Srry u just had a post saying that antis were bad and I’m used to Twitter where that’s like, people who don’t support the rlly problematic ships like incest and pedophilia srry /gen

Oh! I understand what you're saying!

It's just that the antis that aggravate me the most be the ones who harass people over and over for the simple fact they are bored with themselves and they want to be trolls.

I myself don't like incest or pedophilic ships. However, knowing that people won't stop shipping those ships until they choose to, I just distance myself from that kind of content and I have blocked people who do. I just don't make it my business to bait and harass people. Just block and go. I don't want to add on to the negativity. Blackened my own vibes, you know?

Do I agree with those ships? No. A lot of my biggest NOTPs for BNHA, for example, are ships with a minor and an adult. (Anyone who knows me know that my biggest ship I hate is Miruko and Deku... it has more fics than Shiragaki/Miruko, like what the hell?!)

To sum it, I just don't like the antis who will reblog people's posts to call them delusional or go into people's inboxes and harass them. If you don't like the ship, don't waste your time on the content or the people engaged in it. I know none of us will have the same taste in ships, but it's like some people cannot comprehend that. They feel the entitlement to tell people "your ship isn't canon so you cannot like it anymore". Exactly what is your purpose to tell someone that?

To be an ass?

Again, there are some ships that give my major squick like big time. I'm anti on some ships. But I don't go into people's inboxes or spaces who do like those ships because if I don't want them engaging themselves with me, why would I engage myself with them? Why waste my energy like that when I could just use to write the fics I want of ships I do like?

Those are the antis I don't like. Those are the ones I find bad. The antis that get in their feelings too much and tell people to "KYS" and it will be over a ship of two consenting adults. Or two teenagers that have done nothing more in a fic than holding hands.

Tee bee atech I might jig this design a bit but this is what I have so far, he's a Japanese dragon because uuuuuuuuuuuuuuuuuuuh he's a big tall strong handsome man and allat

Ultra Magnus has to step in to be like 'the right to trial by combat was removed from the constitution 10 million years ago'

Sleep deprivation is one hell of a drug

"sounds nice... having a partner"

Top 5 most annoying Tamlin scene misinterpretations

1. ''There is no such thing as a high lady'' I hate this one, because it is always taken as some sort of proof that Tamlin is a raging misogynist who doesn't want an equal woman by his side or some similar type of nonsense. I don't know where this is coming from. Tamlin never wanted to be a high lord. He would probably welcome for someone to take over most of the work so he could just keep running through the woods. He also has absolutely no issues with taking advice from women in power (Ianthe? Hello??). His first reaction to the high lady question is literally this:

“Is everyone just going to call me ‘Tamlin’s wife’? Do I get a … title?” He lifted his head long enough to look at me. “Do you want a title?”

And let's not forget that Feyre's first reply is ''No, I don’t know if I can handle them calling me High Lady”. To which he then answers that she doesn't have to worry about that, since ''there is no such thing as a high lady'' because the magic choses the title and it keeps chosing males. Also this whole scene happens while he eats her out. Not that it's relevant or anything, just saying...

2. ''Tamlin killed Rhys' family'' No. Tamlin's dad killed Rhys' family. I have no idea how Tamlin doing it is ever the takeaway from that whole story. Let's just quote the actual scene:

“Tamlin’s father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin—from me—where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn’t. And they slaughtered my mother and sister anyway.”

Yeah okay, Tamlin gave the information (supposedly) and was there (supposedly) sure, but it's highly unlikely that he was so willingly. Let's not forget that it's established that Tamlin was afraid of his father, that Tamlin's father is worse than Beron (who, I might remind you, tortures his sons) and that Tamlin was friends with Rhys at the time - which neither family approved of. Even Rhys doesn't actually believe Tamlin did anything besides being spineless:

''I didn’t care that Tamlin had been there, had allowed them to kill my mother and sister, that he’d come to kill me because he didn’t want to risk standing against them.''

In the end we don't know the details. Tamlin could've been tortured and tied up or whatever. Making him watch could've been a cruel form of punishment for being friends with Rhys. We don't really know until SJM graces us with Tamlin's side of the story.

3. ''It's really Tamlin's own fault that the spring court fell'' Alternatively also phrased as: 'Feyre just opened everyone's eyes to Tamlin's incompetence' and....honestly? This low key makes me question the reading comprehension of people.

