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inkskinned · 1 year

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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.

we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."

at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.

the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.

the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.

what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.

here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.

#this is true #writeblr #warm up #relatedly for some reason one of our Favorite Jokes #amongst the Siblings #is like - ''this is so good u will love it''#while we are reacting to something we OBVIOUSLY find viscerally disgusting #like we will be actively retching and be like ''nooooo it's so good''#to the point that i sometimes get nervous if someone outside my family is like oh u should try it its good #(obvi we never force each other to eat anything. we are all just curious birds and #like. we're GONNA try the new thing.)#edit to answer why we had so much vanilla:#my mom is a very good cook and we LOVE to bake. so she just had a lot of staples in the house.#it's one of those things that's like. have u ever continuously thought ''ah i should get butter im probably out''#even tho u are not out of butter. so u end up with like 5 years of butter.#my mom would do that in a costco but like with vanilla extract #to be fair we WERE always using WAY TOO MUCH bc we were kids #so like she was right to stock up #ps. yes we were VERY sick after this lol i just didn't want to include it in the post in case ppl had an ick about that #u can tell it's real bc we knew "oh no we fucked up that's too much vanilla to waste'' but our reaction was to just. keep drinking it #> sibling understanding that vanilla extract isn't free > knowledge mother doesnt mind if we use it for milkshakes #> sibling choice to maybe get in a loophole of ''not wasting it'' if we drink it bc that's the same as using it (not throwing it out)#listen bud i was like 13 and my sister was like 9 #when my mom discovered this we. got in. A LOT. of trouble. a lot of it. a LOT of it.#3rd edit bc i guess it isn't clear - i am 1 of my brother's 2 little sisters #i am the middle child #out of all the ways i have had to explain a post before being like ''did u forget a middle child can happen'' is my favorite

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cappycodeart · 9 months

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"The dead one! Yeah I haven't thought about her in a long time!"

A little theory I've had about Winter King's original motives based on his heartless comment about Betty and Ice King's original motives for kidnapping princesses in the first place...... clearly she gave off Bad Ex Vibes…

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triona-tribblescore · 27 days

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IM FUCKING BACK BABYYYY!!!! [Read tags for a lil info!]

(Please accept this silly doodle dump of my brainrot boys uvu ✨)

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temeyes · 7 months

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too lazy to work on wips and answer my inbox, but have this dood for now!!

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zivazivc · 2 months

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What do the band mates look like now?

Hed's a dad, and Les finally found a shirt that fits him

#technically this isn't 'now' either because the kids are already a little older in the present #i just love drawing babies #liv and flea disappear from my brain when they leave the band so idk what they look like now lol #trolls #dreamworks trolls #ex bandmates #trolls oc #les #hed #hed's kids #my art #answered #hed's hair is basically just a bit longer and he let his undercut grow out #and no more goatee #and les wears his bangs and dreads pushed back and grew a long ass beard #(it was inspired by wayne static. i just love his insane hair and beard it was such a cool look. guy just had troll hair irl. rip dude)#the kids designs aren't final because the girlfriend's design isn't final yet either #the gf is basically the last member of the band who joins after floyd leaves

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dresshistorynerd · 8 months

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I've seen a post you've reblogged and added to, among many things about women showing nipples. Can you recommend any ref material (articles, videos, etc.) are share your knowledge about this? Cause I'm curious about that, as nowadays going out in a shirt without a bra makes you indecent, while in like 90s it was okayish? I wonder how it was in previous centuries.

There is a really cool academic paper about bare breast dresses in 17th century England specifically. I think anyone can read it by creating a free account.

Abby Cox also has a good video about the cleavage during the past 500 years in which she goes through also the nip slip phenomena.

I don't have other sources that specifically focus on this subject, though many sources about specific decades touch on it, but I do have my primary source image collection, so I can sum up the history of the bare nipple.

So my findings from primary source images (I could be wrong and maybe I just haven't found earlier examples) is that the Venetians were the first ones to show the nipple for courtly fashion. At the same time in other places in Europe they sported the early Elizabethan no-boob style that completely covered and flattened the chest. In the other corners of Italy the necklines were also low but less extreme. Venetian kirtle necklines dropped extremely low as early as 1560s and they combined extremely sheer, basically see-through partlets with their kirtle. First example below is a 1565-70 portrait of a Venetian lady with the nipples just barely covered waiting slip into view with a movement of arm. There was an even more extreme version of this with the kirtle being literally underboob style, still with a sheer doublet. Though I believe this was not quite for the respectable ladies, since I have only seen it depicted on high class courtesans. They were not exactly respectable ladies, but they did have quite good social position. The second example is a 1570s depiction of a courtesan, which is revealed by the horned hairstyle. By the end of the century this underbust style with only see through fabric covering breasts, had become respectable. In the last example it's shown on the wife of the Venetian doge in 1597.

