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#acknowledge it for once people
thatbitch151 · 7 months
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Ya know, everyone talks shit about Fairytail because it does rely heavily on “the power of friendship” and I get if that’s not your thing or feels too childish for you but
Can we acknowledge how dark it all is? Loke/Leo is suicidal in the beginning, Lucy comes from an abusive father and dead mother, Gray is an orphan And his step in mother figure died to save him after he made a bad choice, Erza was an orphan and a Literal Slave as a child with a bunch of other children and her childhood love got possessed and continued her abuser’s work. We all know the shit with Natsu and the dragon slayers.
That’s not even going into the Mirajane/Elfman/Lisanna backstory, or the story of any other characters like Juvia and Happy and Charla and Zeref and such. Like holy shit? This show is so so dark and everyone looks over all the trauma and dark themes because there’s the whole power of friendship thing, which was weaved into the show to actually mean something and not just there for shits and giggles.
All this to say, you can dislike the show, hate it even, but don’t just judge it for the light hearted outer shell it has, because inside is dark and dense and Meaningful
Thank you for coming to my TedTalk
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liquidstar · 5 months
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Yes, Greece still exists, we didn't all die 2000 years ago. Yes, people speak Greek. You people are so fucking stupid for real. So many of you claim to love ancient shit but can't even acknowledge the actual living culture of the people whose mythology and classics you romanticize. You keep leaving annoying comments about how you just forget Greek people still exist, thinking you're being quirky because you love ancient stuff soooo much that you forgot about the people it came from. You think about it so little you don't even realize that an actual Greek person has to read this shit, making it clear how little you actually care about the culture beyond the romanticized (and westernized) mythology. Don't claim you love Greece, don't use our mythology anymore if you can't acknowledge that we're still around without making it about how little you think about us. It's mind boggling that you'd think a Greek person would read this and think you're anything but obnoxious. Explode.
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poorly-drawn-mdzs · 7 months
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There is a platonic explanation for all this. Right?
[First] Prev <–-> Next
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stil-lindigo · 1 year
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bedside bouquet.
--
a sapphic comic about a village girl and the fae she fell in love with.
creative notes:
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bucephaly · 7 months
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It's kinda shocking to me how few people seem to know how prevalent the 'my great grandmother was cherokee' myth is and how it's almost never actually true, especially when it comes with things like 'never signed up' or 'fell off the trail' or 'courthouse burned down destorying the documentation' etc etc.
People just don't even seem to know the history like.. when the Trail happened. My great great great grandfather was 2 years old during Removal in 1838, so peoples 'my great grandmother hid in the mountains!' is so clearly wrong. And we have rolls. From before and after removal, rolls done by cherokee nation and others by the government, rolls that were not stored in one random flammable courthouse. It's not difficult to find the actual evidence of ancestry.
And just.. there are lots of ways those family stories get started. It was a practice during the confederacy to claim cherokee ancestry to show one's family had 'deep roots in the south' that they were there before the cherokee were removed. Many people pretended to be cherokee and applied for the Guion-Miller payout just to try to steal money meant for cherokees - 2/3rds of the applicants were denied for having 0 proof of actual cherokee ancestry. [We even see lawyers advertising signing up for the Miller roll just to try to get free money.] And the myth even started in some families in the cherokee land lotteries, where the land stolen from us was raffled off, including the house and everything that was left behind when the cherokees were removed. We have seen people whose families just take these things stolen from the cherokee family and adopt them into their own family story, saying that they were cherokee themselves.
If you had some family story about being cherokee and you wanna have proof one way or the other, check out this Facebook group run by expert cherokee genealogists that do research for free. Just please read the rules fully and respect the researchers. They run thousands of people's ancestries a year and their average is only around 0.7% of lines they run actually end up having true cherokee ancestry.
