re: that ask you posted a couple days ago about the male and female representation in RWBY, part of what makes RWBY's whole 'girl power' thing ring exceptionally hollow to me is the fact that there are like... no women in positions of real power in remnant. like at all. except the big bad.

winter is second in command to james. glynda is second in command to ozpin. all of the headmasters are men (for no discernible reason, imo; why theodore and not dorothea?). the leader of the ace ops was a white man (and then winter seemed to take over clover's position instead of either of the women of color on the team, and she was still second to james). RWBY is an all girl team, but JNPR was led by a boy despite a girl arguably being far more qualified (pyrrha). the happy huntresses are all women, and robyn had no real power to speak of--she didn't even manage to win the election, because jacques rigged it, and then the council ceased to matter. there was one (1) woman on the council, but she was so inconsequential that i can't even remember her name. (i suppose we're lucky it was the guy and not her who james shot lol) jacques controls the SDC instead of willow, even though he's not even a schnee by blood and actually married into the family for power. (and we don't even know how he got it over his wife.)

and then there's the white fang, which ghira led and not kali--and it's ghira who leads menagerie itself, while kali seems to be a housewife. sienna had five minutes of screentime before being brutally killed and her position assumed by adam, a man. cordovin is basically a one off lackey we haven't even thought about before or since. neo was second to roman. you have cinder, sure, who is a second but to salem, a woman, and raven as the leader of the branwen tribe--but what does it really say about your 'girl power' narrative when the only women with genuine systemic power in your world are villains or antagonists with massive bodycounts??

atla has the same sort of problem--a couple great female characters, but all the leadership positions are men (except the kyoshi warriors, an all girls group, and even then the leader of their island is an old man) and the one female mentor figure also turns out to be evil--but it at least has some great writing to help overlook that fact, and it came out in the mid-00's and so has some sort of excuse of being a product of its time. but rwby didn't even start until 2013 and it's still going and still making these kinds of decisions well into 2021.

where is this supposed girl power, exactly? am i really supposed to overlook the very patriarchal worldbuilding just because the title characters are girls?

That's an excellent summary of the situation, anon, and as with so much in RWBY, it comes down to the full context. Any one of these examples isn't necessarily going to mean much on its own. It's when you look at the pattern that you can start making a case for those conclusions: Why is the show marketed on "girl power" set in a world where men hold the vast majority of that power? And, more importantly, why is that setup not the point? We could easily have a story where that lopsided gender dynamic is the problem that the girls are looking to fix, but... that story doesn't exist. Like the problems discussed with Jaune, the supposed point here exists only on the surface. Dig just the tinniest bit — the above — and you hit on a lot of structural problems with this "girl power" world.

To add just a few details to what you've already said:

Salem indeed has power, but she's never allowed to fully use it. Each volume the frustration with this grows as Salem accumulates more abilities and then just sits on them. From literally hiding out for a thousand years to worries that she won't use the Staff in Volumes 9-10, Salem really isn't allowed to be the threat she's presented as on the surface. And yes, this is absolutely due in part to the "She's too OP and the writers don't know how to let her be that powerful while still having the heroes win" issue, but again, context. That problem doesn't exclude others occurring simultaneously.

Same double explanation with Summer. Yes, dead moms are an incredibly common trauma to dump on a protagonist, but it still left Yang and Ruby with Tai as their primary influence. And Qrow. The uncle becomes the extended family influence while Raven is the absent one/eventual antagonist. It's personal power as opposed to political power, but Tai, Qrow, Ozpin, formerly James... most of the mentors are men. Maria, a key exception, has been ignored in that regard. The story announced that she was Qrow's inspiration, setup her being Ruby's new mentor, and then... nothing. Nothing has come of that. She disappeared for a volume and then went off to Amity and was literally forgotten by the story when evacuating everyone was the finale's whole point.

Like that Endgame moment I mentioned, the Happy Huntresses feel a little too forced to me. Yes, it's the same basic idea as in ATLA, but ATLA, as you say, has a lot more going for it. The Happy Huntresses feel... on the nose? Idk exactly how to explain it. Like, "Here they are! Another team of all women! Isn't this how progressive storytelling works? Just ignore how this is a one-off team of minor characters compared to the world building issues discussed above." And if you're not paying attention, you miss just how insignificant they are, with a side of Robyn being, well, Robyn. The Kyoshi Warriors, at least, are based off of Kyoshi. A woman avatar who is a significant part of their history. That is, presumably, why they're an all women warrior group (but who notably still teach Sokka). The Happy Huntresses are all huntresses because...? There's no reason except that meta "We want to look progressive" explanation. Just like having all the women superheroes team up for a hot second so people get excited and ignore the representation problems across, what? 21 films? Don't get me wrong, I love that May is among the Happy Huntresses. I think including her in the explicitly all-women group was one of the better things RWBY has done in a long time, but the rest is still a mess.

RWBY is arguably about these smaller groups as opposed to systematic power (despite the writers trying to work that in with things like the White Fang and the election. Not to mention the implication that everything in Atlas is fine now that evil Ironwood has died and taken the symbol of wealth (the city) with him. We saw a human holding hands with a faunus after all. Racism and corruption solved, I guess.) So yes, our group is dominated by women... but Whitley is the one saving Nora, helping to defeat the Hound (plus Willow), thinking of the airships, and providing the blueprints they need to escape. Salem is our Big Bad, except Ironwood is the one the volume focuses on. Ruby is our leader, but Jaune is the one leading the group into the whale and getting praised for how heroic he is. Ren does more to shake things up, even if he's painted as the one in the wrong. Oscar gets to confront Salem and destroys the whale threat. Ozpin provides the information they need to evacuate. Meanwhile, when the girls do things in Volume 8 it's almost always followed by a long-stint of passiveness. Nora opens the door so she can be unconscious for most of the volume. Penny keeps Amity up so she can also be unconscious for a good chunk of time. Ruby sends her message and then sits in a mansion. Blake fights so she can tearfully beg Ruby to save her. Weiss, as said, takes a backseat to Whitley (and Klein). They forward the plot, absolutely, but comparatively it doesn't feel like enough.

It's that pattern then, no one specific example. More and more the personal power, not just the systematic power already built into Remnant, seems to be coming from the men. Not all the time, but enough that scenes like the tea drinking moment feel like a part of a much larger problem. Pietro taking control, Watts hacking, and Ambrosius literally remaking her when Penny is supposed to already be in control of herself and her fate. Winter being presented as the active mentor to Weiss, only to turn around and claim that Ironwood was actually responsible for everything. Ruby, Weiss, Blake, and May straight up commenting on how awful things are out there while Yang, Jaune, Ren, and Oscar lead the charge against Salem — with the latter three doing the most to forward that mission (no fear, semblance, cane). As others have only half-joked, Yang's supposedly badass moment was bringing up a mother she's ignored for six volumes and briefly blowing up the immortal woman for a couple of seconds (with Ironwood's bombs). Even Marrow is arguably the most significant Ace Op after Clover. Vine isn't actually a character, Elm slightly less so, Harriet is there to go crazy and try to drop a bomb (notably before admitting to never-before-existed feelings for Clover), but Marrow? He's the one who breaks out. Who is meant to heroically stand up against Ironwood. Who comments on how awful it is that teenagers are fighting and, regardless of how messed up the moral messages are, is supposedly pushing for active change while all the women in his group, including Winter, insist on maintaining the status quo. Look at all these choices as a whole, it makes throwaway worldbuilding choices like "All the Maidens are women" feel pretty hollow. Why does it matter if Amber is a Maiden if she dies in a flashback so Ozpin can struggle to pass on the power? If Pyrrha dies before becoming one so Jaune can angst about it? If Raven is one and then disappears from the story entirely? If Winter has enough power to break Ironwood's aura, but supposedly had no power throughout every other choice she made getting here? If Penny is one, but is continually controlled by men and then asks another man to help her die? It's just really unconvincing, once you look past the surface excitement of a woman looking cool with magic powers.