Yes, Tamlin made a deal with Hybern, which was extremely risky, but the war was coming regardless (as we learn from Rhys in the first half of ACOMAF) and the spring court would be the main target because of its location next to the wall. Inviting Hybern into his lands in a trade is actually a pretty smart way to avoid a lot of death on Tamlin's part - plus he needed help to rescue Feyre and get her out of the deal she had with Rhysand (people forget that Tamlin didn't know Feyre didn't actually need rescuing from the guy that was abusing her in front of him in ACOTAR).

So yeah anyway, Feyre did several things to make the spring court fall: 1. She manipulated the solstice ceremony to make herself seem cauldron-blessed in the eyes of the people, 2. She made a sentry accuse Ianthe (who WAS doing sneaky shit) which essentially did nothing except putting Tamlin on the spot in front of Hybern, so he was kind of forced to throw the sentry under the bus. Good job Feyre, you got a poor sod whipped! But it also built resentment within the soldiers, which was her plan all along and 3. before leaving, she did this (let's just quote the whole thing):

''I had a people who had lost faith in their High Priestess. I had sentries who were beginning to rebel against their High Lord. And as a result of those things, I had Hybern royals doubting the strength of their allies here. I’d primed this court to fall. Not from outside forces—but its own internal warring. And I had to be clear of it before it happened. Before the last sliver of my plan fell into place. The party would return without me. And to maintain that illusion of strength, Tamlin and Ianthe would lie about it—where I’d gone. And perhaps a day or two after that, one of these sentries would reveal the news, a carefully sprung trap that I’d coiled into his mind like one of my snares. I’d fled for my life—after being nearly killed by the Hybern prince and princess. I’d planted images in his head of my brutalized body, the markings consistent with what Dagdan and Brannagh had already revealed to be their style. He’d describe them in detail—describe how he helped me get away before it was too late. How I ran for my life when Tamlin and Ianthe refused to intervene, to risk their alliance with Hybern. And when the sentry revealed the truth, no longer able to stomach keeping quiet when he saw how my sorry fate was concealed by Tamlin and Ianthe, just as Tamlin had sided with Ianthe the day he’d flogged that sentry …When he described what Hybern had done to me, their Cursebreaker, their newly anointed Cauldron-blessed, before I’d fled for my life … There would be no further alliance. For there would be no sentry or denizen of this court who would stand with Tamlin or Ianthe after this. After me.''

So, the sentries left Tamlin because of a lie. A fake story. Without sentries, Hybern decided to take over rather than just be guests and had a prime spot to attack the summer court in turn. Which is also why Tarquin is extremely pissed at Feyre - not Tamlin. So no, Tamlin wasn't a bad high lord. His only real mistake was ever trusting Feyre.

Sure, some argue that Feyre thought Tamlin genuinely sided with Hybern and might be a threat to the rest of Prythian, so taking him down would make sense for her even outside of petty revenge. But there's just one problem with that: Feyre is a mind reader. She could have just.....checked. lol

4. ''Tamlin didn't do anything Under the Mountain'' This one really gets my goat because it's not really true? Things Tamlin did to help Feyre: 1. He sent her away to the human realm. (People forget this, but he basically doomed his court to protect her ass - it's not his fault she came back!) 2. He made Lucien check up on her. (Yes Lucien was Feyre's friend but he still acted under Tamlin's orders!) 3. He ignored Feyre as to not rile Amarantha up even more (Come on, have you seen Amarantha? It totally makes sense) 4. He tries to get to Feyre, begging Amarantha to stop even as he is tied up, bleeding out from a stab wound to his chest that he can't heal because he has no powers - like what do you want him to do??? 4. He literally kills Amarantha the second he is able to

Also personal conspiracy detour: That music that Rhysand supposedly sent to Feyre was SO originally supposed to be Tamlin, you can't convince me otherwise. I will never not believe that this wasn't just a lazily done quick change when SJM rewrote book 1 and 2 to account for the boyfriend switcheroo. Attributing the music to Rhys makes absolutely zero sense. He's not a musical boy at all, come on! Music themes never come up with him again either! Meanwhile Tamlin played for Feyre before, is generally a musical guy COME ON! /conspiracy detour over

5. ''It's Tamlin's fault that Nesta and Elaine got turned to fae'' No. No it's not. He knew nothing about this. Ianthe did this on her own accord because Feyre told her where her sister's lived. Tamlin actually attacks (!) the King of Hybern over it (to no avail, but still).

Some people blame Tamlin for keeping Ianthe around afterwards, despite of what she did. Those people I want to refer to point number 3 in this list. Ianthe was working with Hybern. Tamlin tried to be buddies with Hybern for reasons. No, he can't just throw out Ianthe.