#and ive heard even dumber origins of the cherokee family myth#such as an ancestor having a silly sounding name so the descendents just go 'oh she mustve been an indian!!!'#i was one of the few people who had my ancestry done on the facebook and had genuine cherokee ancestry#[though i had found it before it was just really validating to get it double checked and i started finding cousins (:]#like. i was told once when i was a kid by my grandma that my dad had cherokee ancestry and i didnt believe her. its wild that so many peopl#will make it a Fixture of their identity [or even just smth they bring up ever] with Zero proof#at least for cherokees from what ive seen its usually considered really disrespectful to claim to have cherokee ancestry without#actually having the documentation [like ancestors on the rolls]#and no a dna test doesnt count. nor does 'my dad is Clearly not white!' or 'high cheekbones' or old family photos or anything#i had this discussion with someone recently whose dad had been calling himself 3/4 native but didnt know exactly what nation ???? hello?#and its like... sorry but ur dad is like. italian lol.#[and blood quantum is bullshit anyway im tired of the 'im 1/16 cherokee' comments its dumb#cherokee nation does not have a blood quantum requirement. its pointless bringing it up in the discussion of who is or isnt cherokee]#also mandatory disclaimer that im reconnecting. i didnt grow up connected to the culture of even knowing my ancestry#this is all from my looking into this stuff over the past year or so. i cant claim to be an authority over anything regarding this#this is p much all my repeating things ive heard said by people who know a lot more than i do haha#man. and this isnt even starting to get into the fake tribe stuff. the only legit cherokee groups are the 3 federally recognized bands#cherokee nation of oklahoma. united keetoowah band. and the eastern band of cherokee indians.#any others that are state recognized or not at all arent acknowledged as legitimate by any of the legit cherokee groups#anyway. my final message goodb.ye#cherokee#tsalagi
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chaosxcrushed · 19 days
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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neuvifuri · 7 months
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to me, wriolette is the scene from fleabag where she says “i love you” to the priest and he (also in love with her) just says “it’ll pass,” and also on that note clorinde and wriothesley’s friendship is the scene from fleabag where she’s like “i met someone” and her friend is like “wow that’s so great, what does he do?” and she says “he’s a priest” and her friend drops her head into her hands and fleabag looks directly into the camera with a smile :)
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mintytrifecta · 9 months
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fromtheseventhhell · 11 days
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I also find it funny that fandom will only accept Lyanna being her non-conforming, wild self in the context of saying that Arya isn't meant to be pretty; Any other day we get back-to-back posts about how Lyanna is actually super traditionally feminine cause she sniffled at a song once, so she's actually more like Sansa. Instead of constantly speaking on Arya and Lyanna, how about you guys reflect on why your standards of beauty for women are attached to how well they perform feminity within the patriarchy?
#lyanna stark#arya stark#asoiaf#/Lyanna isn't actually pretty she was a wild tomboy/ Those two things are not mutually exclusive 😭#how you look is not a reflection of your personality and this is also a running theme within the story#we have morally good characters who are ugly and morally bad characters who are beautiful this is like...kindergarten level#Lyanna is idealized in terms of her personality hence /you saw her beauty but not the iron underneath/#and Ned correcting Robert when he said Lyanna wouldn't have shamed him like Cersei had#he's a very shallow misogynistic character and I truly doubt he would've been as attached to the idea of her without surface level beauty#reminds me of people saying that Olivia Hussey is a bad fancast for them because she has a /doll like/ beauty and they're /rougher/ 😭#as though their entire facial structure magically changed once they realized they enjoyed playing with swords instead of sewing sdksdkdsksd#it's giving that one tiktok with the /cat pretty vs doe pretty vs bunny pretty/#even if you wanted to make the case that her beauty is idealized in her death we get Arya described a pretty multiple times?#idk it's just so wild to me to use personality as an indication of looks it just sounds so stupid#Arya/Lyanna can still have /delicate/ features (which is extremely subjective) and still have a wild personality#how about we acknowledge that the perception of both of them is warped by strict patriarchal gender norms instead?#some real analysis just to shake things up idk
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Some people need to understand queer coding opens character identities and relationships up to a solid queer interpretation, but that doesn’t equal “this character 100% fits my headcanon and if you disagree you’re a [REDACTED]”
From a literary analysis perspective, as long as your interpretation is reasonably evidence-based it’s valid. As this is fandom, I’d add “sincere” to that since unlike an academic setting we get bad faith actors but that’s it.
So, to have a valid “interpretation” you have to do the work in good faith, and you have to be able point at the text to support your interpretation. If you can’t, or don’t want to, that’s a headcanon, and it’s totally fine.
“But this character is a lesbian she likes a girl!” There’s more to queerness than straight and gay. You could reasonably interpret a girl who likes another girl as plenty of different things:
Lesbian
Bi
Ace/aro and something else
Straight and closeted trans
Straight and lover is closeted trans
And so on.