When you do consider the whole of the story — both in terms of our world building and who is forwarding the plot in the latter volumes, getting the emotional focus, being proactive, etc. — there are a lot of problems that undermine the presumed message RT wants to write. They say, "girl power" by marketing RWBY with these four women, but too many of the storytelling decisions thoroughly undermine that, revealing what's likely a deeply ingrained, subconscious bias.

Not Everything Can Be Wiped Away With A Hug

Or why I’m not happy with Weiss and Whitley’s reconciliation. 

Whitley and Weiss haven’t had a great relationship. From the first time we see him, the two are shown to not be comfortable with each other. Weiss’ tone when they meet is one of dismissiveness and wariness, even if the conversation ends on a technically hopeful note. As the show goes on, every interaction the two have is riddled with tension. Weiss accuses him of wanting her loss of status, Whitley gets angry and bites back. Whitley stops by her room to ask if she wants anything and twist the knife, Weiss asks if he’s jealous and slams the door in his face. When Weiss comes back at the party, she does everything she can to brush him off, clearly annoyed, while Whitley talks about what he’s been up to since she’s been gone. Weiss laughs when Whitley gets splashed with wine, Whitley storms off in a huff. Then Weiss comes back during the... siege(? I don’t know what to call this failed attempted at a Fall), commanders the house, shoves a weapon in Whitley’s face, sends him to his room like he’s a child, and then doesn’t acknowledge him again until he calls Klein. At which point she hugs him and all tensions disappears from their relationship. 

See what’s missing here? We have point A of massive hostility between the two with both parties having grievances with the other and point B of both parties having found a balance in their relationship. What’s missing is a strong connection between those two points. What’s missing is the meat of the actual arc, something between set up and pay off, and that’s ultimately the problem with their reconciliation. It wasn’t worked for, at least on Weiss’s end. There was no effort for any of their grievances to be addressed, talked about, and worked through. There was no point where they took the grievances that had been brought up and had the characters discuss or react to them in any meaningful way. It just fell into their laps - or rather, it fell mostly into Weiss’s lap. That’s the short version, anyway. Let’s discuss the long version.

In Volume 7, Weiss and Whitley’s relationship is tense, Weiss clearly annoyed and dismissive of her brother for being a snot towards her, and Whitley angry that Weiss ignores him and abandoned him to their neglectful/abusive parents. In episode 7, though, Willow flat out tells Weiss why Whitley acts the way he does to her. Willow gives us Whitley’s motivations - that he’s hurt and resentful towards Weiss. This is the set up for a reconciliation; Weiss has been given insight into Whitley’s point of view (had it literally shoved in her face), and has the chance to contemplate it so as to be able to find common ground later. 

Plot stuff happens, and the two are separated as Weiss deals with all that until Weiss needs a place to lay low. Armed with new information on Whitley’s disposition, Weiss... 

Whitley: Oh, you’ve picked a fine time to--

Weiss interrupts by pointing Myrtenaster at him, and he looks at the blade in fright.

Weiss: Not. Another. Word. We’re coming in.

Whitley steps aside and groans as Ruby’s group walks into the manor.

...threatens him after saying 7 words. Not even words of “you can’t come in” or anything to suggest he won’t let them in but, “oh great, this is a wonderful~ time to drop by”, venting frustration. Weiss doesn’t try anything else before shoving a weapon in his face (the face of an unarmed, defenseless, civilian minor that physically can’t stop her from coming in anyway) and forcing her way inside. 

Whitley: Things are already bad enough after what you did to father, now you want us to harbor fugitives too? Our family has a reputation.

He crosses his arms in annoyance. Blake, having set Nora down on the floor, looks at him.

Blake: That’s what you’re worried about? Your reputation?

Whitley: I’m just saying that we’ve already lost all the house staff, and Mother locked herself in her room.

Weiss: Maybe you haven’t figured out what’s going on, Whitley, but we’re busy trying to save Atlas.

Whitley continues to vent his frustration. Jacques, Whitley’s only source of familial attention, has been taken away by Weiss (”what you did to Father”), the staff has all vacated the estate (most likely a combination of their employer being carted away in the back of a military truck and then all hell breaking loose in Mantle and Atlas airspace), and Willow, the only other human being in the mansion, has locked herself in her room for several hours, up to almost 24 hours (I’m honestly lost on the timeline of this volume with how much it flip-flops between night and day, and I can’t be bothered to rewatch these episodes). 

Whitley has been left completely and utterly alone, and Weiss comes back not for him, but to use his resources to hide herself and her friends, all of which are wanted by the military. I don’t know what Atlesian policy is, but harboring fugitives is a crime punishable with prison sentences in the US, dependent on what the fugitive is charged with. She’s forcing him to risk being arrested and imprisoned for her crimes, after destroying his family’s reputation with Jacques’ arrest and causing everyone to vacate the manor and leaving him utterly alone (the way he follows up Blake’s response with “I’m just saying we’ve already lost all the house staff” makes me think he’s tying those two things together. With Jacques’s arrest, their reputation is falling, and everyone’s jumping ship, starting with the house staff. Any other family allies the Schnees might have legally and politically are likely to follow suit to save their own skin (ah, societal politics of the rich). Harboring fugitives and Whitley and possibly Willow arrested as well? The Schnees are sunk, dead in the water. They’re not getting out of that, they’ll be left to the dogs.). And how does Weiss respond?

Weiss: Maybe you haven’t figured out what’s going on, Whitley, but we’re busy trying to save Atlas. 

How in the absolute hell is he supposed to come to this conclusion? No, really, tell me. He knows two things: one, he knows there’s some kind of Grimm threat in the heatless Mantle and hovering around Atlas based on the news - maybe; we don’t know how much the news has reported about how bad it is outside of that one Mantle broadcast and how much Whitley has kept up with the news (he seems the type to absorb in as much information as possible, but he may not have been watching every waking second) - and two, he knows his sister and her friends have pissed off the military and are marked as fugitives. There is no way for him to know that the group of fugitives are doing anything to help Atlas, especially when he has no way to know what’s going on and what Weiss+co are up to. Weiss’ comment does nothing but imply that he’s too wrapped up in his own stuff to see the big picture, when he doesn’t have the knowledge that there’s even a big picture to look at. Rather than trying to reach out and reason with Whitley, Weiss snaps at him and treats him like he’s being self absorbed and shallow. His life is falling apart, he’s been left behind again by staff and his mother, and Weiss doesn’t just not respond to it, she gets mad at him for it. It’s Ruby that has to step up and tell him that they just need a place for their friend to heal and then they’ll leave (which turns out to be a bold-faced lie, but that’s another post). 

Whitley relents then, and asks what they want him to do. Weiss then tells him to “go to his room”. Let’s set this up - we don’t know how old Whitley is, but we can guess based on Weiss’s age. Weiss is 19, and Whitley is likely 2 to 3 years younger, as he seems a bit older than Oscar but most likely more than a year younger than Weiss. That makes Whitley at least 16 years old, possibly 17. Whitley is either just a year younger or the same age as Ruby, the girl Weiss is blindly following as a leader. Whitley is not a child. A minor, probably, but not a child (I consider “child” to be 12 and under, and minor to be 13 - 16/17 (depending on what the age of maturity is in Remnant, which I’ve always considered to be 17 based on Beacon admission ages) btw to clarify). Yet, Weiss tells the boy that she has no legal or emotional authority over that’s about the same age as her leader to go to his room, treating him like he’s a petulant child. She doesn’t want to have to deal with him, so she shunts him aside - makes it clear that she’s not going to break his isolation, she wants him out of her way. Alone.

The relationship between Weiss and Whitley was already tense and hostile, but this pushes that to the next level. Before, it was hurt feelings and snipping - valid hurt feelings on both sides - but this has escalated it. Physical threats of violence, forcing him into committing a possible felony, and then dismissing him like he’s a child shows a lack of respect for Whitley, and is the exact opposite of working towards reconciliation. I wouldn’t be surprised if Whitley’s anger and resentment towards his sister grew after this; that would be my reaction. 

