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f00t-fic · 2 years

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You ever wonder if the widow Hanazawa and the widow Koito ever sought comfort in each other after the loss of their sons/husbands and also kissed each other with tongue

#golden kamuy spoilers #hanazawa hiro #koito yuki #you cant tell me they didnt #because theyre such minor characters WE'LL NEVER KNOW

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imasallstars · 11 months

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INTERDIMENSION FESTIVAL: IDOLM@STER★♥LOVE LIVE! UTA GASSEN

Information regarding the first IJIGEN FES 2023 live has been revealed! The live will occur in the TOKYO DOME on the 9th and 10th of December 2023. This first fes will feature three branches of IDOLM@STER performing with four branches of Love Live!

The voice providers participating in this stop are as follows:

DAY 1 ONLY

IDOLM@STER CINDERELLA GIRLS 　Kotomi Aihara (Shiki Ichinose), Hiromi Igarashi (Anzu Futaba), Asami Takano (Frederica Miyamoto), Yuki Nakashima (Yuuki Otokura), Yuko Iida (Kanade Hayami), Honoka Inoue (Nanami Asari), Sumire Uesaka (Anastasia), Aya Suzaki (Minami Nitta), Miyu Tomita (Akira Sunazuka), Ru Thing (Syuko Shiomi), Teru Ikuta (Natalia), Hina Tachibana (Nagi Hisakawa), Nanami Yamashita (Yui Ohtsuki) IDOLM@STER MILLION LIVE 　Haruka Yamazaki (Mirai Kasuga), Azusa Tadokoro (Shizuka Mogami), Machico (Tsubasa Ibuki), Momo Asakura (Serika Hakozaki), Kotori Koiwai (Tomoka Tenkubashi), Atsuki Nakamura (Roco Handa), Emi Hirayama (Reika Kitakami), Yui Watanabe (Nao Yokoyama) IDOLM@STER SHINY COLORS 　Karin Isobe (Kogane Tsukioka), Chisa Suginuma (Mamimi Tanaka), Anna Yamaki (Sakuya Shirase), Shio Watanabe (Yuika Mitsumine), Yuina Mizuki (Kiriko Yukoku), Honoka Kuroki (Amana Osaki), Ryoko Maekawa (Tenka Osaki), Noriko Shibasaki (Chiyuki Kuwayama), Yuu Wakui (Toru Asakura), Rio Tsuchiya (Madoka Higuchi), Saran Tajima (Koito Fukumaru), Miho Okasaki (Hinana Ichikawa), Azusa Shizuki (Nichika Nanakusa), Aya Yamane (Mikoto Aketa)

DAY 2 ONLY

IDOLM@STER CINDERELLA GIRLS 　Ayaka Ohashi (Uzuki Shimamura), Ayaka Fukuhara (Rin Shibuya), Sayuri Hara (Mio Honda), Amina Sato (Arisu Tachibana), Tomoyo Kurosawa (Miria Akagi), Hana Tamegai (Risa Matoba), Makoto Koichi (Haru Yuuki), Asaka Imai (Chie Sasaki), Natsumi Haruse (Kaoru Ryuzaki), Misaki Kuno (Nina Ichihara), Yuri Komori (Koharu Koga), Mina Nakazawa (Yukimi Sajo), Maki Hanatani (Kozue Yusa) IDOLM@STER MILLION LIVE 　Aimi (Julia), Miku Itou (Yuriko Nanao), Ibuki Kido (Kana Yabuki), Arisa Kori (Kaori Sakuramori), Yuri Komagata (Sayoko Takayama), Rie Suegara (Fuka Toyokawa), Saki Minami (Tsumugi Shiraishi), Rikako Yamaguchi (Rio Momose) IDOLM@STER SHINY COLORS 　Hitomi Sekine (Mano Sakuragi), Reina Kondo (Hiori Kazano), Mayu Mineda (Meguru Hachimiya), Hiyori Konno (Kaho Komiya), Haruka Shiraishi (Chiyoko Sonoda), Mariko Nagai (Juri Saijo), Wakana Maruoka (Rinze Morino), Akiho Suzumoto (Natsuha Arisugawa), Yuki Tanaka (Asahi Serizawa), Eri Yukimura (Fuyuko Mayuzumi), Sayaka Kitahara (Mei Izumi), Rina Kawaguchi (Luca Ikaruga), Haruna Mikawa (Hana Suzuki), Rena Ozawa (Haruki Iketa)

DAY 1&2

AQOURS (LOVE LIVE! SUNSHINE!!) 　Anju Inami (Chika Takami), Rikako Aida (Riko Sakurauchi), Nanaka Suwa (Kana Matsuura), Arisa Komiya (Dia Kurosawa), Shukai Saito (You Watanabe), Aika Kobayashi (Yoshiko Tsushima), Kanako Takatsuki (Hanamaru Kunikida), Aina Suzuki (Mari Ohara), Ai Furihata (Ruby Kurosawa) NIJIGASAKU SCHOOL IDOL CLUB 　Aguri Ohnishi (Ayumu Uehara), Mayu Sagara (Kasumi Nakasu), Kaori Maede (Shizuku Osaka), Miyu Kubota (Karin Asaka), Natsumi Murakami (Ai Miyashia), Akari Kito (Kanata Konoe), Coco Hayashi (Setsuna Imura), Maria Sashide (Emma Verde), Chiemi Tanaka (Rina Tennoji), Moeka Koizumi (Shioriko Mifune), Shu Uchida (Mia Taylor), Akina Homoto (Zhong Lanzhu). 　Support Member: Hinaki Yano (Yu Takasaki) Liella! (LOVE LIVE! SUPERSTAR!!) 　Sayuri Date (Kanon Shibuya), Liyuu (Keke Tang), Nako Misaki (Chisato Arashi), Naomi Payton (Sumire Heanna), Nagisa Aoyama (Ren Hazuki), Nozomi Suzuhara (Kinako Sakurakoji), Akana Yabushima (Mei Yoneme), Wakana Okuma (Shiki Wakana), Aya Emori (Natsumi Onitsuka), Yuina (Wien Margarete), Sakura Sakakura (Tomari Onitsuka) HASUNOSORA SCHOOL IDOL CLUB 　Nirei Nozomi (Kaho Hinoshita), Kokona Nonaka (Sayaka Murano), Nina Hanamiya (Kozue Otomune), Kotoka Sasaki (Tsuzuri Yugiri), Kanna Kan (Rurino Osawa), Kona Tsukine (Megumi Fujishima)

#event rundown

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puellamagifashion · 1 year

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Character Masterpost

Original series: Madoka Kaname Ultimate Madoka Homura Akemi Homura Akemi (glasses/plaits)/Moemura Devil Homura Mami Tomoe Sayaka Miki Kyoko Sakura Hitomi Shizuki Nagisa Momoe

Kazumi Magica: Kazumi Subaru Kaoru Maki Umika Misaki Saki Asami Mirai Wakaba Satomi Usagi Niko Kanna Kanna Hijiri Airi Anri ‘Yuuri’/Yuuri Asuka Ayase/Luca Souju Akane Sumire

Oriko Magica: Oriko Mikuni Kirika Kure Yuma Chitose Sasa Yuuki Komaki Asako Lina Hitomi Mio Miyako Saki Mai Akane Erika Mamiya Koito Asako Akira Namekata Miyuki Nagatsuki Futaba Chihana Masumi

Suzune Magica: Suzune Amano Arisa Narumi Chisato Shion Haruka Kanade Matsuri Hinata Kagari Hinata Tsubaki Mikoto Kanami Honoka

Tart Magica: Tart/Jeanne d’Arc Riz Hawkwood Melissa de Vignolles Eliza Celjska Corbeau Lapin Minou Isabeau Pernelle Fleche Lame

Magia Record: Iroha Tamaki Yachiyo Nanami Tsuruno Yui Sana Futaba Felicia Mitsuki Mifuyu Azusa Touka Satomi Alina Gray Nemu Hiiragi Ui Tamaki Rena Minami Momoko Togame Kaede Akino Karin Misono Kanagi Izumi Mitama Yakumo Tsukuyo Amane Tsukasa Amane Kuroe

Kagome Satori Yuna Kureha Hikaru Kirari Ao Kasane Juri Oba Shizuka Tokime Chiharu Hiroe Sunao Toki Himena Aika Shigure Miyabi Hagumu Azumi San Kagura Miyuri Yukari Lavi/Rabi Himuro Asahi Miura Alexandra Kurusu Urara/Ulala Yume Nayuta Satomi Mikage Yakumo Sudachi Sawa Yozuru Sasame Livia Medeiros Mikoto Sena Tsuyu Mizuna Chizuru

Asuka Tatsuki Kanoko Yayoi Natsuki Utsuho Hinano Miyako Sasara Minagi Nanaka Tokiwa Emiri Kisaki Shizuku Hozumi Akira Shinobu Manaka Kurumi Ria Ami Kako Natsume Meiyui Chun Leila Ibuki Seika Kumi

Mito Aino Kokoro Awane Yukika Nanase Hanna Sarasa Ayaka Mariko Himika Mao Sakuya Suzuka Aimi Eri Tsumugi Wakana Ren Isuzu Konoha Shizumi Hazuki Yusa Ayame Mikuri Masara Kagami Konomi Haruna

Rika Ayano Mayu Kozue Sayuki Fumino Moka Megumi Riko Chiaki Maria Yuki Mel Anna Mikura Komachi Seira Mihono Temari Kira Hotori Yuzuki Meguru Hibiki Eternal Sakura/Sakurako Ranka Chizu Rion Yuzuki

Ryo Midori Chika Aoba Hotaru Yura Kanae Yukino Yuuna Kaharu Jun Kazari Ashley Taylor Ikumi Makino Mitsune Miwa Sae Kirino Rui Mizuki Akari Mai Ryoko Natsu Kushu Irina Kuro Mabayu Aki

Other: Pia Undo Overall other characters

#masterpost

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idolm-ster · 1 year

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Dye the sky.