So when you have an interpretation, someone might tell you, “I think this other thing.” The polite way to handle this if you don’t like it is to say “that’s so cool we can see different things in the ambiguity of art”. Maybe blocking each other if you dislike their interpretation that much.
That’s of course unless you both want a debate to further refine your understanding of the text or just like to argue or whatever. Which is fine! As long as it’s not overly bitter or whatever, it’s fun to discuss.
“So how do I know which interpretation is more canon than another?”
See, that’s the thing, you can’t. Canon is kind of shaky in the first place. The canon is just what’s written that’s recognized as true/correct text, not the way to understand it (and not what the author says is true, some people take Word of God as canon because it allows the following of one concrete interpretation instead of acknowledging multiple, but strictly speaking it is not). You can only interpret the canon.
For example, 4-komas bonuses of serialized manga are usually non-canon because they are jokes and not meant to be taken seriously as a part of the story’s text. That’s what canon actually is for, originally it’s to talk about which books are genuinely part of the Bible and which are to be deemed offshoots that shouldn’t be taken as a Catholic Church-endorsed religious text.
I guess that’s what gets people confused? That there’s no actual truth to imagined worlds, only what happens in the eyes of the beholder when they interact with art?
Because that’s what it means, canon often has nothing to do with who’s “actually a lesbian” short of them saying it directly. An onscreen wedding is said to “make a couple canon” precisely because there’s only so many ways you can interpret a wedding, but all that means is that the text says they’re together at a point in time. One way I can think of having a canon sexuality would be a canonical character sheet, or an omniscient narrator saying so, but everything less is basically an interpretation.
Note that interpretation obviousness can go from “that’s a stretch but I like it”, to “you only need eyes to see it”, they’re both still interpreting. Even a character talking sexuality technically only makes canon that they’re willing to say so, but that’s when critical thinking comes in.
If you hear a character say “I’m a married lesbian” and think “they’re just confused” with no evidence, you look like an idiot. You absolutely can argue which interpretation is more valid or likely by pointing out inconsistencies, stretched evidence, or that one interpretation has a higher volume of evidence/etc. This is how you avoid relativism and “nothing the text says matters” trolls.
Occam’s Razor is another way you might be tempted to try and determine whose thesis is stronger. This technique works through figuring out which interpretation requires the least amount of assumptions (saying something arbitrary is true as a basis) but it doesn’t make anything canon, or more interesting, it’s not a concrete sign of superiority. Just means it has stronger fondations.
However… your interpretation being stronger, more popular, better worded etc. or you thinking someone else’s is immoral, stupid, etc. doesn’t give you license to be a bully, to call people names, to dox them, dig up dirt to make them look worse, and so on and so forth. Thinking you’re right and they’re wrong does not make you above basic respect, politeness, or consequences. You’re not better than everyone else.
As a child, I used to think I was always right because I was logical, and I clearly made logical sense so there was no way for there to be a logical reasoning that arrived at a different conclusion. (Newsflash: Child me was very wrong! Sometimes multiple things can be equally valid! And even if they were not equal, that didn’t give me license to deride people publicly!)
Queer coding is by its nature interpretative. Coding is the author leaving hints about their characters by using a “code”. Some hints, almost everyone in your section of fandom might have the exact same interpretation about. Some hints might be dead obvious. Some hints might leave you overjoyed. Some hints you might ignore because they make you uncomfortable.
Some people will disagree with you about how they interpret the coding, or might even just state that they believe people have a right to interpret the canon however they want, even in ways you don’t like. That is normal. That is not a threat to your interpretation.
Don’t be a petty cunt about it.
Essentially,
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chirpsythismorning · 1 year
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Why I Don’t Experience Byler Doubt
It’s simple. One of the most essential techniques in storytelling: Show, don’t tell.
Show, don't tell is a technique that allows the audience to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than exclusively through the creators' exposition, summarization, and description.
Even more importantly (assuming we want to enjoy ourselves bc this is supposed to be high quality entertainment), it adds drama. Rather than telling viewers what's happening, a filmmaker will use this technique to show drama unfold. 'Telling' is factual and avoids detail; while 'showing,' is detailed and places the human subject at the centre of the drama.
