Hiya, just read this about Lorde & cancelling tours. Seems like it’s more common than I thought?
https://www.nme.com/news/music/lorde-addresses-economic-realities-of-touring-things-are-at-an-almost-unprecedented-level-of-difficulty-3347062
Oh, that’s such an interesting article. Thank you so much for sending it. It does a really good job of laying out the myriad complication involved in staging a tour these days.
“Basically, for artists, promoters and crews, things are at an almost unprecedented level of difficulty,” Lorde wrote in her letter, citing factors like “three years’ worth of shows” occurring simultaneously, global economic downturn, and concertgoers’ “totally understandable wariness” around health risks.
She went on to acknowledge logistical factors such as widespread crew shortages, linking to an article from New Zealand news outlet Stuff about the issue. “Extremely overbooked trucks and tour buses and venues, inflated flight and accommodation costs, ongoing general COVID costs, and truly mindboggling freight costs” were also listed as factors.
“To freight a stage set across the world can cost up to three times the pre-pandemic price right now. I don’t know shit about money, but I know enough to understand that no industry has a profit margin that high,” Lorde continued.
“Ticket prices would have to increase to start accommodating even a little of this, but absolutely no one wants to charge their harried and extremely-compassionate-and-flexible audience any more fucking money.
“Nearly every tour has been besieged with cancellations and postponements and promises and letdowns, and audiences have shown such understanding and such faith, that between that and the post-COVID wariness about getting out there at all, scaring people away by charging the true cost ain’t an option. All we want to do is play for you.”
Lorde went on to say that she’s lucky because profits being down across the board doesn’t pose an issue for an artist of her stature, but touring has become a “demented struggle to break even or face debt” for artists selling less tickets than her – which in some cases, can make touring prohibitive altogether.
[…]
She continued: “I wanted to put all of this in your minds to illustrate that nothing’s simple when it comes to touring at the moment, and if your faves are confusing you with their erratic moves, some of this could be playing a part.”
Full article here
304 notes
·
View notes
Its hard to imagine that Akira Toriyama is gone. I never really watched/read the biggest thing he was known for but it was hard to deny its reach and pull. There was references to dragon ball everywhere- from how Cloud Strife was designed, to characters like Zach Bell or Luffy or Naruto being directly inspired by Goku. There were things in One punch man and Yugioh. Ffs that fusion dance was in so so many things.
But it wasn't just anime either cause the man worked on huge series like Dragon Quest and Chrono Trigger. Mario wouldn't be the same without Arale from Dr Slump, Sonic even had some inspo from Arale too. And Pokemon had several designs that were so remarkably similar to what was going on in dragon quest.
And lastly there's a lot of artists I look at and even when their style has def moved far away, there's many you could tell took a lot of inspiration from him. So many getting their start tracing off the tvs while watching and playing his works when they were just little kids
Toriyama left quite a mark in so many industries that it's going to be difficult to imagine him not being there himself in any of them anymore. Him being gone is going to leave a big cleft in them too.
5 notes
·
View notes
Why is it that adaptations of “children’s” media for all ages or more mature audiences somehow involves “removing subtext” and “explaining everything in simple and plain dialogue to avoid misunderstandings by the audience”
It’s like the media targeted towards a more mature audience has even more hand holding and fewer mature themes than the media targeted towards children.
Like, yeah I watched Avatar when it came out as a young adult, and it has an adult fandom. But like many children’s media that has an all ages fandom, it was made with children in mind but was good enough that everyone could enjoy it. That’s the mark of good all ages content. Why are we making it more mature by like… taking *out* the messaging and subtlety and lessons and putting *in* really blunt dialogue that explains themes no longer present in the media and violence that enforces a message that runs counter to the theme that worked so well in the original media.
Like. Why is it that remakes targeted towards older audiences seem less mature in their storytelling? I know it’s technically “mass market appeal” but still, it feels like the assumption is that adult audiences are more ignorant and incapable of understanding media and difficult subject matter than children, so adaptations more likely to have adult or teen audiences need things explained and the lessons learned more explicitly family friendly and reductive.