“But wait!” You might be thinking. “That’s not really fair to Weiss - she’s worried about Nora who’s possibly dying and about being followed by Atlas’ military. She just wants to get under cover as fast as possible and then get to helping Nora! She’s stressed and tense, it makes sense that she’d be brusque to Whitley; we shouldn’t judge her so harshly.” To which I say - character is the choices you make under pressure, not when everything is just fine. Weiss resorting to the threat of violence immediately against someone she knows is no threat when faced with a tense situation where some diplomacy and respect would go a long way, it’s not a good look for who she is as a person. But alright, let’s play that game. Weiss is too worried about Nora to deal with Whitley at the moment. She gets Nora to bed, starts treating her as best she can, and then... 

Nothing. Weiss doesn’t speak to Whitley again until he calls Klein for Nora, presumably a day later (once again, I’m not entirely sure. They arrive at what I believe is sunset, Amity happening that night, then the sun rising or setting in Midnight (?) and in War it’s night again as Klein arrives, so I think that this has  to be the next night but it’s extremely difficult to tell and causes a crap ton of plot holes, thanks a lot CRWBY (I might skim through each episode to put together just how broken the timeline is)). That’s 24 hours where Weiss didn’t decide to ask Ruby or Blake (who I would have thought would be the one to have the most first aid knowledge of the three with her militia group experience) to watch over Nora for a few minutes while she seeks out Whitley to talk to him. 24 hours where she didn’t choose to apologize for threatening him, or go to talk to him about what’s going on, or follow up on Willow’s request, or ask if their mother is even alive still if she’s been locked up drinking for over a day, probably 2 (again, the timeline is fucked up). That’s not “I’m rushing and being harsher than I normally would out of concern for my friend”, that’s “I don’t regret or care about how I’ve treated my brother; I don’t see any reason to reach out to him” (And as side note - if Weiss had gone to see Whitley earlier, letting him know just how bad of shape Nora was in, Whitley might have called Klein earlier. By talking to her brother, Weiss could have gotten Nora the help she needed sooner, but she didn’t).

This is the next conversation Weiss and Whitley have after she threatens him and sends him to his room. I know I spent far too long breaking it down, but that was just one incident, the only one between  between Willow telling Weiss to not forget Whitley and their hug.

Weiss: You called Klein?

Whitley: That girl needs a doctor. (turns away from Weiss) I didn’t do it for you.

Weiss: I know. That’s why it means so much to me.

Whitely gasps as Weiss steps forward to hug him. After some hesitation, he sighs and embraces her back. Weiss gasps when she and the others hear an explosion from outside.

That’s it. That’s their reconciliation. After this point, Whitley shows no anger towards Weiss or brings up his issues with her, so we’re meant to think that this is it, the Weiss-Whitley reconciliation is over.

Now, on Weiss’s side, I could see this putting Whitley in her good graces (maybe). Weiss’ grievances with Whitley boil down to hurt feelings over him being a snot about her loss of inheritance and being annoying. Whitley was being a jerk about it when he came around in V4E9 to twist the knife, but we know why he did that (he was pushing his own situation in Weiss’s face, a “see how you like it, being stuck here alone like I was” type thing), Weiss does get an explanation for it later from Willow, and at the end of the day, that’s all he did. He didn’t betray her, act against her, try and get her in trouble with Jacques - he didn’t do anything to her. Gloating at the role reversal is petty, yes, but it’s not like Weiss doesn’t attempt to fire right back, and it’s not like she wasn’t plenty rude to him when accusing him of wanting it to happen. Weiss mentions “you never liked me” in V4E7, but we never get anything more specific than that, and implies that he was just bitter and snippy with her like he is in V4E9. Theoretically he could have been an absolute terror before, but since we’re never shown any of this or given any examples, it’s difficult to factor in anything Whitley may have done before V4 as a piece of Weiss’ attitude towards him. Point is, since I’m starting to ramble, is that ultimately Whitley hasn’t done anything but hurt Weiss’s feelings, and him calling a doctor for Nora purely because Nora needs one feels like it might be enough to put Whitley in Weiss’ good graces, even if it raises some uncomfortable implications - that Weiss only extends her love and affection when Whitley does something she likes and can revoke it if he does something she doesn’t (like make a light joke).

On Whitley’s end, though, this scene is an absolute mess of an ending. At the end of Volume 7, Whitley is angry and resentful towards Weiss (and Winter) for abandoning him to abusive and neglectful parents, and then arresting Jacques, taking away his only source of attention and dealing a huge blow to their family’s status. In Volume 8, Weiss comes back, threatens him physically, dismisses his concerns, treats him like a child by sending him to his room, and leaves him alone again until he does something she likes. At no point does Weiss do anything that would make his attitude towards her shift to the better; in fact, she does things that should only further alienate him. Why is Whitley no longer mad at her? Because she gave him a hug? That doesn’t change that she still (from his point of view) abandoned him without a second thought, blamed him for things he didn’t do, threatened him with a weapon, forced him to harbor them, and then talked down to him and pushed him aside when she didn’t want to deal with him - abandoning him again. Weiss has done nothing to make Whitley any less resentful. She hasn’t acknowledged how she’s hurt him, they haven’t discussed why he was so hurt by her leaving, there’s been no attempt for the rift between them to be mended. Weiss just hugs him, and somehow that makes everything better. I didn’t realize that Whitley was so completely starved for affection that a hug makes him forget everything leading up to it - a hug that he initially backed away from.

He has his hands raised defensively, he starts backing away, and his expression is completely shocked. His posture is completely stiff, his arms falling to his side and hands clenching into fists. He’s clearly not comfortable with this initially, before giving in with a sigh and hugging Weiss back - giving in and giving Weiss what she wants. 

Weiss is happy with him now, so Whitley can’t be upset. Weiss gives her approval, Whitley has been useful to her, so Whitley is “redeemed” in the eyes of the characters and the audience. What Whitley wants, what Whitley feels, what motivates Whitley? They don’t matter now that Weiss cares about him again. They aren’t discussed, they don’t continue to effect how Whitley acts and views Weiss, Weiss has forgiven him, so Whitley isn’t allowed to still be pissed with Weiss. Weiss didn’t have to do anything to reconcile with her brother, she doesn’t have to be humbled or acknowledge her own role in this dysfunctional relationship. She got to treat him with violence and like a child, and then hug him and act like everything is forgiven when by all reasonable logic, Whitley should be pushing her away, repeating that he didn’t do this for her and to back off.

Weiss didn’t work for this; Weiss didn’t earn this. Whitley’s own emotions and motivations were stripped away to let her get her brother on her side without her having to confront her own mistakes, because RWBY refuses to let its main girls make mistakes.

This isn’t the first time this has happened in RWBY, far from it. This isn’t even the only example of this happening with Whitley. Next episode and a few later, they do the exact same thing with Whitley and Willow! Whitley starts episode 8 rightfully pissed at his mother; she’s left him completely alone for two days straight to drink in her room, being less than useless, straight up neglectful. This anger carries on when she tries to call him, him turning to the door as the Hound approaches with anger. During the Hound attack, Willow grabs onto him, and he lets him. That makes sense, both of them were extremely frightened by this Grimm unlike anything they’d ever seen. What doesn’t make sense is that in episodes 11 and 12, Willow is still hanging onto him. I haven’t watched episode 11 for personal reasons (RWBY’s pissed me off), but I’ve seen the screenshots.

Willow’s holding onto him like she’s showing him off with pride. It’s a cute image - but why is Whitley allowing it? Why is Whitley not pulling away? Whitley was rightfully angry at his mother for neglecting him, for leaving him emotionally and mentally, right up until the Hound attack. Now, I know what you’re thinking; Willow saved his life. They killed the Hound together. Something like that, it can being people together. I agree - and I would even buy that being the spark for Whitley giving his mother another chance if there had been any kind of scene or even conversation on screen where we get to see this transition from rightfully anger at a drunk neglectful mother to a son giving a proud mother another chance at being his mother. It would have been incredibly easy to slip in, too! Like, and I’m just spitballing here -

Willow after the Hound is killed: Are you alright, Whitley?

