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thevindicativevordan · 3 years

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What do you think of the Avengers as a whole? From their very beginnings to now.

What a turnaround they've had. From the team made up of characters who couldn't succeed on their own, to the most popular Marvel team (and maybe even superhero team period) ever.

Were you to travel back to the distant decade of the 1990s and tell someone that the biggest Marvel team was the Avengers, they'd laugh in your face. Avengers bigger than the X-Men and the Fantastic Four? Impossible. Those guys were B and C-Listers at best, the dumping ground for characters who couldn't succeed as solo heroes. That attribute was the biggest weakness but also the biggest strength of the team, unlike the Justice League where the heroes were all the big guns getting together and also had their own solos, the Avengers started off composed of heroes whose most important attribute was being an Avenger. Thus the team became an important part of their character in a way that being a Leaguer is not for Superman, Batman, and the like. Look at Hank Pym he's totally defined by the domestic abuse that went down in the Avengers book to this day.

While the very concept is a terrible cliché now, the Avengers were one of the first superhero teams that were a family. They would get together and hang out, have barbecue parties when they weren't fighting the supervillains. Bickering and squabbling wasn't at all uncommon either, there was animosity as well as friendship between members. Hulk was a founding member and he more or less got kicked out/left! Seems pretty tame by our modern standards, but that's just because Marvel helped progress the genre from the clean-cut heroes where everyone was friends with each other that was the case for Silver Age DC.

The 2000s was the decade where everything started to change all on account of two runs: Bendis on Avengers and Millar on Ultimates. Bendis basically copied the Justice League's concept and applied it to the Avengers: Put the most popular Marvel characters on the team in order to elevate it's profile. Apparently when he first pitched the idea of putting Spider-Man and Wolverine on the Avengers at Marvel's annual creative retreat, the writers in the room went nuts. Protesting erupted at the sheer audacity of the concept, "Spider-Man and Wolverine are NOT Avengers and DO NOT belong on the team", it was basically a nerd uproar. Seeing that is what convinced Quesada to greenlight the idea, because if Bendis could get these guys riled up he could definitely get customers to pay attention. Which is exactly what happened, Bendis turned the Avengers into Marvel's hottest team book, and shifted the center of the MU to circle around them instead of the X-Men. That he did so by pissing off the old Avengers fanbase was irrelevant to editorial because he brought a level of mainstream attention and success the team had never had before. But he wasn't the only one reshaping popular perception of the team and it's members.

Awwww yeah, love it or hate it, anyone who doesn't think Millar and Hitch's Ultimates is one of the most important Avengers runs of all time is outright deluding themselves. Poorly aged as much of it might be, this run has been thoroughly mined for ideas by both the MCU and the mainstream 616 universe itself. Once upon a time Marvel heroes were pretty similar to DC in set-up, might've been more flawed, but they had trunks on the outside like Superman and Batman, Tony Stark pretended Iron Man was his bodyguard, and there were strict rules against killing. Ultimates gleefully torched all of that, ushering in the age of superheroes as public celebrities, tools of the military, and tacticool uniforms which was met with massive acclaim and great sales. People shit on this book nowadays, understandable given it's absolutely a product of the Bush Era War on Terror, but it helped make the Avengers cool as hell to the mainstream comics readers who had ignored them previously.

So eventually 616 followed suit in multiple aspects and the modern Marvel Universe took shape. Nobody except Spider-Man even bothers with secret identities anymore (hilarious that the most Marvel character is the closest to DC heroes in terms of status quo nowadays), killing is common and happens all the time. The costumes are streamlined for adaption or synergized with the MCU. First Avengers movie is more or less a merge of the classic Avengers comic origin (Loki is the villain who brings them together) and the Ultimates origin (MCU Avengers were conceived as a SHIELD strike force to protect the world from threats and their first one is an alien invasion). 616 Avengers aren't soldiers to the same level as their Ultimates counterparts were, but there's a militarization of the concept that was brought over and still hasn't gone away.

Bendis and Millar together changed the nature of the Avengers, now these guys were the A-Listers. Members on the team were the ones you wanted to follow solos of, because of how damn cool they were. Events centered around members of the Avengers like Civil War, Secret Invasion, or Siege were hot sellers. Then the MCU came in and took them even higher. They're a billion dollar franchise now, far outstripping the Justice League even in public awareness and popularity. Hickvengers is one of my favorite comic book runs of all time and basically wrote the Avengers as a JL-tier team in terms of staring down massive existential threats to all of existence on a daily basis. You want down to Earth "grounded" storytelling? Bendis and Millar showed they can handle that. You want big, epic, cosmic storytelling on par with the Justice League? Hickman showed they can work in that space as well. Avengers is now a team built for the modern era, hell it's the team which built the modern era, and where they go next will be interesting to observe.

My prediction is that Marvel will make another attempt at positioning the Avengers as the "diversity team" in the near future. That seems to be what the MCU is setting up and we all know how much Marvel Comics loves their synergy. No clue if the concept would fare better the second time around, but maybe with someone other than Waid in charge it would be received better. If it flops they can always bring back the OGs again.

#avengers #marvel comics #brian michael bendis #mark millar #ultimates

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collectorscorner · 3 years

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aion-rsa · 4 years

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Stage and Screen Icon Diana Rigg of Avengers, Bond, and Game of Thrones, Dies at 82

https://ift.tt/eA8V8J

Diana Rigg, best known for her iconic turn on The Avengers, and memorable roles on Game of Thrones and Theatre of Blood, died Sept. 10, at home with her family at the age of 82, according to Variety. “It is with tremendous sadness that we announce that Dame Diana Rigg died peacefully early this morning. She was at home with her family who have asked for privacy at this difficult time,” her agent Simon Beresford said in a statement. “Dame Diana was an icon of theatre, film, and television. She was the recipient of BAFTA, Emmy, Tony and Evening Standard Awards for her work on stage and screen. Dame Diana was a much loved and admired member of her profession, a force of nature who loved her work and her fellow actors. She will be greatly missed.”

Rigg was diagnosed with cancer in March, according to her daughter Rachael Stirling, who said the actress “spent her last months joyfully reflecting on her extraordinary life, full of love, laughter and a deep pride in her profession. I will miss her beyond words.”

Diana Rigg is a quintessential part of English espionage entertainment. She came into people’s homes on a weekly basis as the Emma Peel, a spy as skilled in seduction as she was in hand to hand combat, on The Avengers. Rigg was the third of four women sidekicks to Patrick Macnee’s John Steed on the ITV series, and the first with a bristling sense of humor. The duo set the tone and the style for swinging 60s British Intelligence: The bowler hatted Steed with his lethal umbrella and Peel in the mod fashions, leather jumpsuits or op-art psychedelic patterns. She drove a Lotus Elan convertible.

As Tracy di Vicenzo, Rigg was the only true Bond girl, having actually married James Bond, played by George Lazenby, in On Her Majesty’s Secret Service (1969). Tracy Bond’s life with Agent 007 did not have a happy ending. Modern audiences recognize Rigg as Olenna Tyrell on HBO’s Game of Thrones. Horror fans will remember her turn as Vincent Price’s daughter in the 1973 classic thriller Theatre of Blood. Price played an underappreciated Shakespearean actor. The classical theatre trained Rigg, who did a stint with the Royal Shakespeare Company, played almost everyone else.

Enid Diana Elizabeth Rigg was born on July 20, 1938, near Doncaster. She grew up for a short while in India and spoke Hindi as a second language. She returned to the UK to attend a Yorkshire boarding school run by the Moravian church. Rigg enrolled in the Royal Academy of Dramatic Art in 1955. One of her classmates was Glenda Jackson. She made her professional debut in a production of Bertolt Brecht’s The Caucasian Chalk Circle as part of the 1957 York Festival. Rigg was first noticed for her role in the Ronald Millar play Abelard and Heloïse. She was nominated for a Tony Award.

Rigg screen-tested for The Avengers in 1965 after Honor Blackman, who had been playing Emma Peel, was cast as Pussy Galore in Goldfinger. Rigg starred in 51 episodes. She also had major roles in the films A Midsummer Night’s Dream (1968), The Assassination Bureau (1969), and Julius Caesar (1970), which starred Charlton Heston. Rigg was nominated for a Golden Globe Award for her role in the 1971 classic satire The Hospital, which was directed by Arthur Hiller, written by Paddy Chayefsky and co-starred George C. Scott.

On television, Rigg starred in the eponymous NBC sitcom Diana from 1973-74. She starred as Clytemnestra in BBC’s 1979 miniseries adaptation of Sophocles’ Oresteia. In 1981, she starred in an adaptation of Hedda Gabler for English television. from 1989-2004, she was host of PBS’ Masterpiece Mystery.

Rigg was a member of the National Theatre Company at the Old Vic from 1972 through 75. Rigg played leading roles in the premieres of two Tom Stoppard plays: Jumpers in 1972 and Night and Day in 1978. She played Lady Macbeth in 1972, and was Eliza Doolittle in a 1974 revival of Pygmalion. In 2011 she returned to George Bernard Shaw’s timeless classic in the role of Mrs. Higgins. Her last stage appearance was as Mrs. Higgins in the 2018 revival of My Fair Lady. In 1994, Rigg won a Tony Award for Best Actress in a Play for Medea. Her other stage work included roles in Bertolt Brecht’s Mother Courage, Albert Albee’s Who’s Afraid of Virginia Woolf, Tennessee Williams’ Suddenly, Last Summer, and a revival of Noel Coward’s Hay Fever.

In 1977, Rigg starred in A Little Night Music with Elizabeth Taylor. She also appeared in The Great Muppet Caper in 1981. She was the Evil Queen in the 1987 film Snow White. She also played in Bruce Beresford’s A Good Man in Africa, which starred Sean Connery in 1994, as well as Parting Shots (1998), the 2006 romantic drama The Painted Veil and Andy Serkis’ romance Breathe (2017).

Rigg took the part played by Marlene Dietrich in 1982 TV movie remake of the 1957 Billy Wilder film Witness for the Prosecution for Hallmark Hall of Fame. She starred with David MacCallum in the BBC/PBS miniseries Mother Love (1989). She starred in the CBS telepic Mrs. ‘Arris Goes to Paris (1992) with Angela Lansbury. Rigg won an Emmy for Rebecca in 1997. Rigg was a memorable guest star on the BBC/HBO’s Extras in 2006. She also put in an appearance on Dr. Who in 2013. She recently appeared in ITV’s Victoria and Channel 5’s All Creatures Great And Small.

Rigg’s last film appearance will be in Edgar Wright’s upcoming Last Night In Soho, scheduled to hit theaters on April 23, 2021.

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Rigg was married twice. She was married to Israeli painter Menachem Gueffen from 1973 to 1976. Her second husband was theater producer Archibald Stirling, who she was married to from 1982 to 1990. Rigg is survived by their daughter, two-time Olivier Award nominated actress Rachael Stirling.

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savewritingnsw · 4 years

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Save Writing NSW

An open letter to Create NSW and the NSW Minister for the Arts

We, as writers and active members of the literary community, were dismayed by Create NSW’s decision not to grant Writing NSW Multi-Year Organisations Funding in their latest round, despite the fact that Writing NSW was recommended for funding.

This decision demonstrates the ongoing devaluation of literature within the Australian arts funding landscape. We know literature is the most popular artform in the country, with 87% of Australian reading some form of literary work in any given year, yet in this round Create NSW offered only 5.7% of their ongoing funding to literature organisations.

The decision to defund Writing NSW carries a particular sting. Writing NSW is the leading organisation representing writers in a state with a long literary history and one that is home to many of Australia’s leading publishers, writers, literary agents and other core participants in the Australian literary industry.

Writing NSW is an important stepping-stone for writers at the beginning of their careers, providing high quality professional development programs, and it also employs emerging and established writers to deliver and lead these programs. For decades the organisation has provided high-quality courses, seminars, workshops, festivals, events, grants and literary prizes. In putting such programs at risk, Create NSW is jeopardising both an entry point and an ongoing support system for writers.