3 notes
·
View notes
[NOT a vague at anyone just participating in the conversation] also watching andor and being like well it’s still a disney show is like you’re right you’re not wrong but also the creators & artists involved in andor have done a ton of stuff that is NOT disney - diego luna has been doing work in latin-american cinema & theatre with an left-wing bent for YEARS, it’s just that his disney star wars work is pretty much the only thing that gets recognition, at least among the usamerican public - which is frustrating in itself. it’s just weird to choose to watch disney and then come out with the criticism of it being disney.
11 notes
·
View notes
i have mixed feelings about the special. last one was pretty good and for the first half of this one i thought it was excellent and the part where randy becomes his 'old self' made me lowkey emotional tbh. i did miss the old randy.... but then they had to "bring karen back" and i think that means there is NOT going to be any real change for randy and that part was for dramatic effect only, especially bc the ending shot is him in his tedigry weed outfit.... the rest of the episode was funny but also really weird and all over-the-place at times, much like Post covid part 2. I wonder if that's gonna be a pattern for all future paramount specials.
9 notes
·
View notes
A note to all creatives:
Right now, you have to be a team player. You cannot complain about AI being used to fuck over your industry and then turn around and use it on somebody else’s industry.
No AI book covers. No making funny little videos using deepfakes to make an actor say stuff they never did. No AI translation of your book. No AI audiobooks. No AI generated moodboards or fancasts or any of that shit. No feeding someone else’s unfinished work into Chat GPT “because you just want to know how it ends*” (what the fuck is wrong with you?). No playing around with AI generated 3D assets you can’t ascertain the origin of. None of it. And stop using AI filters on your selfies or ESPECIALLY using AI on somebody else’s photo or artwork.
We are at a crossroad and at a time of historically shitty conditions for working artists across ALL creative fields, and we gotta stick together. And you know what? Not only is standing up for other artists against exploitation and theft the morally correct thing to do, it’s also the professionally smartest thing to do, too. Because the corporations will fuck you over too, and then they do it’s your peers that will hold you up. And we have a long memory.
Don’t make the mistake of thinking “your peers” are only the people in your own industry. Writers can’t succeed without artists, editors, translators, etc making their books a reality. Illustrators depend on writers and editors for work. Video creators co-exist with voice actors and animators and people who do 3D rendering etc. If you piss off everyone else but the ones who do the exact same job you do, congratulations! You’ve just sunk your career.
Always remember: the artists who succeed in this career path, the ones who get hired or are sought after for commissions or collaboration, they aren’t the super talented “fuck you I got mine” types. They’re the one who show up to do the work and are easy to get along with.
And they especially are not scabs.
*that’s not even how it ends that’s a statistically likely and creatively boring way for it to end. Why would you even want to read that.
59K notes
·
View notes
Am I the only one not surprised by how dark shit got at Nickelodeon? Is it just because I'm old enough to remember the feet thing and Amanda Bynes going off the rails for a while as a teenager and was like 'yeah somebody high up is totally fucking up at least one child' and not surprised when it got covered up only to blow up now and hopefully have consequnces?
0 notes
you're so real for listening to firework by &team 250+ times, it's such an underrated song😩 also, what did you think of dean's new song?🤨📸
mind you 250+ plays in 5 months like something SHIFTED.... imagine my horror when i check out their discography and this is their only good song like why are boy groups always releasing the best song you've ever heard along with the worst discography you've ever heard...
i liked dean's single but idk i expected something more IMPACTFUL for a grand comeback like last time he was here was in like 1999 and this is a nice song and all but it's literally been 84 years i was expecting to be absolutely destroyed by this song idk! think about it. it's no instagram it's no love it's no howling.... but that's ok...... let's delude ourselves into believing this will be followed up by an album
0 notes