Shiny Colors - Mano Sakuragi (CV: Hitomi Sekine), Hiori Kazano (CV: Reina Kondou), Meguru Hachimiya (CV: Mayu Mineda), Kogane Tsukioka (CV: Carin Isobe), Mamimi Tanaka (CV: Chisa Suganuma), Sakuya Shirase (CV: Anna Yamaki), Yuika Mitsumine (CV: Runa Narumi), Kiriko Yukoku (CV: Mizuki Yuina), Kaho Komiya (CV: Hiyori Kono), Chiyoko Sonoda (CV: Haruka Shiraishi), Juri Saijo (CV: Mariko Nagai), Rinze Morino (CV: Wakana Maruoka), Natsuha Arisugawa (CV: Akiho Suzumoto), Amana Osaki (CV: Honoka Kuroki), Tenka Osaki (CV: Ryoko Maekawa), Chiyuki Kuwayama (CV: Noriko Shibasaki), Asahi Serizawa (CV: Yuki Tanaka), Fuyuko Mayuzumi (CV: Eri Yukimura), Mei Izumi (CV: Sayaka Kitahara), Toru Asakura (CV: Yuu Wakui), Madoka Higuchi (CV: Rio Tsuchiya), Koito Fukumaru (CV: Saran Tajima), Hinana Ichikawa (CV: Miho Okasaki).

#the idolm@ster #shiny colors

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amberdawn · 1 year

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Poor mrs yuki koito..does she know that both her husband and her son (and her other son too if he were still alive probably) desire tsurumi carnally.

#Unless she wants him too then in that case….

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a-final-push · 5 months

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Canon Characters

These are lists of characters I am willing to play. Though a ? mark means my grasp on them is shaky, or I don't know alot about them. But I'm still willing to try. A ! means that there is a note at the bottom about it.

-Star Rail: Asta, Bailu, Bronya, Clara, Fu Xuan, Guinaifen, Hanya (?), Herta (?), Himeko, Hook, Houhou, Jingliu, Kafka, Lynx, March 7th, Natasha, Pela, Qingque, Ruan Mei, Seele (?), Serval, Silver Wolf, Stelle, Sushang, Tingyun, Topaz, Xueyi (?), Yukong

-SAO: Yulier, Asuna, Sachi, Argo, Lisbeth, Lux, Sasha, Silica, Yuna, Kizmel, Yui, Koharu, Philla, Premiere (?) Tia (?), Rain, Strea, Alicia Rue, Yukki, Sakuya, Black Lotus (and other Accel World characters from the crossover game), Seven, Sinon, Shirley (?), Fukaziroh, LLENN, Pitohui, Afasys, Kureha, Zeliska, Alice Zuberg, Sadina Zuberg, Selka Zuberg, Cardinal, Quinella, Ronye Arabel, Sortiliena Serlut, Tiese Shtolienen, Elevator Operator, Fizel, Linel, Fanatio, Scheta (?), Edith, Medina Orthinanos, Aki Natsuki, Koujiro Rinko (?)

Star Wars (!): Ahsoka Tano, Barriss Offee, Stass Allie (?), Padme' Amidala, Maarva Andor, The Armorer, Doctor Aphra, The Daughter, Tala Durith, Jyn Erso, Adi Gallia, Stella Gerrera, Cere Junda, Bo-Katan Kryze, Satine Kryze, Mon Mothma, Peli Motto, Enfys Nest (?), Jocasta Nu, Omega, Kestu Onya (?), Airhnda Pryce, Aayla Secura, Fennec Shand, Trilla Suduri, Hera Syndulla, Shaak Ti, Luminara Unduli, Assajj Ventress, Iden Versio, Zam Wesell, Sabine Wren, Maris Brood, Juno Eclipse, Mara Jade, Visas Marr (?), Mira (?), Bastilla Shan, Jaina Solo, Meetra Surik (?), Darth Talon (?), Mission Vao, Darth Zannah, Darth Phobos, Princess Leia,

RWBY: Yang, Ruby, Weiss, Blake, Salem, Winter, Willow, Velvet, Coco, Cinder, Penny, Pyrrha, Nora, Emerald, Neo, Glynda, Kali

Nier Automata: 2-B, A2, Commander White, 6O, Operator 210, Devola, Popola, Red Girls (?), 2P (?)

Fire Force: Hibana, Iris, Lisa Isaribi, Maki Oze, Tamaki Kotatsu

Guilty Gear Strive: Bridget, Ramlethal, I-No, Elphelt, Milla, Giovanni, Delilah, Baiken,

Gushing Over Magical Girls (!): Magia Baiser, Azul, Magenta, Sulfur

Magirevo: Anisphia Wynn Palettia, Euphyllia Magenta, Lainie Cyan, Lumielle Renè Palettia, Ilia Coral, Tilty Claret, Sylphine Maise Palettia

I'm in love with the Villianess (!): Rae Taylor, Claire François, Misha Jur, Lene Aurousseau, Lambert Aurousseau, Manaria Sousse (?), May François, Aleah François, Lana Lahna (?), Eve Nuhn (?), Joel Santana (?), Yu Bauer, Philine Nur (?), Lily Lilium, Clarice Répète III

Bloom into You: Yuu Koito, Touko Nanami, Riko Hakozaki, Akari Hyuuga, Midori Igarashi, Koyomi Kanou, Miyako Kodama, Rei Koito, Sayaka Saeki, Manaka Yoshida, Chie Yuzuki

Candy Boy: Yukino Sakuri, Kanade Sakuri, Sakuya Kamiyama, Shizuku Sakurai

JJK (!): Maki Zenin, Nobara Kugisaki, Shoko Ieiri, Akari Nitta, Utahime Iori, Mai Zenin, Kasumi Miwa, Momo Nishimiya, Yuki Tsukumo (?)

Demon Slayer: Nezuko, Aoi Kanzaki, Hinatsuru, Kanae Kocho (?), Kanao Tsuyuri, Makio, Naho Takada, Ozaki (?), Suma

MHA (!): Toga, Froppy, Uraraka, Momo, Jiro, Mina, Toru Hagakure, Itsuka Kendo, Ibara Shiozaki, Reiko Yanagi (?), Yui Kodai (?), Kinoko Komori (?), Setsuna Tokage (?), Nejire Hado, Mei Hatsume, Miriko, Ryukyu, Midnight, Ms. Joke, Sirius, Mandalay, Pixie Bob, Ragdoll, Mt. Lady, Star and Stripe, Camie, Eri, Lady Nagat (?), La Brava

DC: Supergirl, Batgirl, Batwoman, Catwoman, Zatanna, Wonder Woman, Harley Quinn, Poison Ivy, Enchantress, Killer Frost, Ratcatcher 2

Marvel (!): Captain Marvel, Khamala Khan, Spider-Gwen, Madame Web (?), Elektra, Black Widow, Kate Bishop, Angela, Gamora, Nebula, Maria Hill, Squirrel Girl, Jessica Jones, America Chavez

Assasin's Creed: (There are way way too many characters, but just ask and I'll see what I can do.)

Hades: Meg, Persphone, Nythos, Artemis, Athena

Mass Effect: Fem Shepard, Ashley Williams, Liara T'Soni, Tali'Zorah nar Rayya, Dr. Chakwas, Jack, Miranda Lawson, Katsumi Goto (?), Samara, Kelly Chambers, Gabriella Daniels, Samantha Traynor, Cora Harper, Vetra Nyx, Suvi Anwar

Madoka Magica/Magia Record: Mami Toemoe, Homura Akemi, Madoka Kaname, Sayaka Miki, Kyoko Sakura, Nagisa Momoe, Iroha Tamaki, Yachiyo Nanami, Tsuruno Yui, Sana Futaba, Felicia Mitsuki, Ui Tamaki, Nemu Hiiragi, Mifuyu Azusa, Momoko Togame, Rena Minami, Kaede Akino, Mitama Yakumo

More can be added in the future, but this is already a ton to go off of.

! Notes:

-For Star Wars, I prefer Legends, before Disney took over. So I will use those versions if possible.

-For Gushing Over Magical Girls, I'd prefer to wait until it's all out.

-I've only read the first two LNs of I'm In Love With the Villianess

-I have only seen season 1 of jjk, but have had some spoilers

-I'm not caught up on MHA, the villian power up season was the last I saw.

-For Marvel, most will be based on their mcu versions except for like Carol Danvers and Khamala Khan.

