzhi and the Demons becomes all the nonsense with Zhao Jing and the Scorpions. Someone with more time than I have could probably make a thorough accounting of the number of times scenes with Wen Kexing and Zhou Zishu visually parallel moments Xie Yun and Zhou Fei have, and how often those scenes were in bits not related to the original Faraway Wanderers plot.

And I think this is great. It's why, even though a lot of Word of Honor was not in priest's original text, Word of Honor is still very priest-flavored. Frog DNA, you know?

All of which is to say: If you love Word of Honor, you owe it to yourself to watch Legend of Fei. It's much sillier and straighter, and it's way less sexually charged, but it's got a very similar vibe, and it's fascinating to see what the two have in common. Think of them as two distant cousins, where you're like, sure, I can definitely see how you're related, but ... huh.

Ready to embark on your journey?

So many options! It's on iQiyi (VIP), Viki, and YouTube.

We watched it on iQiyi, and the subtitles were ... well, they made some interesting choices. You could always tell what they meant, but the actual phrasing was often wonky. Occasionally, where you'd expect a "Dammit!" or "Crap!" these subtitles would have someone exclaim, "Screwed!" And we never stopped laughing about the poor villain whose name those subs rendered as "Pathetic Clam." I cannot tell you if the other subtitles are any more polished, but I can promise that the awkward translations just added to the charm.

Do I have a soft spot for well-meaning television that does not have the means to achieve its goals but tries anyway? You better believe it.

Just a pile of precious cutie pies.

#legend of fei #有翡 #rec post #i made this

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