Macquarie University research shows that the average income of an Australian author from their practice is $12,900. The current economic crisis caused by the coronavirus pandemic makes the situation of writers even more precarious. Writing NSW offers key employment opportunities to writers, through teaching, publication, speaking engagements and both curatorial and judging positions. The removal of these opportunities will mean many writers will not be able to maintain the other income streams that support their writing careers.

The removal of $175,000 from a single source would be catastrophic for any business – not-for-profit or otherwise. For a government funding body to enact such a blunt economic withdrawal in the midst of a global pandemic and without concern for the economic flow-on effect to hundreds of industry professionals is deeply distressing.

We call on Create NSW to reverse this decision and ask them to reveal their future strategies for arts funding and how they plan to rectify the disparity in funding between other funded artforms and literature.

As writers, we will never accept the loss of a vibrant, essential cultural network such as Writing NSW.

What you can do We invite anyone affected by Create NSW’s decision – writers, publishers, literary agents, illustrators, readers alike – to co-sign this letter. You can copy and customise this letter to draft a version from your own point of view on this matter to send to a Member of Parliament.

To co-sign this letter, add your name here: shorturl.at/dERX6

Signatories

Pip Smith, Writer, creative writing teacher Sam Twyford-Moore, Writer and arts administrator Fiona Wright, Writer, editor, critic, reader Gabrielle Tozer, Author, writer, editor Brigid Mullane, Editor Jules Faber, Author, Illustrator Dr Christopher Richardson, Author and academic Liz Ledden, Author, podcaster, book reviewer Kate Tracy Ashley Kalagian Blunt, Writer, reviewer, reader Julie Paine, Writer Nick Tapper, Editor Belinda Castles, Writer and academic Simon Veksner, Writer Amanda Ortlepp, Writer, reader, reviewer, High School English Teacher Bronwyn Birdsall, Writer, editor Robin Riedstra, Writer, reviewer, reader, English teacher Dr Delia Falconer, Writer, critic, academic Robert McDonald, Author, writer, creative writing teacher Dr Kathryn Heyman, Author Wai Chim, Author Kirsten Krauth, Writer, editor Tricia Dearborn, Poet, writer, editor Dr Mireille Juchau, Writer Gail Jones, Writer Dr Jeff Sparrow, Writer, editor, academic Linda Jaivin, Writer, editor, translator Adara Enthaler, Poet, editor, literary arts manager Keighley Bradford, Writer, editor, arts and festival administrator Nicole Priest, Reader and aspiring writer Shamin Fernando, Writer Andrew Pippos, Writer Bianca Nogrady, Writer and journalist James Bradley, Writer Ali Jane Smith, Writer Dr Eleanor Limprecht Idan Ben-Barak, Writer Jennifer Mills, Writer Nicole Hayes, Writer, podcaster Michelle Starr, Writer/journalist Phillipa McGuinness, Writer and publisher Vanessa Berry, Writer and academic Blake Ayshford, Screenwriter Emily Maguire, Writer Sarah Lambert, Screenwriter Anwen Crawford, Writer Sarah Bassiuoni, Screenwriter Jackson Ryan, Writer, journalist, academic Simon Thomsen, Journalist, editor, other wordy stuff Ivy Shih, Writer Miro Bilbrough, Writer, filmmaker, screenwriting teacher, script editor Graham Davidson, Writer, artist, festival director Christos Tsiolkas, Writer JZ Ting, Writer, lawyer Susan Francis, Writer, teacher Suneeta Peres da Costa, Writer Dr Harriet Cunningham, Writer, critic, journalist Adele Dumont, Writer, reader Sheree Strange, Writer, book reviewer, book seller Phil Robinson, Reader Ashleigh Meikle, Reader, writer, book blogger Naomi RIddle, Writer, editor Cathal Gwatkin-Higson, Writer, book seller Hannah Carroll Chapman, Screenwriter Angela Meyer, Writer, editor Steve Blunt, Reader, supporter Ambra Sancin, Writer, arts administrator Michelle Baddiley, Writer, reader, archive producer Dinuka McKenzie, Writer, reader Catherine C. Turner, Writer, reader, freelance editor and publisher, arts worker Hilary Davidson, Writer, poet, academic, reader Dr Eleanor Hogan, Writer Nicola Robinson, Commissioning Editor Kim Wilson, Screenwriter Jane Nicholls, Freelance writer and editor Lisa Kenway, Writer Virginia Peters, Writer Sarah Sasson, Physician-writer and reader Dr Joanna Nell, Writer Laura Clarke Author / Copywriter Nicole Reddy, Screenwriter Anna Downes, Writer Sharon Livingstone, Writer, editor, reader Lily Mulholland, Writer, screenwriter, technical editor Benjamin Dodds, Poet, reviewer, teacher Markus Zusak, Writer Alexandria Burnham, Writer, screenwriter Sam Coley, Writer Marian McGuinness, Writer Selina McGrath, Artist Adeline Teoh Natasha Rai, Writer Catherine Ferrari, Reader Jessica White, Writer & academic Zoe Downing, Writer, reader, creative writing student Amanda Tink, Writer, researcher, reader Lisa Nicol, Children's author, screenwriter, copywriter Aurora Scott, Writer Gillian Polack, Writer, academic Susan Lever, Critic and writer Denise Kirby, Writer Michele Seminara, Poet & editor Meredith Curnow, Publisher, Penguin Random House David Ryding, Arts Manager Catherine Hill Genevieve Buzo, Editor Hugo Wilcken DJ Daniels, Writer Linda Vergnani, Freelance journalist, writer and editor Tony Spencer-Smith, Author, writing trainer & editor Dr Viki Cramer, Freelance writer and editor Petronella McGovern, Author, freelance writer and editor Jacqui Stone, Writer and editor Talia Horwitz, Writer, reader & writing student Sophie Ambrose, Publisher, Penguin Random House Rebecca Starford, Publishing director, KYD; editor and writer David Blumenstein, Writer, artist Rashida Tayabali, Freelance writer Sheila Ngoc Pham, Writer, editor and producer Rosalind Gustafson, Writer Alan Vaarwerk, Editor, Kill Your Darlings Gillian Handley, Editor, journalist, writer Karina Machado Isabelle Yates, Commissioning Editor, Penguin Random House Michelle Barraclough, Writer Natalie Scerra, Writer Melanie Myers, Writer, editor and Creative Writing teacher Emily Lawrence, Aspiring Writer Nicola Aken, Screenwriter Jennifer Nash, Librarian, writer Clare Millar, Writer and editor Kathryn Knight, Editor, Penguin Random House Linda Funnell, Editor, reviewer, tutor, Newtown Review of Books Stacey Clair, Editor, writer, former events/projects producer at Queensland Writers Centre Virginia Muzik, Writer, copyeditor, proofreader, aspiring author Lisa Walker, Writer Sarah Morton, Copywriter, aspiring author, Member of Writing NSW Board Laura Russo, Writer and editor Vivienne Pearson, Freelance writer Justin Ractliffe, Publishing Director, Penguin Random House Australia James Ley, Contributing Editor, Sydney Review of Books Alison Urquhart, PublisherPenguin Random House Debra Adelaide, Author and associate professor of creative writing, University of Technology Sydney Magdalena Ball, Writer, Reviewer, Compulsive Reader Anna Spargo-Ryan, Writer, writing teacher, editor, reader Charlie Hester, Social media & project officer, Queensland Writers Centre Mandy Beaumont, Writer, researcher and reviewer Chloe Barber-Hancock, Writer, reader, pre-service teacher Dr Patrick Mullins, Academic and writer Wendy Hanna, Screenwriter Chloe Warren Dianne Masri, Social Media Consultant Jane Gibian, Writer, librarian, reader Dr Airlie Lawson, Academic and writer Karen Andrews, Writer, teacher, reader Tim Coronel, General manager, Small Press Network and Industry adjunct lecturer, University of Melbourne Tommy Murphy, Playwright and screenwriter Evlin DuBose, Editor, writer, screenwriter, director, poet, UTS's Vertigo Magazine Tony Maniaty, Writer Emma Ashmere, Writer, reader, teacher Alicia Gilmore, Writer Suzanne O'Sullivan, Publisher, Hachette Australia Jacqui DentWriter, Content Strategist Rachel Smith, Writer Intan Paramaditha, Writer Cassandra Wunsch, Director TasWriters (The Tasmanian Writers Centre) Meera Atkinson Eileen Chong, Poet, Writer, Educator Debra Tidball, Author, reviewer Beth Spencer, Author, poet, reader Lou Pollard, Comedy writer, blogger Bronwyn Stuart/Tilley, Author and program coordinator, Writers SA Gemma Patience, Writer, illustrator, reviewer Amarlie Foster, Writer, teacher Dr Felicity Plunkett, writer Angela Betzien Drew Rooke, Journalist and author Michael Mazengarb, Journalist RenewEconomy Katrina Roe, Children's author, broadcaster, audiobook narrator Liz Doran, Screenwriter Arnold Zable, Writer. Tom Langshaw, Editor, Penguin Random House Brooke Maddison Monica O'Brien, ProducerAmbience Entertainment Jacinta Dimase, Literary AgentJacinta Dimase Management Jane Novak, Literary AgentJane Novak Literary Agency Sarah Hollingsworth, Arts Organisation ManagerMarketing and Communications Manager, Writers Victoria Barbara Temperton, Writer Sandra van Doorn, Publisher Red Paper Kite Alex Eldridge, Writer Karen Beilharz, Writer, editor, comic creator Esther Rivers, Writer, editor, poet Jane Pochon, Board Member, lawyer and reader Zoe Walton, Publisher, Penguin Random House Eliza Twaddell Alison Green, CEO, Board Member, Pantera Press Emma Rafferty, Editor Sarah Swarbrick, Writer Dayne Kelly, Literary Agent, RGM Léa Antigny, Head of Publicity and Communications, Pantera Press Jenny Green, Finance, Pantera Press Sarah Begg, Writer Mark Harding, Writer, Brand Manager, Social Media and Content Specialist Shanulisa Prasad, Bookseller Katy McEwen, Rights Manager, Pantera Press Olivia Fricot, Content Writer/Bookseller, Booktopia Jack Peck, Writer, Open Genre Group Convenor, Writing NSW, Retired Kathy Skantzos, Writer, Editor Serene Conneeley, Author, Editor Kerry Littrich, Writer Merran Hughes, Creative Cassie Watson, Writer Lisa Seltzer, Copywriter, Social Media Manager and Marketing Consultant Gemma Noon, Writer and Librarian Tanya Tabone, Reader Laura Franks, Reader, Editor, Writer Dani Netherclift, Writer Who to contact We urge you to join us in advocating for Writing NSW and the state of funding for Australian literature, by contacting Create NSW, your NSW Member of Parliament, and the NSW Minister for the Arts.

Chris Keely Executive Director, Create NSW Email: [email protected]

The Hon. Don Harwin, MLC Phone: (02) 8574 7200 Email: [email protected]

Who to else to contact

The Hon. (Walt) Walter Secord, MLC Shadow Minister for the Arts Phone: (02) 9230 2111 Email: [email protected] Ms. Cate Faehrmann, MLC Greens representative for Arts, Music, Night-Time Economy and Culture Phone: (02) 9230 3771 Email: [email protected] A full list of names and contact details for NSW State MPs is available here.

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dreadnought-dear-captain · 5 years

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‘Til the End of the Line (or Not) OR: See? We TOLD You “No Homo.” Love, Markus and McFeely

*****WARNING: 99.9% SALT!! Contains spoilers for Avengers Endgame!!****

I guess this is part two of my personal processing of Endgame. @pitchforkcentral86 was not satisfied by my timey-wimey Endgame post, which centered on Steve’s choice to go back in time to be with Peggy and the implications of that choice. She remarked that yeah, it’s great that Steve might not be a total piece of crap, Pym particles, yada yada, whatever, but it still didn’t make her feel any less despair over this ending.

The source of her agony: Steve and Bucky’s relationship and its utter lack of satisfying resolution. So I shall address that now, because I think I feel worse about that than anything, and I can’t explain it away with Pym particles.