Gynii my beloved mutual gynii.. can I see the baby (Michael_B) please and you're the best.. <3

To make up for how late this is, a bonus tubbo with your michael_b <3 (also youre the best!!)

Oumota comic, Part 2

Headcanon - Kaito has nicotine withdrawal during the events of Danganronpa V3 (among other things, what happens to him there). Just a cute little comic

Part 1: https://www.tumblr.com/breadmecoshy/736606178824650752/oumota-comic-part-1?source=share

Plot Twist - After finishing the main game (which we all want to believe was a simulation), Tsumugi became so attached to the guys at V3 that she talked Danganronpa's company into launching a spin-off in romcom format in which she would try to bring together the couples most popular with viewers

joke (or maybe not)

warmup turned into my personal hairchart for Guy

I spent all my tv time watching the episodes that noritoshi appeared in over and over again literally squealing and kicking my feet whenever noritoshi is on screen that my family is just sick of my shit

Noritoshi scolding abt using indoor voices...... swoons....... He would be so orderly and nagging abt it too... uwaa....... coughs

you and me both, bro. The way Noritoshi presents himself with such grace and stoism is so fucking beautiful, even my ancestors possess me to let out their shock. the way his type of character talks, too, with formalities and like he has an image to uphold... HOW CAN YOU NOT YELL AT THAT. Not only that, but he's so... flowy.... from his clothes to his hair and the way he uses his bow in the fight scenes..

the fight scenes served hella cunt. I love shonen sm. Noritoshi fight scenes are so good.... but stop fucking giving him concussions @ gege

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

big admirer of your work! you asked for drawing suggestions–would love to see your take on lawlight snuggled up together relaxing in bed or something! absolutely starved for soft content of these two

gog i still can't get over minish cap vaati's Everything. He is So Fucking Stupid (affectionate)

Like. This guy's establishing character moment is, in order:

he's introduced as having won an entire tournament to get to touch a magic chest and get a cool sword, which was the prize for said tournament

turns around and does a goddamn evil soliloquy TEN FEET AWAY FROM THE GUARDS who were about to hand him his macguffin on a platter

(like this man fucks up his own horribly planned daylight heist because he cannot keep a lid on the dramatics for FIVE FUCKING MINUTES, IN PUBLIC)

(THE BAR WAS ON THE FLOOR VAATI, FUCKING GANONDORF PLAYS THE PIPE ORGAN FOR HIS OWN BOSS INTRO AND HE STILL KNOWS BETTER THAN THIS SHIT)

proceeds to fight the guards (it is, admittedly, a curbstomp for him, but it still clearly wasn't his plan, because otherwise why bother with the tournament)

gloats evilly

opens chest, unleashing a whole bunch of monsters

exposits out loud about Zelda's powers like a nerd while she is actively charging up her magic powers to kick his ass

RECOGNIZES and IDENTIFIES said magic as the special power carried by the female royal line

completely fails to recognize it as the light force he is currently trying to get his hands on (he spends like 99% of the game not figuring this out.)

petrifies her

(i have no idea if link could have deflected this spell if he had managed to get the right angle with his shield but i like to think somewhere there is a very short and very funny alternate timeline where it happens)

(more importantly: no part of vaati's original presumed plan would have involved doing this. he 100% created this situation for himself by being an dramatic idiot and picking a fight for no good reason.)

looks in the chest

there's no light force

considering his stated goals he might be as confused as you are about the monsters tbh

uhhh

evil laugh

teleports the fuck out

He then proceeds to spend the rest of the game trying to figure out where the light force is and ends up having to wait for Ezlo and Link to figure it out first because he was, as far as I can tell, GENUINELY stuck on this part. He fucking kidnaps and impersonates the King, not for access to Zelda, but to… send guards to go look for the Light Force, presumably because he was either running out of ideas or genuinely thought that would work.

None of the guards even had any idea what he was talking about. He's not even good at impersonating the King. He's already sent like twenty people to the dungeon by the time you get there and it hasn't even been a week. Somehow the game spins this as a cunning plan and clever manipulation or something.

(Meanwhile the guards are just. Poking around in random bushes and shit hoping to find the light force. One of them asks you what you think it might look like.)

Zelda is literally right next to the throne and Vaati does not figure it out until you find an actual honest-to-goodness LORE TABLET spelling out that the Light Force is Stored in the Zelda, at which point he's like "ahahaha you've done my work for me this was definitely my plan all along" and takes over the castle and throws a bunch of monsters at you to stall for time while he figures out how to extract the force from her. Somehow he still doesn't think to actually lock the fucking door.

for clone Danny, Clone Damian

I give you

Edit Clone Talia as somehow Girlfriend of Danny, just think of the comedy

nah brO BECAUSE LITERALLY I HAVE THOUGHT BOUT THAT. Literally since the conception of Clone Danny, I have thought about it. If only for, as you said, the COMEDY of it all. Plus I love writing romance.