This technique is literally playing out in the narrative when it comes to Mike’s inability to tell El he loves her (or even simply write love Mike in his letters), which he never would have had to tell her (spell out) in the first place, if he had just shown her that he loved her.
It’s no fun having to spoon feed your audience. Instead, it's much more enjoyable for the storyteller to present the truth in the details, even sometimes contradicting very basic assumptions that are being outright told. Hence why, for example, when the Duffers were asked about the Vecna reveal, Ross used the opportunity to go on a mini tangent: 'the best twists are ones that you go, “Oh, I should have seen that coming.” As opposed to the twists that go, “Oh, well that just came out of nowhere.” So, “Oh, I missed these clues along the way.” But you get nervous when you’re writing it because you go, “Well, to me it seems obvious--'.
In fact, Show, don't tell is what largely allows surprise revelations to hide in plain sight. Because obviously, if a writer just tells their audience everything that's happening while it's happening, we would always see what's coming next.
And so the problem I have with downplaying or even completely refusing to acknowledge the importance of Show, don't tell, in the case of Stranger Things especially, is that, in order to comfortably subscribe to what is being told, I have to ignore what is being shown.
We see this play out all the time on Reddit in particular, which if I'm being honest is the only platform at this point that treats mere speculation about Will and Mike's relationship as if it is the end of the world. On the rare occasion the mods don't remove a byler related post, the post is either already negative towards byler or the comments are filled with fury over the poster simply thinking critically by speculating about byler. Even if you manage to get a fan over there in the comments to consider certain evidence pointing towards byler as incriminating, they'll still manage to end it by downplaying the Duffers and their abilities, because 'They're not that smart!'...
They'll ask for evidence, be presented with it, only to insist that it's all reaching because details mean nothing and everything about the show is actually just surface level, ie. it's not that deep.
Without even realizing it, they're low-key admitting that going the byler route would be smart, and yet here they are tirelessly defending a show that, according to them, has shit writers and no deeper purpose. All this does is prove that they are hoping this is the case. Because even despite being presented with strong evidence that the show might very well be epic, they would rather reject it altogether.
They would rather have one of their favorite shows suck and defend it religiously, then consider the possibility that it's good and gay...
Don't get me wrong, there are definitely fans on reddit that don't hate byler. I imagine out of the million in that sub, there's a silent majority that would be open to it. Keep in mind, most fans still active at this point in hiatus are hardcore fans, and so they're obviously opinionated, that goes for everyone on most platforms rn. And yet, I know there are very likely casual fans who are popping in there every now and then, the same people in the majority when after s4 dropped, saw that monologue and said What the actual fuck was that?
There’s a reason no other couple on the show has needed to hear the words I love you to believe it. Well, besides Steve and Nancy…
Because SHOW, DON'T TELL. That's why!
So, what do I mean when I say that Show, don't tell is why I no longer have byler doubt?
It's actually pretty ironic, but basically the moment Mike told El he loved her, that's the moment they showed us that he didn't.
I mean, for starters, how does one go about filming a romantic love confession? Because if we're being entirely serious right now, they made just about every artistic and creative choice possible to go against what a romantic love confession should look like to feel satisfying.
I mean, you'd probably want the atmosphere to be intimate, right? Make the audience feel like these two are the only two people in the room (world) for this moment?
Well, that's not the case for Mike and El, nor is it the case for literally any of their scenes in s4 (arguably a lot of their scenes in the series; Will the wise drawing in El's room, I'm looking at you). Almost all of the scenes with them together in s4 had Will in the background, often times in the literal frame between them. That is NOT how you film scenes for a romantic pairing that you want the audience to root for, from beginning to end.
You guys gotta understand, rewatch value is one of the most important aspects to this story for the Duffers. When talking about the prospects of s5, they mentioned that they rewatched all the Lord of the Rings, saying how important it was, despite what some fans might say about the ending being too long, or this or that, bc to them, it was necessary to watch it all, and to rewatch it and rewatch it, in order to appreciate the entire story as a whole, aka the way it was intended.
If you're a serious about Mike and El as a romantic pairing, but because of the way the show has set up their relationship over the seasons, you can't sit down and enjoy more than a quarter of each season bc they're either separated, broken up, or on the rare occasion they are together and happy, they're accompanied by a kicked puppy in every shot, maybe all of that's for a reason.