Around the same time, at the very end of 1500s, the extremely low cut bodice fashion enters rest of Europe. The low cut style was present in the bodices of all classes, but the nipple was really only an aristocrat thing. The lower classes would cover their breasts with a partlet, that was not sheer. Bare breast was ironically from our perspective a show of innocence, youthful beauty and virtue, and to pull off the style with respect, you also had to embody those ideals. Lower class women were considered inherently vulgar and lacking virtue, so a nipple in their case was seen as indecent. Bare boobs were also a sort of status symbol, since the upper class would hire wet nurses to breastfeed their children so they could show of their youthful boobs.

Covering partlets and bodices were still also used in the first decade of 1600s by nobles and the nip slip was mostly reserved for the courtly events. The first image below is an early example of English extremely low neckline that certainly couldn't contain boobs even with a bit of movement from 1597. The 1610s started around 5 decades of fashion that showed the whole boob. The first three were the most extreme. Here's some highlights: The second image is from 1619.

Here the first, very much showing nipples, from c. 1630. The second from 1632.

The neckline would slowly and slightly rise during the next decades, but nip slips were still expected. Here's an example from 1649 and then from 1650-55. In 1660s the neckline would get still slightly higher and by 1870s it was in a not very slippable hight. The necklines would stay low for the next century, though mostly not in boob showing territory, but we'll get there. But I will say that covering the neckline in casual context was expected. Boobs were mostly for fancy occasions. It was considered vain to show off your boobs when the occasion didn't call for it and covering up during the day was necessary for a respectable lady. You wouldn't want to have tan in your milk-white skin like a poor, and also they didn't have sun screen so burning was a reasonable concern.

1720s to 1740s saw necklines that went to the nip slip territory, though they didn't go quite as low as 100 years earlier. The nipple was present in the French courtly fashion especially and rouging your nipples to enhance them was popular. Émilie Du Châtelet (1706-1749), who was an accomplished physicist and made contributions to Newtonian mechanics, was known in the French court to show off her boobies. An icon. Here she is in 1748. Here's another example from this era from 1728.

The Rococo neckline never got high, but in the middle of the century it was less low till 1770s when it plunged into new lows. In 1770s the fashion reached a saturation point, when everything was the most. This included boobs. The most boob visible. There was a change in the attitudes though. The visible boob was not a scandal, but it was risque, instead of sing of innocent and did cause offense in certain circles. I think it's because of the French revolution values gaining momentum. I talked about this in length in another post, mostly in context of masculinity, but till that point femininity and masculinity had been mostly reserved for the aristocracy. Gender performance was mostly performance of wealth. The revolutionaries constructed new masculinity and femininity, which laid the groundwork for the modern gender, in opposition to the aristocracy and their decadence. The new femininity was decent, moral and motherly, an early version of the Victorian angel of the house. The boob was present in the revolutionary imagery, but in an abstract presentation. I can't say for sure, but I think bare breasts became indecent because it was specifically fashion of the indecent French aristocracy.

Here's example somewhere from the decade and another from 1778. The neckline stayed quite low for the 1780s, but rose to cover the boobs for the 1790s.

The nipple didn't stay hidden for long but made a quick comeback in the Regency evening fashion. It was somewhat scandalous by this point, and the nipple and sheer fabrics of the Regency fashion gained much scorn and satire. The styles that were in the high danger nip slip territory and those that allowed the nipple to show through fabric, were still quite popular. The sleeves had been mid length for two centuries, but in 1790s they had made a split between evening and day wear. The evening sleeves were tiny, just covering the shoulder. Showing that would have been a little too much. Like a bare boob? A risque choice but fine. A shoulder? Straight to the horny jail. (I'm joking they did have sheer sleeves and sometimes portraits with exposed shoulder.) But long sleeves became the standard part of the day wear. Getting sun was still not acceptable for the same reasonable and unreasonable reasons. Day dresses did also usually have higher necklines or were at least worn with a chemisette to cover the neckline. Fine Indian muslin was a huge trend. It was extremely sheer and used in multiple layers to build up some cover. There were claims that a gust of wind would render the ladies practically naked, though because they were wearing their underclothing including a shift, which certainly wasn't made from the very expensive muslin, I'm guessing this was an exaggeration. Especially though in the first decade, short underboob stays were fairly popular, so combined with a muslin, nipples were seen. Here's an early 1798 example of exactly that. The short stays did disappear eventually, but in 1810s the extremely small bodices did provide nip slip opportunities, as seen in this 1811 fashion plate.

