#On a meta level they are also very small. Each square panel is 1/4 of a sticky note. about 8 comics fit on one page. | Explore Tumblr Posts and Blogs

carrionbeast · 3 years

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Part 1 of my @daredevilexchange Daredevil + Defender Exchange Piece for @hehearse! Part 2

Also available on Ao3 once the collection is revealed! Prompt used: talking about lost opportunities, lost chances

Image IDs are on Ao3, separately in chapter 2 and also under the cut!

[Image description: 6 images containing 11 Daredevil fan comic pages and 1 cover

Cover:

Daredevil is written in the bright red, tilted lettering of the classic logo. In the upper left corner is a box with a black outline, split in two. The top half is a red box with white lettering, reading DDE, mimicking the marvel logo should be and under it, in a white box, is the number 1 in black lettering. Under these two boxes is the name of the author and artist, Neon Brutalism.

The cover features a large empty hourglass, tilted towards the upper left of the page. Trapped in the bottom of the hourglass, we see Daredevil and Foggy. The glass is too small for the both of them and they’re tangled in each other’s limbs. Matt’s sitting with his knees bent, uncomfortably on his tailbone. The toes of Matt’s boots are pressed up to the glass and his hands are pushing up against it above him and to his side, the red fabric of the gloves lighter where it’s tight against the curved glass. He’s blushing under his mask, tilting his head away from Foggy. Foggy, dressed in a suit with bow tie, with his legs up in the air, has one hand between Matt’s boots and one above his head, against the glass. The bottoms of Foggy’s shoes are up against the glass, right leg across Matt’s lap and his left leg behind Matt’s back. Foggy is also looking away from Matt and blushing deeply.

At the bottom of the page, the title, “The Glass of Sand and Fog” is written in white lettering with a thick black outline. /end image description]

[Image Description: Interior cover:

No art but text in the center that reads:

Disclaimer: All publicly recognizable characters, settings, etc. are the property of Marvel. The original characters and plot are the property of the creator of this story. The author and artist is in no way associated with the owners, creators, or producers of any previously copyrighted material. No copyright infringement is intended.

In the lower left corner of the page, more text, that reads:

“For Heherse, Daredevil and Defenders Exchange 2021” /end image description]

[Image Description: Page 1

Panel 1 - Inside a warehouse. The moon glows through the warehouse’s glass-block windows, casting a sharp light on the room. The camera is pointed up at the villain, a thin, short-haired man, half-hidden in shadow. His right eye is obscured by a large monocle and he has a triumphant expression on his face. He is standing on top of a giant clock with a large battle-axe replacing the hour-hand. The axe-hand is pointing to the number twelve in roman numerals. The man is dressed in high-waisted riding pants with suspenders and an old fashioned button-up shirt. In his left hand, he holds a staff with a small hourglass on the top.

The Villain: “Don’t worry, Mr. Nelson! You still have one more hour for Daredevil to come save your miserable life! But beware, the Axe of Time may be the end of you both!”

A speech balloon coming from below the panel’s edge.

Off Camera Voice: “What the hell is the axe of time?”

Panel 2 - The camera pulls out to reveal the full shape of the clock. It stands solitary on a short platform in an empty warehouse. The villain leans over the clock to glare downwards with an offended expression.

Sitting on the platform, positioned at the 6 on the clock, under the axe, is Foggy. He’s wearing a bowtie and a slightly rumpled suit. His hair is parted in the center and slightly messy. His hands are bound together at the wrist and his feet at the ankles but he does not seem very distressed.

The Villain: “Well, not all of us can afford the giant hourglass needed for a sands of time trap.”

Foggy: “It’s just really thematically confusing.”

Panel 3 - Medium zoom in on the villain. The camera right side of his face is hidden in shadow and his grin is toothy and threatening.

The Villain: “You should be more worried about your dear friend Daredevil -”

Panel 4 - Same zoom. The villain is confused and raises a single eyebrow.

The Villain: “Wait. Friend? Associate? Client? I’m unclear on the nature of your relationship.”

Panel 5 - Medium zoom in on Foggy’s face. He rests his chin on his bound-together hands and stares forward in resignation.