And that applies to the scene in Surfer Boy more than any other scene in the show, a scene that is supposed to be Mike's monologue to El... You mean a scene that directly parallels Mike's monologue to Will in s2?
When planning the end of s4, do we think the Duffers just decided they wanted this intimate moment between Mike and El to have Will in the frame behind Mike (visually piggybacking off of him, in an episode titled The Piggyback...) in almost every shot, including when he said I love you for the first time, for no reason at all? Or is it possible there was a reason for it? Just like there's been a greater reason for everything?
Like bro, I'm sorry, but even if what's being told in that scene is relevant, all of it still reads as either a lie, a partial lie, a lie of omission or a platonic truth hiding behind romantic phrasing: I don't know how to live without you = platonic (trauma bond), whereas I can't live without you/I don't want to live without you = romantic. The later is out of desire/want, the former is out of fear of the unknown.
The entire scene the lighting is blinking rapidly. And so the vibe they're going for here is uncertainty, which is quite odd for a love confession that's supposed to feel certain? Then we have El seeing all red the entire time. She's literally choking, hearing Mike struggle to muster up anything that could help her pull through, only to overhear Will calling Mike the heart, followed by Mike finally saying I love you????
And I guess according to the Duffers, nothing says true love like a love confession ending abruptly by a two day time jump...
Oh and how about, instead of them taking the time at the end of the season for El and Mike to have a private moment, where they could finally address their love for one another, let’s have them barely on speaking terms, and the one time they do talk, let’s have it be offscreen and mentioned in a private moment between Will and Mike, who in contrast to Mike and El, we're going to prioritize having a scene with them alone together at the end of this season...
In the last minutes, let’s have El look at Mike and Will, only to avoid them with visible annoyance. And THEN let’s show Mike visibly defeated by El's annoyance, instead prioritizing reassuring Will, aka his friend with whom he shares an I didn’t say it/ You didn’t have to bond...
I mean? Are we just not going to talk about it? The fact that I didn't say it/You didn't have to could pass off as a literal synonym for Show, don't tell...
It just kills me that even with all of that, the Duffers were like, You know what? Fuck it. Let's show them all the endgame couples lined up next to each other, with Will and Mike in the middle and El standing on her own in front of them. If by now they still refuse to consider it, after everything, this ending probably wont convince them anyways, but it makes for great rewatch value...
Seriously, if you're subscribing fully to the belief that what is being told is the whole truth and nothing but the truth (so help you god), then you're having to ignore all of that. And I can't ignore all of that, I just can't. Which makes it impossible for me to experience doubt anymore.
#byler#stranger things#byler doubt#not really#quite the opposite#but i'll tag in case#show don't tell allows you to acknowledge what is being shown AND told bc the truth of what's being told is hiding in the details#that's not the case for people only wanting to believe what's being told bc they're having to completely ignore the details to believe it#like i know for milkvans... byler scenes do NOT work in their favor#whereas for bylers... pretty much all milkvan scenes do work in our favor#and so genuinely i just can't experience doubt anymore#arguing with antis is fun to me#looking at reddit posts is peak entertainment#ppl praying to the gods that ST sucks bc they would rather have that be the case than it be an intricate story with deeper meaning#bc then that would mean all the queer-coding that's been hiding in the details all along was intentional...#there's nothing I can do for ya'll except sit here and watch you unpack that#reddit is going to be quite the spectacle over the next couple years#once byler happens there's probably going to be instant denial#then mourning#then acceptance#or whatever the 4(?) stages of grief are#then they'll eventually get to a point where they will allow themselves to look at the evidence instead of avoiding it out of fear#and that's when it's finally going to hit them#oh my god#it's me#i'm part of the reason they had to water it down#bc even upon being presented with evidence#they rejected it#and now they gotta give credit to tumblr bylers who discovered most of the evidence they've been shitting on for the last few years#honestly i'm looking forward to it
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LISTEN LISTEN, I know we’re all sad and disappointed at Mal’s reunion. BUT we need to talk about how this man did whatever he could to keep the memory of MC close to him when they were gone.
Lord Wesley of RIVERBEND????? Mal claiming to be from MC’s hometown?? People died, I am people.
Him telling stories about MC to his kids????????