Whitley: Oh, so you suddenly care. That’s nice to know.

Willow: I have always cared -

Whitley: Then you haven’t ever shown it! Whitley gets visibly angry. You’ve done nothing but leave me alone in this house with him while you drown yourself in your wine. You haven’t cared about me since I was 7 years old! Stop acting like you’re my mother! Whitley starts walking off. 

Willow: Whitley - ! Willow reaches out for Whitley and stops him I - she deflates - You’re right. I have been a horrible mother. I’ve left you alone, all this time, and if I had been even slightly more drunk tonight, you might have been killed.  ...I might have lost you for good, and it would have been my own fault. I’m sorry...

Whitley: He pauses, and falls silent. 

Willow: ...Please. I almost lost you tonight, and I don’t want to lose you to something I can fix. Is there anything I can do? Can I... Can I get a chance?

Whitley: .....he turns back to Willow, taking a deep breath, and looks up at her. ...One chance. You can’t - You can’t fix all of this, but... Whitley looks away ...I’ve wanted you back for 9 years. I don’t want to lose you either if I might get you back.

Willow: Willow looks surprised, before giving him a weak smile and pulling him into a hug. Thank you, Whitley. And I am so, so proud of you.

Whitley: Whitley stiffens with surprise, looking at his mother with shock, but returns the shaky smile and hugs her back.

One minute for this conversation, and I would be completely on board with Whitley and Willow seeming to reconcile as well. The same goes with Weiss, except a longer conversation.

If Weiss and Whitley had had even one talk where they both admit their faults and failings, apologize to each other, and agree to try again, I would be all on board with this Schnee family reconciliation. As it is now, though, with how it’s been written in the show, neither Weiss nor Willow have had to work to repair their relationships with Whitley; Whitley’s anger has just been wiped away. They set up the potential for reconciliation between Weiss and Whitley, between Willow and Whitley, acknowledging why Whitley is angry with both of them, but rather than have any of the characters take that knowledge and use it to reach out to Whitley, the writers skip all of that and let the characters treat Whitley however they want until they end up reconciled with one act. A single summon is treated like it makes up for years of neglect. A single hug because Whitley was useful to Weiss is treated like it makes up for abandonment, disrespect, and threats of violence. They don’t, and the lack of respect the writers’ have for the emotions of a male abuse victim sickens me.

RWBY Volume 8 Chapter 12 Review/Remix: Creation

For only having a couple major set pieces, this was one of the most plot dense chapters we’ve ever seen from this show. Some of those were a lot time coming and satisfying as hell, and some came right out of nowhere to massive speculation and theorizing to follow. But goddamn if I didn’t love every minute of it, so let’s mosey on through to see just why that is.

We open, as many of these chapters have been want to do, with shots of the Grimm causing chaos and destruction, in this case Teryx attacking airships. JNR fly by in a ship of their own, and looking rather concerned as they approach Atlas Academy. Why the shot was framed quite like this I’m not totally sure, because it looks like they’re approaching the city itself from quite far away when really they should have been approaching from the outskirts and flying over the city itself, considering where the Schnee estate is located. Ironwood is waiting for Penny at the landing site at the entrance to the Academy, just as he and Ruby had agreed on, and he’s got a new toy. Both pistols of Due Process have been slotted into the back sides of a larger firearm, a veritable hand cannon that needs both grips just to keep steadily aimed. I think it’s safe to call this the Gun-gun we had been joking would be coming eventually since the early Volumes. The Ace Ops are backing him up, and we see a few Atlesian Knight robots loading the bomb onto an airship so he can nuke Mantle at a moment’s notice just as he warned. The citizens of Mantle are out of the mines and looking very apprehensive about the whole thing, and we are right there with them. Just as the bots have finished loading the bomb and are about to leave they start getting shot down. Ironwood warns the Ace Ops to be ready for any altered state Penny might be in and any trouble her friends might try to cause. Harriet is all to ready to follow through on the general’s terms and put down any brat who tries to interfere, and this whole thing seems to finally give Vine pause. He’s not stopping now, how can he, but he’s reflecting on the path to get here and only now has some amount of remorse about it. Elm winces at the mention of that too, while my MCU fan mind had to stop and chuckle at a pale bald man with energy powers musing on philosophy and ethics so close after the end of WandaVision. Not intentional, obviously, but a great coincidence. Ironwood gets a ping that there are intruders in the hangar, and they all surmise that’s Robyn and Qrow trying to interfere with the bombing. Harriet is ready as hell for a chance to beat them bloody after all this time STILL believing they’re Clover’s killers, but Elm makes a good point that they can’t just leave to do that because Ironwood will need backup here. Lucky for all of them, Winter is here to provide the general just that, so the other three are free to deal with their fugitive problem. With a quiet moment between them, Winter tries to see if Ironwood can be talked down one last time. He doesn’t want to hear it, and she admits she knows it would be impossible to try.

Penny soars in and lands in front of them, surrendering herself to a pair of cuffs and surprising Ironwood a bit in actually coming alone. She says she’s obeying his order because above all she wants to stop further death and she must open the Vault. The virus coming back a little to compel her to this end, or just frequently repeated phrase for the sake of simplicity? Unclear. Ironwood finally lowers the gun-gun he was pointing at her and puts a reassuring hand on her shoulder to tell her she’s done the right thing. In a cadence very much not her own, she agrees she has, and all illusions are dropped. It Was Emerald All Along!~ And JNR as well as Oscar are standing a few yards behind her along with the airship she must have been masking the approach of with the sound of “Penny” flying in. As shocked realization dawns on his face, James is kicked in the chin by a backflipping Emerald. His gun flies out of his grasp and she catches it with a grin before disappearing. Damn she really has been getting good with her Semblance! Down in the hangar, the Ace Ops arrive to see the jailbirds slicing and blasting a ton of robot soldiers. Just as they’re about to join the fray Marrow is heard giving a command and his former teammates are left frozen under the power of a Semblance they never seemed to give its due diligence. The assembled Huntsmen and Huntresses start attacking Ironwood and he counters the first few attacks rather well. I’m sure he must be pretty damn shocked to see Oscar still alive after shooting him into a pit, and for that matter probably Jaune and Ren too with what Harriet told him about their mission into Monstra. That and how little sleep he’s probably gotten recently make it very likely willpower and his Semblance are the only things keeping him going at this point, so who are we to be shocked if he starts losing to their superior numbers? And start losing he does, because Winter is on their side and helps Nora bash him upside the head. Winter and Oscar charge at James on the back of a summoned Manticore, but he grabs it by the horns and stops it dead in its tracks. So they leap off and Winter hits him in the back with some ice while he’s busy destroying the summon. With another glyph she springboards Oscar back at James and he gives him the old rapidfire cane jab. It knocks his Aura pretty low by the looks of the flickers, but he still recovers and stops Oscar on the next swing. Before he can punch the poor boy any more than Hazel already has in the last 12 hours, Winter does the most anime move these series has yet to offer us and darts past her old boss to slice him at lightning fast speed. It’s a badass sight that I cannot describe with enough words so please just watch for yourself. With that, Ironwood’s Aura is broken and he passes out then and there. Qrow and Robyn apologize for freezing the Ace Ops like this, but these times call for hard choices. Emerald reappears to get uncuffed and Winter tells the five of them to move on to Phase 2.