Foggy: “Yeah, you and me both.” /end image description]

[Image Description: Page 2

Panel 1 - Pulling back into the shadows a little, the villain grins, still gripping his staff.

The Villain: “Well, no matter…”

Panel 2 - The shadows behind the villain have shifted into the silhouette of a figure with horns. Enormous, bright red eyes glare ominously forward into the camera.

The Villain: “Once your companion shows up to save you, he’ll meet his grisly-”

Panel 3 - The villain’s speech balloon continues into the next panel but his sentence is cut off as the shadows materialize into Daredevil. Daredevil punches the villain in the face, fist flying towards the camera. We see the villain’s full face at last as his monocle goes sailing off his face and out into the gutters between the panels.

The Villain makes a distressed noise.

Panel 4 - A bird’s eye view down at the floor from the top of the clock. We can see Daredevil’s boots standing on the top of the clock. The villain lies unconscious on the floor, his monocle next to him, cracked and his staff out of reach.. Still sitting on the platform is Foggy, who looks up at the camera with a fond expression.

Foggy: “My hero.”

Panel 5 - Camera at ground level, Foggy watches as Daredevil jumps towards the ground. Daredevil: “I’m guessing this was a me-related kidnapping?”

Panel 6 - The camera is over Foggy’s shoulder. Daredevil is facing away from Foggy as he unties Foggy’s hands. His expression is regretful and apologetic and the far-side of his face is slightly cast in shadow.

Foggy: Well…

Daredevil: Sorry... /end image description]

[Image Description: Page 3

Panel 1 - Daredevil sits on his knees as he unties the ropes around Foggy’s ankles. He’s still regretful. Foggy reaches over to pat Daredevil on the shoulder with a comforting expression.

Foggy: “Really, don’t get pouty. This guy wasn’t exactly threatening.”

Panel 2 - Daredevil and Foggy are both standing now. Foggy is holding the remnants of the rope in his hand and examining it with a dubious expression. Behind him, Daredevil looks confused.

Foggy: “He didn’t even tie me to the clock.”

Daredevil: “That’s a clock?”

Panel 3 - Far zoom out at ground level. Foggy and Daredevil walk away from the camera towards the double-doors of the warehouse. Light from the street casts a shadow behind them as they move towards the light.

Daredevil: “Why’s there an axe on it?”

Foggy: “His theme is inconsistent.”

Daredevil: “Hm.”

Panel 4 - Pull back and reveal the outside of the warehouse, a square brick building with a low, flat roof. The full moon hangs low in the sky. The streets around them are empty and a bright streetlamp casts the warehouse area in light, reflecting off the power lines and windows of the warehouse. Daredevil climbs a rickety ladder next to the warehouse door, leading up to the warehouse roof as Foggy stands on the ground and watches him climb.

Daredevil: ”To be honest, I think time is scary enough without a giant axe clock.”

Panel 5 - Foggy grins up at Daredevil as he climbs up the ladder towards the camera.

Foggy: “What, worried about getting old? Daredeviling getting hard on your knees?”

Daredevil: “No, no…”

Panel 6 - As Daredevil’s boots retreat out of the top of the panel, Foggy starts to climb up after Daredevil.

Daredevil: “It’s hard to explain.”

Panel 7 - At the top of the warehouse. The roof access door visible over h’s shoulder, Daredevil is standing on the flat roof and reaching over the ledge to pull Foggy the remaining distance up the ladder.

Daredevil: “Maybe it’s the idea of stuff slipping away, missing chances, that sort of thing.”

Foggy: “Let’s not talk about slipping when you’re pulling me up a rusty ladder?” /end image description]

[Image Description: Page 4 -

Panel 1 - The New York City skyline lights up the horizon as Daredevil and Foggy sit on the ground of the roof, their backs to the ledge wall surrounding it. Daredevil hugs his knees and Foggy has one leg stretched out and one bent slightly, more relaxed. Foggy looks at Daredevil.

Foggy: “So, what slipped away from you?”

Panel 2 - From behind, Daredevil pulls his cowl up and off, revealing Matt’s hair. It’s static-y and wild from being under the cowl.

