Adventures in sewing be like [encounters normally complained about sewing problem] [Does it fine] [encounters thing commonly purported to be easy] [It is the Depths of Hell]
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in the hour or so it took me to draw this op turned reblogs off
EDIT: reblogs are STAYING OFF. op was right and correct and i have never regretted making a post as much as this one. if you want to reblog my art you can reblog something else from my blog. or commission me, lord knows i deserve financial compensation for the nightmare this post has put me through
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Growth capitalism is a deranged fantasy for lunatics.
Year 1, your business makes a million dollars in profit. Great start!
Year 2, you make another million. Oh no! Your business is failing because you didn't make more than last year!
Okay, say year 2 you make $2 mil. Now you're profitable!
Then year 3 you make $3 mil. Oh no! Your business is failing! But wait, you made more money than last year right? Sure, but you didn't make ENOUGH more than last year so actually your business is actively tanking! Time to sell off shares and dismantle it for parts! You should have made $4 mil in profit to be profitable, you fool!
If you're not making more money every year by an ever-increasing exponent, the business is failing!
Absolute degenerate LUNACY
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Ice king is a really good character because they intoduce him and you're like "haha what a freak what's wrong with him" and then the show goes "oh! You want to know? Let me show you :)" and you end up just sitting there like
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I keep having to tear down extremely predatory/misleading Scien.tology flyers in my school's art building. This is the third fucking time I've ripped the fuckers up and I'm getting Real Fucking Tired of it.
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i think that percy and annabeth's relationship is so healing for both of them. like, our girl has severe abandonment issues but managed to pull the guy whose fatal flaw is unwavering loyalty. and our boy has severe self-esteem issues but managed to pull the girl who consistently chooses him. i love these two so much.
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"adrinette is my favorite side of the lovesquare" "i prefer ladynoir" "marichat is so cute" WRONG. the best dynamic is when they're detransformed hiding from each other on diff sides of walls/other barrier hiding them and communicating thru yelling at each other while recharging their kwamis
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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came back wrong trope but the character knows that they came back wrong. they’re so acutely aware of how different they are now from how they were before that it drives them fucking insane. they’re stuck trying to return to somebody that’s long dead. they can never be the person they once were. everybody around them knows it. deep down, they know it too, but they’re trapped in a cycle of their own making. of trying to revive someone that no longer exists.
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