Anyone who has any investment at all in the relationship between Bucky and Steve — whether you are a Stucky person or whether you view them as platonic but deeply connected best friends — has probably had to spend the last two movies scraping around the floor, searching for crumbs, signs, any hints that these two people care about each other. We have been begging the Russos, the screenwriters Markus and McFeely, anyone who would listen, for anything to suggest that they are even on the barest of speaking terms, let alone that they have the intensity of relationship that the MCU spent 3+ movies explicitly convincing us that they have. I’ll even come out and say that although I ship Stucky in fandom and fic hardcore, I am not an MCU canon Stucky person per se. I’m 100% fine if the MCU wants to treat this as a deep, fraternal friendship. In fact, I see some benefits to this interpretation. How wonderful if men could love each other so deeply and have it NOT be sexual or romantic. But I’m also 100% fine with people interpreting this as romantic love, and there were times throughout this franchise where the actors, various parties in production, and Marvel itself has been agnostic on the subject, if not encouraging of gay interpretations of their relationship. Let it be what you want, fans have been told. Or just flat out post a pic of Steve and Bucky on #National Boyfriend Day like Civil War comic writer Mark Millar. Sure. At times, it almost felt safe to ship them. As soon as Civil War drew to a close, however, it started becoming... inconvenient for Bucky and Steve to be together. Steve needs to go to the Raft. Bucky needs to go into cryo. Steve needs to become Nomad and go secret avenging. Bucky needs to do his Vibranium Brain Magic (TM)/goat herding complex PTSD recovery program. Side note: Complex PTSD (C-PTSD) is my provisional diagnosis based on virtually nothing, because Bucky’s character has gotten so little substantive screen time that we can only guess at his psychological state, save what can be conveyed through glistening eyes and woobieface and “... but I did it.” Wow. Bowl me over, you really got me right in the McFeelys. Though +1000 to SebStan for working what he got to work with to the max. That motherfucker can act. We know for certain approximately jack shit about Bucky’s internal experience post-Winter Soldier. And so, like pretty much everything with Bucky and this friendship/ship arc, I will just guess at what is actually wrong with him. But after 70 years as a POW being tortured and possibly gaslit and definitely brainwashed, that is almost the textbook recipe for complex PTSD, so imma go with that. Returning to this distance. Now, it first appears to be largely logistical in nature. Steve is over here, Bucky is over there. Golly, just too busy to hang these days. All this secret avenging without you. And when we pine — pine — for the meaningful reunion of these two in IW, instead we got a “Hey brah, how's it hanging?” “You know, old and traumatized lol” exchange and a “let’s make sure our dicks don’t touch” back-slappy hug that lasted two seconds. This is without any hint as to whether these two have seen each other yet after Bucky’s de-thawing, leaving us to wonder whether this is really the big reunion we have been waiting for.

(If we had audio, the sound would be 70% slapping.)

I’m going to pause here, because for many of us, this was devastating. After all, we were left with this shot of Steve as Bucky made the choice to go into cryo, a choice that seemed only somewhat justifiable on the vague grounds of “I can’t trust my own mind.” (Me either, pal.)

Ugh.

Perhaps this was also an avoidance strategy — easier to go back on ice than deal with the emotional fallout of what just happened. And who could blame him? He is probably still relearning how to cope effectively with things after his entire coping system was destroyed by his time with Hydra. But Steve was clearly disappointed or, at the very least, saddened by this. He gets something back just to lose it again. Enter distance. He leaves and goes avenging. Emotionally, perhaps this move to cryo created distance as well. Their relationship was on such fragile ground at this point, mostly an artifact from the ‘40s, and their chance to deepen it was taken away by the writers because Bucky wanted to go on ice for reasons and Steve needed to do Steve things. And so when IW rolled around, oh, did we want them to have a substantive reunion. But alas, we did not get that. We saw equally substantive exchanges between Bucky and Sam or Rocket and far more substantive exchanges between Steve and pretty much anyone else. And then we got the ultimate separation — (fake) death. Again. A traumatic, unplanned loss that costs another five years from their timeline, all before they even got the chance to properly re-establish a friendship. Again, I’m going off of what we actually see portrayed, not off of what we assume or would like to see. We have absolutely no idea how much Steve and Bucky interacted in Wakanda. But Steve busted Sam out of the Raft quite early, early enough that he still had a messed up face from the time Tony went in (unless he was getting beatings on the reg, which is possible). So if he was hanging with Sam since before Bucky went on ice, and Sam just visited Wakanda for the first time in IW, either Steve was borrowing the Quinjet to secretly visit Wakanda on his own to hang with Bucky, or he hadn’t been back to Wakanda since he left the first time.

Regarding Steve visiting Wakanda between CW and IW — I found this bullshit from Markus and McFeely on the subject of whether Steve and Bucky met or talked prior to IW. The writers could not even agree about their own characters, with one saying that Steve and his crew probably visited Wakanda and hung out with Bucky and the other saying, eh, the two of them “maybe Skyped.” As to the former, this is not at all supported by the narrative or by logic. Infinity War is clearly Sam’s first time in Wakanda, with all that drama about “zomg you’re gonna hit those trees, bro!” as they are flying into the city. And why would Steve leave his team alone and vulnerable, probably taking the Quinjet, their only form of reliable and safe transportation, so he could go visit Bucky alone? He’s not there for a booty call, y’all, because these guys have barely even rekindled their friendship. Moreover, the other secret avengers know how important Bucky is to Steve. This isn’t a secret. There would be no reason to go alone and no reason for T’Challa to forbid Nat, Sam, and Wanda from coming to Wakanda. So it makes no sense that Steve has visited Wakanda prior to IW, and thus, that would make IW their first meeting, which is… utter and heartbreaking garbage. But at least they had motherfucking SKYPE. MAYBE. Fuck. You. Very. Much.

So, in the face of this shit reunion and Bucky’s subsequent dusting, some of us kindled hope for the upcoming Endgame. Perhaps we would get flashbacks. We knew there would be flashbacks or time travel because we saw stuff in the trailers and sneak peeks from the set. So maybe there would be something there to account for the utter lack of attention to their relationship in Infinity War. Again, this was the mere request that Markus and McFeely and the directors acknowledge wholeheartedly what they have been building for these characters since the beginning of their time in the MCU. This was not even strictly about Stucky. This was about doing justice for these characters as humans. But there were no flashbacks. Who knows what happened in Wakanda. We will have to fill in the blanks on our own. Not a single comment could be spared to even signal whether the IW Wakanda scene was their first time seeing each other since cryo. “How’s that new arm treating you?” or “God, it’s been so long”/deep emotion would be all it would have taken to not keep us wondering one way or the other. This suggests a lack of consideration to the fans of these characters and this relationship — which, again, Markus and McFeely slaved to get us to pour our hearts into. So… Endgame. What was that? Bucky and Steve didn’t stand next to each other at Tony’s funeral. Okay. Bucky is not an A-list Avenger. He did kill Tony’s parents. Awkward. Bucky was comforted by Sam, his… guy he sat behind in the Volkswagen in Civil War and fought next to in IW, and he needed comfort apparently (?) because he… killed Martha and Howard Stark (??), which was sweet, and much more spontaneous affection than we’ve seen from Steve in an age, but what the actual fuck??? Was that Mickey Mouse standing behind the Iron Man 3 kid wearing a “Falcon and Winter Soldier” miniseries t-shirt?

And that ending. This was maybe the one implied nugget of friendship between them visible with an electron microscope. They obviously had at least one deep conversation about Steve deviating from the plan to go have a life, and they obviously had a discussion about who would succeed him as Cap. My dreams of Bucky Cap were dashed into dust, but as @pitchforkcentral86 said, it would have been cruel to give it to Bucky. Bucky would possibly have taken it if Steve kicked the bucket in EG, but it makes the most sense to be passed along in a planned way to Sam. So maybe they had at least one good conversation. Way, way off camera. Bucky said he would miss him. Recycled TFA line. Thank God it was not involving the words “jerk” and “punk.” Glistening woobie eyes. Steve leaving to go be with the one person who can make him feel like a whole human being, apparently, because there is nothing and nobody tethering him to this time in history anymore.

Whoa— wait— WHAT??? These are the moments where I literally double check the credits for the Cap movies to make sure that it says “Markus and McFeely.” Then I check the latest Avengers movies to make sure they also say “Markus and McFeely.” And they ALL DO!! The same two men painstakingly crafted the story of Steve Rogers and Bucky Barnes, two men who — let’s be literal in the narrative here, for the sake of making a conservative argument — are best friends from childhood. They hammered on this story HARD, making sure that their relationship was so strong that by the time 2016 rolled around, the depth and intensity of their friendship and Steve’s commitment to it would tear the Avengers apart. And along the way, something else happened.

When you put two people in relationship like this, you have to know that there will be consequences. People will grow very emotionally invested in their relationship, because that is exactly what the writers were asking the audience to do. These dudes did their job, all right! And then something else happened, quite easily, even though these things will also happen under much harsher conditions: Stucky. Winter Soldier alone probably launched a hundred thousand ships for these two — gay, gay ships, so very gay, the glitteriest, gayest of cruise liners — from a hundred thousand ports around the globe. This ship has permeated pop culture even outside the fandom (some dumb gross man jokes from Screen Junkies within, but the Stucky shenanigans start at around 3:15).

And perhaps that’s when Markus and McFeely realized what a monster they created, one that would clash in ugly ways with their forthcoming (heterosexual) narrative, — their endgame for Steve. And so what did they do? Overcorrect. Wildly. Pull the plug. Bucky and Steve can’t fall out as friends completely, but what’s the next best thing? Give them almost zero screen time together, lest anyone be tempted to think they have a serious relationship — and again, I’m just talking friendship at this point, let alone anything else. Make their lines devoid of substance. Keep us wondering about the nature of their dynamic. Did the distance grow too great? Is Bucky not able to reconnect with anyone? Is Steve too busy? Too salty?? Who knows! These are possibilities, but none are explained. Then just poof Bucky off the face of the earth for 5 years to create existential distance. And in the meantime, ensure that Bucky is shown as not even a passing thought for Steve Rogers. Ensure that his name is never once uttered by Steve until he is about to leave him to go be with Peggy — oh except when, in a real dick move, when he emotionally whumps his past self with the news that Bucky is alive for the sole purpose of getting out of a stranglehold. At the same time, ensure that Steve is seen becoming single-mindedly fixated on Peggy Carter, and make sure the audience — including all those pesky Stucky shippers — knows that he considers her the “love of his life.” Ensure we see the compass with increasing frequency and with maximum longing. Insert Steve finding the absurd photograph of himself on the Director of SHIELD’s desk, facing the door for any junior colleague to see her pining over him like a schoolgirl long after he died, which is just about the least Peggy Carter thing I can ever imagine (and these people created and wrote for the Agent Carter TV series!!!).

Then give us our first openly gay person in the MCU. And drop him in the same scene that you confirm once and for all that Peggy Carter is the love of Steve Rogers’ life. Have Steve be so fucking cool with it that he makes us proud and relieved that he’s not a homophobe. Whew! Only… it makes us feel kind of gross, and maybe we can’t quite figure out why at first. But maybe it’s because it feels personal, like a concession, like the writers and director knew exactly what they were doing to a lot of people who feel a very specific way about Steve’s sexuality and about his relationship with Bucky Barnes. It feels like a tone deaf nod to the fandom. Sorry, guys. No homo. We really did try to warn you with the whole Sharon Carter thing. (Sharon Carter, in an act of gross and misogynistic misuse, remains one of the most criminally mistreated characters in the entire MCU, arguably serving almost entirely as a “no homo” device before being completely discarded, never to be heard from again.)

Which got me thinking — was this move to distance Steve and Bucky so abruptly a reactive move? The divide between Steve and Bucky that happens in IW and EG feels so cold and inorganic. It does not feel at all driven by the natural arc of the characters as established by the creators themselves. It feels rushed and confusing, like it just needed to happen for plot convenience (though not even clearly that), and once again, we are left trying to figure out what the fuck is actually going on.

