“The Offering” (A Namor of Talokan Fic) Masterlist
Summary:
A Wakandan woman makes an ancestral offering to Mama Wati during an annual seaside celebration for the mother of waters and meets the forbidden love of her life... K'uk'ulkan, a being who claims to be a god, but only wants to live as a man.
Three Part Mini-Series. NSFW. Smut. 18+.
Part One
Part Two
Part Three
(Check out my Quick and Dirty Masterlist of other content HERE.)
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he had me twirling my hair and shit in the movie theater
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Never gonna get over Namor's face when the queen asked him what did he want and he deadass said "Nothing" because his wet ass was already halfway through the planning of a spring wedding
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This took me SO LONG to write but here it finally is. Look, friends, I found another rarepair to sink my teeth into! When M’Baku looked like he was about to nut the moment he saw Namor’s powerful body in action, I felt that. A lot.
Fandom/Series: Marvel/MCU/Black Panther:Wakanda Forever
Characters: M’Baku, MCU!Namor, minor appearances by MCU!Namora and Ayo
Pairing: Nam’Baku (Namor/M’Baku)
Rating: M
Length: 6,447 words
Summary: Negotiations between Talokan and Wakanda have been going well, until they are interrupted by an assassination attempt on King M’Baku. Namor takes the hit and almost dies from it. In the aftermath, the two rules not only have to puzzle out the growing attraction between them, but also try to prevent further attacks...
Warnings: Namor whump, Hurt/Comfort, some violence and traumatic nightmares
“Why?” M’Baku asks, with the frankness that Namor so appreciates in him. Despite his exhaustion, Namor considers his answer before he speaks. Because another dead Wakandan monarch would help nobody, least of all us, might be true, but isn’t the whole truth. As is ‘Because you deserve a better end than at the hands of one cowardly assassin’.
“Instinct,” he finally says. It is the truth, or as close to it as he can manage. If he has to be completely honest, he hadn’t really been thinking at all, everything had happened far too fast.
“Instinct to protect a surface dweller?” M’Baku’s lips are twitching, belying the mock-serious tone of his question.
“Instinct to protect a fellow king.” Namor knows they are alone, that nobody is listening. That and his current rattled state are the only reason why he lets himself continue the sentence. “And a decent man.”
“Oh?” M’Baku’s eyebrows rise, and he gives a hearty laugh. “’A decent man’,” he repeats. “Is that how you refer to everyone you’ve had carnal relations with?”
Namor frowns, his fingers tightening, despite the pain that the movement sends through his arm.
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Among Wakanda Forever's many MANY achievements is its superb indictment of white feminism. Julia Louis-Dreyfuss' character is the classic superficially "empowered" woman in a high-level corporate job who does nothing to empower any other woman--who in fact only seeks to infiltrate and sustain the same colonial patriarchy that oppresses most of the world for her own benefit. Contrast this with the true feminism of Wakanda and Talokan, where women are not only on equal footing with men, but play an active role in creating and maintaining societies that would have no room for such backwards notions as misogyny in the first place. Wakanda Forever is a masterpiece.
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