Victorian moralizing did fully kill the nip slip, though at least they were gender neutral about it. The male nipple was just as offensive to them. In 1890s, when bodybuilding became a big thing, bodybuilder men were arrested for public indecency for not wearing a shirt.

#there was also the new femininity aspect to regency nipple which had to do with breastfeeding becoming fashionable among upper class #it's about the whole motherly thing that came with the french revolution #i can't remember the book i read it from so i didn't go into it because i couldn't remember the details lol #but it did definitely have an effect to the fashion and to the perception of nipple #historical fashion #fashion history #history #dress history #fashion #answers #painting #fashion plate #renaissance fashion #elizabethan fashion #rococo fashion #baroque fashion #regency fashion #will tumblr prove itself to be again more prudish than elizabethans and label my post as mature content?#remains to be seen

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yardsards · 25 days

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i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

#eliot posts #dunme #delicious in dungeon #dungeon meshi #sorry to put toshiro in the roll of shitty job interviewer lmao #but he was the best fit for ''guy that wants me to read their mind''#laios being my internal monologue here #i was on my THIRD interview of the day i was Dying #tho since the prev two interviews i had were for similar positions and told me their salaries outright at least i could use that number #(though tbh my work persona is more of a kabru. my customer service voice is unparalleled)#(at my first job even my coworkers thought i was sooo cheerful til i got too comfy and casually made a joke abt wanting to asphyxiate on a #plastic shopping bag like a sea turtle. in front of my sweet elderly coworker. oops!)#(also this job was during quarantine and after weeks of working together i took my mask off in front of one coworker for the first time #and she called like half the department over from their registers to look at how pretty i was??? prettyboy powers unmatched ig)#(also my first interview today went SO well i charmed that interviewer so good despite my lack of qualifications)#(she even complimented my social skills and said i seemed like the type who could get along well and make good conversation with anyone!)#(which is important bc i was interviewing for an elder care position. also old people especially tend to think i am a Delightful Young Lad)#(unless i accidentally make a morbid joke around them ig lmaooo. or. well. some of them like those too. but not that one coworker lol)#(if only that skill transferred over to actually making friends irl. my autistic ass has so few close irl connections)#(i hope my exceedingly short list of character references does not prevent me from getting hired)#AND ALSO my first job asked the same wage question and i said twelve dollars #and they were like all our new employees start at 7.75 #the union insists that we pay all new employees a whopping 50 cents above min wage. (we'd pay less if we could)#like dawg why did you ask that then??? if my answer did not matter at all???

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zarla-s · 3 months

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Do/for you have to make references for any other characters in Handplates? Like the mouse or pterofractal? The same goes for the characters that have canon designs in Undertale. Did you ever need a ref for them?

Honestly I like never make reference sheets until something forces me, haha. With the mouse I just go back to the first comic he appeared in and just ref off of those. I might have mentioned this before, I forget, but originally that mouse was supposed to be the mole in the MTT comedy club but then I looked up their speech pattern and it didn't fit, so instead I made them a Rathbone cameo from The Lost Mind of Dr. Brain. :B

I had to improvise his lower body so I just gave him big wading pants lol.

As for Pterofractal, Jaz gave me this!

I do have a folder for canon refs, mostly screenshots I've taken to get colors and layouts for certain areas in the Underground, haha. And some sprite sheets if I need them.

Nothing really official or purposeful though, just screencaps and snips from other files I end up reusing.

#asks and answers #novafloofeatsbirds #undertale #handplates #this is unrelated but you would not BELIEVE what i went through to get that cap of rathbone #first i couldn't find my disk for lost mind of dr brain #then i couldn't get it to install on windows 10 #so i had to get pcem and set up windows 3.1 on a virtual machine which was its own whole thing #THEN i had to set it to a graphics driver that had 256 colors which was ANOTHER different thing #and i FINALLY got it working and the sound stutters lol #well i got my own personal shot that's what matters #and maybe this emulated machine will come in handy sometime who knows

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ioniansunsets · 7 months

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✖ Hwei Painting Reader ✖

✖ Word Count: 1.5k

✖ Tags: Established R/S

✖ A/N: I've seen all the voicelines and read his content we ARE HWEI LUKAI SIMPS NOW LETS GO BABES!!!!!!!! I still can't believe this took 3 days to write because I kept re-reading and re-writing things to try to make it less OOC.