Building the orphanage when MC disappeared because he needed a purpose?? And the one he picks is the one he wanted to achieve, WITH MC. (for my fellow Mal-romancers out there)
I know we were all expected a big, dramatic reunion, but I honestly think this one was pretty good too. I think the emotions we were hoping for was THERE, it was just subtler.
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henrysglock · 10 months
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Wonderful! A group of rich people died! Let’s dance on graves; I’ll get my good shoes.
But first, tell me:
Did the accident redistribute their wealth to the masses?
Did those deaths take out a harmful corporation in a way that makes life markedly better for those it was harming?
Did it enact any kind of helpful policy, regulatory, or socioeconomic change?
Or:
Are they just going to replace that CEO?
Is that wealth just going to get passed to their next of kin, remaining withheld from the masses who both need and deserve it?
Is this whole thing going to be forgotten by the next news cycle?
Is our collective glee just ‘bread and circuses’ type behavior that gloats over useless and frankly stupid deaths without any actual impact being made?
“People are justified in their lack of pro-social response to this event because of the socioeconomic state of the world.”
Okay, so show me where any of this changes the socioeconomic structure of the world. Show me where there’s anything worthy of “I hope they all die a slow, agonizing death for,” [checks notes], “hubris, a typical characteristic in most humans at some point in their lives.”
Was it all incredibly stupid? Absolutely. Did most of the dead have it coming? Absolutely. The tragedy in it is that there were no regulations in place to say “Uh…no?” when that voyage was in its planning stages.
And the worst part is? Nothing. Changes. So far, these are meaningless deaths.
Imagine we’re in ancient Rome. The CEO of Oceangate has convinced a group of his buddies (and the kid they dragged along) that “Hey, y’know what would be really fun? If we all dressed up as gladiators and paid to tussle with the lion. No, no, yeah there’s a chance you could die, but trust me, it’s gonna be so cool.” And then we all fucking ate it up, half of us cheering on the lion while the other half wept for those poor, poor rich people (yeah I know, I’m rolling my eyes too)…all under the watchful eye of our royal highnesses who put on the show: The Corporate System and The News Cycle, who both stood to profit whether the group of idiots lived or died.
Did the rich folks have it coming? Absolutely. Is it still horrific that it was allowed to happen at all? Yes.
This is why they don’t broadcast the other tragedies. It’s not good for them as a partnership. Those gut wrenching tragedies, the ones with true injustice? They don’t placate us, they upset us and turn us against those in power.
But dumb rich folks dying? On my TV? Oh goody, my fave show is on. Let’s see if it’s started another useless internet war, creating low-level enemies for us inside our screens so we forget about the real enemies for a while longer.
Not only that, but killing a CEO won’t change anything. That’s a replaceable employee, and the corporation as a unit cares about that person about as much as it cares about the rest of us (which is to say: not at all). That CEO’s wealth will just be given out to their relatives, and the money will stay contained within that family unit. The CEO will be forgotten in the next news cycle, when their death is no longer profitable for the news industry and the internet has moved onto its next useless spiral.
Guillotines in France worked because they dismantled the government, which also happened to consist of all the rich folks, to enact socioeconomic change. Thus: people celebrated the deaths of the rich, and rightfully so.
That’s not what this is. This isn’t “eating the rich”. This just the joy of entertainment, a good show.
Nothing ever changes. We stay entertained, temporarily placated by the deaths of a couple rich people.
Bread and fucking circuses.
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mrs-gauche · 1 year
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...and also the only time that Solas of all people, is completely speechless, for once at a loss for words in response to an irrefutable argument.
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Throughout the whole game (with a few exceptions in which he actually admits to having misjudged), whenever you get the chance to debate him on something you do not agree on, Solas, Mr “I’m a trillion years old, you know nothing, so listen carefully” will practically verbally jiu-jitsu you for every possible argument you might have, like, he’s an absolute master at playing Ace Attorney refuting any of your points, much like playing mind chess with Iron Bull, there is no chance to win an argument with Solas if he’s determined to have you recognize the flaw in your logic or at least understand his perspective, making you feel like this gif at the end of every debate.
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But when Lavellan says “I would have had you trust me”, finally, there is no counter argument, no clever comeback, no objection... He has nothing. Because Lavellan is right and he knows. There’s just silence until he turns around and continues with the rest of the dialogue. And I think it’s interesting how this is kinda the culmination of all the little hints throughout the whole game at his ingrained distrust, leading up to this moment.