We flash back to the end of the last episode where Ruby decides taking Penny to the Vault might be a risk worth taking, and we see Jaune and Ozcar immediately pick up on what she’s thinking. Why not try and use the Staff of Creation and hope it can work a twofold miracle of saving Penny and all the people of these two cities? Just then Weiss gets a text from Winter, and the gears start turning in our minds how this whole plan came together. We see Winter shoving Marrow into an elevator and looking very grumpy about the whole experience. He correctly guesses she’s not arresting him, but damn if he doesn’t get why she had to punch him to get him outta here. She rightfully tells him it was to make it look believable and she just saved his life thank you very much. He notices she’s texting someone and asks whom, and she says getting in touch with Weiss for some help is something she should have done a long time ago. Just then the elevator doors open and we get the payoff to who Robyn and Qrow were so surprised to see last episode: These two. Winter quickly sees this as a chance for even more help, and I think it is the happiest she’s ever been to see Qrow. Shifting back to Schnee manor, Weiss is going over the risks of this plan of theirs to the other 10 teens. Oscar pipes up with another danger, Atlas falling as soon as the Staff is used for anything new. The cover story about Gravity Dust keeping the kingdom afloat was only half wrong, there really is a large amount at the base of the landmass that will slow the descent a bit, but it will still be a cataclysmic landing. Jaune suggests using the Staff to get everyone in the danger areas to somewhere safe, possibly even another Kingdom, but Oscar says it doesn’t just work that easily. Especially not with HIM involved. The Staff has a sentient presence you have to deal with to make anything happen, but he’s a real card this one. He gives you what you ask for and only what you ask for, so you have to be specific and provide details or even blueprints for how to make what you’re asking for. Lucky for them Whitley has access to the layouts of Atlas and Mantle due to preparing for their earlier evacuation plan, so they’re off to a very good start. Oz still worries about Ironwood and the bomb at this point, but Weiss assures him they have a good plan for that. And we just saw what that was and how well it worked.

So now we get to see what Team RWBY is doing while ORNJ is handling Ironwood and whatever else Winter is having them do, flying an airship up to the hole Oscar left in the bottom of the Vault and having Ruby use her new Semblance skill to carry the rest of her team and Penny up through that and into the Vault itself. Klein and the other Schnees are also aboard the airship cuz someone needed to fly it and they weren’t gonna stick around in the mansion after the Kingdom starts falling. Ruby can basically fly now, no big deal it’s totally fine this doesn’t make her OP as hell, WHAT???? Okay I’m done. They get to the Vault door and with a shoulder to lean on and a few supportive words Penny opens it no problem. In the split second before Penny starts self-terminating now that this objective is completed, RWBY zooms into the grassy meadow inside this cold winter Kingdom’s vault on another Rose Express and Ruby grabs the Staff. Time stops as we see Winter escorting James to a cell in the brig right next to her other manipulative father figure Jacques, OJNRE are in front of some sort of computer monitor, and various other shots of what people are up to at this second are shown. In a cloud of blue mist emerges a man every bit as big blue and naked as Jinn was, but while she was thicc he is jacked. I don’t know how to describe his light blue hair but it’s got a ponytail so that’s fun. He seems charismatic af with a voice many assumed was Matt Mercer but is not, and seems he’s still a little steamed over how boring a request making Atlas float was. Ruby gets his attention and we learn his name is Ambrosius. When faced with a request to stop Penny from dying, Ambros informs them a limitation of his powers is resurrecting the dead. So everyone theorizing the Staff could bring back Pyrrha, or Clover, or any other beloved character were disappointed to be proven wrong. But bringing back the dead isn’t what Ruby is after, and once Ambrosius sees for himself just how atypical of a girl Penny is he understands their intention clearly. He lets them know of his rules, he is essentially a monkey’s paw and what you get may be exactly what you asked for but not what you hoped to get. They knew about this technicality problem too, so they brought Penny’s blueprints and ask him word for word to “Make a new version of her using her exact same robotic parts”. The robot parts are what have the virus, and once they use the Staff to make something new that infected robot Penny will cease to exist. But if he only removes the robot parts that will leave behind the life and soul that truly makes her Penny. It’s also not within his power to directly destroy, apparently, but it wouldn’t be killing her because it’s leaving her existing with just her soul. Yang flexes her prosthetic arm to illustrate their point that the mechanical parts are just extra. Ambrosius is enthusiastic to give this a try, but he has no idea what the finished product would be, so Ruby encourages him to get a little creative with it. He’s eager to give it a try but does warn them he can’t guarantee what the results will be, but they insist they have no other options and he does a sort of dance in the air like a full body orchestra conduction. Penny starts floating in swirls of blue mist, and in a flash of white light one becomes two. With his job done, Ambros fades away with a wink.

All of Atlas starts shaking, and ORNJE take that as their cue to start their next task: broadcasting to all of Atlas and Mantle a warning that Atlas is falling. Jaune is the one to deliver the message after some troubles figuring out how to get it working, but before he can offer any reassurance that a plan is in motion to save the masses... the broadcast is cut short along with all communications in the Kingdom. My money is on Watts being responsible, but maybe it was Atlas command on a hunch of what Ironwood would want them to do. James himself didn’t tell them to cut it off, cuz he’s still unconscious in a jail cell. Speaking of those cells, Jacques demands answers on what the hell is going on from his eldest daughter. She asserts that they will be getting everyone to safety and leaving the falling rubble to Salem for all the good it’ll do her, but Jacques is still worried he won’t be among those saved. Winter hesitates but tells him that yes he will be evacuated too. He thanks her profusely but she refuses to accept that credit. If he wants to be grateful he has to thank Weiss for deciding to free him, and that news shuts him up right quick. Weiss has been his least favorite child, yet she’s still the one to show him mercy and kindness because that’s the sort of woman she’s always been and he tried to stamp that humanity out of her. What an ass he must feel like.

Back down in the Vault, two Penny’s stand before RWBY. One looks like we’ve always known her, but starts moving and jerking around robotically with red eyes and sparks flying out of it as it collapses to the ground. The other has bare human legs, no gloves, no power sign on her neck ribbon, a natural fabric bow in her hair, and aside from that is every bit the sweet and good girl we’ve come to know. Some people say this was a mistake or a bad move to take away what made her such a unique character but... they really didn’t. She was able to grow outside of the limitations of the body she came into existence with and now lives purely as who she has always felt herself being inside. And that’s pretty cool. She’s naturally very disturbed to see another version of herself collapsing and dying right in front of her, but feels a lot better getting to hug Ruby. Penny never knew a hug could make you feel this warm inside, and gives hugs to the rest of Team RWBY. It’s very very cute and we’re all glad to see she’s doing so well now. 

With this taken care of it’s time to summon Ambrosius for the evacuation creation. He seems to have no concept of time because he doesn’t realize how little time has passed and is surprised to see they’re the ones who summoned him again. And considering how thorough they were with the last request he’s probably bummed he won’t get to pull a fast one on with a request this time either. They try and ask him to make doorways all over Atlas and Mantle that will all become a single doorway in Vacuo, but he requires too much complex metaphysics and space time bending to make that happen so they alter course. Make a central location all the doorways in Atlas and Mantle will open into, and then have a single door in that big new place that will open in Vacuo. He wants to know just what kind of central location they would have in mind, and Yang says he should make one that exists outside of Remnant’s reality just like the Vaults seem to. He commends them for being so smart about it, but acknowledges that could end up being foolishness instead. As a point of reference for the doorway system, or perhaps just for where in Atlas and Mantle they should be opening, Weiss shows him a series of blueprints for the layout of the Snowshoe shipping hub and how it connects to Atlas. Using that basis he makes dozens if not a hundred or two doorways all over the two cities. They’re big gold ovals with pale blue centers, and on the other side is a big empty black void with a series of narrow walkways without and sort of railings connecting all the portals to a single large one at the end of all the converging paths. Very dangerous if anyone ends up tripping or knocking anyone else over. People are very confused to see these things suddenly pop up, but we see Joanna hesitantly step through one and see just what the deal is. Realizing it’s their way out she seems to go back and tell the others. I gotta admit, the look of this large doorway in the midst of a barren rocky place like this gave me serious ending of Kingdom Hearts 1 vibes, and I half expected Mickey Mouse to be on the other side talking about the Door to Darkness. But that’s just me. Satisfied that the job is done, they thank Ambros who tells them they were indeed disappointingly thorough and they can go now. As they head out the broken robo Penny fades away to blue dust and real Penny is rather shaken to bear witness to that. Before he disappears into the Staff for who knows how long now, Ambrosius delivers one last warning about the world of doors and paths they just created. Do Not Fall. With that ominous warning ringing in their minds the five young women head into the doorway before them with the intent to go to Vacuo with everyone else and the hope in their hearts that they’re not forgetting anything important. We see Cinder wearing a hooded cloak in the midst of a crowd about to head into one of these portals, and it becomes very clear what important thing they may not have taken into account.