#canon #character list #Your Local Hearth

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bottlemandx · 11 months

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top 5 protagonists . of all time

ths is such a hard question because i can think of like 5 things total ive watched or read But i will try my best boss. not in any specific order

koito yuu

yuki judai

godai kamon

tokai teio

keiichi maebara

#yuu is so out of place here honestly but i do think a lot about her sometimes even though she wasnt actually my fave in bity #like her experiences are really interesting to think about . i like her #but yhis was seriously hard i dont think this is the best list bc its basically just the first ones i thought of that i Really liked.

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goldenkamuyhunting · 2 years

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I love GK, but like most mangas, good female characters scarce. Inkarmat and Sofia are the only two developed female characters; Asirpa's character is currently indistinguishable from the standard stock heroine. When Inkarmat and Asirpa had that conversation on the lake, I was hoping they'd talk about anything other than... oh well they talked about Wilk, sigh. Also that recurrent trope of killing off female characters as plot drivers for male characters is starting to grate. What do you think?

Hum...

I’ll discuss your points one by one if it’s okay with you.

1) I love GK, but like most mangas, good female characters scarce.

“Golden Kamuy” has, comparatively, a much smaller female cast than a male one. However this is not because it’s a manga, it’s because “Golden Kamuy” is a seinen, a manga aimed at adult Japanese men between the ages of 18 and 40 and, sadly, it seems this kind of target audience has made clear they aren’t that interested in female characters, beyond the ones who are written to exist to support the male cast.

If you’re interested in manga with a bigger or a better female cast you might consider trying shōjo or josei manga, which are aimed at female readers.

Sadly in almost all the countries of us western readers, the manga that get more imported are shonen (aimed at young boys) so the general impression is that manga as a whole have a scarce female cast.

I’m not saying so to excuse shonen or seinen, this is just a characteristic of their genre and, since their target audience is often not interested in a better female cast, I fear things aren’t going to change.

2) Inkarmat and Sofia are the only two developed female characters; Asirpa's character is currently indistinguishable from the standard stock heroine.

Now... for a Seinen, “Golden Kamuy” has a decent female cast, with females that are different among them for age, race, interests and characteristics and who often try to be in control of their own lives.

Yes, they’re all females who, one way or the other, are tied to the male cast because the male cast is the real main character, as, as said before, this is a work that aims at male readers and male readers want to identify with male characters but, at least, female characters are different among them and, although way too many of them are minor characters, many of them are developed. Development isn’t necessarily measured in how much pages you’re given but in how much of you (your story, your character, your goals) is developed. Many female characters have this.

Let’s go through them starting from Asirpa:

ASIRPA: Main character along with Sugimoto. I wouldn’t say she’s the standard stock heroine more than Sugimoto is the standard stock hero. She has, of course, some character traits who’re mandatory for the action heroine, she’s intelligent, mature and capable well beyond what would be expected for someone her age. Her character arc is one of growing up, because she’s a child and this is the sort of character arc you usually give to a child, but she isn’t just ‘growing up’ as in ‘becoming more mature’ she’s growing up in the sense she becomes aware of the Ainu and the other minorities problems and how hard it is to solve them, she’s also growing by learning tragically what a war means, what it means to watch people you care about die all around you, what it means to have your life threatened, to have the lives of the people you care about threatened, if it’s easy or not to pull a trigger. Her non violent beliefs are challenged as she is asked more and more to decide if she wants to fight or to keep on not killing people. Men around her, starting from her own father, are also killed as a plot device for her grown.

KENMOCHI UMEKO: Sugimoto’s love interest and childhood friend. She challenged her family by still getting near Sugimoto despite his family situation and was willing to go with him when he considered escaping. We don’t know why ultimately she married Toraji, might be to forget Sugimoto, might be because he loved her more than Sugi, but when she did she was firm in her purpose and didn’t walk out of it or mourned her fate once Sugimoto came back. She made clear she would stay with Toraji. And she also doesn’t remarry despite social pressure and the fact she’s losing her sight.

SUSUPO: Asirpa’s grandmother. She’s caring and nurturing with everyone, Tanigaki included but she’s also strongly tied to old female roles. However, when Asirpa beats Sugimoto up, she doesn’t scold her and even though she believes Asirpa would be better married she doesn’t try to force her but let her free to live her life.

OSOMA: Asirpa’s very young cousin who knows how to speak Japanese. She’s friendly, gets a crush on Tanigaki and then grows out of it.

NIHEI’S FEMALE POPULATED FAMILY: Although we don’t really see them beyond Nihei’s first born daughter, we learn Nihei’s wife is tough and scary and that Nihei had to babysit his own daughter.

They survive, differently from Nihei only male son who dies... same as Nihei himself.

KIRORANKE’S WIFE: Although Kiro didn’t love her as much as Sofia it’s implied he loved her. She’s tough enough to manage even when Kiro is out and can count on the support of her siblings in case things are too hard.

HIDORO’S WIFE: Cruel, tough and clever, she’s the real boss in the family. She got ambitions, when she can’t get pregnant from her husband she’s not afraid to question HIS fertility instead than blaming herself, and even concedes herself a lover. She’s not a positive character but she’s basically the opposite of Huci.

CHIYOKO: She’s the damsel in distress of “Golden Kamuy” and the opposite to Hidoro’s wife. She looks kind and gentle. Lover to Hidoro Tamotsu, she however falls for Shinpei and gets pregnant from him. She’s willing to leave with him to make herself a new life.

INKARMAT: Strong willed, clever and manipulative, she’s not afraid to travell alone through Hokkaido or cooperate with Tsurumi, betraying the rest of the group. Yes, she can’t grow out of her childhood crush for Wilk, but, at least, she’s the one who’s in charge when she decides to spend the night with Tanigaki and, differently from Tanigaki, can plan things. She’s also generous and motherly with Cikapasi but she’s not afraid to attack Kiro when she believes he’s involved in Wilk’s death or to place herself in front of Tanigaki when Tsukishima threatens to kill him. She can read the mood and doesn’t reveal how Koito stole Nikaidou’s hand but use it to affirm her authority and get money from Koito.

EDOGAI’S MOTHER: Abusive and manipulative to the point she castrated her own son so that he wouldn’t become like his father, managed to traumatize Edogai so much that, when she dies of heart attack, he keeps her alive by turning her into a stuffed corpse.

TANIGAKI FUMI: She marries the one she loves and is beloved by her family. When she falls sick with smalllpox her actions are similar to the ones of Sugimoto’s father, she doesn’t want the village to be infected and wants her husband to leave her and find happiness.

TANIGAKI’S MOTHER: She falls into depression due to her daughter’s death and Tanigaki leaving the family and, ultimately, dies.

SISTER MIYAZAWA: Although she wasn’t a beauty to Kumagishi she was so lovely he kept her printed in his own memory. She’s tough enough to travel from male prison to male prison to offer her services as counselor.

MONOA AND THE OTHER AINU WOMEN: Although they ended up prisoners of the fake Ainu and forced to cooperate with them they tried challenging them by trying to ask for help to Sugimoto’s group and when they could they even fought the fake Ainu personally, killing some of them.

O-GIN: Deranged criminal, madly in love with Sakamoto, she’s not even afraid of Tsurumi.

OGATA TOME: Ogata’s mom, madly in love with Hanazawa. However, as her love isn’t returned she gets insane and lives in a delusion until her son poisons her. She’s kind of the opposite of O-gin.

OGATA’S GRANDMOTHER: As far as we know it’s her and not her husband the one who took back home Ogata and his mom and raised him. Ogata was so fond of her he couldn’t kill Huci because she reminded him of her.

ENONOKA: Karafuto Ainu kid. She’s the one who deal with Koito when he rents her grandfather’s sleds and dogs. She knows Japanese and she can count and handle business. She goes with Cikapasi when they’ve to retrieve the dog and cooperates with him to come up with a plan to retrieve it.

HARUMI CHIYO: She was willing to marry Tsukishima but disappeared short before he came back from war. Tsukishima believes she killed herself out of grief for his death, instead she merely accepted to marrying another man since she believed Tsukishima to be dead.

YOUICHIROU’S WIFE: Beloved by him, according to him helped him to become human again, giving him peace. She loved him back and gave him a bird beak so he would always remember Nemuro, even when far. They were living peacefully when a man took her hostage because he had a grudge on him. He killed the man and was arrested. When he escaped he came back to her because she had fallen ill and was about to die, remaining with her till she died and only then he left their kotan and clearly lost his will to live.

SOFIA: Although she’s a noble she’s also a revolutionarian who can fight on par with Gansoku, shoot and plan the murder of the emperor. Beloved by her men, for whoms he care and who doesn’t get behind, she has a motherly side. Kiro falls for her and will always love her but she falls for Wilk and will always love him... though she wanted to avenge Kiro when he was killed.

HASEGAWA FINA AND OLGA: Tsurumi’s beloved wife and daughter. While Olga is too young to do anything else but being loved, Fina loved Tsurumi and was loved back. Tsurumi spoke with her and, differently from him, she could pin why Sofia couldn’t learn Japanese. He believes she was smart enough to figure out he was a spy yet remained with him anyway, actually, when she believed he was in trouble she came back for him despite the danger and ended up killed with her daughter.

SVETLANA: Leaves her family because she wants to see Saint Petersburg, gets arrested, escapes, gets found by Tsukishima but decides she won’t go back home so she travels with Gansoku proving she know how to use a rifle.

