Eldest daughter energy is feeling 100% confident you can solve everyone's problems and also feeling like everyone's problems are your responsibility to solve 💀

Hello! GS is one of my favorite comics right now and a huge inspiration in my own journey of working on a comic. One of the things I find the most impressive is your paneling. Visually each of them are laid out in a way that gives this great flow, it feels really natural to imagine the pages in motion.

Would it be okay to ask what your thought process is on panelling, or just general advice/thoughts on setting up/laying out pages? I hope this makes sense

When I think about page layout, my number one question is what kind of panel I want the page to end with. It shouldn't cut the conversation or motion awkwardly, and ideally it should be something that acts like a hook that makes you want to click to the next page, like here:

It's all about getting from part A to part B. Part A, you're here. Where's the part B? The cutting point, the point where the page ends, where the chapter ends, and ultimately where the story ends.

What kind of story you want to make?

What kind of plot points you want to cover in your chapter?

How much content there is in this one page, does it forward the plot, relationships, or just show a side of someone you want seen?

You can go even smaller. Is this panel important? Does it need a full background? Could these three small panels of characters talking be one big panel? It'll save you time and look nicer.

You'll get it with practice! The old first pages of my comic wasted a lot of space, sometimes they still do. Don't stuff it full but don't get too loose! Don't be afraid of small panels, reserve big ones for big moments, like mother saying goodbye to her kid, or a yellow deer meeting a god. I see many starting comicers use very few panels per page, but this is a LOT of unnecessary work that builds up versus you including more panels per page. It's all about the bubbles. Bubbles lead everything. It's the silent pages that are the hardest.

Again, this is just how I do it. I bet there's tons of different approaches that work for the right people. Hope you find what works the best for you, best of luck with your project!

me calling Esme a milf when she's 5 years younger than I am 💀

making sims 4 cc is a terrible hobby. I make a tail accessory for adults. it works perfectly. I make a tail for children using the same process and an edited version of the same mesh. it distorts the movement of one arm in exactly one CAS animation, but not if the sim is also wearing one specific base game bracelet, in which case it works normally.

Yeah that moment kinda shows how he can make c!discduo listen to him and even the way how this is not healthy. I also think he might be participate in comflict bewteen cdiscduo if he didnt leave but more as an motivator but not him causing it on porpuse. At the end cdream was trying to make him by his side to have laverage, ctommy was still really depend on him and the disc that cdream have. It was a a disaster that was coming but he leave so he did not caused a new conflict but was a factor that played in a resolution

i mean ? "participate in conflict between c!discduo" he is like the foremost reason why the conflict between c!discduo even looks the way that it does honestly. it wouldn't have been about heroes and villains without lmanburg, full stop. when dream and tommy had their first disc spat, they didn't need to be handheld into figuring out a solution, yk? they had their fornite battle, tommy and dream both got their shit back, they did a trade of a stack of diamonds for a netherite chestplate, and i'd go as far as saying that both of them kinda had. fun ???? like c!tommy is reminiscing about those times IN THE LITERAL FINALE, a consistent trend with him throughout the server (he did the same during november 16th, where he had been downright excited to go back to the disc war and was ribbing c!dream about how he's never in the walls no more) and while c!dream honestly has a terminal stick in his ass and always saw the whole thing as more serious than c!tommy (hence why c!tommy was sitting there going i never realized how much that hurt you), i think it's hard to look at the way c!dream acts with c!tommy pre-vassal and really say that he hated the kid's guts over a stupid surprise attack the whole time lmao. they liked each other! they were friends!

c!wilbur being able to make c!discduo listen to him (and um, give his words the weight of the world) isn't just an inconsolable differences thing, it's really smth that stretches as far back as that first discussion about lmanburg that they ever have. it's something that applies to the duel, to vassal. c!wilbur participating and fanning the flames of conflict between c!discduo (and quite literally prying them apart in vassal, which was kind of the beginning of the end) is something that happens throughout the server, and i'd argue that inconsolable differences -> boundless sands is his clumsy attempt at fixing that. shutting the damn book on lmanburg as the one who penned the story, say youre a tyrant dream and put it in writing and burn the discs, you two can't play nice so the game's fucking over. tommy, stay in your place, dream, do as i say, etc etc. c!wilbur has to leave because of who c!wilbur is to c!dream and especially to c!tommy, it's just things were too fractured for him leaving in itself to Completely Fix Everything

Ah yes, Clancy Pembroke

The REAL main villain of arc 1

Seriously if not for this fucker and his stupid museum of stolen artifacts, Malistaire doesn’t get the Krokonomicon and NOTHING PAST MARLEYBONE HAPPENS-

also because Legend is not canonical i have to like find a reason for her style to have not brought about great change to the world and i decided that she just accidentally makes herself fictional eventually. Fig Two i suppose

The need to get a better job that pays a livable wage

versus

The instant tailspin into cataclysmic despair into which I’m thrown upon merely opening job listing sites

whenever I think about what it would be like if yoichi joined afo, I always end up with the same concept where he eventually caves in after a couple years in the Torture Cube that is the vault (whether he's able to pass on ofa before all that is up for debate) and like. yeah he'll do villian things and murder people but afo generally likes to give him easy, insignificant jobs that any semi competent person can do. so he usually doesn't get to do any real action and is mostly relegated to making sure one of afo's many money laundering businesses are running okay or whatever kind of white collar crime afo has going on. so he constantly feels belittled, sheltered, devoid of purpose, etc., and the vault didn't even completely kill off his morals so there's just this constant pervading sense of guilt with everything he does. no matter what, there's always this nagging sensation of defeat and shame at every waking moment. but he can't even rebel bc at this point he's so afraid of going back to the vault that he'll do anything to stay out, so he's stuck living an intensely miserable life while trapped with his brother lol

proplem: i am overwhelmed and need to be 10 morbillion feet away from all people Immediately

additional proplem: i am at School . there is People Everywhere

the zukka problem to me is that nigh on 100% of the sokka characterization present in a given zuko/sokka fic is not by any stretch of the imagination a representation of the fictional man sokka so much as a representation of the fictional man aang, except slightly less interesting, but also the author generally has no particular love for aang and otherwise ignores him

a patron shat so intensely and stankily in the main floor bathroom that i was forced to lysol the whole zone so the patrons and i would not be sitting there in shit stink all day but lysol gives me huge heaving bouts of the air hunger so now I'm sitting around taking hopeless gulps and gasps of goddamn lysol air like how is this better my windpipe is under attack

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Thrilled you're reading TGCF! I think you'll like my gremlin child Qi Rong. I always felt he and Su She were on the different sides of spectrum, vibe wise (but still the same spectrum)

oh that is so funny, anon, i hadn’t even considered any similarities between sms and qi rong yet! but i can see it especially in book 2.

vibes wise, so far he actually reminds me a bit of nhs, but if nhs had xy’s impulse control and predilection for solving problems with extreme violence.

I did the thing, for Jokid!!!!!! Hi, hello, I'm the captain, may I interest you aboard my ship called Jokid that is about two characters from two entirely different medias?

.

I am new to your tumblr. Is your Wukong transgender? Was he born male and represents as female? or vice versa? Sorry I just want to know what is right to think.

He’s genderfluid and sexless

So he alternates between he/she/they and shapeshifts to whatever he feels like being that day.

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