Martin Septim from The Elder Scrolls IV: Oblivion shares a voice actor with Regis Lucis Caelum from Kingsglaive: Final Fantasy XV.
Voiced by Sean Bean
(and yes. both characters die.)
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Missing (dir. Nick Johnson & Will Merrick).
[Its] first half is mostly a lot of sophisticated thriller fun commenting on the true crime genre's influence on culture from the point-of-view of a savvy zoomer. When things get cooking towards the climatic third act, so many logic-defying beats descend into a non-sensical series of truly baffling series of events more in line with cheap horror tricks that betrays the tight missing person drama it starts off as.
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Exclusive Interview with Lorene Scafaria about 'The Meddler'
While recently going through my large archive of interviews I have done over the years, I came across the one I did with filmmaker Lorene Scafaria on her film “The Meddler.” Released in 2015, it stars the great Susan Sarandon as Marnie Minervini, an aging widow who, to cure herself of loneliness and heartbreak, moves from New Jersey to Los Angles to be closer to her daughter, Lori (Rose Byrne).…
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Sisu take my money
Action hero, Dog, Gold, AND Nazis blowed up, punched, and pummeled! I’m all in!
When I first saw the name Sisu I thought it was a new sweet and by jiminy cricket I’m on a DIET so was ready to keep scrolling. Well until I saw I saw this tweet and well … I’m IN!
Because seeing nazis explode, decapitated or just riddled with bullets is glorious— Beyond Fest (@BeyondFest) February 22, 2023
Who…
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Umma (2022)
Umma by #IrisKShim starring #SandraOh, "a familiar exercise that will exit your brain as soon as the first credits role", Now reviewed on MyOldAddiction.com
IRIS K. SHIM
Bil’s rating (out of 5): BB.5
USA, 2022. Catchlight Studios, Raimi Productions, Stage 6 Films, Starlight Media. Screenplay by Iris K. Shim. Cinematography by Matt Flannery. Produced by Zainab Azizi, Sam Raimi. Music by Roque Baños. Production Design by Yong Ok Lee. Costume Design by Leah Butler. Film Editing by Louis Cioffi, Kevin Greutert.
The tensions and traumas of motherhood,…
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I didn't have much to offer this spooky season, but I did spit out this drawing of Onycraft as Frank-N-Furter last minute for the occasion, Happy Halloween. %)
[He/Him for Onycraft only, also, Image this was based on under the cut]
(Normally I'd try to get the text closer to the original but I felt like gettin' silly with it)
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for context this is philly's pipe organ:
look how tiny that little seat is below it! that's where the organist sits! each pipe is bigger around than a whole dude! that's crazy!
they actually do this thing at the end of organ day where everyone gets to come up on stage and sit down and feel the vibrations through the floor. they played also sprach zarathustra and the indiana jones theme while we were all lying there and it was fun!
(don't worry I was masked lmao)
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Bodies Bodies Bodies (dir. Halina Reijn).
[It’s] a fatalistic fever dream of nightmarish Zillennial panic using current TikTok-influenced touchstones to lampoon performative woke topics like fragile white feminism and privilege through cleverly executed slasher movie genre techniques. Its observational humour about class and gender is only further heightened by its entertaining horror thrills.
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Okay, let's talk about the sex scene. This is going to be a quite lengthy post but bear with me. I've been keeping this in for the past 2 days.
1. In the beginning of the Paris hotel scene, Henry did say that they should make love. Keyword: "make love". There's a difference between fucking and making love.
2. Alex was a bit nervous because it was his first time to do this. In the book, they just do blowjobs during their first few encounters and it's also the same in the movie. Alex hasn't tried any sex with penetration, especially with a man. But Henry was so understanding, he guided Alex physically and emotionally how to exactly make love.
3. The sigh that Henry let out after guiding Alex with his hand to push down deeper... that was so fucking cinematic and perfect! He literally was teaching Alex to learn his body, when to move, and what pleasures him. Also, that little nod he did once Alex was inside him, that's consent!
4. Matthew Lopez (director) and Robbie Taylor Hunt (intimacy coordinator) did a great job in showing Alex and Henry's vulnerability. They focused more on their emotions instead of using a wide shot from one side. Mind you, this is not porn. This is a romance film! If you want to see two hot men fuck, then I suggest you fire up your incognito browser and load those porn vids. Again, go back to my point on #1 just in case you're forgetting something.
5. The point of the sex scene is to show the building mutual trust and affection between Henry and Alex. I can't emphasize this enough that we don't get a lot of queer media with this kind of intimate scene. Most (not all) of queer sex scenes (that I have seen) are always heated and rushed. I don't mind those actually but if you're gonna let me choose which one I'd prefer, I'd choose this one.
6. Taylor and Nick did a great job in portraying the blooming love between A&H. The early stages of love is always delicate. So it's given that they'd be more gentle towards each other.
Thanks for coming to my TED talk. Now stream the movie again on Prime Video!
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