Matt: “Oh…”

Panel 3 - Matt grips his knuckles and faces down, blushing brightly as Foggy, with a determined expression, runs his fingers through Matt’s hair trying to smooth it down.

Matt: “Just… Stuff.”

Panel 4 - Matt in profile, gently wincing. The blush has receded and Foggy is smiling at him.

Foggy: “Oh. like how I still wish I had tried out for the Hell’s Kitchen community theater production of The Scarlet Pimpernel?”

Matt: “Ha, kind of.”

Panel 5 - Meta panel, borderless with a white background. Cartoon-y versions of Matt and Foggy pop up from the edge of the lower panel’s border, standing next to an elaborate image of Foggy dressed in a French Revolution era military outfit, reminiscent of Norm Lewis’s from the 2006 revival. Cartoon Foggy is looking at the version of himself in costume thoughtfully, cartoon Matt has his arms crossed and is nodding.

Foggy: “Well, it’s not too late. They’re doing Les Mis in the fall. What do you think, should I try out for Fog Valfog or Fog-vert?”

Matt: “Oh, Fog-vert, one hundred percent.”

Panel 6 - Tight on Matt, his face is half-hidden in shadow. He’s smiling slightly but is more sad than anything else.

Matt: “I think I’m too late for what I’m thinking about, though.”

Panel 7 - Panning over to Foggy, who is reaching for Matt’s shoulder.

Foggy: “Oh, come on, Matty, don’t be so broody.”

Panel 8 - Tight on the lower half of Matt’s face and his shoulder, where Foggy’s hand is resting. Matt is blushing again. In the background, Foggy is prattling on about something unclear but Matt isn’t paying attention.

Panel 9 - Matt in profile, his head cast down and shadows cover the top half of his face. He’s hesitant to explain.

Matt: “Foggy I - …” /end image description]

[Image Description: Page 5 -

Panel 1 - Pull out to see Matt facing the camera and Foggy next to him. Matt isn’t facing Foggy and is still blushing. Foggy’s excited and has taken his hand off Matt’s shoulder.

Matt: “... Do you want a ride home?”

Foggy: “Oh hell yes, I do!”

Panel 2 - The lights of the New York buildings around them blur as Matt swings through the city on his billy club, Foggy’s arms tight around his neck.

Panel 3 - Foggy’s apartment, small amongst the New York skyscrapers. Scattered lights are on in the windows of the buildings, but Foggy’s apartment is dark.

Foggy: “So, uhhh…”

Panel 4 - Inside Foggy’s apartment, the lights are off. Matt stands stiffly with his arms crossed in the corner, next to the window, staying in the shadows. Foggy, in the foreground, is pulling off his dress shirt, revealing his undershirt. His belt is unbuckled and hanging loosely. He’s not looking at Matt.

Foggy: "... So you think Javert? Its a good role. I'm - I mean, I'm not sure I can carry it but ..."

Panel 5 - Matt’s blushing bright red under his mask again and he points outside, leaning towards the window, slightly panicked. Foggy’s a little disappointed.

Matt: “I - um, sorry. I need to go. Because - I … Crime.”

Foggy: “Oh, sure, no proble-”

Matt: “Bye.”

Panel 6 - Foggy frowns as a red blur leaps out the window.

Panel 7 - Cut to a bright day. Foggy, wearing a dress shirt with vest and tie, is sitting at a restaurant table across from Kirsten, who is wearing a blouse and slacks. The table has a glass of water and an uneaten burger and fries in front of Foggy and fried shrimp and salad in front of Kirsten Foggy has his eyes closed and arms crossed, frowning. Kirsten is leaning back, resting her left arm on the back of the chair and holding her drink casually in her right hand.

Foggy: “And that is the longest I’ve seen him in two weeks.” /end image description]

[Image Description: Page 6

Panel 1 - A restaurant patio on a New York street during the day. Foggy buries his face in his hands.

Foggy: "I had the perfect opportunity there. He was talking about - things he wished he'd done. UGH- Kirsten, why did I have to keep talking about musicals?"

Panel 2 - Close on Kirsten. She smirks and rolls her eyes.

Kirsten: “Hm, changing the subject to avoid being honest about something? Sounds like you've been hanging around Matt plenty to me.”