Time to wait 7 days to see what could possibly go wrong now!

First impressions of RWBY v8e12, “Creation”

I should wait till I have more time to watch this, but the episode title is just too alarming.  (One of the many differences between Remnant and Discworld: nobody is ever going to sit around making up verses of  "A Relic Staff has a Knob on the End".)

All the airships that don't have plot armor are being divebombed by chibi Kevins that cling to the cockpits with their talons.   Very consistent attack patterns there.   I’m trying to imagine Salem training Grimm, or glorping them into existence with pre-implanted instincts based on type.  

Ironwood, that's a dorky-looking gun.  Seriously. It's not heavy enough to need to be braced against something or mounted on something, so it doesn't look THAT threatening,  but it's occupying both your hands so you can't gesture dramatically during the imminent confrontation.    -10 style points.

I'm pretty sure he plans to bomb Mantle anyway, out of petty resentment against the heroes.  

Harriet still committed, Vine and Elm not seeing a way out.  Hi,  Winter.  You're looking distinctly  more chipper now that you have a Plan.

...You DO have a plan, right?  You were just making one last halfhearted overture to a man you used to respect?

Oh, the dorky thing is a scanner?   Something Penny-specific?   ....Or it was just there to be menacing until the handcuffs are on Penny?  Because handcuffs will somehow stop a Maiden? I keep thinking "but these characters aren't THAT dumb", and having to remind myself this is just what RWBY's like.

BWAHAHAHAHAHHAHA good job Emerald.  And you only had to fool two minds because the Ace Ops very conveniently left.

Fight!  Will Ironwood be surprised to see Oscar? I'm guessing no, he knew who had to have blown up the whale.

YEAH Winter and Nora teamup!  Lots of good dramatic moments here.   Winter and Oscar charging on a summon! And Oscar rebounding off of a glyph like he's practiced  it a zillion times. But that wasn't Winter's glyph, was it?  She looked pretty occupied. Can she just cast them mentally while multitasking a completely separate attack?  Or is Weiss here somewhere?  (EDIT:  Apparently Winter *is* that badass.)

What was that strike?  That didn't look or sound quite like a normal Aura break. Some sort of stunzap from Winter's sword?  Or  just a little reminder that Ironwood has been running on his Mettle semblance for months now, and it's all that was holding him together?  (Which was never mentioned in the show, I saw it as something explained in I think Amity Arena.)

Excuse me, did you say "drop Atlas", Robyn?   Is THAT the plan?  Lower Atlas safely,  then use the staff  for something else?  That...doesn't suck as an idea, on first listen.

This was meticulously planned, especially considering the two groups (RQWM and everyone else)  didn't have a chance to meet up before hand or rehearse anything.   Let's see how it happened.

Winter explaining the facts of life to Marrow,  good.

Yeah, we all knew who was in that elevator.   (Wouldn't it be nice to get a Qrow-Winter conversation to close out their animosity?  But I expect that like most conversations it will have to wait for fanfic.)

The what now.

The STAFF has a Jinn-equivalent?  I guess it's logical that all the relics would have spirits, but it honestly hadn't occurred to me.    And he wants blueprints.  Interesting!  Well, they have local wifi and all the knowlege of Atlas, that should help.  

Before, Oz-using-Oscar's-voice  sounded pretty distinct.  Now not so much. The two of them are sounding quite a bit more similar.  

Whitley continuing to contribute!  I think he's going to do fine running the SDC.

Whitley *and* Willow along with the second party, that does surprise me. I wonder what part Klein is playing, or if he's on standby as a medic.

Looking at the architecture around the Vault now, it's distinctly weird.  All that open space, stairs and bridges over yawning abysses.  It doesn't look very secure. More like a Star Wars setpiece for a climactic  battle.  (Has anyone done a clip of the v7 confrontation with Ironwood announcing that he's Oscar's father before shooting him?)

Eeeee, that's a plan with a LOT of assumptions and very little time.  Oscar and Oz aren't there. The Penny party doesn't know how to use the staff. Will they have to talk the spirit into helping her?  How does "creation" as a power translate to "remove the virus from this android body"?

And behind the Vault door is what looks like another pocket dimension. With overmanicured lawn grounds.  Has the spirit been golfing in here to pass the time?

Time stopped when Ruby touched the staff.  So that's not a Lamp-specific thing either. And she even didn't have to say a name....it'd be very useful just as a time stop artifact.

Ironwood is getting the cell next to Jacques, hah.   Now that's  a conversation I don't mind if the show skips.

pffft Hi, you're overdramatic and underdressed. I kind of want to know what nickname Robyn would give you.  

Two  lines in and I can already tell Ambrosius and Oz did not get along at ALL.

I wonder if there's any limits on how often the power can be used, as with the lamp, or if the limit is provided by his personality?

Ooh, they DID think this request out well.  I'm not clear on if the new Penny will be an android along the same  lines, or a  sort of golem, or what,  but  she'll end up as herself with a working body and that's what matters.

You planned everything out *except* the speech to the panicking populace, I see.  

Oh no, Watts has diabolical timing and is sniggering somewhere right now.

Just shut up, Jacques.

She gets a much more humanlike body! I'd say a human body, but it was built from robot parts so it can't be, can it?  And the Maiden powers will stay with Penny, because they're tied to her soul.

The soulless husk of Penny's body shorting out and dying is quite a disturbing sight even when you know it's no longer her.   (And I'm sure will be used as a clip without context to scare people. )

Okay, we're just going to handwave the details and it's a human body. I like Penny so I'm not going to be too pedantic about it.  

Using the Vault as a refugee camp??   They *are* creative. Oh, no, huh, they're sending everyone to Vacuo?  They had coordinates prepared, presumably - but they haven't been able to contact Vacuo so thousands of people are going to show up in a place not ready for them.   A desert place.  

I mean, there's not a lot of *options*, they had to send them somewhere, but now that I think about it, why Vacuo and not Mistral or Vale? Are they assuming - hoping - Vacuo still has decent Kingdom defenses and an economy that can take in the entire combined population of Atlas and Mantle on no notice?

Gosh, I hope the nation Qrow said was full of "thieves and murderers" handles refugees seeking asylum more humanely than most Earth countries.

Ambrosious said he was disappointed at how thorough they'd been.   Does he enjoy it when the things he builds have unanticipated consequences that upset people?   That's not very benevolent.   Jinn seems like she actually wants to help (relatively speaking).

We don't say thank you or goodbye to spirits, I see.  I thought at least some of these girls were raised on fairy tales!  Politeness to supernatural entities is important.  (But then, Oz has straight-up ignored Jinn twice now, and he's a fairy tale expert.  I'm still mulling over that as a plotbunny.)

"Do Not Fall"   Well!  I guess we know what'll happen to Ruby now!

Cinder in the crowd.  Did Watts and Neo not go through? They must have been quite surprised to have whatever their clever evil plan was interrupted by the sudden appearance of magic doors everywhere.

A very unexpected episode all around!    Most of my guesses this season have been wrong, and pleasantly so.    Two more episodes for the unknown horrible shoe to drop. Final random thoughts:

 I was thinking Ruby, but what if all of RWBY falls, leaving the others to go on to Vacuo thinking they're dead for most of volume 9?    

Where Pietro and Maria at this point? Drifting slowly downward in Amity,  I think, unless  they were able to stabilize it.   A few episodes ago I was sure they wouldn't  make it out of this volume alive, but now I have no idea.

I expect the entire population of Atlas and Mantle will go through the doors to move the plot along, but realistically speaking, a lot of people would be very reluctant to go through mysterious one-way portals with no explanation.   Even when the alternative is plummeting with Atlas or freezing/starving/being eaten by Grimm in Mantle.

RWBY Volume 7, Chapter 1

What is up, FNDM!!! At long last we are back with an all new volume of RWBY, and thus I am back to gush about it! Let's just jump right in with my thoughts and opinions on Chapter 1 of RWBY Volume 7, "The Greatest Kingdom"

MAJOR SPOILERS BELOW:

I swear, the moon gets prettier and prettier every volume. This opening shot is incredible.