KOITO YUKI: Not much is know except she’s a proper woman who worries a lot for her own son.

RIRATTE: Asirpa’s mom who died short after Asirpa’s birth. She gave Wilk his name and she was cheerful and bright, capable to make funny faces and be strong spirited. Wilk loved her a lot.

NORIKO: Assuming she was as Heita portraied her she likes to seduce/play with men and she’s easily bored.

HANAZAWA HIRO: Although she’s also a proper Japanese lady she’s not shy to try to plot behind her husband’s back to try to spare Yuusaku from becoming a flagbearer. In a way she’s the opposite of Koito Yuki who instead passively accepts for her sons to become soldiers.

KANEKO KAEKO: Upperclass girl in a rush to get married due to social pressure. She’s willing to sleep with ‘Yuusaku’ to force him to marry her. She likes good looking men but she’s so impressed by Sugimoto’s bravery that, despite understanding he’s a nobody, she would be willing to marry him instead than Yuusaku. She’s an excellent student, marries a big name in the world of finance and dedicates her energies nursing men who were back from war and helping their widows.

KANEKO’S MAID: She’s very supportive of Kaeko but also makes that beautiful speech you can read above so she gets a mention.

There’s more females, I know I’ve skipped a bunch because they were minor but the ones I mentioned, despite often being minor, still are all different one from the other, and, often, in charge of their own fate. Although they’re almost all tied to men, many of them are not subservient to them, but this doesn’t mean they all fall into the action girl trope.

It’s much, much more than what other male authors do with their female cast.

Is it a dream cast, the representation females wants? Hell no, but, at least, there’s an attempt at making them people. Yes, they’re often tied to the male cast or in service of it, but that’s also typical of this genre.

None of them is sexualized despite some of them being sexy or having sex. For each of them Noda though to a different character design. Noda tried to make them characters with their own wishes, histories and personalities.

Again, it’s far from perfect, but this’s not the story I would pick up for poor female representation.

3) When Inkarmat and Asirpa had that conversation on the lake, I was hoping they'd talk about anything other than... oh well they talked about Wilk, sigh.

It’s true that to pass the Bechdel test a story should have at least two women in it, who talk to each other, about something other than a man but the main topic of this story are men.

Everyone and their mom has talked with Asirpa about Wilk, we had Hijikata, Sugimoto, Ogata, Shiraishi, Tsurumi and so on doing it, because Wilk was a huge topic of interest. If the characters aren’t talking about Wilk, Sugimoto’s group is talking about Tsurumi, because he’s chasing them and he’s a rival in the gold hunt, and, if they’re not talking about Tsurumi, they’re talking about Hijikata or of another adversary/member of the group who, incidentally, is male.

It’s worth to mention though, that in their first discussion Asirpa and Inkarmat talked about Inkarmat’s predictions and how Asirpa didn’t believe in them.

Also, Inkarmat talked with Huci about Asirpa being in danger, Asirpa talked with the Ainu women in the fake Ainu village about the Osoma, Svetlana talked with Sofia about Saint Petersburg, Asirpa talked with Enonoka about the differences between minorities while Yuusaku’s mom told Kaeko her experience as a nurse.

It’s all minor because it’s often not really that relevant in the plot because this is a story about men, so they’re what’s relevant but still they can have conversations about something else.

4) Also that recurrent trope of killing off female characters as plot drivers for male characters is starting to grate. What do you think?

The first character killed as a plot driver is Toraji. Then we’ve Wilk (who’s first assumed dead and then dies for good) and who’s a plot driver for 3 female characters (Asirpa, Inkarmat, and Sofia) as well as male characters since his death affected them too... only not so emotionally, more on a practical side. We’re told Sugimoto’s father is the last to die in his family and this triggers him to leave his village (which ties in with the discussion Sugimoto and his father had in whcih his father encouraged Sugimoto to do so). Then we’ve Youhei. Then there’s the bear trio (sort of, they more tip Tsurumi on how he has a rebellion in his ranks and trigger some other events so more than plot drivers for male characters they’re just plot drivers). Then Nihei. Henmi’s maddness is caused by his brother’s death. And then many other men until, finally, Fumi gets killed.

Characters can be killed off in order to be plot drivers for other characters. This is what makes a story. The real problem comes not when a female met this end (females can die and it would be tragic if men were to remain unaffected by their death) but when ONLY females met this end or when the scale is tipped so that plenty of females die for this, while only 1 or 2 males do.

5) What do you think?

I think “Golden Kamuy” is a seinen and that if I want to read it I must be aware of the characteristics of this kind of manga which, among other things, are that it’s a story that panders to a male readership so the female cast will be scarce and aimed at supporting the male one.

I think that “Golden Kamuy” if viewed as a story targeted to general audience instead than just to males, is definitely not perfect, that due to this there’s no balance between female representation and male one, that often females are in the story merely because their story is connected to the male cast (they’re love interests, wives, daughters) and that the fact that we’ve plenty of male protagonists force them to focus on the males.

I think that sometimes Noda ends up including ties to males that aren’t really necessary, like Asirpa’s crush for Sugimoto or Osoma’s crush for Tanigaki, or how Sofia felt obliged to carry on Wilk and Kiro’s goal (instead than doing it to help Asirpa or to help her people) and ultimately felt guilty toward Tsurumi to the point she let him shoot her and needed him to absolve her.

I think sometimes he just ends up letting himself influence by popular tropes (like how everyone fall for the main character) and this caused him to make choices who weren’t really that needed by the plot but, since they’re part of the genre... he just included them.

So yeah, I’m not always happy with what happens in “Golden Kamuy”, as who read my meta knows, sometimes I protest loudly about things I don’t like (see, for example, Sofia’s death scene).

However I try to give it credits when it’s due.

This is just me though, everyone is entitled to see things the way they prefer.

Thank you for your ask and sorry for the late reply!

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chibivesicle · 4 years

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Koito Otonoshin is from Kagoshima; what does the city and area reveal about his character.

While on holiday, I was very lucky to have a chance to visit Koito’s very own hometown of Kagoshima, in Kagoshima Prefecture on the southwestern part of Kyushu. I’ve grown more attached to Koito’s character as the manga has developed and I’m more curious to try to figure out what he will do in the manga now that he has been “reunited” with Tsurumi. So, I figured why not go visit his hometown in January when the weather will be lovely [it was]. I will admit that I tricked my Mom to go with me not knowing it was a Koito research trip, but at least told my brother. He was fine with it since he had wanted to visit the nearby Miyazaki prefecture anyways.

This will be a little bit of a different meta post as I’ll present things I observed and try to place Koito in the context of them. This is based on my opinion and how I interpreted and observed things around me. Please keep that in mind when reading!

To get to Kagoshima, I took full advantage of the JR Rail pass for tourists and left from Kyoto to Kagoshima-chuo, the main train station with a transfer at Shin-Kobe. I went down in early January and it was lovely to see the scenery become more green as I went further south. Kyushu has a different feel than the island of Honshu, you see subtropical and tropical plants and it really feels different than other parts of Japan that I have visited e.g. Tokyo, Kyoto and Osaka. This was my first time visiting Kyushu and I really loved the southern part of the island.

If you are using a rail pass to get there, it will take you some time, it was about 5 hours or so in total from Kyoto. If you go from Tokyo, it will take at least 7 hours and that is just from Kagoshima-chuo to Shinagawa (Tokyo area) station. If you are unable to use a JR pass, like my brother who is currently working in Japan, or you have very limited time, the best option is to fly, say from Tokyo-Haneda to the Kagoshima airport (40 min bus ride from downtown Kagoshima).

The most obvious thing about Kagoshima and the area, is how different it is than parts of Honshu. The entire area has that tropical/subtropical feel. It was January and the weather was quite pleasant, around 14-16 degrees C as the high during the day and lows around 7 or so. It was sunny and there were flowers blooming everywhere in gardens and parks and you are right next to the bay! It was so lovely.

I have somewhat limited travel experience in Japan only able to previously visit cities like Nagoya (for work), Gifu (for work but Oda Nobunaga!), Kyoto, Nara, Osaka, Hiroshima, Tokyo and Shizuoka (for maguro tuna) before this trip. What I can say from the start is the feel and look of Kagoshima is different than these other cities. There are more colorful buildings in Kagoshima, some were green, lime green, light pink, magenta and orange intermixed with the more standard, black, grey, white of the modern Japanese landscape. The urban landscape was more varied and interesting than other cities I’ve been to in Japan.

There were many older western style buildings and street lights / lamp posts that looked like they were from 1880-1930. For example here is a public building that clearly looks like it is from 1900-1930 or so. I tried to figure out what it was, but it simply said civic building and likely was now associated with the performing arts center right next to it from about the 1950s/1960s. You can see lots of cycads(!) planted out in front of the building.

The city still runs streetcars that have old lamps as a part of the posts that hold up their electrical cables. I forgot to take a picture of some of the streetcars; half of their cars were old, ~1940s-1950s at the newest as well as sleek modern streetcars. I snapped this photo of the streetcar operator while riding in the city. Yes, it is an old lever operated drive system! It appeared to be made by Mitsubishi, and you can see the flowers blooming in the background.

A great example of a more western style building was this large department store in the downtown part of the city. It is the Yamakataya Department store, and after some quick online searching it appears to have been built around 1917 with other parts added on over time. You can find more photos of it on TripAdvisor.