Panel 3 - Foggy holds a french fry and scowls at Kirsten while she takes a sip of her water through the straw.

Foggy: “Hilarious. I'm pretty sure he knows how I feel anyway.”

Panel 4: Foggy, chewing, rests his cheek in his hand and looks away from Kirsten, pouting.

Foggy: “He turned red and panic-jumped out the window before I could finish talking about Javert."

Panel 5 - Pull out to a bird’s eye view. A graffitied truck rumbles by the patio as Foggy takes a bite of his hamburger. Kirsten has put her drink down.

Kirsten: "Well, is that better or worse than an actual rejection?"

Panel 6 - Foggy is glaring down at his burger as he chews, annoyed.

Foggy: "At least an actual rejection has catharsis. Avoiding me is just him being a selfish dick." /end image description]

[Image Description: Page 7

Panel 1 - The camera shifts slightly, pointing up from under the table, revealing the restaurant name behind Foggy and Kirsten; The Dog Track, and in the corner of the sign, the disclaimer “No longer associated with the New York Gaming Commission”. Kirsten is keeping her face carefully neutral as Foggy’s expression is more irritated.

Kirsten: “That’s a little uncharitable.”

Foggy: "Just because I'm in love with him doesn't mean I don't know what he's LIKE."

Panel 2 - Kirsten tilts her head and holds a fried shrimp on a fork in her right hand.

Kirsten: "And you can't just skip all the drama, pick up your phone and call him right now because...?"

Panel 3 - Tight on Foggy, who isn’t meeting Kirsten’s eye and is blushing.

Foggy: "It's ... complicated!"

Panel 4 - Pull out on Kirsten and Foggy. Kirsten is grinning and Foggy is hunched over, eating his hamburger and looking annoyed and embarrassed.

Kirsten: "You know you're about 15 years late for this high school shit, right?"

Foggy: “You’re 15 years too late.” /end image description]

[Image Description: Page 8 -

Panel 1 - Another warehouse at night, large shadows cast around the room.There’s no moon lighting the windows tonight. An enormous hourglass stands on the dirty floor, a few old crates are up against the wall and some of the pipes nearby are leaking water out onto the floor. There’s a human figure in shadow within the top section of the hourglass and another one on the floor, pacing. All the sand within the hourglass is in the bottom section.

Shadowed Figure in the Hourglass: “So did you get a grant or what?”

Shadowed figure on the floor: “Silence.”

Panel 2 - Foggy, of course, is the one trapped inside the hourglass. He’s annoyed but sitting comfortably like he’s in a hammock. He throws his hands up, gesturing to the hourglass around him.

Foggy: “It's just this is kind of a big budget upgrade from two week ago! I thought you spent all your money on that tranquilizer you hit me with.”

Panel 3 - Foggy frowns, skeptically and taps the glass with a finger.

SFX: Tink-tink

Panel 4 - Close on the villain, still cast in shadow. His monocle has a crack down the middle and he is wearing a waistcoat over a dress shirt and he’s furious. The hourglass is visible behind him and as Foggy pulls his cell phone from his pocket, watches the villain from within the hourglass.

Foggy: "... You know I need to be in the bottom part of this, right?"

Villain: “I know how an hourglass works.”

Panel 5 - Over Foggy’s shoulder, within the hourglass, we see his phone. There’s a series of unreadable text messages sent to and from a devil emoji, but the latest one, sent from Foggy, simply reads “Halp”.

Foggy: “Touchy, touchy…” /end image description]

[Image Description: Page 9 - 5 panels.

Panel 1 - Foggy is still reading his phone, more or less bored with the villain’s theatrics and waiting for a return text.

Foggy: “So, what, you forgot you needed a way to flip it over?”

Panel 2 - The villain crosses his arms and glares up at Foggy, offended.

Villain: “I’m sorry, do I come into your place of business and tell you how to do your job?”

Panel 3 - The camera faces Foggy within the hourglass. He throws his hands up in frustration, still gripping his phone.

Foggy: “Sorry, this is an even less deadly death trap than the first one!”

Panel 4 - Super tight shot on the villain’s eyes. The cracks in his monocle gleam and his visible eye makes him look deranged with the rest of his face in shadow.