When we heard his one line in the trailer, I was blown away with how little I could tell that Qrow had a new voice actor, even though I was listening for it. Now that we get to hear more of it, the differences are admittedly starting to stand out a bit more. That being said, I don't think it will take long at all to get used to it, andJason Liebrecht is still doing an amazing job. I certainly look forward to his performance moving forward.

Looks like I was right in the finale in that the lower area is Mantle. I must say, it looks amazing. Everything about it just looks so dirty and industrial, definitely what I would imagine for the slums of the technological giant that is Atlas. Major kudos to CRWBY for this setting design.

Ooh, both Ironwood and Winter get new outfits. They look good, though something about Ironwood's beard looks off to me. Maybe I'm just not used to it, but something about the shading makes it look photoshopped on. Maybe it'll look better in the future.

Decided to pause on the newsboard that the purple haired dude is looking at, and I must say, while there isn't a lot there, what can be made out is...foreboding. The bottom middle headline I believe says "Outer Wall Damaged" which certainly seems like it will be important later, while the one to its left seems to be an opinion piece on the dust embargo. The standouts, however, are the top two. The first on the left talks about a journalist being found dead (always a good sign in politically charged climates) while the one on the right talks about an upcoming council election. Specifically, it talks about a "Mantle Hometown Hero" (whom I am assuming to be the woman on all of the posters that looks like she wouldn't look out of place in The Dragon Prince) going up against an "Atlesian Tycoon." Five Lien on who THAT could possibly be. Are Team RWBY and Friends going to have to go up against Jacques in a political arena? Because that could get pretty interesting.

I'd say that drone was too cute to die the way it did, but quite frankly it was far too funny for me to muster up that much compassion.

Yeesh, our first look at the Faunus Dust Miners, and it is not a pretty sight. Or maybe it's just the drunk asshole spouting casual racism. Either way, it's an ugly sight.

Thank you Weiss. We were all thinking it, put the trash where it belongs.

So did the drunk with the blue beanie know who they were? I feel like that was what he was trying to say before he decided to eat shit.

I don't know who the mouse Faunus girl was that exited the clinic, and we'll probably never see her again, but she was adorable as hell and I feel like that deserved mentioning.

Hmm, a robotics technician that resides in Atlas, has similar hair style and skin tone to the guy we cut to when Penny died, and is currently wearing a pink bow tie? Yeah, no idea who this is.

I love his chair. That is all.

"Days Since Last Nonsense: 0" I like the added touch of 'nonsense' being written down the side where room ran out.

If we never get to see Nora try Pietro's dancing shoes, this entire volume will be considered a waste.

So, seeing how incredibly obvious it is as to who this Pietro guy is, did anyone else perk up a bit when he referred to his daughter in present tense?

Hehe, convenient-reveal-delaying Grimm attack is conveniently-reveal-delaying

I see the Atlesian are as useless as always.

This score sounds like it's based on a song we'll be getting later, but even if it isn't I am loving it all the same

Even though his pose was completely different, when Oscar stabbed the Sabre Grimm in the head, it reminded me of Scrooge Mcduck's pogo attack in the old Ducktales game.

And there it is. The major even that they have been teasing us about for months, the big Vol 7 premiere surprise, the one, the only PENNY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I am so excited to see our precious robot girl back! Now all we need is Pyrrha and I will be happy once more

Let's face it Ruby, any other greeting simply would not have done this reunion justice.

Plus side, the status of RWBY redheads just got a lot less endangered.

"We have so many things to catch up about" Oh, Penny, you have no idea.

Dangit, Qrow, you had to jinx it, didn't you. I mean, I guess that's pretty on brand for you, but still.

These Ace-Ops guys certainly seem...colorful (despite most of them wearing the standard boring Atlas white color palette). I'm particularly interested in who I'm assuming is the leader, who the credits name Clover Ebi. I don't know who or what his character allusion is, but I feel like him being covered in stereotypical good luck charms is a sign.

Woohoo! New intro time! Just like last time, there's a lot to unpack here, so let's get into it

-The opening silhouettes remind me a lot of the original trailers, and quite frankly I love it for that. Not sure how I feel about the more pastel color pallet, though. -The shot of Team RWBY flying through the sky and shifting throughout all of their main outfits? A stroke of genius. -They seem to have updated Yang's semblance effect from the Bees vs Adam fight. It looks amazing and I love it. -Ironwood alone in a dark war room certainly doesn't seem ominous-Hmm, now the Ace-Ops guys get there own silhouette portraits? I am certainly interested in getting to know these guys. -When we zoom out on Watts's computer, alongside the Ace-Ops we see something to do with Mantle's security network as well as an election map. This election is definitely looking like it's going to be a main focal point of this volume. -Nothing too special here, just a few character shots, a silhouette of Tyrian looking creepy, Ironwood looking angry and sad (though the effect of the snow and ice consuming him is interesting),  Jacques and Whitley looking smarmy, Weiss and Winter looking at each other (their facial expressions are certainly telling of what their relationship is going to be like this volume), Pietro and Maria, a group shot of Teams RWBY, Team JNR, and Oscar, and of course, Penny looking adorable. -Now that we're getting to see it in motion, I must admit that Jaune's new haircut doesn't look too bad. Also, I noticed his shield now incorporates hard light dust. I wonder if it just widens his shield a little or if it will manifest in other ways as well. -When the Mantle citizen threw a rock at the hologram of Ironwood, it briefly flickered to Jacques. That's concerning. -The action scenes are a lot of fun, with Oscar training with Ironwood, and Weiss and Blake in the dust mines, but the really interesting one is the Mantle Hero and Qrow going up against Tyrian. I wonder if Qrow knows her. -The group shot at the end is very My Hero Academia and I absolutely love it. -Wow, even Qrow gets a new outfit. It only took him twenty years. -Ooh, a brief look at the Relic of Creation. I admit, I was hoping that the relics would each have different color schemes, like having all of them be gold is fine, but I was slightly hoping where the Relic of Knowledge was blue, the Relic of Creation would be maybe green and the Relic of Destruction would be red, or something like that. Still looks cool though -There was not a single hint of Cinder or Neo in the opening, and that somewhat worries me.

Hehe, credits humor "Drunk Mann played by Joel Mann" Ah, once again, RWBY shows that it knows how to come out the gate swinging. They've set up a lot of interesting things in this first episode, and I can not wait to see how it all plays out.

RWBY Rewrite: The Schnee Family

Hello there everybody! Welcome to the third post in this undetermined number of RWBY Rewrites posts because at this point anyone who is watching RWBY for the story clearly needs to get their head checked. I debated the topic for this one for a while and have now settled on getting to one of our most prominent families in Remnant: the Schnees.

Being the ones in charge of the Schnee Dust Company, which supplies the majority of Remnant’s Dust, as well as being Weiss’ family, it makes sense that the show would give them focus. Unfortunately, the Schnee family as well as many other elements in the show have fallen victim to the time crunch of the writers juggling too many things at a time. It’s honestly a miracle that Weiss’ character is written as well as it is. In fact, it is the best written of the four girls (though not without its issues) and part of that is due to her collection of songs. Though in my opinion, you could argue that the soundtrack does a better job of telling the story than the actual show. 

In this post, I’m going to be going over Weiss’ immediate family as well as her grandfather. As of now, I’ve been thinking of rewriting RWBY in five main arcs: Vale, Mistral, Atlas, Vacuo, and the Final Showdown. The family would be set up in the first two arcs with them getting most of their conclusions in the Atlas Arc, mostly regulated to cameos or mentioned in passing afterwards.

Nicholas Schnee

The founder of the Schnee Dust Company, outside of that WOR video, we honestly don’t know much about him and that makes sense considering that Nicholas most likely died before the beginning of the series. Considering my Rewrite series would throw out those videos, I would keep Nicholas regulated to mentions of Schnee Dust Company past and potential flashbacks in Atlas.