I spotted other older Victorian and turn of the century buildings in the city which added to the unique vibe of the city. While wondering around the local shopping arcades looking for a restaurant, we stumbled upon an interesting glass ceiling at one of the intersection of the arcades. Four locations are shown on the map, Kagoshima, Malacca (Malaysia), Goa (India) and Basque (Spain).

This one shows Kagoshima and Malacca, with ships, churches and random people meeting missionaries, specifically Jesuit missionaries including Francis Xavier, who visited and converted people to Christianity in Kagoshima in 1550.

The Basque region of Spain, where Francis Xavier is originally from, though he worked throughout Asia. He was a pretty successful missionary all things considered.

It highlights his time as a missionary in Goa, India

And of course in Kyushu, including Nagasaki and other places as well as Kagoshima. I find it quite curious they have the classic Greek constellations on the sky and not the Japanese ones. It is quite clear that the Jesuit missionaries had an important influence on many people in Kyushu and they still have the highest number of Christians in Japan. I would guess that local people commissioned this artwork since it clearly celebrates the life of Francis Xavier and connects Kagoshima to the other places he lived and worked.

Kagoshima is uniquely situated as how far south it is from both Kyoto and Tokyo [Edo]. By road it is between 800-900 km to Kyoto and 1,300-1,400 km from Tokyo. This implies that it would take a long time before modern technologies in transportation to go between the places of power pre-Edo period and during the Edo period.

I was able to visit Sengan-en an estate of the Shimazu family. The Shimazu family held power in the region since around 1300 and were both powerful warlords, but also successful in international trade due to their location on Kinko Bay. As the Shimazu family were still under the power of the Tokugawa shogunate they were required to journey to Edo, but as a result of the distance, they had the longest overall travel time out of everyone in Japan. I’m sure you can quickly realize that having such a distance from the central government also resulted in the Satsuma domain having more freedom than say a powerful samurai family in Shizuoka.

Even when the Tokugawa shogunate closed off most of the country, this region was still able to trade internationally by proxy through the Ryukyu Islands (Okinawa) and developed more international style cuisine as a result. Sweet potatoes were introduced via Okinawa and the Satsuma sweet potatoes are everywhere. I bought and tried some dried-ish sweet potatoes that looked like twizzlers, but were underwhelming (I think this was a tourist trap, oh look sweet potato things, I’ll try them!). At Sengan-en, we ate some of the baked sweet potatoes of the local variety which were incredibly delicious as just plain potatoes. I’ve had baked sweet potatoes elsewhere in Japan and outside, but this was the best plain baked sweet potato I have every had! I also got sweet potato candy which is delicious, a variant of the famous Bontan Ame (a citrus caramel candy), also invented in Kagoshima! Bontan Ame is also a great candy, I love the subtle citrus flavor.

The sweet potato are the purple caramels on the right and the citrus Bontan Ame on the left. quantivore’s Koito is excited with Tsukishima in between! (quantivore’s artwork can be found on instagram @quantivore ).

Bontan Ame are popular with high school girls . . . for some odd reason I think that Koito would like them too!

I was able to sample some local Kagoshima shouchu, which again, is not surprisingly made from their famous Satsuma sweet potatoes! It tasted good and was pretty strong. I may have had more to drink than I should have with my yakiniku. There were soooo many varieties of shouchu to choose from in the area and they were sold at pretty much every gift shop! I did not buy a bottle since I was afraid to haul it all around Japan and break it on accident.

Recall that the manga highlighted that the Sakurajima daikon are cultivated in the area around the Sakurajima volcano and are the largest daikon in the world as introduced in chapter 197.

I was unable to see a full daikon in the flesh, while visiting the Sakurajima Geo-Park, I did spot some growing in the ground and you could see large leaves! I really wanted to see a Sakurajima daikon, in person. The daikon was found on public city artwork and designs. I had to settle with only seeing their leafy tops while on a bus, though I bought a small daikon charm and my brother found me a plushie at the airport. I did eat some daikon (already cut to a much smaller size) with the regional black pork which was delicious. The pork was richer than normal ground pork and the daikon melted in your mouth as you ate it cutting through the richness of the pork.

The daikon is important to Koito’s flashback as it helps to introduce his contrast to his older brother, who had a pale complexion like a Sakurajima daikon and tolerated Koito calling him that.

The last major regional produce of the area is citrus! There is so much citrus in the area! The Satsuma oranges (as they are known in the UK) came from the Kagoshima region after they went to war with the British in 1863! As a result of a naval battle between the Shimazu family and their fellow Satsuma retainers, this war only lasted a few days and resulted in great damage to the Kagoshima area. The positive outcome of this was increased positive relations between the Satsuma region and the UK as opposed to the influence the French government had on the dying/declining Tokugawa shogunate in Edo.

Here is a Satsuma orange tree at Sengan-en. It had an info plaque about how after the Anglo-Satsuma war they were popular for import to England.

In addition to the Satsuma oranges (aka mikan), there is a distinct variety from the area known as komikan or small mikan. These are grown both on the volcano, Sakurajima (桜島小みかん) and around the Kinko Bay as well (小みかん).

Look at the tiny tiny tiny komikan!

The regular mikan were quite easy to peel and delicious. Throughout the southern part of Kyushu there were lots of different citrus species and cultivars grown. In the neighboring Miyazaki prefecture, they had a yuzu x pomelo hybrid known as a hyuganatsu (also tasty in things!). I digress, the point is Kagoshima as the former Satsuma domain is a place that was able to interact with western nations and it is in part represented by the movement of the citrus fruits from the area to places like the UK and the USA as well where the States actually imported and grew cultivars from the Kagoshima area.

This region was also much more forward thinking that the government in Edo. The Shimazu family were the second largest book publishers in Japan for a very long time and they reprinted Western imported books that included science, technology and maps. I was able to see some of their moveable type for their publishing with both Japanese kanji and kana and the Latin alphabet as well for printing foreign books (I did not spot any Cyrillic, but the museum display was small).

They were the birth of industrial manufacturing in Japan, first trying to build equipment via imported books and later sent students abroad against the rule of the government to study in the UK and the USA. At the grounds of Sengan-en you can visit the first factory in Japan which gives a quick guide in Japanese and English about the development of industrial manufacturing. Unfortunately, you were unable to take pictures in the museum, but they produced various goods including cannons and whatnot which helped in late Bakumatsu period and gave them a weapons advantage over the outdated technology of the Shogunate government forces.

When you get off the train at the main Kagoshima-chuo station and walk towards the bus and streetcar stops, there is a statue erected in honor of all of the young students who risked going abroad to help the growth and development of Kagoshima.

These students also attended a World Fair in Paris or some of them not quite sure if all of them attended it was after their trips abroad. They also circumvented the travel restriction for Japanese by registering not as from Japan but representing the Satsuma domain as an independent delegation. I may not be 100% accurate with all of this info, since I couldn’t take photos in the museums, yet it gives you a good idea of what the Satsuma domain was doing to improve and modernize.

There is also a strong connection between Satsuma and Hokkaido - many of the leaders during the Meiji era that pushed industrialization were from Satsuma and used Hokkaido as the source for raw materials to power the factories in the south. Plus, many people from the region moved to Hokkaido to work either as the frontier soldiers or as laborers in the “frontier”. This has been mentioned before in regards to GK as Noda’s own great-grandfather was a frontier soldier from Kyushu (whom I’ve wondered was also a practicing Catholic based on how Noda depicts Christian theology). I recall reading this in some interviews with him translated by GK Central, but I forget which ones right now.

Another industry that grew up in the mid 1800s was the development of Satsuma cut glass (kiriko) which become more industrialized during the late Edo early Meiji period. Unfortunately, the technology was lost and in the 1980s, it was finally determined how to manufacture it again. As a result production started again and it is only produced in Kagoshima.

On the grounds of Sengan-en they have a fully operational glass works. You can watch the glass being blown, shaped, cooled, marked and cut. It was pretty neat! I thought about buying some; it was more expensive than I expected - small pieces started at about $200 USD and it only went up from there. There were gorgeous sets of two glass that sold for about $500 and it was clear they were wedding presents. It was really amazing and if I had more money, I’d be tempted to purchase some myself. My Mom did purchase a small green and blue bowl after looking at it at the glass works, and then looking at it in a Satsuma local goods store two more times before deciding to actually purchase it.

Since it was unique, the distribution of this from Satsuma helped with international relations and was considered neat by those in Europe who could purchase it. I think the best way to look at the cut glass is that it was an excellent example of a Satsuma [Japanese] product that combined with a European product, illustrating how this region was changing to adapt to modern times outside of Japan. There was also Satsuma porcelain that was made for the European market and it was very successful around the time of Golden Kamuy as an export.

To get an idea of the type of house that Koito likely grew up in, it would be something similar to, but obviously smaller than a place like Sengan-en. The house was quite large and the gardens and other buildings around it made for a place that was large and significant looking. It also had a mix of a Japanese and more Western style for some of the buildings as well as Chinese and Ryukyu influence.

This is the main gate that leads into the area where the house is in a large courtyard. It has a much more Chinese style with the bright red and slightly different roof shape. The English info said it was Chinese style, but I wonder if it wasn’t more Ryukyu since they were the domain that was essentially “controlling” *ahem* them at the time.