Villain: “I am perfectly content to just push the hourglass into the river, Mr. Nelson, and let Daredevil find your bloated corpse when it washes up."

Panel 5 - Foggy smirks, looking profoundly unintimidated and reading his phone.

Foggy: “I’d be more intimidated if I thought you could afford to replace it.” /end image description]

[Image Description: Page 10 - 6 panels.

Panel 1 and 2 - The villain furiously points up at Foggy.

Villain: “I will have you know Mr. Nelson, I”

The villain is suddenly cut off when a red billy club flies in from the left side of the panel, hitting him in the side of the head. His monocle goes flying and the villain himself drops like a sack of bricks.

Panel 3 - Daredevil in silhouette jumps down and lands gracefully on the silhouette of the hourglass with Foggy inside.

Foggy: “You know I don't think this guy thought this supervillain thing through.”

Panel 4 - Foggy looks up and watches as Daredevil perches on the edge of the hourglass and pushes it open at a hidden hinge. He faces down at Foggy.

Daredevil: “I don’t think any of them do.”

Panel 5 - Free of the hourglass, Foggy stands in the background next to the exit of the warehouse, one hand on his hip and the other rubbing the back of his neck. He eyes Daredevil as Daredevil scowls, fastening ropes around the villain’s hands.

Foggy: “So, we haven't really had a chance to talk at the office lately…”

Daredevil: “Well, we’ve been really busy.”

Panel 6 - Daredevil faces the exit, his face hidden and looking away from Foggy, who stands in the foreground.

Foggy: “I, uh, do need to talk to you about something -”

Daredevil: “Sure - yeah, sure, just uh….” /end image description]

[Image Description: Page 11 - 6 panels.

Panel 1 - A red blur as Matt takes off, leaving Foggy in silhouette behind him.

Panel 2 - Matt’s office, during the day. Matt is sitting in a leather chair behind his desk. He is wearing a suit and tie and his eyes are hidden behind his rectangular, red sunglasses.. Kirsten is there, sitting on the edge of Matt’s desk, half-turning to look at him as they talk, she’s wearing a pair of high-waisted slacks and a flowy blouse. Matt’s office is tidy, with a long filing cabinet in the corner with a braille printer on top. His desk is clean aside from his braille reader, hooked up to his closed laptop and a mug next to him. Other buildings are visible in the window behind him. Kirsten’s expression is slightly skeptical and Matt is wincing, embarrassed.

Kirsten: “So you left a devil-shaped dustcloud.”

Matt: “Look, I’m not proud of it.”

Panel 3 - Matt leans back in his chair, smiling weakly.

Matt: “I just need some time. I’ve been actively pushing this down for years, it just… comes back up sometimes.”

Panel 4 - Kirsten is skeptical and Matt smiles grimly. Behind Kirsten, we see Matt’s office door which reads Murdock (in reversed letters).

Kirsten: “And that’s why you’re hiding in your office.”

Matt: “And that’s why I’m hiding in my office.”

Panel 5 - Zoom in on Matt. He’s half-smiling, but clearly sad.

Matt: “I just… I know he won’t be a dick about it. But it’ll make him uncomfortable and I …”

Panel 6: Matt slouches all the way down in his chair, the office around him having vanished into a white void and leaving him alone to sulk.

Matt: “I’ve put him through enough.” /end Image description]

#daredevil #mattfoggy #fan comic #long post #daredevilexchange #matt murdock #foggy nelson

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mysterylover123 · 5 years

Text

BNHA Rewatch: Episode 18 “Cavalry Battle Finale”

mysterylover123

In which the Cavalry battle wraps up and the hype levels reach newfound heights. We start by learning that Shiozaki stole team Shoji’s headbands. Mineta Owned Count: 8

Team Todoroki, attack! (I wanna hear them doing old School battle cries together. “Shock! Creation! Recipro! Ice!”) And of course Jirou has the most noted reaction to Kaminari’s move here. Because Kamijirou.