Literally my motto for my aus is: A) is it plausible, B) is it FUNNY (and a secret third option C) is it ANGSTY)

Clone Talia would be an offshoot au of Clone^2 because idk how she'd fit into the original timeline, bUT, she'd exist. And to avoid confusion I'll call her Nasra - I thought about Tameka (which means twin) but I like Nasra better. "Talia and Nasra" just flows so nicely doesn't it?

Idk WHY there's a clone of Talia running around -- maybe the LoA made her, maybe n unknown organization who hates Batman and knows he has romantic ties to Talia, and started making a clone of her to fuck with him and then she got nabbed by a portal when she was still Danny's age and in the middle of training. She might be like Connor (??) and have memories and thus her training is more proficient than baby Dames.

Either way, regardless of how she was made, I think it's hilarious if she, much like baby Dames, immediately attacks Danny on sight. She falls into his city and Danny only has a moment to go "goddammit not agaIN" before he's fending off a very confused, very violent Nasra. Fortunately he's able to actually try and talk to her and be at least somewhat successful -- Nasra knows english. although even if she didn't, Danny would still be somewhat successful since he knows Arabic.

Also Bruce and Danny are the battinson bat because i think that is also hilarious and 'wet rat' is STILL the perfect energy for Danny as Phantom - especially in the early days when he's running around in all but jeans and a hoodie. (and god watch me go on a rant in a separate post about his outfit and reasonings for being Phantom when he has no powers later on because it makes me go FERAL. and his active choice to look as inhuman and ghost-like through his behavior as phantom and the decision to wear such a creepy mask as possible)

(like seriously, imagine walking home late at night while danny was still in his early vigilante days (and even now when he's got damian and a better suit) and seeing a skinny figure in the shadows with sunken in black-and-glowing-green eyes, and a bone white, skull-like face, crouched on all fours like a wild animal about to pounce. THAT is the level of creepiness I was going for for clone danny)

In my head, Sam offers to house Nasra and Nasra stays with her. SAm is able to convince her parents to let her stay, or she pulls a Danny and just straight up smuggles her in and her parents are none the wiser. I also think it's funny if they have unspoken BEEF with each other. Only to later become like sisters. Nasra teaches Sam the martial arts she knows, and also Danny joins in too with Damian because goddamn he needs it even IF he's learning stuff from his mom (as per the most recent snippet post I made).

OH AND DAMIAN AND NASRA. I think it's equally as funny if they ALSO have beef with each other. Nasra is a clone of his mother (of whom he might have complicated views on due to being a clone but still is his mother) and Damian is a clone of Nasra's "son". This beef largely starts from Damian's own refusal to want to share his Danny with another clone, especially with a clone of his MOTHER.

Danny and Nasra don't become lovers for a good, long while I think. They're besties first before they even consider the idea of dating -- not only just because of the whole "uhhh our counterparts dated so it'd feel kinda weird and forced if we dated" and also because Nasra, with her newfound freedom, is busy trying to figure out herself.

A big theme here in clone^2: discovering your identity and who you are as a person when the only thing you own that's unique is your name (which isn't even the case for Damian), and figuring out if your choices are your own or because you're a clone and its something your original would have done. Nature vs Nurture and the illusion of choice and whether it really is one or not.

Also Nasra also becomes a vigilante. Danny appreciates the help but is also tearing out his hair because what the fuck is up with these assassins and becoming vigilantes?! Nasra goes by "Nesha". She's similar to Red Huntress at first where she kinda does her own thing, but is lowkey forced to team up with Danny about it because she doesn't have any proper ghost hunting equipment with her.

And then a duo becomes a trio, and Danny is spending more time with her. And they steadily become friends. Very snarky friends who are very bratty to each other, but friends. Damian still doesn't like her so Danny spends extra time during patrol keeping the two of them from making insults at each other.

"Nesha please stop fighting with a nine year old. Wraith, quit insulting Nesha."

Nasra also uses like, weaponry as Nesha which exasperates Danny a little because why are you using swords??? They're already dead its not gonna kill them,,,, If you cut off their heads its just gonna piss em off, its re-attachable. Let him ghost-proof it first too. But well, its still gonna HURT he supposes. He's still a little exasperated.

