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#Peter Brook
huariqueje · 4 months
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The Woods are Lovely, Dark and Deep * -    Peter Brook 
British,  1927–2009
Oil on canvas,  24 x 60 in.
Embellished 
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kundst · 3 months
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Peter Brook (UK 1927-2009)
Give Way (n.d.)
Oil on canvas (51 x 61 cm)
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performance theory
the state of dreaming, marina / the fan, richard schechner / theatre of the unimpressed, jordan tannahill / chapter 20: and rend up both to dust bellow, the silt verses / the empty space, peter brook / as you like it, william shakespeare / the main character, will wood
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andichoseyou · 4 months
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"Which is better, to have rules and agree, or to hunt and kill?"
Lord of the Flies (1963) dir. Peter Brook
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davidhudson · 1 month
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Peter Brook, March 21, 1925 – July 2, 2022.
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holespoles · 3 months
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Peter Brook
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cultreslut · 3 months
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marat/sade (1967) dir. peter brook on archive.org
"In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based on 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss." synopsis via tmdb
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HDT Monza 1984. Built by the late Peter Brock (pictured with the car) and planned for a limited production run, the Holden Dealer Team Special Vehicles Monza was an Opel Monza imported into Australia and fitted with a locally made 308ci (5.0 litre) V8 engine and ZF 5-speed gearbox. In fact only one was ever made
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sesiondemadrugada · 10 months
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Marat/Sade (Peter Brook, 1967).
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inthefallofasparrow · 19 days
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Hamlet
Adrian Lester | Peter Brook Théâtres de Bouffes du Nord, 2002
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vonnegutcunt · 2 days
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Tell Me Lies (1968)
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huariqueje · 4 months
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 View in the Dales  -    Peter Brook 
British,  1927–2009
Oil on canvas,  22 x 18 in.
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lascitasdelashoras · 29 days
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Peter Brook - October, Pennine Road. 1976
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Lejaren a Hiller — Life magazine — October 1914
(via The Pictorial Arts: Illustration and Photography)
* * * *
"Every phenomenon arises from a field of energies: every thought, every feeling, every movement of the body is the manifestation of a specific energy, and in the lopsided human being one energy is constantly swelling up to swamp the other. This endless pitching and tossing between mind, feeling, and body produces a fluctuating series of impulses, each of which deceptively asserts itself as “me”: as one desire replaces another, there can be no continuity of intention, no true wish, only the chaotic pattern of contradiction in which we all live, in which the ego has the illusion of will power and independence.
Gurdjieff calls this “the terror of the situation". His purpose is not to reassure; he is concerned only with an impartial expression of the truth. If we have the courage to listen, he introduces us to a science which is very far from the science we know."
~ Peter Brook, in Parabola, Summer 1996 [Ian Sanders]
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rapturousrot · 2 years
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Moderato Cantabile (1960) dir. Peter Brook
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guy60660 · 9 months
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Peter Brook | Tate
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