Midoriya giving Yaoyorozu her props throughout this arc. Earlier on, during the Obstacle Race, he notes how strong she is, and here he’s convinced she’s the biggest threat on Team Todoroki. (Is it bad that I really want to see Deku vs Momo?) Also, this little staredown seems to be setting up the Tokoyami v Momo fight later on.

Kirishima takes a long time to figure out that Monoma can copy quirks. Monoma’s copy quirk has naturally opened up the Pandora’s Box of fan theories, since there are so many various ways it could be utilized (so far it hasn’t been, in any big way).

Midoriya once again proves himself to be the smartest, coolest kid around by evading Todoroki inside a small space for ten full minutes.

Iida’s reciproburst makes its first appearance! This happens so quickly, you’re kinda shaken by it. Disoriented going “wha?!” (Also why is Team Midoriya down to 0? Did they lose Tokoyami, Uraraka and Mei’s headbands at some point and we didn’t see it?)

I love hearing Deku get fired up because his friends have put their faith in him. Also, I feel like the anime did mess up this shot a little for the sake of hype, because in the manga panel Todoroki looks nervous/scared, and in the anime freeze frame he looks confident/stoic. Kinda ruins the idea that he’s panicking and activating his power subconsciously.

Now we have the little “Bakugou is actually cool” moment. There’s this Mother’s Basement vid on Youtube that meta’s a bit about how BNHA differs from Naruto, and one important point they cover is this little subplot: how Class B’s Power of Friendship and Teamwork is no match for Bakugou’s ‘overwhelming tenacity’. Which is true. Big recurring thing in BNHA.

Speaking of Overwhelming Tenacity...(they should start a band) I would not want to be on the receiving end of one of Midoriya’s attacks. No wonder Todoroki activates his flames in defense.

Victory for Deku! (except not really) No one beats Team Todoroki. (Momo makes another rather arrogant comment here; a part of her arc is that before losing to Tokoyami in the Festival, she was rather arrogant, and like Bakugou needed to feel what it was to lose.)

There’s a snatch of YSR playing while everyone’s headed to hit each other. Guess it counts for half a drink.

I do wonder how the hell Shinso’s team managed to get into the top 4 here. Like, I like Ojiro, Shoda and Aoyama ok, but how are they in third place? How’d they outdo so many?

An approximation of my initial reaction to this: OMG TOKOYAMI YOU DARLING BIRD BOY THANK YOU SO MUCH FOR BRINGING MIDORIYA INTO THE FINAL ROUND I SWEAR MY LOYALTY TO YOU FOREVER AND ALL TIMES ALSO THANK YOU HORIKOSHI FOR NOT CHEATING TO MAKE THIS HAPPEN DEKU GETS IN FAIR AND SQUARE...slightly less coherent than that.

A quick Iichaco moment (they bicker a bit) and we leave off on Todoroki and Deku continuing their epic StareDown. (this will be followed up by absolute hilarity, then crushing tragedy).

So this, and the previous ep, are both highly regarded by the fandom as a whole, generally ranking in top 10-15 eps. Now, I enjoy them both; the Cavalry battle is epic and cool and very well plotted. But I’d be lying if I said that, despite episodes like the next one (206) not being as solid as overall episodes, I still look forward to/enjoy them more because they have scenes that moved me emotionally more. So I enjoy the Cavalry battle, but I don’t have a lot to say about it other than “that was cool.” Next time though...

BKDK CORNER:

Even with all of his anger at Monoma, Bakugou still finds time to obsess over Deku.

Deku or Todoroki...Deku or Todoroki...which one do I want? Who’s my rival-lover this week?!

BEST GIRL OF THE EP: Reiko Yanagi!

RANKER: Fave BROTPs (platonic friendships) in BNHA

5. Momo and Jirou

4. Deku and Hatsume

3. Uraraka and Asui

2. Kirishima, Kaminari and Bakugou

1. Deku and Iida

#my hero academia #season 2 episode 5 #cavalry battle finale #midoriya izuku #shoto todoroki #katsuki bakugou #tenya iida #katsudeku #bakudeku #i'm starting to really enjoy team todoroki #i feel like this four need to team up again #some kind of classic team with cool catchphrases #there's such a cult around #Bakusquad vs Dekusquad #but they aren't really a thing in the show #i want more team todoroki

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