This was the inner courtyard of the house. The house had been added onto over time from the 19th into the 20th century as well as some parts being removed like household secretary rooms and other stuff now outdated.

The Shimazu family often hosted foreign dignitaries including Tsar Nicholas II (obviously before the Russo-Japanese war)!!! There were two large vases that were gifted to the family from Nicholas II on display in one of the rooms with lots of historical information about how the family hosted many people from around the world. Many of the people hosted here were from the UK and the Netherlands as well. If I recall correctly, the highest number of foreigners were from the UK (again, that Sastuma orange link).

This is an example of how the table would have been set for dinners for hosting European guests. The vast majority of the house was still completely Japanese in style in regards to the furniture, but this dining room and another (sitting? living) room had Western style furniture. The table setting appears to have Dutch plates, Western cutlery and several types of glasses including the local Satsuma cut glass produced in the local glass works. I believe my Dutch Canadian friend has the exact same plates that you can still buy today.

I took tons of photos of the grounds which featured many tropical and subtropical plants like these cycads and palm tree. You can see some of the buildings in the background and a Western style lamp post as well.

I have no idea what this building originally was, but it was clearly based on a European inspired design and a part of the estate. It is now a Starbucks and I didn’t investigate it any further.

The style of this house makes me think of the house that Koito lived in when his family moved from Kagoshima to Hakodate. There was also a “foreign engineer” house close by where English engineers lived and helped with the development of Kagoshima. I was a moron and forgot to visit it . . . but I did see it from the road.

https://whc.unesco.org/en/documents/136169

I would say it is a toss up if Koito lived in a modern Japanese style house/estate like Sengan-en in Kagoshima or in a more modern house like the white one on the Sengan-en estate or the “Hakodate” house above.

What you get from visiting a place like Sengan-en is what it would have been like to be an elite from the former Satsuma Domain/Kagoshima. Including your personal doctor inspecting your poo everyday . . . These [predominately] men in power were hosting and having dinners with foreigners and were very passionate about the modernization of Japan in the face of the world colonial powers getting closer to them.

This connects with the fact that Koito owns the motorbike. Now it is unclear if this came from a Japanese individual in France or directly from a French person. When I did my chapter meta, I assumed it came directly from a French person but upon reading it again, the translation is unclear what the nationality of the acquaintance is, just a person in France not actually French. What it does show is that Koito’s father is connected internationally as a member of the Meiji elite many of whom came from Satsuma due to their pro-Western technology slant so that the could expel the barbarians [and freely make use of their science and technology for Japan]. I would guess the fact that Koito Sr. served the Meiji government well, indicated he was more in favor of modernization and less about a more hyper samurai opinion to maintain the old ways during modernization (e.g. Saigo Takamori).

Another thing is how the men in power from places like Satsuma linked themselves to the former shogunate through marriage and likely married women from the “losing” side to further integrate themselves into the power base in Tokyo. You wouldn’t want to completely cut out the losing side completely. Instead, with those that likely switched sides sooner integrate with them as you had the “in” to the old government which would become key for the new government fit into for stability. Completely cutting off members of the former government would lead to future issues since many of those individuals were still clearly wealthy and had more local connections in Tokyo than someone from Kyushu may have had.

Recall, when Hijikata fights Inodou, he mentions Enomoto Takeaki in chapter 135 as noted by EHS scans. He was a member of the Shogunate government who was key in founding the Imperial Navy that Koito’s father is a member of.

Another thing I learned at Sengan-en is that one of the Shimazu daughters married the last shogun in part to politically sway the shogun to transition and make way for the new Meiji government. This again shows that those from places in the south were positioning individuals to allow them to create a new government as easily as possible.

Since Koito’s father is a tall, darker complexion Satsuma man, as Koito is, his flashback highlights how different his mother looks. She’s very light in complexion and Koito mentions on his older brother looked like a Sakurajima daikon with very light skin tone.

Koito and his brother got their eye brows from their mother, yet he did not get her lighter skin tone, so on top of his Satsuma accent, other characters can tell that he’s from Kagoshima (or at least someplace in Kyushu).

I find it interesting that Koito’s mother is wearing a kimono in a house that is completely Western in decor and she almost looks uncomfortable in her surroundings. I can’t help but think it would be more socially appropriate for Koito’s mother Yuki, to also adopt Western style dress to fit with her position and role as the wife of an important member of the military and modern society. It is clear they are hosting foreigners in some fashion. When I was visiting Sengan-en, there were many photos of women wearing Western style dress ~1900, so many of them also adopted their fashion like their male family and friends did. Yet, instead, she seems out of place as though she didn’t grow up with this style (somewhere around Tokyo perhaps) and is unsure how to fit within it. Koito in contrast since his introduction at 14, is shown wearing full Western style dress and he’s sporting a much more Western style hairstyle than any other character had as a kid. Does he have an English style haircut?

I always get the feeling that Koito being raised in a more Western learning environment as a child in Kagoshima and being surrounded by a greater mix of people and seeing more differences he is just more comfortable in his role as a future military kid. He may not even realize it, but compared to many of the other GK cast members he’s both sheltered and open to things with his education. He has been spoiled and it shows in his dependence on Tsukishima, yet at the same time, he’s one of the most educated members of the group and has to be multilingual.

His bratty behavior which does not result in punishment from his father is also interesting as I sometimes wonder if his father was hoping he’d out grow things or come to his senses. It sounds like a more Western way to parent, but it is still the early 1900s so I could totally be off the mark here. Plus, in Koito’s flashback he seems to imply his brother’s death resulted in his father detaching himself from Koito, perhaps out of fear that if he did what his older brother did, he too would die? I think this makes sense with how Koito Sr. does rescue him and also when he tells Koito he’s glad he’s alright post-Karafuto-Sugimoto stabbing.

Some more general observations from walking around Kagoshima. People there seemed more relaxed, I observed people jaywalking, crossing a street against a “no crossing” sign and cars honking at each other! The feel is completely different than very stoic cities like Tokyo or Kyoto. Not surprisingly, there were also people with complexions that were darker like Koito and his father as well in Kagoshima and Miyazaki prefectures, so he really is a character based in reality. Not that I doubted Noda, but he really does try to make his characters as realistic as possible. I’m sure with current beauty standards people are more aware of this and try not to tan as much as they would have in the past, but there were quite a few people who just had a different skin tone and it was January, so not a lot of long days of sunlight.

The other aspect of Kagoshima is its relationship with the volcano, Sakurajima. The daikon and komikan are both grown on the slopes of the volcano due to the soil and are important local products. The volcano dominates the region as it is visible from pretty much anywhere in the city. It is also a very active volcano, with ash coming out almost continuously and with multiple eruptions per day. When you walk around the city there is ash everywhere on the ground, under bushes and in corners. The city has active street cleaners/sweepers to remove the ash from the roads.

Here is my first good view of the volcano taken around 5pm from the Dolphin Port area. You can see a little bit of the ash coming out of the right side of the southern peak.

Here is a view of Sakurajima from Sengan-en. The ash is mixed with the light clouds but again it is moving to the left (a southern direction). If you look closely you can see the electric rail line above the wall for the JR Kyushu local lines.

This is the best scenic shot taken from Shiroyama, a view point in a public park again around 5pm. Unfortunately, the trees and bushes obscured part of my view to include the northern part of Kinko Bay (to the left). Yes, that is ash from the volcano drifting off to the right.

A similar shot from the manga is here in chapter 197.

Here is a bit more zoomed in photo showing how the city is right across from the volcano.

I was able to take the ferry across to the volcano a quick 15 minute ride. The volcano was a separate island until an eruption in 1914. Hence the name of Sakurajima even though it really isn’t an island (-jima) anymore. Interestingly, during Koito’s time (pre-1914), the volcano was dormant for most of the previous century but since they were growing the crops that thrived on the volcanic soil they were more than aware of the power of the volcano.

Here is a picture of one of the four ferries in action. These had space for regular passengers as well as cars for the lower decks.

The entire bay and surrounding area are a large caldera. I’m failing to explain this well, but the volcano really is a major presence in the area. Kind of like how you feel when you see Mt. Fuji, Niagara Falls, the Grand Canyon etc but more personal. This is from the lookout point on Sakurajima. The volcano rises up in the background.

From the viewpoint you can look back across the bay towards Kagoshima. It was cloudy and overcast the day I visited the volcano; this is looking towards where Sengan-en is.

This is looking south towards the base of the bay eventually leading toward the ocean (it curves towards the left for the ocean).

As we took the ferry back to Kagoshima port, the sunset highlighted the cloud and ash covered top of Sakurajima.

What I’m really trying to highlight is how Sakurajima is a fundamental part of the Kagoshima area (it is part of the city) and it has influenced this area for a long time.

Unrelated, there are lots of stray cats on Sakurajima that are friendly and like to be petted. About 50% of the population all have these stubby tails as I got this shot of an orange and black cat with the volcano in the background. I did pet this cat. My brother also petted some of the cats too.

With all of the things that I learned in my visit to Kagoshima, I will use them to try to understand parts of Koito’s character and what may happen in the future for his character.

