Sun Yuan & Peng Yu: Can’t Help Myself (2016)
6K notes
·
View notes
“The angel, a transcendent being, has become powerless, unable to carry out God's will, or to help those who believe in its existence.” — Sun Yuan and Peng Yu
Sun Yuan and Peng Yu
Angel
2008
Silica Gel, Fiberglass, Stainless Steel, Woven Mesh
180 × 220 cm
150 notes
·
View notes
Look in art: Sun Yuan & Peng Yu
Sun Yuan [born 1972] and Peng Yu [born 1974] are artists living and working collaboratively in Beijing.
* * * *
Billy Collins, “The Afterlife” →
They’re moving off in all imaginable directions,
each according to his own private belief,
and this is the secret that silent Lazarus would not reveal:
that everyone is right, as it turns out.
you go to the place you always thought you would go,
the place you kept lit in an alcove in your head.
Some are being shot into a funnel of flashing colors
into a zone of light, white as a January sun.
Others are standing naked before a forbidding judge who sits
with a golden ladder on one side, a coal chute on the other.
Some have already joined the celestial choir
and are singing as if they have been doing this forever,
while the less inventive find themselves stuck
in a big air conditioned room full of food and chorus girls.
Some are approaching the apartment of the female God,
a woman in her forties with short wiry hair
and glasses hanging from her neck by a string.
With one eye she regards the dead through a hole in her door.
There are those who are squeezing into the bodies
of animals—eagles and leopards—and one trying on
the skin of a monkey like a tight suit,
ready to begin another life in a more simple key,
while others float off into some benign vagueness,
little units of energy heading for the ultimate elsewhere.
There are even a few classicists being led to an underworld
by a mythological creature with a beard and hooves.
He will bring them to the mouth of the furious cave
guarded over by Edith Hamilton and her three-headed dog.
The rest just lie on their backs in their coffins
wishing they could return so they could learn Italian
or see the pyramids, or play some golf in a light rain.
They wish they could wake in the morning like you
and stand at a window examining the winter trees,
every branch traced with the ghost writing of snow.
13 notes
·
View notes
if i died , 2013
peng yu & sun yuan, silica gel and fibreglass
21 notes
·
View notes
4 notes
·
View notes
remember when everyone was sharing videos/images of that one robot squeegee art installation and people were genuinely connecting with it and crying bc they felt something from this installation and a bunch of assholes crawled out of the woodwork and were like "LOL THE TIKTOK KIDS ARE JUST NOW LEARNING ABOUT ART AND ARE ENJOYING IT LMAO...."
36 notes
·
View notes
Sun Yuan and Peng Yu, Can’t Help Myself
700 x 700 x 500 cm, Industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with visual-recognition sensors, acrylic wall with aluminum frame
2016 Tales of Our Time, Guggenheim, New York, America
source
11 notes
·
View notes
FUTILE
Mark Tansey Robbe-Grillet Cleansing Every Object in Sight | Louise Glück “April” | Sun Yuan and Peng Yu Can’t Help Myself
38 notes
·
View notes
Can’t Help Myself (2016) by Sun Yuan and Peng Yu
20 notes
·
View notes
thinking about her (can’t help myself robot)…
18 notes
·
View notes
Retour à mon projet de présenter la plupart de mes 52825 photos
2011.A Lille, il y avait eu au Tri Postal une expo nommée “Les Routes de la Soie”
- Hayv Kahraman - "Flaying the Lamb”
- Hayv Kahraman - “Heads on a Plate”
- Liu Wei - "Love it! Bite it!” (je crois me souvenir que c’était fait en cartilage pour chien.
- id
- Diana Al-Hadid -"Tower of Infinite Problems”
- Sun Yuan & Peng Yu - “Old Persons Home”
- id
- Bharti Kher - "An Absence of Assignable Cause”
13 notes
·
View notes