Part of that is probably needing to lay the groundwork for Steve’s feelings of alienation, which lead him to his ultimate choice to go back in time. He can’t feel too connected to Bucky or he won’t want to go back to be with Peggy. But could part of this also possibly be a reaction to how strongly Stucky was adopted by the public? Did Markus and McFeely realize how much more strongly we love the idea of Steve and Bucky — as friends or lovers, who cares? — rather than Steve and Peggy, which was probably their ending for Steve all along? Did they realize their terrible mistake of bringing them so close, endearing them to us so much, and then realize “OH SHIT,” and then slam on the brakes? Is that why IW and EG felt like absolute shit for their relationship, even for those who are not total endgame Stucky people?

Okay, but what if their friendship just ran its course? Friendships do that, even really deep ones. These two have had a huge chronological and experiential rift that never was really healed (thanks to our dear writers). Steve saved Bucky’s life thrice but they never really reconnected. Presumably. As far as we know in the narrative we are given by the writers. Okay. Let’s say you need to get Steve back with Peggy and for Bucky to become pals with Sam instead because contracts and actors. Whatever. Fine. But if you are going to play the “our friendship has come and gone” card, you need to fully PLAY IT. You can’t make it some vague option that might be true because we can’t figure out what the hell is going on. They need to have an actual conversation. For fuck’s sake, if we have time to fuck around with Korg and Miek on the couch and time to have Banner take selfies with kids and do stupid time gags and a bunch of other little shit, there is enough time to have a brief conversation somewhere to imply that “things have changed” or “people change” or something to imply that the writers were even thinking about the course of Bucky and Steve’s relationship as more than just a platform to launch Steve back to Peggy and launch Bucky toward Sam for their spinoff series.

There was just no depth. How can they give us three movies composed almost entirely of Mariana Trench levels of depth between these two men and then give us virtually nothing in IW and then next to nothing in EG to “round out” their entire storyline? The shape of the emotional momentum in this relationship is so wonky and dissatisfying, and the lack of comment on the dissolution of their friendship in the narrative, the fact that it isn’t even being acknowledged, is one of the worst parts. This relationship died without being honored or even attended to at the most basic level, after being told that it is perhaps the most important relationship in Steve and Bucky’s lifetimes and being shown evidence of that fact.

Moreover, let’s get real — calling Peggy the love of Steve’s life should do nothing to diminish his friendship with Bucky Barnes. That’s not how love works. You don’t just get one person. You can have a best friend — hell, you can have two best friends — and a woman you love. (And even moreover, you don’t have to leap back through time to find closeness just because you can. But that’s another matter with Steve’s character that I will address in a future speculative character analysis on Steve in an effort to explain how he got to this point, because I have a super depressing head canon about it involving traumatic grief and loss.)

But just like comic book science, perhaps there are comic book rules about love and affinity. You only get one person, and Steve gets Peggy. And apparently Bucky gets Sam. Because contracts. But as I said before, I would have been okay if they had a dissolution of their friendship because that was the course of their friendship. Just tell us what is happening. Have the decency to respect your characters by giving their relationship a true arc, whatever it is. You can’t just recycle a TFA line and call it an arc. That is not an arc. Markus and McFeely goddamn know better and we know they know better, because we just saw a beautiful relationship arc closing with Tony and Pepper and, on a smaller scale, with Tony and Peter fucking Parker.

By the way, the small in-person and symbolic interactions between Tony and Peter in EG? Those are what high quality, emotionally salient, brief interactions between people who care about each other look like.

1. Tony’s picture of Peter in his kitchen: He can see from where he does his dishes. He looks at it meaningfully and thoughtfully before making a major plot-essential decision that risks his way of life.

2. Tony and Peter’s reunion hug: It starts off with some humor and classic Peter rambling. Becomes a full-ass, real hug. Nobody slaps the other’s back. Peter remarks, very sincerely, “oh, this is nice.” <3

3. Tony’s death scene: Peter is visibly and truly wrecked. Tony looks at him in a heartfelt way. Words are unnecessary. It is perfect.

Bonus IW moment, because it is one of the most moving images I have seen in the MCU: Tony has Peter’s ashes in his goddamn mouth, eyes closed. Defeated.

Jesus Christ. Don’t tell me Markus and McFeely don’t know how to write characters and brief, powerful interactions, even when the characters are not together. They most certainly are very, very capable of this.

So why did we get the lifeless, quippy drivel and lame physical contact they gave Bucky and Steve in IW and EG? Which, regarding their last convo, was Bucky spilling his guts and Steve being like “Yeah brah, you’ll be fine, don’t be a fucking idiot while I’m off being happy with the only person in the universe who can make me complete #surprisesoulmates.” Bucky offers his quippy mandatory TFA callback retort so that the audience remembers that these two once gave an actual fuck about each other at one point in the narrative. Cue slappy-back-no-dick-touch hug. And please don’t tell me that this is just how men from the ‘40s hug. I would buy that for TFA, but after everything they’ve been through in Winter Soldier and Civil War? I am not buying it.

**Slap-slap**

So we get a Steve Rogers who exits the MCU permanently by making a contentious, questionable final choice with questionable implications that take a graduate degree and/or a hive mind to questionably figure out (or else I’m just a fucking idiot and I’m the only one who needed those things). And we also get the profoundly dissatisfying demise of a relationship that we invested a tremendous amount of emotional energy in because that is what the screenwriters and directors asked us to do.

I am not writing this as a diehard Stucky shipper. I love Stucky, don’t get me wrong. It’s all I read and write in fandom. And I can certainly buy a world (at least, in Caps 1-3) where canon Steve’s love for Bucky is the gay kind and vice versa. Sure. But I am writing this as a person who loves good characters and good story, and this is such a hard fail that even if I had no emotional investment in these two characters, I would wonder what Markus and McFeely had against Steve and Bucky that they let their garden succumb to drought while they tended so considerately to Tony and Peter and Tony and Pepper and Steve and Natasha and Steve and a dead woman and Thor and Bruce and Thor and fucking Rocket, pretty much all of whom (with the exception of Tony and Pepper) have had so much less at stake, so much less time invested, and so much less of a reason for the audience to give a fuck.

But more importantly, I am writing this as a lover of Steve and Bucky, two people who have a well-established, rock-solid, indisputable human relationship that deserves so much more than what it got, especially given all of the unspeakable suffering these men have experienced separately and as a byproduct of their separation. Canonically. This is not made up fandom shippery superimposed upon Markus and McFeely’s precious creation. This is the truth of these two men as determined by the hands of the creators who also neglected them into nothingness, which is arguably a fate far worse than one or both of them dying an actual, final death.

I am left feeling disappointed and betrayed as a fan, wishing, as others have confided in me, that I was more of a Tony person and had been all along. Because then I would be walking away from this still grief-stricken, but at least it would be for the right reasons.

I will leave you with this, arguably one of the last in-character moments for Bucky and Steve in the MCU.

#avengers endgame #salt #endgame spoilers #avengers spoilers #meta

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documentaryoncinema · 4 years

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Stanley Kubrick

'Kubrick vs Scorsese’, Leandro Copperfield, 2010, VO.

vimeo

‘Kubrick // { One-point perspective }’, Kagonada, 2013, VO.

vimeo

'Stanley Kubrick: The lost tapes', Jim Casey, 2015, VO, SE en YouTube.

youtube

'Eyes wide open. The photographic early works of cult film director Stanley Kubrick’, KA21 / CastYourArt, 2014, VO.

vimeo

'A Stanley Kubrick odyssey - A tribute’, Richard Vezina, 2011, VO.

youtube

‘Stanley Kubrick. A filmography’, Deadly Puppies, 2013, VO.

vimeo

'Stanley Kubrick. A tribute’, Alexandre Gasulla, 2014, VO.

vimeo

'Entrevista en 1966’, VO.

youtube

'Stanley Kubrick. The works’, Joel Walden, 2011, VO.

youtube

'The films of Stanley Kubrick’, Barringer 82, 2008, VO.

youtube

‘A dedication to Stanley Kubrick’, VO.

‘Remembering Stanley Kubrick: Steven Spielberg on Kubrick. Un cut’, Paul Joyce, 1999, VO, SE en YouTube.

youtube

‘Rodando: Stanley Kubrick’, TCM, 2014, VE.

youtube

‘Stanley Kubrick. The invisible man’, Paul Joyce, 1996, VO.

'A la recherche de Stanley Kubrick’, Agnès Michaux, Frédéric Benudis y Rolland Allard, 1999, VOSF.

youtube

'Las cajas de Stanley Kubrick', Jon Ronson, 2008, VO.

Sobre el trabajo de investigación que llevó a cabo Jon Ronson durante cuatro años para explorar cientos de cajas, casi un millar, que Stanley Kubrick había reunido durante gran parte de su vida en su residencia familiar de Hertfordshire.

Tras una ardua labor de rebuscar, se extrajo interesantísimo material, fotografías de localización, cartas, anotaciones, guiones, recortes de periódicos, etc, tanto de las películas que llegó a finalizar, como de sus proyectos inacabados.

Con la participación de Stanley Kubrick, Anthony Frewin, Anya Kubrick, Christiane Kubrick, Jon Ronson, Vincent Tilsley y Leon Vitali entre otros.

'The visions of Stanley Kubrick’, Gary Leva, 2007, VO, SE en YouTube.

youtube

'Lost Kubrick. The unfinished films of Stanley Kubrick’, Gary Leva, 2007, VO.

'The last movie. Stanley Kubrick and Eyes wide shut’, Gary Leva, 2007, VO.

'Kubrick remembered', Gary Khammar, 2014, VO.

’Stanley Kubrick: Una vida en imágenes’ (’Stanley Kubrick. A life in a pictures’), Jan Harlan, 2001, VOSE.

Realizado por Jan Harlan, cuñado de Kubrick y antiguo asistente, está compuesto por varios capítulos de 15’ cada uno detallando la realización de sus películas, y dos referidos a su infancia y vida.

Jan Harlan contó con la participación de algunos de los viejos colaboradores de Kubrick quienes fueron entrevistados, entre ellos se encuentran Tom Cruise, Nicole Kidman, Keir Dullea, Arthur C. Clarke, Malcolm McDowell, Peter Ustinov, Jack Nicholson, György Ligeti y Matthew Modine entre otros. También hay entrevistas a varios directores inspirados por Kubrick, como Woody Allen, Steven Spielberg, Martin Scorsese y Sydney Pollack.

Contiene material inédito, incluyendo algunos vídeos pertenecientes al archivo personal de la familia Kubrick o filmaciones realizadas durante el rodaje de las películas del director.

‘El lado oscuro de la Luna’ (‘Algo extraño pasó camino a la Luna’) (‘A funny things happened on the way of the Moon’), Bart Sibrel, 2001, VE.

Falso documental. Descripción en YouTube.

youtube

‘Great Bolshy Yarblockos! Making a Clockwork orange', 2007, VO.

‘A clockwork orange. Filming location’, Herve Attia, 2012, VO.

vimeo

'Without walls: Forbidden fruit. A Clockwork orange', Tony Parsons’, VO, SE en YouTube.

youtube

'Still tickin: The return of A clockwork orange’, 2000, VO, SE en YouTube.

youtube

‘Turning like Clockwork’, Gary Leva, 2015, VO.

vimeo

'La historia detrás de... La naranja mecánica', VOSE.

‘Full metal jacket: Between good and evil’, Gary Leva, 2007, VO.

‘The shining code 2.0’, J.M.C. y Michael Wysmierski, 2012, VO

youtube

‘Making The shining’, Vivian Kubrick, 1980, VOSE.

‘View from the Overlook: Crafting The shining’, Gary Leva, 2015, VO.

vimeo

'Room 237', Rodney Ascher, 2012, VOSE.

'Kubrick’s odyssey: Secrets hidden in the films of Stanley Kubrick. Part One: Kubrick and Apollo’, Jay Weidner, 2011, VO.

La 'Part Two' no está distribuida.