1.) Koito as a Satsuma elite -

It became very clear to me visiting museums and walking around the city that Kagoshima is a very European influenced city and prized including a Western education. My Mom also remarked that it appeared much more diverse in architecture and more Western looking (and she had no idea that I was observing this for my meta).

It is no surprise that Koito would have been a well educated young man and also interacting with foreign visitors on a regular basis. Before his older brother died he sounds like he was energetic but likely much more well behaved than his 14-16 year old self. Once he realized he wanted to go into the Army after his “rescue” by Tsurumi, he was an excellent student and excelled at his courses and passed his exams to enter the military college.

He trained in Jigen-ryu and based on his skill he has shown so far in his fight with Sugimoto on the airship and when he attacked the random Russian prisoner. Even if he was a wild child, he must have kept up the practice as demonstrated when he encounters Tsurumi in Kagoshima. He states that he’s the son of an important man, so he’s of course using that to his advantage and he’s upset. (special thanks to @goldenkamuyhunting for letting me use the new volume 20 pages!).

He then challenges Tsurumi with the old man’s cane instead of a sword. Sure he loses for all sorts of reasons - using what appears to be a lightweight cane, letting himself get overly emotional . . . the fact it is Tsurumi.

But after Tsurumi slaps him and leaves him in shock both failing to defeat him and using jigen-ryu, Tsurumi flatters him on his form. I take this to imply even if he is rebelling, skipping school and whatnot, he’s still practicing his jigen-ryu.

Previously, many of us avid readers of the series wanted Sofia and Koito to meet in Karafuto as we wondered if he was fluent in French as required for a military officer. However, after leaning that many people from Satsuma were aligned with the UK and also interacted with the USA around this time, I’m wondering if Koito can speak English instead. Tsurumi purchased weapons from a foreign arms dealer, Mr. Thomas (chapter 31). It is pretty damn obvious with the name of Thomas this man is an Anglophone. Though he’s based on a Scottish man, so he’d have a unique accent.

It is clear in this chapter that only Tsurumi and Tsukishima are meeting with Mr. Thomas in an isolated location. Based on the fact that Tsukishima and Tsurumi are both speaking with him, I would assume that they are speaking Japanese. This does not rule out that they also corresponded with him in English as well. I wonder if Mr. Thomas will reappear in the manga again as an arms dealer. Will the Anglo-Japanese relations of that time period come into play?

@goldenkamuyhunting has previous written about the fact that Mr. Thomas is likely based on Thomas Blake Glover a very successful merchant and business man in Japan who started out in Nagasaki. He also was one of the allies of the Satsuma domain families and involved in sending the students abroad to the UK.

Since Glover was more than willing to work with those in the Satsuma and Choshu domains, eventually leading to the overthrow of the shogunate government, perhaps we are to read that he’d be okay with another rebel faction in Hokkaido? Or since he became successful through relations in Kyushu does Koito Sr. know him?

2.) Koito is a citrus fruit.

This is a bit of an unusual angle, but I’m going to follow Noda’s lead here. Koito refers to his older brother as a Sakurajima daikon. It is clear that was his teasing nickname for his older brother, but it also something that he associates with his brother as a way to remember him now that he is gone.

If Koito Heinojyou is a large white daikon, than there are two options for Koito Otonoshin; sweet potato or mikan/satsuma orange. Sweet potatoes are more of a commoner food (alternative to rice) so a mikan makes more sense. I’m sure rich people still ate fancy sweet potato things, but likely in 1900 not all commoners could eat all the citrus grown in the area. Fresh fruit is always expensive.

Citrus fruits are brightly colored and energetic. All of the ones in Kyushu are various shades of orange and yellow. The mikans are a rich orange and are sweet and tangy. The aren’t a root vegetable like daikon or sweet potatoes, they grown on trees. Citrus need lots of care and attention to thrive. Citrus can only grow in warm climates and until modern industrial agriculture are in coastal regions (we are not discussing the central valley in California for various reasons). They also have fragrant flowers and are associated with people who are fresh, exciting, colorful and energetic. When you eat any type of citrus; lemon, lime, grapefruit, pomelo, yuzu, mandarin, mikan, clementine . . . etc no one would describe the flavor as weak, dull, or subtle. They are sweet, tangy, sour, bitter and aromatic as well. There is a lot of emotion and depth in citrus.

He’s charming and canonically an attractive male character. Sei Kobiyama has tweeted about this when the Vol 16 cover came out and the red eyeliner is linked to him be an attractive young man.

He’s got upper class manners and enjoys his Russian tea time.

Sei Kobiyama also noted that even when he tries to be angry and mean he doesn’t swear like the rest of the cast.

His deadpan upon his realization that he set Sugimoto up with his sabre blade.

The look of absolute horror that he may rip his skin off when trying to remove the cold hammer. I feel sorry with the volume edit where it is clear Sugimoto chased after him and pissed on him . . . why didn’t anyone suggest pouring some hot tea on his hand?

All of these aspects of citrus apply to Koito. His brother was a solid first son, well behaved and stable just like the large Sakurajima daikon. He is a native of the area, but his mother’s background is reflected in him as well. When Koito is rescued by his father and Tsurumi, we learn that Koito Heiji is also a much more dramatic and energetic man rushing in to save his son. These are passionate men who when at their best radiate this energy and warmth.

Koito’s older brother is a boring old root vegetable while he and his father are clearly sassy citrus, needing their sunshine and pruning etc etc. They may be capable men but face it, Koito Sr. spent too much time hiding his feelings and Koito is a very pampered guy who is very concerned about his appearance. Sure, he wanted Tsukishima to get his hand mirror so they could locate Vasily . . . but . . .

. . . but not without fixing his hair before looking!

And one of my absolute favorite jokes in the entire manga. Yes, I think Noda watched the classic comedy/parody “Spaceballs” for inspiration as a Princess has a ton of luggage that she insists on taking with her to the annoyance of commoners who rescued her.

I predict 50% of this contains personal care products for him. He’s so far north he’ll need to moisturize, and his hairstyle likely requires all sorts of products to keep it in such tip top condition. Okay, I’m jesting a bit, but I’m sure a lot of his stuff is for him to pamper himself.

Maybe as things change he’ll become a sweet potato? His hair color is pretty much the same color as one of the local Satsuma varieties - I kind of want to send Noda a message if Koito’s hair color is sweet potato colored. According to Sei Kobiyama he’s supposed have crow feather colored hair, which is considered very beautiful, but I see sweet potato.

3.) Koito comes from a region where people have recently questioned authority.

The most famous individual who helped shape Meiji era Japan and was from Kagoshima was Saigo Takamori. Tsurumi (as Hasegawa) tells Wilk, Kiro and Sofia about the 3 main founders of modern Japan. Sofia was compared to Saigo and he is from Kagoshima. Despite the fact that he lead to the change in government, he found himself in disagreement with the Meiji government and eventually returned to Kyushu to lead dissatisfied samurai of the region in a rebellion against the government.

It was clear visiting Kagoshima that he’s still a very famous and respected man, with many of the sites that you can visit are related to him. There is a statue of him along the art & culture road and he’s found everywhere; in shops, on o-miyage, products. If you see his statue in Tokyo’s Ueno Park, he’s portrayed in a less positive fashion (he’s got a bit of a beer gut as we’d say in English).

What is interesting is that Saigo worked in the Meiji government for some time. He didn’t just immediately fight against those he should be serving. Instead, he worked as a part of the government for some time and his somewhat both logical yet flawed ideas attempted to deal with the rapid social and societal change that the Meiji government was forcing upon everyone. He however, seemed more focused on the military than industrializing which would be counter to what he would have ultimately wanted. I’d say the soft power of the Shimazu family was much more forward thinking as they wanted to pursue industrialization.

Koito has spent a long time of his “focused” life trying to serve Tsurumi and prove to his father that he will be a good soldier. With the flashback in chapters 197-200, and his confrontation with Tsukishima in 210, he almost had a nervous breakdown.

He started to put things together and when Tsukishima threatened him and told him how Ogata killed Hanazawa he just was in complete shock. He was screaming in a non-Satsuma accent as he just did his best to behave how Tsukishima would anticipate he would behave.

I think in part when he got stabbed by Sugimoto when Asirpa escapes is in part due to the fact that he was still in shock. He lacked the usual energy and passion and overall “Koito-ness” that he’s shown in many other chase scenes. I honestly felt Koito was going through the motions when pursuing Asirpa and Sugimoto. Based on his mistake of approaching Sugimoto, I really think this adds to how he wasn’t quite with it during that chapter. He didn’t know what to think or do so he just went with the flow and relied on his training to cover up the fact that he clearly was a mess inside learning about Tsurumi. Even though he’s quite passionate and emotional at times he clearly does hold some of his emotions in and indicated by his distance/sulking post Ogata escape.

He stubbornly tries to get Tsukishima to keep pursuing Sugimoto as he weakly tries to waive him off. He’s trying his best to be a tough Satsuma Hayato (which I think is what he thinks he should be doing/acting as), and he made a mistake fighting Sugimoto even though he did the best he could do. He’s likely feeling very ashamed and still trying to determine what is going on with Tsurumi anyways. I also agree with Sei Kobiyama here that even though he’s a Satsuma Hayato, he’s too “nice” to really be one. I just keep coming back to him and Enonoka.