However, I would add one thing to his characterization that I think would tie into Weiss’ journey pretty well. Weiss, especially at the beginning of the series, strives for perfection in all that she does. Above all, she definitely looks up to her grandfather’s example. During a time in Atlas when she’s at her lowest, with her father’s icy words piercing her mind, the hateful looks of the Faunus directed at her, she despairs at ever living up to her grandfather’s legacy. Only to talk with someone (currently I’m thinking Professor Polendina) who personally knew her grandfather who would tell her that Nicholas was by no means perfect. He was a very warm, good hearted, jolly man, but he would occasionally let out a rather racist remark and had a rather explosive temper. Contrary to the SDC image, he wasn’t a saint. That said, his views were actually pretty progressive for his day in terms of his business practices and his treatment towards the Faunus. Ultimately, Weiss would learn that while her grandfather was by no means perfect, he never stopped trying to better himself.

Jacques Schnee 

You know, I have to give credit where credit is due: Jacques is actually pretty well written. Okay, he’s not the pinnacle of how to write an parental antagonist, but his role in the story and his at least emotionally abusive relationship with Weiss is actually pretty well done. It helps that he’s not completely talk, his actions also do reflect on this such as cutting Weiss off, forcibly carting her home after the fall of Beacon, his grip on Weiss at the party as well as his smacking of her afterwards, and even disinheriting her and keeping her under house arrest until she gives into his demands. Yet above all, he is a cut throat businessman who will use anything to benefit him. It’s a good example of how just because someone in a story is not a good person does not necessarily mean that they are a bad character.

Honestly, the most I’d change with him is make it more apparent in the show of how he uses everyone beneath him for his benefit (going back to the Atlas Corruption theme I had last post). Show people protesting outside SDC Headquarters or better yet show the dust mines and how dangerous they are to the workers especially without the necessary safety measures which Jacques is cutting back on in order to make as much profit as possible.

Another change I would make is in the Atlas Arc is that Jacques tries to get Weiss back under his thumb, but can’t. By this point, Weiss would be legally an adult and therefore can’t be forced into anything. In fact, his disinheriting her ironically freed her as there’s nothing he can hold over her to make her fall back in line. His part of the plot would culminate in Jacques being in mortal peril, left alone by everyone (even Whitley, his favorite child) to die only for Weiss to step in. It would end with Weiss saving his life, but not saving him from the law and jail. He needs to pay for his crimes, not just his actions against her.

Winter Schnee

Much like Jacques, I don’t think Winter was written all that badly. I guess the only complaint is that I wish we could have gotten more mentions to their relationship before Volume 3. Personally, I also would have liked her to have been at the Argus base inspecting Cordovin and briefing her on the situation in Atlas, only to run into her sister and her friends and therefore avoiding one of the most poorly thought out plans in the show.

In this Rewrite, I would have Winter shoulder more responsibility in leadership and rise to the occasion. In regards to that, I would also have Qrow apologize for his actions to her. Much like Weiss has to prove her resolve to others, Winter eventually gets Qrow to realize he’s been judging her by associations and not her as an actual person. On the flipside, Winter would realize that Qrow’s problems and concerns with Ironwood aren’t entirely unfounded.

In the ending of the Atlas Arc, Ironwood will resign his positions as General and Headmaster, as will many others due to an inquiry of the Atlesian military as the deep routed corruption is being brought to task. And given his abuse of power, his council positions would be separated so as to prevent this situation from repeating. This, along with other events, would go to show that our heroes’ actions have consequences, for better or for worse. Ironwood’s general position would pass to a Rudolph Vermillion, a male reindeer Faunus who after the inquiry would be the person with the most military experience with a clean record(and partially for diversity) that the group would be interreacting with during the Atlas Arc. His headmaster title, however, would go to Winter as I feel she would actually do well in a teaching environment. And let’s face it, we only had three women in positions of power in the show: Glynda was treated as the clean up maid, Sienna got stabbed, and Cordovin is definitely not what I would call leadership material. Winter would continue to a pillar of support and offer the group her well wishes (as well as threaten Qrow to make sure her sister comes back in one piece.

Willow Schnee

I think that her name hasn’t been confirmed in the show, but I like it and I need something to call her so I will address Mama Schnee as Willow.

You know, I’m not really fond of the dead parent cliché, but this is one case that I honestly wouldn’t have minded if they had killed her off. She had never been mentioned prior to Volume 4 (much like my next entry) and with Winter seeming very parental in her treatment of Weiss, I’m pretty sure most of the FNDM assumed she was dead. Then it turned out that she was alive, with her making no physical appearance in the show and is basically made out to be an uncaring drunk. And such a thing wouldn’t necessarily be a bad idea if not for the fact that almost every mother in the show is either dead or terrible. We only have three good moms in the show and two thirds of them are a lesbian couple that was introduced after the halfway point last Volume.

Personally, I would keep her much more apparent in her children's lives. Being rather sad, maybe still have a little bit of too much alcohol from time to time, but make it clear that she does try to connect and be there for her children. This would lead to her kids viewing her in very different ways: Winter views her with scorn that she stays with Jacques while Whitley alters between ignoring her and seeking her comfort. Weiss would be the middle ground as she seeks to understand why Willow married Jacques and make her realize that she can leave him and there are people she can count on to help with that.

Which does lead to the reasons as to why Willow didn’t just divorce Jacques: half emotional abuse and half for her father and the company’s sake. As anyone who has been in an abusive relationship knows, it is very hard to leave when you get into it, especially if it feels like you don’t have anyone to help or support you. That is especially compounded when you consider that Jacques is the reason the SDC has managed to thrive and that a divorce of this kind might permanently damage the company. In fact, it would have been one of the main reasons she married Jacques and finding out how badly he took advantage of that power would be an utter shock to her. Her arc would be about her taking steps to get back to her old self and using her skills to aid others. She and Klein would watch over the company for Weiss (she never really had the skills or desire to take over the business, but realizes someone needs to watch over things for now) until she returns to take her place as the head of the SDC.

Whitley Schnee

If there is one character that has a significant divide in people’s opinion of them, it’s Whitley. Some people think of him as a potential victim of Jacques’ abuse while others think of him as a little shit. Personally, I lean towards the later as it seems Jacques does value Whitley (having a picture of him on his desk and none of his daughters and the family portrait has him smiling while everyone else looks very uncomfortable). Though to be honest, Jacques’ treatment of his children may be likely to get compliance to a degree, but unlikely to foster any genuine love and loyalty. So I get the impression that Whitley is not so much loyal to Jacques as loyal to his own interests and that is what I would play up.

Have him very much fall in line between Jacques in public and disparage his sisters, but show little hints of his true emotions when no one else is watching (either flashes of anger or impressed looks). A change I would have made in Volume 4 is him being there in the library as Weiss is leaving. Weiss would immediately assume he is there to stop her, but he is actually okay with her going. At this point, there’s no disadvantage to himself in letting her leave thus making him similar to Jacques in that he cares about his own interests first, but he’s not as controlling and is willing to let others do as they wish so long as they don’t interfere with his goals.

The Atlas Arc would involve him getting some snipes in at Weiss and her friends before getting a dose of reality in seeing exactly what a huntsman/huntress can do as well as watching the things he was sure would protect him fail and leave him vulnerable (like say, a White Fang assassination attempt). As such, he will abandon his father when things are at their most dire. After Weiss takes her heiress title back and takes over the company, that leaves the two with a very uncomfortable talk. Weiss does not like or trust her brother, but he is family and she would rather not have him as an enemy. So learning from her father’s strict control, she offers to pay for his education as well as a monthly stipend in exchange for signing a legal contract that he will not enter the SDC or join a competing dust company. Otherwise, he can do whatever he wants. There’s a bit of back and forth between the two of them ending with Whitley expressing genuine respect for his sister and wishing her well on her journey.

As for Klein, he is great as he is and I honestly wouldn’t change anything.

Those are my general thoughts on it. If you have anything to add, don’t hesitate to comment. Next time, I think I’ll be touching on a character that will be much more morally gray in this rewrite.