'Cinefile. Stanley Kubrick: The invisible man’, 1996, VO.

youtube

'Steven and Stanley, remembering Stanley Kubrick: Steven Spielberg’, Arena, BBC, VO, SE en YouTube.

youtube

‘Inside Dr. Strangelove, or how I learned to stop worrying and love the bomb’. ('¿Teléfono rojo?, volamos hacia Moscú’), Stanley Kubrick, 1964, making of, VOSE.

'The directors series: Stanley Kubrick', Thunderball Productions, 2015, VO.

Vídeo ensayo sobre Stanley Kubrick y su filmografía.

[1.1] Early independent features.

[1.2] The Kirk Douglas years.

[1.3] The Peter Sellers comedies.

[1.4] The master works.

[1.5] The final features.

vimeo

'Camera three: A primer for '2001: A space odyssey', John Musilli, 1970. Mondo Film, VO.

Especial raro de televisión emitido en 1970 en Canadá. Keir Dullea presenta varios cortes de '2001: Una odisea del espacio' que Kubrick decidió no utilizar con escenas del film. Fue editado en Nueva York.

★ Vídeo, VO.

Videos making of de Warner Bros, VO.

youtube

Íd, VOSE.

‘2001. A space odyssey. The making of a myth’, Paul Joyce, 2001, VO.

youtube

Íd, VOSE.

'The art of Stanley Kubrick: From short films to Strangelove', David Naylor, 2000, VOSE.

'Fotografías de Stanley Kubrick - Douglas Trumbull: Efectos visuales de 2001 - Arte conceptual de 2001', VOSE.

'The Kubrick files 1. The collaboration of Kubrick and Clarke', Cinema Tyler, 2016, VO.

youtube

'The Kubrick files 2. What chess taught Kubrick about filmmaking', Cinema Tyler, 2016, VO.

youtube

'How Kubrick made 2001: A Space odyssey', Cinema Tyler, 2016, VO.

youtube

Everything Kubrick.

#Stanley Kubrick #Director

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bloglivre-blog · 4 years

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Top 10 heroínas dos quadrinhos que renderiam boas adaptações

New Post has been published on http://baixafilmestorrent.com/cinema/top-10-heroinas-dos-quadrinhos-que-renderiam-boas-adaptacoes/

Top 10 heroínas dos quadrinhos que renderiam boas adaptações

O sucesso recente do filme da Mulher Maravilha, de Patty Jenkins, pode abrir portas para que outras heroínas oriundas das histórias em quadrinho ganhem uma adaptação para o cinema. A pergunta do momento é: quais outras heroínas renderiam um filme interessante? Longas como Tank Girl (1995), Mulher-Gato (2004) e Elektra (2005) foram um fracasso retumbante e contribuíram para que os produtores tivessem receio de apostar em uma heroína para ser a protagonista. Hoje isso já foi superado, a série da Netflix de Jessica Jones terá uma segunda temporada e a Marvel lançará o filme da Capitã Marvel em 2018, com a atriz Brie Larsson no papel principal de Carol Danvers. Elektra participou da segunda temporada de Demolidor, que foi ao ar em 2016. A personagem possui boas história, porém dificilmente receberá um outro filme, a tendência é que ela siga em Demolidor e talvez no futuro receba uma série própria na Netflix.

O Cinema Transcendental decidiu listar dez heroínas que não são tão conhecidas pelo grande público, mas têm o potencial necessário para gerar uma grande adaptação. Personagens que atuaram como protagonistas ou destaque em filmes ou séries não entraram na lista, isso exclui bastante gente, inclusive Painkiller Jane e Adèle Blanc-Sec, esta última foi criada por Jacques Tardi e foi base para o filme As Múmias do Faraó, dirigido por Luc Besson em 2010.

1 – JENNY SPARKS

Nascida no primeiro dia de janeiro em 1900, Jenny Sparks é uma heroína trágica que está ligada diretamente ao século XX. Os pais de Jenny morreram no acidente do Titanic em 1912, ela então aceita o convite de seu padrinho Albert Einstein e vai morar em Zurique, na Suíça. Lá Jenny aconselha um jovem pintor a abandonar a arte e entra para a política, o jovem era Adolf Hitler. Em 1913 os poderes de Jenny Sparks começaram a se manifestar, ela manipula a eletricidade, atira rajadas de trovão e pode até converter todo corpo para a forma elétrica. Aos dezenove anos Jenny parou de envelhecer, como acompanhava as emoções do mundo, na Grande Depressão de 1929, por exemplo, ela entrou em uma crise depressiva também.

Jenny Sparks apareceu inicialmente em 1997 na revista Stormwatch durante a passagem do escritor Warren Ellis, Jenny entrou para o grupo que defendia a terra de ameaças perigosas. O Stormwatch chegaria ao fim em pouco tempo, Jenny se uniu a alguns membros restantes dele para formar e liderar o Authority. Jenny sabia que iria morrer no último dia de 1999, ela acabou se sacrificando ao eletrocutar uma criatura alienígena que era o verdadeiro criador do planeta Terra e pretendia destruir toda a vida presente por aqui. No momento em que Jenny morre o ano termina e um novo ser surge, seu nome é Jenny Quantum, o espírito o século XXI. O Authority teve Warren Ellis e Bryan Hitch nas primeiras 12 edições, depois Mark Millar e Frank Quitely assumiram por mais 12 números que completam a fase clássica do grupo.

2 – MAI

Um dos primeiros mangás a se tornar famoso no ocidente foi Mai, a Garota Sensitiva, que foi publicado no Brasil em 1992 pela editora Abril. Escrita por Kazuya Kudō e com arte de Ryoichi Ikegami (o mesmo de Crying Freeman) a narrativa mostrava a vida de Mai Kuju, uma adolescente de 14 anos que tem habilidades psíquicas, como a telecinese. Ela sempre usou seus dons para se divertir quando ficava entediada, tudo muda e a garota é descoberta e perseguida por uma organização que controla o mundo secretamente, além de contar com quatro outras crianças como Mai. A garota herdou de sua mãe (já morta) os poderes, que são transmitidos por gerações de mulheres e mantiveram a paz em sua terra natal, por mais de mil anos. Mai, a Garota Sensitiva foi lançado originalmente pela revista japonesa Weekly Shōnen Sunday de 1985 a 86 e gerou diversas outras obras parecidas, com mulheres protagonistas. O diretor Tim Burton já demonstrou interesse em levar o mangá para o cinema.

3 – JULIA KENDALL

A atriz Audrey Hepburn serviu de inspiração para o visual da criminóloga de Julia Kendall, a personagem principal de uma série de quadrinhos longeva criada pelo italiano Giancarlo Berardi em 1998 para a editora Bonelli. Astros de Hollywood como Whoopi Goldberg e Nick Nolte foram homenageados e servem de base para a feição de dois personagens. Giancarlo Berardi também é responsável por Ken Parker, outro herói clássico da fumetti. Julia dá aulas em uma universidade e auxilia a polícia de Nova Jersey a resolver crimes. Quase sempre ela se mete em enrascadas na caça de serial killers, como Myrna Harrod, uma antagonista recorrente nas histórias. Da mesma forma que Sherlock Holmes e Hercule Poirot, Julia Kendall resolve os casos e responde o clichê: quem matou? O roteiro utiliza o diário de Julia como elemento fundamental das narrativas, ela escreve suas observações pessoais e pensamentos sobre as investigações. Outros personagens passaram a guiar e contar as tramas, Myrna Harrod e o Sargento Irving são alguns deles.

4 – ORQUÍDEA NEGRA

Quatro mulheres já foram chamadas de Orquídea Negra nos quadrinhos: Susan Linden-Thorne, Flora Black, Suzy Black e Alba Garcia. Os poderes da heroína são voar, ter uma força enorme, o corpo fechado, além de poder disfarçar e assumir a forma que desejar. O surgimento de Susan Linden-Thorne ocorreu na revista do Vingador Fantasma em 1974, fruto das mentes de Sheldon Mayer e Tony DeZuniga. Porém nenhum autor contou a origem definitiva da personagem, ao invés disso eles sugeriam possíveis explicações que não davam em nada. Em 1988 Neil Gaiman escreveu uma minissérie da Orquídea Negra, Dave McKean fez ilustrações belíssimas para o quadrinho. A obra foi um divisor de águas para a cronologia da Orquídea, assim como fez com Sandman, Gaiman pegou um personagem antigo e criou uma mitologia nova para ele.

Susan Linden-Thorne foi assassinada pelo seu abusivo marido Carl Thorne. O botânico Philip Sylvain, um amigo de Susan, utilizou o DNA de Susan para gerar híbridos de humanos com plantas. Carl Thorne assassina Philip Sylvain e destrói o lugar onde ele realizava seus experimentos, apenas duas criaturas conseguem sobreviver: Flora Black e Suzy Black. Carl caça a dupla que foge e se esconde no Brasil. Homens de Lex Luthor matam Carl Thorne e contrariam as ordens superiores pois se encantaram pelas Orquídeas Negras. As duas são idênticas, só que uma é adulta e a outra criança, possuem uma parte da memória e da consciência de Susan Linden-Thorne. A história das Orquídeas seguiu na linha Vertigo, com roteiros de Dick Foreman. Já Alba Garcia, a atual Orquídea dos quadrinhos, apareceu na reformulação dos Novos 52, ela foi militar no passado e teve os braços amputados.

5 – HALO JONES

Em 1984, após sua fase a frente do Miracleman, Alan Moore já despontava como um dos melhores roteiristas da nona arte. Naquele ano Moore começou a escrever A Balada de Halo Jones, parceria com o desenhista Ian Gibson que foi publicada semanalmente na revista inglesa 2000 AD em um formato de cinco páginas. Halo Jones vive nos Estados Unidos do século 50, após sua melhor amiga morrer ela decide embarcar em uma nave espacial gigantesca e lendária. A trajetória da heroína se torna épica, ela exerce um papel fundamental em uma guerra intergaláctica.

Halo Jones teve três livros ou tomos, a personagem envelheceu e passou por momentos dramáticos, mostrando que não é fácil ser uma aventureira no espaço sideral. Alan Moore queria distanciar a história dos temas comuns de outros quadrinhos da 2000 AD, como violência, armas e muitos personagens masculinos. Halo era uma garota normal, não possuía uma habilidade especial nem tampouco era uma exímia guerreira. Autores como Douglas Adams, Robert A. Heinlein e Harry Harrison foram fonte de inspiração para o universo de Halo Jones.

6 – BLOODY MARY

Na década de 1990 o roteirista Garth Ennis se tornou reconhecido no meio dos quadrinhos pela série Preacher e por sua passagem em Hellblazer. Em 1996 Ennis e o desenhista Carlos Ezquerra publicaram pela DC o primeiro dos quatro volumes de Bloody Mary, que conta a história da assassina americana Mary Malone em uma distopia em que a Terceira Guerra Mundial é uma realidade. A Europa se tornou uma grande nação comandada por um ditador, só a Inglaterra e os EUA se opõe. Mary é enviada para a Europa onde se disfarça de freira para agir, sua missão é recuperar um parasita que concede poderes ao seu hospedeiro. O parasita acaba nas mãos de Anderton, um assassino que traiu a heroína. Bloddy Mary ainda teve a continuação Lady Liberty em que Mary enfrenta Achilles Seagal, um maníaco líder religioso que tenta forçar todas as mulheres a terem relações sexuais com ele. Seagal dispõe de um culto gigantesco e pretende matar milhares de pessoas inocentes que vivem em Nova York.

7 – ZATANNA

Zatanna é descendente de uma tradição de personagens de histórias em quadrinhos que remontam à figura do mágico com uma cartola, como Mandrake. Ela é filha de Zatara, um poderoso mágico que apareceu primeiramente assim como o Super-Homem na primeira revista da Action Comics em 1938. Em 1964 Zatanna foi apresentada na revista do Gavião Negro procurando por seu pai que tinha desaparecido. Em uma história da Liga da Justiça ela encontrou o pai e descobriu que sua mãe não é humana, e sim de uma espécie de alienígenas conhecidos como Homo magi. Os poderes mágicos de Zatanna são enormes, ela pode manipular objetos, os elementos da natureza e até o espaço e o tempo.