I also super kin him as a college student in an arts school. Yes my love, lets stay up to 11am rushing an uninspired assignment together surviving off coffee and instant noodles. Oh no am I triggering a school au thought for Hwei.....maybe......

Oh more art student thoughts, I headcanon his paintings to be like Henri Matisse! He is a Fauvist! I know for a fact !This man will use every single color that exists to paint his world just as he imagines it, who cares what his teachers say! That green stripe on his lover's forehead is meant to be there! Fuck the critics!

----

You had been sitting here for an hour by now, Hwei telling you how badly he wanted to- No. Needed to capture your beauty in the orange hues of the setting sun.

How inspired he was seeing you walk past the window in his studio as you two returned from a walk. The way the light glows as it hit your hair, how your body silhouetted against the glass, the way the shadows cast on the floor just was so perfect in framing sanctity of the moment.

Slowly Hwei walks over, hands soft as they feel your face. Gently, the tips of his fingers trail down from your eyes to your cheeks and finally stopping at your lips. His three favorite parts of your face, all so important in showing him your emotions. An almost lamentable smile crossing his face as he looks down and walks back to the canvas situated slightly further away. You could usually understand him but, sometimes you wish you could understand what darkness held him back.

" I'm always blessed to have such a masterpiece like you love me. How such beauty flourishes besides my despair."

Hwei pauses, thinking of the right words. His hand rising to rest on his chin as he looks around, everywhere but you.

" It eludes me. Yet, it fills me with such honor at the same time."

Hwei speaks to you soft, voice trailing off as he thinks, slowly nodding. The lightest of pink undertones suddenly rising to his cheeks as he thinks again about what he just said.

Oh how he so dearly appreciates your bright existence in his life. Eyes not daring to meet your own for his heart is already threatening to explode just from that brief touch earlier. Emotions were always such an important part of art, he cherishes how you inspire him this way, just seeing your beauty in the world fills him with image after image to paint and bring to life.

You however, notice anyway, his feelings that he tries to hide away from you. The way the colors in his eyes change, another telltale sign of the way you affect him. Your own cheeks now dusted with the same soft pink on his.

You smile, sitting still on the window sill, a soft glow from the setting sun illuminating you from behind as you watch your lover paint. A sight that never stops amazing you, the way his magic throws colors onto the canvas, mixing together to create such visually stunning images, you were so sure those purples and greens don't exist in shadows yet somehow you know he would make it look like the rainbows were there all along.

" You know I only shine this bright because you care for me so, Hwei."

" Ah... Don't flatter me this way, your beauty is your own. I can never make something that really captures your brilliance on a canvas like this. But alas, I believe I have the skills to at least capture my emotions for you down in this one."

You watch on, another hour had passed. The sun had long set, instead, the moonlight and soft glow of the lamp overhead lights up your partner's features as the corners of his lips curl up into a smile. Unable to hold back his excitement as the empty canvas slowly fills up with color and form. His hands gracefully gliding across the scene, you watch how his clothes move around him, how the shadows move on his exposed collar as his arm raises to work. His hair bouncing behind him as he paces around, making sure he views you from every angle, catching all the important details to this moment. His eyes darting back and forth from your form to his canvas. After a while, the finishing touches finally placed, he steps back and gives a relieved sigh. He was usually so hard on himself to create perfection, but when it comes to a portraiture of you, he can't help but agree he made a masterpiece. You were stunning, so anything made in your image was stunning to him too.

" Take a look."

Hwei walks to your side, hand out for support as you held onto it and hopped off the windowsill. He guides you to the canvas, hand gently resting on the dip of your lower back. Eventually he moves to stand behind you, resting his head on your shoulder, arms now around you in a hug from behind. You can feel his anxiety, the silence in the air heavy as you carefully consider his work, a slight tremble in his grip around your waist. Of course, you only have good things to say about it, he's an art prodigy if you've ever seen one. Avant Garde work but undeniably breathtaking. As you finally look at the completed work in front of you, you were pleasantly surprised to see how once again, he left your breathless with just how he sees you.

" I can't lie Hwei, this is amazing. Everything you make is amazing to me I could never wield colors the way you do. To think that this was how you saw me."

As you speak you can feel him heat up against your back, his head slowly tilting down as he hides his face into the crook of your neck. His art of you was just one of the small ways he tries to show you his love.

