Glynis Johns

1923-2024

♕ @dailytudors​: TUDOR WEEK 2023 ♕

Day Two: Favourite Female Tudor Family Member >> 2/3 - Mary Tudor, Queen of France, Princess of England, and Duchess of Suffolk

Rosalie Crutchley as Catherine of Aragon in The Sword and The Rose (1953)

GLYNIS JOHNS (1923-Died January 4th 2024,at 100).British actress, dancer, musician and singer. In a career spanning eight decades on stage and screen, Johns appeared in more than 60 films and 30 plays. She received various accolades throughout her career, including a Tony Award and a Drama Desk Award as well as nominations for an Academy Award, a Golden Globe Award, and a Laurence Olivier Award. She is widely considered to have been one of the last surviving major stars from the Golden Age of Hollywood and classical years of British cinema.

Johns was born in Pretoria, South Africa, the daughter of Welsh actor Mervyn Johns. She appeared on stage from a young age and was typecast as a stage dancer from early adolescence, making her screen debut in South Riding (1938). She rose to prominence in the 1940s following her role as Anna in the war drama film 49th Parallel (1941), for which she won a National Board of Review Award for Best Acting, and starring roles in Miranda (1948) and Third Time Lucky (1949). Following No Highway in the Sky (1951), a joint British-American production, Johns took on increasingly more roles in the United States and elsewhere. She made her television and Broadway debuts in 1952 and took on starring roles in such films as The Sword and the Rose (1953), The Weak and the Wicked (1954), Mad About Men (1954), The Court Jester (1955), The Sundowners (1960), The Cabinet of Caligari (1962), The Chapman Report (1962), and Under Milk Wood (1972). On television, she starred in her own sitcom Glynis (1963).

Renowned for the breathy quality of her husky voice,Johns sang songs written specifically for her both on screen and stage, including "Sister Suffragette", written by the Sherman Brothers for Disney's Mary Poppins (1964), in which she played Winifred Banks and for which she received a Laurel Award, and "Send In the Clowns", composed by Stephen Sondheim for Broadway's A Little Night Music (1973), in which she originated the role of Desiree Armfeldt and for which she received a Tony Award and Drama Desk Award.Glynis Johns - Wikipedia

The Sword And The Rose

1992 Laserdisc

In these days of Disney Plus making crime dramas it's probably less weird but it still feels weird to me that The Sword And the Rose is both a Tudor drama AND a Disney movie. Like Henry VIII is in the same canon as Mickey Mouse. What.

It's not weird to have children's books set in Tudor England but it is weird to have a family film set in Tudor England. It's so Disneyfied and saccharine. The colours are lovely but it's all so jarringly fairytale and not in a Gothic way.

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Lan Wangji Goes To Lotus Pier AU: Part 1: Dread on Arrival

(Part 2)

I love when pokemon games use a character’s team to tell us more about them.

Take Ghetsis from black and white 2 for example. Did you know that his Hydreigon can use the move frustration at maximum power? frustration is a move that gets more powerful the more a pokemon dislikes their trainer, which means that Ghetsis’ Hydreigon literally hates him.

Did you know that his Hydreigon is also a whole ten levels below when the pokemon would normally evolve? While this isn’t uncommon for NPC’s in pokemon games, you could make the argument that this specific instance of it suggests that Ghetsis somehow forced his pokemon to evolve earlier than it ever would have naturally, which isn’t exactly out of character for him.

I’m not even done with Ghetsis and his affront towards nature yet lmao. Did you also know that his Hydreigon is specifically designed to counter N’s team? Y’know, his own foster son.

It has dragon pulse for his legendary

Fire blast for his Vanillux and Klingklang

And focus blast for Carracosta, Zoroark and Archeops

He also has a Cofagrigus who can nullify the legendary’s ability with his mummy ability.

It’s very likely that no matter the outcome of N’s battle with us, Ghetsis was always going to turn on his son to take the dragon for himself. And looking at his team I could believe he would succeed.

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Let's look at a slightly more recent example.

In pokemon sword and shield, chairman Rose actually does some preparations before waking up Eternatus, specifically it seems that he did some research into Eternatus’ typing (Poison/Dragon) and designed his team to counter it. He brought a full team of steel types to fight it, which are not only immune to poison but also heavily resist dragon as well. With everything he knew, it really was one of the smartest choices he could have made.

But if he was so prepared then how did Eternatus wipe the floor with him so quickly? Surely he could have easily defeated the legendary and capture it himself right? 

Well there was one thing Rose didn’t take into account when designing his team. One thing he couldn’t have possibly known, even with his extensive research into the creature.

Eternatus knows flame thrower.

He brought nothing but steel types.

He never stood a chance.

Rosalie Crutchley as Catherine of Aragon in The Sword and the Rose (1953)

Lighting practice and personal fun. Might refine later. 

The Sword and The Rose (1953)

When Knighthood Was In Flower by Charles Major (1898)

FINALIZED BETA GODTIERS YAHOO

Demise and ghirahim remind me of rose quartz and pearl from Steven universe

DO IT FOR HIM…..