A personagem foi usada por Neil Gaiman em Livros da Magia, em que se torna amiga e protetora do menino Timothy Hunter, que está destinado a ser o maior mago do mundo. O roteirista Grant Morrison foi além e inseriu Zatanna na trama dos Sete Soldados da Vitória, depois ela seria protagonista de uma minissérie desenhada por Ryan Sook e com texto de Morrison. Outra poderosa feiticeira da DC Comics que renderia um bom filme ou série é Madame Xanadu.

8 – PROMETHEA

Promethea é uma série escrita por Alan Moore e com arte de J. H. Williams III que durou 32 números, é a obra em que Moore melhor trata no assunto da magia e de sua relação com a arte. No fim dos anos 1990 Alan Moore havia criado o selo American Best Comics, dentro da editora WildStorm que foi vendida para a DC em 1999. No selo Moore inventou vários heróis que existiam dentro de um universo compartilhado, como Tom Strong. A trama de Promethea acompanha a jovem Sophie Bangs que está pesquisando para um trabalho para sua faculdade sobre uma entidade mitológica conhecida como Promethea, que aparece em escritos de autores diferentes ao longo da História. Na verdade, a pessoa que escreve sobre Promethea a invoca e passa a ser o novo avatar da entidade no mundo físico. A função de Promethea é trazer o apocalipse, que não é um final e sim um recomeço. No documentário The Mindscape of Alan Moore, o autor explique o que é magia:

“Magia na sua forma mais antiga é referida como: A Arte. Creio que isto seja completamente literal. Creio que a magia é arte, e que essa arte seja a escrita, a música, a escultura ou qualquer outra forma é literalmente magia. A arte é, como a magia, a ciência de manipular símbolos, palavras ou imagens, para operar mudanças de consciência. A verdadeira linguagem da magia trata tanto da escrita como de arte e também sobre efeitos sobrenaturais. Um grimório, por exemplo, um livro antigo de feitiços é um modo extravagante de falar gramática. Conjurar um encantamento, é somente encantar, manipular palavrar para mudar a consciência das pessoas. Um artista ou escritor são o mais perto que você poderia chamar de um xamã no mundo contemporâneo. Creio que toda cultura deve ter surgido de um culto. Originalmente, todas as facetas de nossa cultura, sejam ciências ou as artes, eram territórios dos xamãs. Hoje em dia este poder mágico se degenerou ao nível de entretenimento barato e manipulação.”

9 – VAMPIRELLA

Conhecida por sua sensualidade, que era usada para aumentar as vendas para o público masculino, a Vampirella surgiu em 1969 na primeira edição de uma revista que levava o seu nome, editada pela Warren Publishing. Entretanto a publicação não apresentava exclusivamente histórias da heroína, que atuava também como mestre de cerimônias ou anfitriã para outros quadrinhos de terror assim como acontecia em outras revistas da Warren como a Creepy e a Eerie. Forrest Ackerman, um dos editores da Warren, veio com o argumento da personagem enquanto a desenhista Trina Robbins (a primeira mulher a desenhar a Mulher Maravilha nos quadrinhos) trouxe o visual. O cultuado artista Frank Frazetta, que fazia muitas capas, também é creditado como um dos criadores da personagem, assim como Tom Sutton, que ilustrou a primeira aventura de Vampirella.

As histórias da Vampirella se tornaram mais interessantes quando a equipe composta pelo roteirista Archie Goodwin e o artista espanhol José González assumiu o comando. Eles resolveram recontar a origem da heroína, que é na realidade uma alienígena que vivia no planeta Drakulon, onde todos eram como os vampiros e existiam rios feitos de sangue ao invés de água. Vampirella foge de Drakulon que está prestes a explodir, com o auxílio de um grupo de humanos ela vem parar na Terra. Nas edições seguintes Vampirella encontrou com Drácula e com a família Van Helsing. Grandes roteiristas já escreveram para a personagem, como Alan Moore, Warren Ellis, Grant Morrison, Mark Millar e Kurt Busiek. Vampirella chegou a ganhar um longa-metragem em 1996 direto para o vídeo, mas a adaptação não faz jus a obra original, até o próprio diretor Jim Wynorski se arrependeu de ter feito o filme.

10 – MULHER HULK

Criada por Stan Lee e John Buscema, a Mulher Hulk apareceu primeiramente como uma versão feminina do Hulk que não perdia a inteligência quando se transformava. Em 1980 a série de TV do Hulk estava sendo exibida e havia na época uma demanda para mais personagens parecidos com o Gigante Esmeralda. Jennifer Walters foi apresentada como uma prima de Bruce Banner que está ferida e acaba recebendo uma transfusão do sangue de Bruce. Como consequência ela aumenta de tamanho, se torna verde e consegue ficar ainda mais forte quando se irrita. Nas revistas posteriores a transformação se tornou permanente e Jennifer continuou a trabalhar como advogada mesmo estando na forma de Mulher Hulk.

Em 1982 a Mulher Hulk foi escolhida para ser membro dos Vingadores, ela também participaria futuramente do Quarteto Fantástico, dos Defensores e da S.H.I.E.L.D. Em 1985 o desenhista e roteirista John Byrne começou a fazer história com a personagem, ela foi protagonista do decimo oitavo número da Marvel Graphic Novel, intitulada The Sensational She-Hulk. Quatro anos mais tarde Byrne deu início a série solo da Mulher Hulk que teve 60 edições, John Byrne foi responsável por escrever e desenhar metade da série. A principal inovação foi a quebra da quarta parede, a Mulher Hulk sabia que era uma personagem de quadrinhos e, às vezes, discutia com John Byrne e a editora de sua história. As capas também brincavam com isso, em uma delas a Mulher Hulk ameaça os leitores: “Se não comprar a minha revista eu vou rasgar toda a sua coleção de X-Men”.

0 notes

snarkyoracle · 7 years

Text

Abe Sapien Volume 9: Lost Lives and Other Stories TP

Mike Mignola (W), Scott Allie (W), John Arcudi (W), Michael Avon Oeming (A), Mark Nelson (A), Kevin Nowlan (A), Alise Gluškova (A), Santiago Caruso (A), Dave Stewart (C), Juan Ferreyra (A/C), Eduardo Ferreyra (A/C), and Sebastián Fiumara (Cover)

On sale June 7 • FC, 152 pages • $19.99 • TP, 7” x 10”

These six stories trace the history and prehistory of Abe Sapien’s adventures, from his earliest days in the Bureau with Hellboy (as drawn by Kevin Nowlan) through the frog war, featuring an appearance by deceased homunculus Roger, to his current evolved form, when he’s looking back on his life as a man in 1850s England.

Collects the Abe Sapien one-shots #8, #15, #23, #27, and #30 and “Abe Sapien: Subconscious” from Dark Horse Presents (volume 3) #11.

The Adventures of Superhero Girl (Expanded Edition) HC

EISNER AWARD WINNER FOR BEST PUBLICATION FOR KIDS!

Faith Erin Hicks (W/A/Cover) and Cris Peter (C)

On sale June 14 • FC, 128 pages • $16.99 • HC, 10” x 7”

What if you can leap tall buildings and defeat alien monsters with your bare hands, but you buy your capes at secondhand stores and have a weakness for kittens? Cartoonist Faith Erin Hicks brings charming humor to the trials and tribulations of a young female superhero, battling monsters both supernatural and mundane in an all-too-ordinary world.

The expanded edition collects the original comic, two new stories, and new art from creators including Tyler Crook, Ron Chan, Jake Wyatt, Paulina Ganucheau, and more!

Foreword by Kurt Busiek!

Aliens: Dead Orbit #1 (of 4)

JAMES STOKOE’S ALIENS!

James Stokoe (W/A/Cover) and Geof Darrow (Variant cover)

On sale Apr 26 • FC, 32 pages • $3.99 • Miniseries

After a horrific accident strikes a space station, an engineering officer must use all available tools—a timer, utility kit, and his wits—to survive an attack from the deadliest creature known to man.

Orc Stain creator James Stokoe pens a thrilling and claustrophobic Aliens story: Dead Orbit!

On sale on Alien Day: 4/26/17!

GEOF DARROW VARIANT!

Aliens: Defiance #12

Brian Wood (W), Stephen Thompson (A), Dan Jackson (C), and Stephanie Hans (Cover)

On sale May 31 • FC, 32 pages • $3.99 • Ongoing

After her return to Earth, Zula Hendricks fully expects to answer for her defiance. But instead of military tribunals, what she experiences is a chilling look into the future of warfare, courtesy of Weyland-Yutani’s R&D labs. Her mission may not be over just yet.

“Defiance . . . has the potential to be the new benchmark. Go get it.”—Hulking Reviewer

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American Gods: Shadows #2

Neil Gaiman’s acclaimed story now in comics!

Neil Gaiman (W), P. Craig Russell (W/A), Scott Hampton (A/C), Glenn Fabry (Cover), and David Mack (Variant cover)

On sale Apr 12 • FC, 32 pages • $3.99 • Ongoing

Fresh out of jail, Shadow Moon finds himself recruited as a bodyguard for the enigmatic Mr. Wednesday, only to be interrupted and kidnapped by the dangerous Technical Boy, who wants answers as to Wednesday’s plans.

The Hugo, Bram Stoker, Locus, World Fantasy, and Nebula award–winning novel and upcoming Starz television series by Neil Gaiman is adapted as a comic series for the first time!

A Starz TV show by Bryan Fuller (NBC’s Hannibal) based on the novel will debut this spring.

“The American Gods comic is going to be an astonishing, faithful, and beautiful adaptation.”—Neil Gaiman

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Angel Season 11 #4

Corinna Bechko (W), Geraldo Borges (A), Michelle Madsen (C), Scott Fischer (Cover), and Jeff Dekal (Variant cover)

On sale Apr 19 • FC, 32 pages • $3.99 • Ongoing

Angel is caught facing an unrelenting Illyria of the past, an unrelenting Illyria of the future, and an impending volcanic eruption. For him to save an entire race of demons, satisfy both Illyrias, and get himself and Fred back to the future, he will have to convince at least one of the goddesses to trust someone other than themselves—specifically, him!

First-arc finale of Angel Season 11!

The Art of Prey HC

Prey returns!

On sale June 27 • FC, 184 pages • $39.99 • HC, 9” x 12”

A dark force is tormenting Talos I, and survival depends as much on wit as strength. Now, journey alongside Morgan Yu to discover the mysteries within Prey. Arkane Studios and Dark Horse Books are proud to present a comprehensive collection of art from the development of this long-awaited and hotly anticipated game!

The Art of Splatoon HC

THE MOST AMAZE-INK ART BOOK!

Nintendo (W/A)

On sale June 13 • FC, 320 pages • $39.99 • HC, 8 1/2″ x 12”

The Art of Splatoon contains 320 inkredible pages of artwork from Nintendo’s splash-hit video game, including 2D and 3D illustrations of your favorite characters, maps, concept art, weapon and gear design, storyboards, sketches, hand-drawn comics . . . and that’s only an inkling of what’s inside. We’re not squidding around: this is a must-have for all fans of Splatoon!

Character illustrations!

Concept art!

Featuring artwork from Nintendo’s hit game!

Baltimore: The Red Kingdom #3 (of 5)

Mike Mignola (W), Christopher Golden (W), Peter Bergting (A), Michelle Madsen (C), and Ben Stenbeck (Cover)

On sale Apr 5 • FC, 32 pages • $3.99 • Miniseries

Baltimore’s team fight their way into the Vatican as the Red King prepares for his coronation day.

“The writing is a good old fashioned slay-em-dead story.”—Comic Attack

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Black Hammer #8

BRAND-NEW STORY ARC!