And MMM i'm sorry lmao im so focused on Nasra becoming her own person than the actual romance aspect of it all. Nasra cuts her hair short for the same/similar reasons that Danny keeps his long - to try and gain a semblance of autonomy and identity that's away from their original. Danny has his alternative rock-kinda geeky look and Nasra's got, from influence from Sam, a more alternative fashion style. Although she still leans into being feminine, which is a good challenge to Sam's belief that feminity = bad, and gets her to unlearn those bad habits since her new adoptive sister is feminine while still being an unapologetic badass.

And ykw I think Nasra gets into rollerblading and loves it. She rollerblades constantly. Damian is furious because skating is his thing (even if what he gets later on is a skateboard - skater boy damian ftw. i can see him wearing flannels and graphic tees as a teenager. very grungy/skater aesthetic. He also has a much more relaxed and teen-y speech pattern compared to DW's more formal way of talking. He also spray paints as his form of artistic medium.) and he refuses to have Nasra be a copy of him.

They will sort out their differences eventually. LMao.

Anyways they eventually do get together, but not before Danny finally has his run in with Mister Wayne. Which, they only meet because Danny starts destabilizing, and thus needs Bruce Wayne's DNA to help stabilize himself. Which that meeting in and of itself is pretty chaotic on its own, but then add clone Damian and Nasra? Bruce needs coffee.. or alcohol.

Because picture this: its late at night, you're on patrol with the rest of your family. It's like, two in the morning. You suddenly get a call in from your butler, Alfred, informing you that not one, not two, but THREE children -- two of them in their late teens and the other one not even ten yet -- showed up on your doorstep. One of them is unconscious. They are all clones.

The girl and the boy are twins - and are clones of YOU - and the girl isn't even technically YOUR clone she's a clone of your clone - and also this clone of you is your college friends' kid. And then the youngest boy is a clone of your youngest SON. Bruce is running across rooftops when he gets this call and does a literal 180 degree turn and touches the ground because he basically did a figure skating turn, and sprints back towards the manor because what the fuck? He needs to check this out.

And then half a day later a clone of your fucking ex shows up on your doorstep demanding to see the clone of you - the boy that is, not the girl - and then immediately gets into a verbal lashing with the clone of your son. Like what a fucking DAY. Your kids are equally as baffled but also laughing their asses off -- except your bio son, who is very unhappy about this turn of events and keeps getting the stink eye from his clone.

Like??? I'd quit right then and there.

While Danny recovers he's staying in Wayne manor and Damian is very reportedly not leaving his side. Ellie has to leave to help take care of Amity Park with RH, and then Nasra is also very determinedly not leaving his side either. This is her friend dammit. The first thing she does when he becomes lucid is insult him, and he insults her back - they're bantering. It's how they flirt later on. None of the Bats know how to deal with this situation.

The secret to leading a happy life in this world is that ignorance is bliss.

make me choose @amritashower asked: quanxi or kishibe

choso slowly falling in love with his little brother yuji’s girlfriend ❤︎ he tries to ignore you when you first start coming around the house — locking himself away in his room and attempting to avoid you all together. but you’re always present, smooshed against yuji’s side when choso braves the journey to the kitchen, greeting him politely on the rare occasion that you do cross paths. he’s not sure what reels him in first, your laugh or your smile or something else — but before he knows it, he’s fallen.

and he feels like a piece of shit for being attracted to you. you aren’t just some girl, you’re yuji’s girl. he cares about his little brother more than anything in the world but. . . he can’t help the way he feels about you. he can’t help but let his mind wander, entertaining thoughts of what things would be like if he could call you his.

he considers the fantasy often, more often than he’s proud of, during the months you’re together with yuji. and with every passing day, he loses the battle of temptation. the guilt gnawing at him begins to fade, traded for nagging feelings of lust. he stops hiding away, preferring to drink in every glimpse of you that he can.

he isn’t quite sure when or how it happens, why you’re at the house without yuji, but choso welcomes the sight of your lonesome figure on the living room couch. you don’t seem to mind his presence either, not making a move to widen the gap when he takes a seat beside you. it’s quiet, but sometimes words aren’t necessary, not when you share curious, lingering touches instead.

choso has to say, he’s surprised when you let him tip your chin up without protest, surprised that you don’t pull away when his lips brush yours, surprised that you might just feel the same.

and he supposed he has his answer when only a moment later, you’re beneath him is his bed, nails scratching at the expanse of his back and musical moans filling the air. you’re everything he imagined you’d be and now that he’s gotten a taste, choso can’t be sure that he’ll be able to give you up.

all he can do now is hope that yuji will forgive him.