" Thank you."

He whispers softly into your skin. You giggle softly, reaching up to rest your hand against his. After placing a soft kiss on the corner where your clothes meet your skin, he pulls away to stand in front of you, eyes finally meeting yours as you catch sight of gold flecks floating across his irises. He was so visibly happy to just be here, to see you happy with his work. Hwei takes a deep breath. Calming himself as he looks at you, taking in the sight of you in front of him, you can tell how his thoughts were flooding him as the two of you stood there in comfortable silence before he finally speaks.

" My dear, you bring out the light in me no matter how much it dims.

How you seem to quell that darkness is beyond me. I see so many colors when I'm with you...

The reds of your passionate love, the soft yellow of your happiness when were together, the lingering orange of comfort that you have around me all the time. And that is not even touching the blues and purples when you watch me work with amazement."

Hwei reaches out to you, one hand caressing your cheek while the other reaches around your waist to pull you in. You laugh, watching how his eyes swirl, reds fading into yellows briefly before oranges transform before your eyes into cool blues and purples as he describes you, his usually melancholic smile warping into a warm bright one.

Your heart begins to race, something about how the shadows on his face visibly lighten with his smile, paired with the excitement bubbling out of him as he exposes his precious thoughts to you. How you wish you had a way to capture this moment just as he did by painting you.

He leans forward slowly, resting his forehead against yours as his gaze casts downwards, watching your lips, taking in the curve, the way it moves as they part to breathe. He was just so taken in by you.

" May I kiss you?"

He asks, barely a whisper, somehow still seemingly uncertain in this partnership that you two have had for so long. His gaze slowly moving back up to your eyes as he awaits your answer.

" I am forever baffled by how you always ask first. You know I'd always welcome your love."

You offer him a soft chuckle, the sparkle in your eyes further reassuring him of your sentiments.

You could never say no to his sweet affections, he was always so careful with you, so gentle, so soft. You were but the most precious thing in his life after all, a blindingly bright beacon of hope in his darkest hours. A stunning jewel of ever changing colors in the light of his mundane existence. If the painting that sits at arms length from you is a testament to anything, you knew he was oh so in love with you.

Hwei lets out a small laugh of his own.

" I just like the reassuring comfort of your answer."

As he finishes his sentence, he leans forward, closing that tiny gap between your lips. You smile into the kiss, you can't help it, the feeling of his dry, chapped lips against yours was so endearing. You note to remind him to hydrate later, almost forgetting how he just spent two hours non-stop painting you with fervent passion.

As he pulls away, Hwei holds you closer to him, pressing your body against his in a tight hug. A satisfied sigh escaping him.

" I love you."

" I love you too."

#IonianSunsets #Hwei Lukai #Lukai Hwei #I LOVE HIM I LOVE HIM I LOVE HIM #lets love him together xoxo #Hwei x Reader #Hwei League of Legends #SCENARIOS #so soft so soft i love him #Hwei LoL #Hwei League #I WILL GO BACK TO ANSWERING ASKS #just needed to get the brainrot out #give thsi sweet little man a little kith #i couldnt sleep and had to get up and write this its 11am now LMFAO im so hungry #same hwei i kin u teehee #Hwei

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jounosparticles · 7 months

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reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover

OKAYOKAY YAY!!!!! this will be fun >:)

a huge suegiku analysis:

okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.

tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.

an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.

basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).

i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.

despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.

but this is where he's different around jouno.

firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.

the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.

anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.

yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.

because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.

also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm

anyways

another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.

mmmm theyre both so pretty.

once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.

arguably, this can be shown again in the pushups scene.

tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.

anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!

oh. but im not done talking about this. not at all.

the other huge display of emotions for tetchou was everything that went down with kenji.

as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:

ooog tetchou is so pretty. i love that left panel so much

using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.

starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.

i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.

however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.

now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.

as well in the anime, his eyes soften when kenji offers to help.

after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.

the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.

also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.

he seems almost distraught, which is a huge contrast to his typically-composed self.

and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.

he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.

he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.

it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.

and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.

he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.

and in this panel, we see he's extremely angry towards kenji's lack of response.

lets compare this to the first time tetchou fought the agency.

in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.

now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.

it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.

he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.

and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.

one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.

to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.

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as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.

firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.

and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).

clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.

also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.

we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.

another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.

of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.

some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.

jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.

jouno talking to an enemy, for reference ^ i also just really love this page hehe

the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?

my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.

yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.

anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3

i love my sillies :)

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