Jeff Lemire (W/Variant cover), Dean Ormston (A/Cover), and Dave Stewart (C)

On sale Apr 19 • FC, 32 pages • $3.99 • Ongoing

There’s something unusual about the sleepy farming community of Rockwood: it’s now the home of Spiral City’s mysteriously vanished superheroes. But not by choice: they were banished to the town after a battle with the Anti-God, and now they’re stuck within its boundaries. Lately, a new arrival in town has started asking questions, and she’s discovering that its superpowered residents aren’t the only strange thing about Rockwood . . .

Voted one of the best comics of 2016 by IGN!

Buffy the Vampire Slayer Season 11 #6

Christos Gage (W), Rebekah Isaacs (A/Variant cover), Dan Jackson (C), and Steve Morris (Cover)

On sale Apr 19 • FC, 32 pages • $3.99 • Ongoing

Life in the Safe Zone internment camp is not improving, and Buffy’s status as a peacekeeper has made her a target of the other inmates—but just what are they afraid she might do? Perhaps discover something more sinister going on within the Safe Zone’s impenetrable walls? Stakes are raised in Season 11!

Buffy: The High School Years—Parental Parasite TP

Kel McDonald (W), Yishan Li (A), and Scott Fischer (Cover)

On sale June 28 • FC, 80 pages • $10.99 • TP, 6” x 9”

Buffy struggles to deal with her mom Joyce’s newfound interest in spending time with her. Balancing that with her schoolwork, her friends, and her regular vampire-slaying duties is a challenge. However, when Joyce becomes hypnotized by a childlike demon that craves motherly care, Buffy experiences a new kind of sibling rivalry—except in Buffy’s case, her “sibling” is actually a monster!

Writer Kel McDonald (Misfits of Avalon, Sorcery 101, Angel & Faith), and artist Yishan Li return to Buffy!

Set during Season 1 of the television series.

Call of Duty: Zombies #4 (of 6)

Justin Jordan (W), Jonathan Wayshak (A), Dan Jackson (C), and Simon Bisley (Cover)

On sale Apr 19 • FC, 32 pages • $3.99 • Miniseries

Waves of zombies just keep coming—first in the Call of Duty®: Zombies games, and now from Dark Horse Comics!

Marlton, Misty, Russman, and Stuhlinger think they’ve found a moment’s peace, but the approaching horde of zombies is about to destroy that. Faced with the decision of fight or flight, the crew argues and splits up. When Maxis’s emergency security measures are activated, will it be every man for himself?

Dark Horse Presents #33

Ron Randall (W/A), Carla Speed McNeil (W/A), Ryan Browne (W/A), Jim Alexander (W), Shannon Wheeler (W/A/Cover), Paul Levitz (W), Will Pickering (A), Fin Campbell (A), and Tim Hamilton (A)

On sale Apr 19 • FC, 48 pages • $4.99 • Ongoing

Mercy St. Clair returns to DHP this month with Ron Randall’s Trekker: The Volstock Payoff! Paul Levitz and Tim Hamilton’s Brooklyn Blood concludes! Plus, Ryan Browne contributes the hilarious one-shot There’s a Gorilla on the Cover! Carla Speed McNeil’s Finder, Jim Alexander and Will Pickering’s Savant, and Shannon Wheeler’s Too Much Coffee Man round out this issue.

Comics’ premier Anthology!

Dead Inside #5 (of 5)

John Arcudi (W), Toni Fejzula (A), André May (C), and Dave Johnson (Cover)

On sale Apr 19 • FC, 32 pages • $3.99 • Miniseries

What started as a simple murder investigation ended in a prison riot. But it’s not quite over yet—Detective Caruso is betting that if she can get a little closer to the case, she’ll be able to find the missing piece that pulls it all together. But in this case, getting closer means hostage negotiation with an armed convict.

“An intriguing set-up to a compelling mystery, well-executed by the consistently great John Arcudi. And with fantastic-looking art to boot!”—John Layman (Chew)

Dept. H #13

Matt Kindt (W/A/Cover) and Sharlene Kindt (C)

On sale Apr 19 • FC, 28 pages • $3.99 • Ongoing

The love of Mia’s life, Alain, is desperately trying to maintain contact with her and the rest of the surviving crew trapped in the Dept. H base. With six miles of ocean between him and the woman he loves, will he be able to help her fight bloodthirsty sea creatures, including psychic jellyfish?

“Dept. H by Matt Kindt is my new fave comic, an underwater sci-fi whodunnit from Dark Horse Comics. Total, total genius!”—Mark Millar (Reborn)

The EC Archives: Crime SuspenStories Volume 3 HC

Various (W/A)

On sale June 14 • FC, 216 pages • $49.99 • HC, 8 3/16” x 11”

Jolting tales of criminals, capers, and tension! Collecting issues #13–#18 of Crime SuspenStories from the twisted artistic talents of Al Feldstein, Johnny Craig, Bill Gaines, Jack Kamen, Sid Check, Al Williamson, Fred Peters, Graham Ingels, George Evans, Joe Orlando, and more. Featuring a foreword by David Del Valle.

ElfQuest: The Final Quest Volume 3 TP

Wendy Pini (W/A/Cover), Richard Pini (W), and Sonny Strait (C)

On sale June 28 • FC, 136 pages • $17.99 • TP, 7” x 10”

The late Angrif Djun’s destructive fleet looms closer, seeking to wreak havoc on the elves and any humans that stand in their defense. Rayek, influenced by the dark, dangerous spirit of Winnowill, fights for control of his very nature. And the Wolfriders try to track down their chief, whose own spirit hangs in the balance.

Collects issues #13-#18.

Empowered and the Soldier of Love #3 (of 3)

Adam Warren (W) and Karla Diaz (A/Cover)

On sale Apr 26 • FC, 32 pages • $3.99 • Miniseries

As the very fabric of reality itself unravels around them in a frighteningly literal “storm of burning passion,” can a desperate Empowered and Ninjette stop the embittered, disillusioned, and out-of-control Soldier of Love from using her supercharged “magical-girl” powers to eradicate the entire concept of love from their city?

2017 marks the tenth anniversary of Empowered!

Story by series creator Adam Warren!

Spectacular art by web comic superstar Karla Diaz!

Empowered Volume 10 TP

Adam Warren (W/A/Cover)

On sale June 21 • b&w, 216 pages • $19.99 • TP, 6 1/2″ x 9”

Costumed crimefighter Empowered, delighted by her long-delayed promotion to full-time membership in the Superhomeys, enjoys a suprasocial-media “victory lap.” But will her newfound satisfaction survive the challenges of obnoxious “white knights,” disturbing cryoprison visits, alarming alien medical scans and—worst of all—the revelation of a lover’s dark secret?

Over 250,000 copies sold of Empowered volumes!

“Adam Warren continues to beat the odds and persists in getting better and better with his spicy superhero romp.”—Johnny Bacardi, Popdose.com

Fate/Zero Volume 5 TP

Shinjiro (W/A/Cover)

On sale June 14 • b&w, 168 pages • $11.99 • TP, 5 1/8″ x 7 1/4″

Two desperate hunts stalk the dark woods that shroud Einzbern Castle, as Lancer and Saber confront the hideous sorcery of Caster, incarnation of the fiendish Gilles de Rais, while Irisviel follows Maiya in search of the master magician Kirei. Is mage killer Kiritsugu risking both his wife and his mistress in a cold-blooded scheme to assassinate Kirei . . . ?

Femina and Fauna: The Art of Camilla d’Errico (Second Edition) HC

Back in print!

Camilla d’Errico (W/A/Cover)

On sale June 28 • FC, 132 pages • $24.99 • HC, 8 1/2″ x 11”

Superstar artist Camilla d’Errico’s first Dark Horse art book, now back in print in an improved and updated second edition!

This revised volume features a new foreword by the creator of the Tokidoki brand, Simone Legno, a new introduction by d’Errico herself, and a selection of additional art unique to this edition. It’s a must-have for all fans of pop and fine art alike!

A new cover, a new introduction by the artist, and new artwork not seen in the first edition!

Frigates of EVE Online: The Cross Sections HC

Paul Elsy (W), Charles White (W), and Will Burns (A/Cover)

On sale June 6 • FC, 160 pages • $29.99 • HC, 9” x 12”

Featuring detailed images of twenty-eight of the most iconic ships in EVE Online, this beautifully illustrated guide offers an unprecedented look into frigates from each faction with intricate cutaways and complex lore. Dark Horse Books is proud to partner with CCP Games to present Frigates of EVE Online: The Cross Sections!

Featuring exclusive looks at the ships from EVE Online!

Game of Thrones Melisandre Figure

On sale August 16 • 8” figure • $27.99

Melisandre is a Red Priestess of Asshai and is possessed of arcane powers and a fatal beauty. She was last seen riding away from Winterfell after the Battle of the Bastards, exiled by Jon Snow. Will she return in Season 7 of HBO’s award-winning adaptation? We think so!

This highly detailed 8” figure captures the stern and determined expression of Melisandre.

Game of Thrones Magnetic Bookmark Set #3

On sale June 14 • Set of four bookmarks • $6.99

Fans following HBO’s Game of Thrones are often referring back to their books, since there are so many characters and plot lines to follow. A great way to keep it all straight is by using these brand new Dark Horse magnetic bookmarks. This third edition features newly selected lush color portraits of four favorite characters in updated costumes.

Game of Thrones 2.25” Magnets

Arryn

$4.99

Baratheon

$4.99

Bolton

$4.99

Frey

$4.99

Greyjoy

$4.99

Lannister

$4.99

Martell

$4.99

Stannis-Baratheon

$4.99

Stark

$4.99

Targaryen

$4.99

Tully

$4.99

Tyrell

$4.99

Here is an opportunity for you to enable your customers to truly show allegiance to their favorite Game of Thrones houses. Dark Horse is proud to showcase a collection of twelve individual sigil magnets, measuring 2.25”. Each is produced in full color and bold clarity and packaged individually in a polybag with backing card.

On sale Feb 22

The Goon Library Volume 5 HC

Eric Powell (W/A/Cover), John Arcudi (W), Patton Oswalt (W), Thomas Lennon (W), Mark Buckingham (A), Guy Davis (A), Bill Morrison (A), and Bill Farmer (C)

On sale June 7 • FC, 472 pages • $49.99 • HC, 8” x 12 3/16”

What’s left of the Zombie Priest’s race of witches come after the Goon, forcing him to face his nightmares or lose his town! The witch coven believe that control of Goon’s town will soon be in their grasp and his tragic soul will contribute to the curse that increases their power. But has their plot destroyed the Goon or created a monster too savage for them to withstand?

This library edition collects The Goon Volumes 13–15 and The Goon Noir.

Halo Library Edition Volume 2 HC

Duffy Boudreau (W), Sergio Ariño (P), Douglas Franchin (P/I), Ian Richardson (P), Juan Castro (I), Rob Lean (I), Denis Freitas (I), Carlos Eduardo (I), Michael Atiyeh (C), and Isaac Hannaford (Cover)

On sale June 14 • FC, 296 pages • $49.99 • HC, 9” x 12”

One of the most popular video game franchises ever receives another deluxe hardcover! In this volume, follow the UNSC Spartans as they attempt to halt Dr. Catherine Halsey and Jul ‘Mdama’s pursuit of the Janus Key—the fate of the entire galaxy depends on them! This volume collects Halo: Escalation #13–#24 and features a cover gallery, annotations, and behind-the-scenes extras!

The conclusion of Escalation in a deluxe, oversized hardcover!

Features exclusive annotations!

Includes a cover gallery and behind-the-scenes extras!

Harrow County #22

Cullen Bunn (W) and Tyler Crook (A/Cover)

On sale Apr 12 • FC, 32 pages • $3.99 • Ongoing

When another magical force starts flexing its power in Harrow County, Emmy is surprised to learn that one of her oldest friends may be turning against her. While Emmy has been focused on dealing with threats from the outside world, perhaps a much bigger problem has been brewing at home.

“This is one of the best horror series I’ve ever read. It goes beyond the typical horror stereotypes, and brings a deeper, more sophisticated kind of terror to the audience. This is definitely a series for all horror fans.”—ComicWow!