“An enemy can attack you, but only an ally can betray you. Betrayal is always worse.”
"The next time you have to mourn, you don't need to be alone." “It’s been so long since I could trust someone.”
“That’s when you should lean on your friends.” “Apologies, Inquisitor. I have learned not to do that.”
“I’ll rely on those I trust.” "You think to share your power, to avoid the temptation to misuse it. A noble sentiment... but, ultimately, a mistake." (...) "Because while one selfless man may walk away from the lure of power's corruption... no group has ever done so."
“You created a powerful organization, and now it suffers the inevitable fate of such. Betrayal and corruption.”
"I trust my friends." "I know that mistake well enough to carve the angles of her face from memory."
“She was betrayed as I was betrayed. As the world was betrayed!” - Flemeth about Mythal
You get the sense that him witnessing Mythal being betrayed and murdered by the Evanuris was probably the catalyst for his immense trust issues, so much so that it still has that big of an impact on him centuries later. And of course it has, when 1) it was this batrayal and power corruption that set everything in motion, it almost lead to the end of the entire world, which in turn lead to the creation of the Veil and finally the loss of his world and his people, 2) he has spent the last 1000 years walking the Fade, having to look at the ever present Black City in its center - their prison - as a constant reminder of what happened. (I know it’s not confirmed yet, but come on! 😂)
And then there is Lavellan (or any high approval Inquisitor for that matter) at the end of all this. Who proved him wrong with every action throughout DAI. Who has shown wisdom in their decisions and that the power they were given mustn’t corrupt them. That there is no reason for him not to trust them. And yet, he simply can’t, because the past still haunts him and centuries of history have taught him otherwise (and like a bunch of other reasons for him to not tell Lavellan the truth in that moment in Crestwood, but that’s beside the point here lol). 
And then at the end of Trespasser, Lavellan finally throws it straight to his face, and while he could pull any of the excuses listed above, he simply can’t refute them anymore. Look at his expression as he just looks at them in response, at first still frowning for a second, as if he’s still about to argue them again, but then suddenly shifting into sorrow, slightly shaking his head in defeat. “I got nothing.” Solas, who easily managed to own you in any debate prior to this, is all out of arguments. It’s the final argument and the Inquisitor won.
(Well, technically, it even happens twice in this final conversation, if we’re counting Solas’ internal debate with himself. lol)
"We aren't even people to you." "Not at first. You showed me that I was wrong."
But going back to his distrust, it surely can’t be a coincidence that this whole issue was also topic in a recent interview with DA4′s Creative Director, talking about what defines a hero.
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I’ve talked about this numerous times now, like here, here or here, but what it all comes down to is basically just one more penny for the “Solas needs to learn how to trust again in order to be saved from himself” jar. lol
“We will save our friend from himself… if we can.”
Like. It’s literally his name. Pride. Saving Solas from himself does quite literally mean to strip him off his name and the belief that, to quote John Epler again, “only he has the answers, that he is the only one who can solve this” and to accept the help of others. Which is why he has to get a new name by the end of all this. I’m dying on that hill. 😂
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😊 keep smiling buddy 😊 you're chained down, he's on his feet, immortal, has magic, and you hurt his girl. If I were to pick dead guy of the year, I'd pick you 🫶
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genderkoolaid · 2 years
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i just think it's leaving out so much to act like women's gender is an intrinsic part of their experiences that is reflected in all parts of their lives, but men's gender is a nonentity that has no impact on their experiences.
even when talking about privileged men, it's not doing any favors. because that positions women as having a Gender, their Gender being something different and glaring while cis men's gender is barely there, so obvious it doesn't even have to exist, because it's the default.
but then also when talking about marginalized men, you have people who insist that being men has 0 impact on their marginalization, like stereotypes about men and gender roles are ephemeral when it comes to men? like male gender is some 2d blankness that has no impact on any other identity. like "woman" is something that stands out because it's so Different and Abnormal but "man" can't interact with anything else. examine things you cowards
oh also I think this goes hand in hand with how people won't analyze cis men's manhood as specifically cis manhood. people make sweeping statements about manhood and analyze cis men's place in gender but never or rarely acknowledge their cismanhood specifically, instead equating cismanhood with manhood itself and causing trans men to be outsiders within our own gender.
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