Hatsune Miku: Acute TP

Shiori Asahina (W/A/Cover)

On sale June 7 • b&w, 172 pages • $10.99 • TP, 5 1/8” x 7 1/4″

Acute, like the three angles of a triangle. Acute, as in the three sharp points. Acute is the tragic relationship between three Vocaloids: Miku, Kaito, and Luka! Once they were all friends making songs—but while Kaito might make a duet with Miku or a duet with Luka, a love song all three of them sing together can only end in sorrow! Based on the song with over 4.4 million combined views on YouTube and Niconico.

Hellboy and the B.P.R.D.: 1954—Ghost Moon #2 (of 2)

Mike Mignola (W), Chris Roberson (W), Brian Churilla (A), Dave Stewart (C), and Mike Huddleston (Cover)

On sale Apr 12 • FC, 32 pages • $3.99 • Miniseries

Hellboy squares off against a pair of Chinese demons while Sue psychically hunts down the source of the supernatural trouble in Hong Kong.

The Legend of Korra: Turf Wars Part One TP

The official continuation of The Legend of Korra!

Michael Dante DiMartino (W), Irene Koh (A/Cover), Jane Bak (C), Vivian Ng (C), and Heather Campbell (Cover)

On sale June 7 • FC, 80 pages • $10.99 • TP, 6” x 9”

Relishing their new relationship, Korra and Asami leave the spirit world . . . but find nothing in Republic City but political high jinks and human vs. spirit conflict!

A pompous developer plans to turn the new spirit portal into an amusement park, potentially severing an already tumultuous connection with the spirits. What’s more, the triads have realigned and are in a brutal all-out brawl at the city’s borders—where hundreds of evacuees have relocated!

Written by series cocreator Michael Dante DiMartino and drawn by Irene Koh (Secret Origins: Batgirl, Afrina and the Glass Coffin), with consultation by Bryan Konietzko, this is the official continuation of The Legend of Korra!

The Legend of Zelda: Art & Artifacts Limited Edition HC

Nintendo (W/A)

On sale Feb 21 • FC, 424 pages • $79.99 • Ltd. Ed. HC, 9” x 12”

Experience the thrill of finding and unsheathing the Master Sword with The Legend of Zelda: Art & Artifacts limited edition. The sword itself is a 3D embossed sculpt with a metallic foil finish and is printed at the size of an actual sword hilt to give the reader the satisfaction of unsheathing the realistic-looking sword from the acetate sleeve sheathe that encases the book. The cover’s background features the Lost Woods in a deep, custom-mixed purple ink with a soft-touch lamination and spot-gloss UV which is framed with metallic foil. The pages are gilded to round out the premium enhancements.

3D embossed Master Sword!

Acetate sleeve sheathe!

Gilded pages!

Metallic finish!

Contains over 400 pages of illustrations from the thirty year history of Zelda.

The Life and Times of Martha Washington in the Twenty-First Century (Second Edition) TP

FRANK MILLER! DAVE GIBBONS!

Frank Miller (W), Dave Gibbons (A/Cover), and Angus McKie (C)

On sale June 7 • FC, 600 pages • $29.99 • TP, 7” x 10”

Our story begins in the squalid corridors of a maximum-security housing project, where a young girl will rise from the war-torn streets of Chicago to battle injustice in a world insane with corruption. Her fight will take her far, from the frontlines of the second American Civil War to the cold, unforgiving reaches of space. She will be called a hero, a traitor, and nearly everything in between, but all along the way, her courage, her integrity, and her unwavering commitment to that most valuable of rights—liberty—will inspire a movement that will never surrender.

Collecting remastered versions of every Martha Washington, an extensive behind-the-scenes section, an introduction by Frank Miller, and a brand-new cover by Dave Gibbons!

Lobster Johnson: The Pirate’s Ghost #2 (of 3)

Mike Mignola (W), John Arcudi (W), and Tonci Zonjic (A/Cover)

On sale Apr 26 • FC, 32 pages • $3.99 • Miniseries

The Lobster searches for a connection between a missing reporter and the appearance of a ghostly pirate ship.

The Once and Future Queen #2 (of 5)

Adam P. Knave (W), D.J. Kirkbride (W), and Nickolas Brokenshire (A/Cover)

On sale Apr 12 • FC, 32 pages • $3.99 • Miniseries

Battles are fought, weapons are bestowed, and romance begins to blossom! The new queen puts together her own Round Table as Merlin reveals what set the fae war off in the first place, the King in Shadow plots the defeat of humanity, and a devious third party is revealed . . . Are they friend or foe?

Plants vs. Zombies: Battle Extravagonzo HC

A New York Times best-selling series!

Paul Tobin (W), Tim Lattie (A), Matt J. Rainwater (C), and Ron Chan (Cover)

On sale June 14 • FC, 80 pages • $9.99 • HC, 6” x 9”

A new, standalone graphic novel by Paul Tobin and Tim Lattie! Zomboss is back, hoping to buy the same factory at the center of Neighborville that his nemesis Crazy Dave is eyeing! Will Crazy Dave and his intelligent plants beat Zomboss and his zombie army to the punch? The Battle Extravagonzo is on!

The first Plants vs. Zombies original graphic novel!

Prometheus: Life and Death One-Shot

Dan Abnett (W), Brian Albert Thies (A), Rain Beredo (C), David Palumbo (Cover), and Sachin Teng (Variant cover)

On sale Apr 26 • FC, 48 pages • $5.99 • One-shot

The surviving Colonial Marines on the planet LV-223 face a final battle with an injured and enraged Engineer—and, somewhere out in space, three trapped humans seek to change the course of the Engineer’s ship . . . and possibly the history of humanity!

The final installment of the Life and Death saga!

Rebels: These Free and Independent States #2 (of 8)

Brian Wood (W), Andrea Mutti (A), Lauren Affe (C), and Matthew Taylor (Cover)

On sale Apr 26 • FC, 32 pages • $3.99 • Miniseries

Twenty years old and already an experienced shipbuilder, John Abbott divides his time between the construction of the USS Constitution and dabbling in the raucous and sometimes violent political demonstrations happening around him. After he falls in with two abolitionists one night in Boston, things take a tragic turn.

From best-selling writer Brian Wood (The Massive, DMZ, Northlanders).

“Brian Wood has resurrected an era of American history that will satisfy the history buff and the lover of good comics alike.”—The Latest Pull

RG Veda Book 3 TP

CLAMP (W/A/Cover)

On sale June 21 • b&w, 656 pages • $24.99 • TP, 5 3/4″ x 8 1/4″

RG Veda (pronounced Rig Veda) is based on the classic Indian saga of the same name. The Six Stars have at last reached Zenmi Palace to confront the evil god-king Taishakuten. As the tyrant prepares to kill them, Kujaku reveals the sign given to those who commit the most heinous of sins. Yet greater evil still is held back only by the seal on Ashura, without which the god of destruction will emerge, unstoppable . . . and if Yasha cannot change his destiny, he must face it—in the conclusion to the epic tale!

The Shaolin Cowboy: Who’ll Stop the Reign? #1 (of 4)

Geof Darrow (W/A/Cover), Frank Miller (Variant cover), and Dave Stewart (C)

On sale Apr 19 • FC, 32 pages • $3.99 • Miniseries

Who doesn’t like Surf and Turf? Well, what do you do when Surf and Turf doesn’t like YOU?????????

The Eisner Award–losing and winning drawing-room talkfest The Shaolin Cowboy returns and will try to answer those questions as the titular hero of the series finds that his road to hell is paved not with good intentions but old nemeses hell bent on bloody revenge . . . AGAIN!!!!

Three-time Eisner Award winner Geof Darrow returns to the series Paste called “mind blowing” and io9 called “100% amazing.”

“There’s a lot to like about The Shaolin Cowboy. It’s whacky, over-the-top, and at points laugh-out-loud funny . . . If you don’t enjoy this book, you’re already dead.”—Comic Bastards

Frank Miller variant cover!

Slayer: Repentless HC

Jon Schnepp (W), Guiu Vilanova (A), Mauricio Wallace (C), and Glenn Fabry (Cover)On sale June 28 • FC, 88 pages • $19.99 • HC, 7” x 10”

The ultimate thrash-metal juggernaut, Slayer has laid waste to stages and audiences worldwide for over thirty years, with their latest album, Repentless, furthering their brutal legacy. Based on the savage Repentless videos by BJ McDonnell, this expansion of the video story lines drives deep into the darkest heart of America, a raging road trip down a bloodstained highway, a tale of the doomed, the damned . . . and the repentless! Collects the three-issue miniseries.

Spell on Wheels TP

Kate Leth (W), Megan Levens (A), Marissa Louise (C), and Jen Bartel (Cover)

On sale June 7 • FC, 136 pages • $14.99 • TP, 7” x 10”

Three young witches head out on an East Coast road trip to retrieve their stolen belongings and track down the mysterious thief before he can do any damage to—or with—their possessions. Collects Spell on Wheels #1–#5.

Supernatural meets Buffy and The Craft!

“A lively book that focuses on the strength of relationships that also promises a fun road trip along the way.”—Multiversity Comics

Too Much Coffee Man Omnibus Plus HC

The most complete Too Much Coffee Man collection!

Shannon Wheeler (W/A/Cover)

On sale June 7 • FC, 600 pages • $29.99 • HC, 8 1/2″ x 11”

A deluxe hardcover featuring 32 new color story pages! This 600-page Omnibus Plus edition features five previously published Too Much Coffee Man books, plus an all-new color section! These semiautobiographical, hyperintellectual tales will appeal to both comic book insiders and pop culture fanatics. The most complete Too Much Coffee Man collection!

Bonus color Too Much Coffee Man adventures included!

Celebrating the work of Shannon Wheeler in a deluxe hardcover!

Tomb Raider Archives Volume 2 HC

Various (W/A)

On sale June 14 • FC, 480 pages • $39.99 • HC, 8” x 12”

In pursuit of adventure—and the world’s rarest treasures—Lara circles the globe . . . and even goes off the edge of the map. Journey along on her most memorable expeditions as she teams up with a treasure hunter from the future, faces off against Egyptian gods in the afterlife, and searches for love.

This deluxe oversized hardcover collects issues #16–#24 and #26–#34 of the 1999 Top Cow Tomb Raider series and features the art of superstar artists Adam Hughes, Michael Turner, Andy Park, Randy Green, Tony Daniel, and many more!

New writers John Ney Rieber, James Bonny, and Adam Hughes join Dan Jurgens in telling Lara’s story.

Introduction by Tomb Raider all-star Randy Green!

Usagi Yojimbo Volume 31: The Hell Screen TP

Stan Sakai (W/A/Cover)

On sale June 28 • FC, 208 pages • $17.99 • TP, 6” x 9”

In this thrilling volume, the rabbit ronin teams up with—and faces off against—a multitude of unexpected characters: destitute bandits, a renegade kappa, and a komori ninja! Then, Inspector Ishida returns to investigate a ghastly painting known only as the Hell Screen! Collects Usagi Yojimbo issues #152–#158. Foreword by Cullen Bunn (Conan, Harrow County)!

Contains the three-part story arc “The Secret of the Hell Screen”!

100% new-reader friendly!

The Visitor: How and Why He Stayed #3 (of 5)

Mike Mignola (W), Chris Roberson (W), Paul Grist (A/Cover), and Bill Crabtree (C)

On sale Apr 26 • FC, 32 pages • $3.99 • Miniseries

The resurgence of a dangerous woman believed to have been killed long ago by the BPRD leads the Visitor to a cult’s compound in the Southwest.

Dark Horse Comics: April 2017 Solicitations Abe Sapien Volume 9: Lost Lives and Other Stories TP Mike Mignola (W), Scott Allie (W), John Arcudi (W), Michael Avon Oeming (A), Mark Nelson (A), Kevin Nowlan (A), Alise Gluškova (A), Santiago Caruso (A), Dave Stewart (C), Juan Ferreyra (A/C), Eduardo Ferreyra (A/C), and Sebastián Fiumara (Cover)

#1.25 #2017 #April #Dark Horse Comics #Solicitations

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