When we finally learn about his health he tells his father that he’s pitiful. Is he pitiful since he tried to stop Sugimoto? That he realized he’s been used by Tsurumi since he was 14? That Ogata gave him enough information that he sees what Tsurumi is doing isn’t for the benefit of the military and instead it is for Tsurumi’s own personal goals? The good thing about Koito being injured is it will give him a lot of time to think and rest. I really think him cornering Asirpa less than 12 hours after he learned part of the truth from Tsukishima was not a good thing for him.

That pained look on his face as his father looks away before telling him that he’s glad that he’s okay . . . and thankfully when Inkarmat finally reappears, she’s giving him his daily fortune as well as Tsukishima. His blush likely indicates he’s got some sort of crush on Inkarmat. He’s an extroverted guy, so he’d likely get along with someone like her. Even though he doesn’t interact with many females, I get the feeling that he relates to them better than men. I just think of how he was so sweet and respectful of Enonoka and he clearly enjoys Inkarmat’s company. I get the feeling that Inkarmat in canon is supposed to be a very attractive woman and we know she is both charismatic and independent.

Koito has kept himself going by trying to follow the military order and establishment up to this point. For him to question the system and go against Tsurumi, he will have to shatter his entire view of the military and how it operates.

I think Koito will want to seek out the truth as to what is really happening with Tsurumi. We know when he focuses on something he’s successful - just dealing with Tsurumi is going to be very difficult for him.

Thanks to @goldenkamuyhunting, I was able to see this change to volume 20 chapter 200. Koito is able to help himself up by himself from the blows that Ogata dealt to him. Battered and bruised he is able to exit the small hospital and we see a determined yet rough looking Koito. He gives the feeling of a man who wanted to catch Ogata to ask him more. I think Koito is thinking “What do you mean about the Manchuria Railway Ogata? What happened to Hanazawa? Why do you know the word a Russian kidnapper told me?” . . .

We later learn in chapter 210 that Ogata mentioned the Mantetsu (Manchuria Railway) so that Koito would link Hanazawa’s death to Tsurumi’s plans. I think Koito wanted to know what Ogata was referring to. He’s also likely had to rethink his opinion of Ogata based on chapters 200 and 210. He is an officer in the military, he’s an educated elite and he’s putting together big picture concepts that Ogata is dropping him hints about. I think he’s got the potential to be a clever character as well if he can gain confidence in himself. In the revised flashback with Tsurumi when he was 14, he was confidence using his father’s name. He needs to be 100% confident in himself. I hope he can get there!

Really the biggest determent to Koito’s character is how his bratty rich kid attitude prevents him from connecting with others. Time and time again he is not nice to others since he can get away with it. This is the aspect of Koito’s personality that I like the least. The only time that I liked it, is the fact that he is the only character to call out Sugimoto’s bullying and to go head to head with him. I think the rest of the characters may want to stand up to Sugimoto, but they can’t since they aren’t as privileged so they don’t know if they can. Koito however, just uses his baseline sense that he can push back at Sugimoto since “How dare he?” treat him poorly. His reasoning is a bit flawed but his response is what I would like to see others do as well. He really is just like Ogata in that regard, both of them have personalities that developed as a result of their background that makes it hard for others to connect with them. Ogata since he’s so distant refusing to connect with others and being too sarcastic for a lowly superior private and Koito since he’s just used to others obeying him as a result of his family and privilege.

So to stick with the local food analogy - I want Koito to go from being a citrus fruit to a sweet potato. Still important but much more humble.

Another Kagoshima analogy would be that Koito is like Sakurajima. His true potential and skills are dormant, but like the volcano does in his future, 1914, he reaches his full potential and is an amazing leader and force within the country.

Well that is all for my Kagoshima-Koito post. I hope you’ve enjoyed it. I felt that visiting Koito’s hometown gave me a better perspective on him and where he came from. This is something I wouldn’t have know if I hadn’t visited it! I had a great time visiting and learning about Koito, so if you have a chance to visit do so! If people are more interested, I could do a more detailed Koito tourism post in the future.

#golden kamuy #golden kamuy meta #koito otonoshin #koito heiji #koito yuki #koito heinojou #kagoshima #satsuma #satsuma hayato #sakurajima #tsurumi tokushirou #tsukishima hajime

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osomanga · 5 years

Text

GK 198 Raws

I think I’m in love.

Koito Yuki!

Otonoshin’s mom Yuki is so cute!!

Look at her!

She is just so...

...precious!!

Enter the devil Tsurumi

Oi get away from her you manipulative devil!

Talking of the devil...

Tsurumi’s hair just keeps giving off an Ogata energy throughout the chapter...

Nah, its Ogata++. (Tsurumi overall gives off an Ogata+++ vibe)

A pity his hairs always hidden now...

Thank god you scratch your beard and not swipe your hair...at least you can still continue...woops no. You swipe brain fluids now, don’t you?

(Hair and beard restyled just a smidge in the 2yrs since he met Koito...)

But God, Tsurumi is drop-dead gorgeous sexy unlike our kitten.

He is definitely the handsomest+charmingest devil in all the GK universe!! Nobody, nor Kiroranke, not Kikuta...nobody has anything on him!!

I’m sorry but this is a whole chapter dedicated to Tsurumi’s beautiful face and hair, those *eyes*, his cheek that aren’t sunken yet, his expressions are so...

Oh hell yeah he is the seductive smooth evil mastermind!

Oi wat the...

Tsurumi: Thanks. See you later then..

Oi you little Oy, get away from him!

Koito: Haha... Will we even really meet again?

Tsurumi(sparkling): If by some chance we do meet again, lets be friends as the higher authority dictated, shall we?

You devil calling your self heaven’s voice!

There is no worse voice on heaven or earth Koito, than you could have dreamt of that would...never mind.

Seducing teenage boys 101...

Tsurumi wrote the entire manual!!

Oh you smooth-talking bastard!

Koito before meeting Tsurumi

Sensible, normal, angsty boy.

Koito thereafter:-

Lets rename it as Tsukisappu or Tsurumi-sappo Syndrome, can we?

You know- Stockholm Syndrome+oh the adoration/ ye olde nanshoku syndrome..., the entire lot.

君の欲しい言葉を僕は知ってる

(Boku?? Tell me thats a quote/ref from somewhere)

The words you desire to hear, I know them.

This manipulative bastard has a unique tactical blend ready for every valuable boy with daddy issues he’s recruited...

And for once even the daddy...

Tsurumi sure went fishing in Kagoshima...

I’m actually positively curious about how he went about it with Usami, Ogata and ifhe triedand failed with Yuu-kun...

Big bro’s name was Koito Heinojo.

Ye olde samurai name. Google brought up some Nobunaga time samurai brothers named Heiji and Heinojo

Heinojo had Heiji’s ‘Hei’ so poor lil’ Otonoshin’s name is the one that just came outta nowhere. I wonder if they had siblings in between?? Somehow it feels like just them two...

Fuck. I don’t like the feeling of being told the exact Koito’s exact timeline.

He was 8 when his brother who was 13 years older died on Sep 17, 1894(Meiji 27).

His bro died age 8+13=21

Heinojo was born in 1873 (approx)

Oy(Otonoshin) was born in 1886. (I wanna call him Oy even if it means I)

He would’ve been around 18 in 1904 when the Russo-Japan war broke out. (His bro ~= Tsukishima would have been 31).

He met Tsurumi when he was 14 that would be 1900.

And this chapter is when he is 16, i.e. 1902 (2 yrs before the war)

If current manga timeline is 1906+, Oy is 20+ generally, more likely 21-23.

Ummm, anyway Heinojo was 13 yrs older than Koito. Tsukishima may have been his age or a bit younger. In any case, sigh...Koito def sees Tsuki as a big bro figure. Just don’t call him Daikon ok? And ohk...bombs...and their effects...

If Tsurumi is the Tsukisappu Sapporo 25th Army Intelligence officer, Tsukishima is with him too.

On that note, it is two years to the war. Ogata at least knew Yuusaku for a few months to a year before they were deployed. Yuusaku is either finishing up at the Army Academy or has graduated. Ogata may have enlisted(met Yuusaku a short while after enlisting).

Tsurumi’s cheeks are yet to get sunken.

Little Oy’s relationship with big bro is so much more heart-breakingly sweet...

Heinojo was beautiful like their mom. (Oy too...he’s got his mom’s beauty too)

Bratty lil Koito less than 8yr ol being bratty and calling his big, big bro a daikon and Heinojo is affectionately reaching out to him, his tiny bro. (Sasuke-Itachi head tap not really but closest manga equivalent to how sweet in real life a memory like that is)

Ya know if ya know siblings with extreme large age differences they may have kinda drifted apart had he lived but...god, they’d have had the sweetest affectionate doting relation when Koito was a kid. Ever...!

And consequently, Koito suffers the worst reaction to his death and lil Oy’s fixation on the morbid imagery he overhears from the friend about his brother is...I know it all too well...but in those times and in his familial career choice predicament...

Sigh...the lil Oy’s seasickness isn’t so much seasickness as...

Sigh...

Koito Heiji...

Old school guy.

Saw his son’s ship, the Mitsushima, get attacked from a neighbouring cruiser. Literally, witnessed the moment his beloved older son died.

Somewhere I can see glimpses of Nogi with him too: “The shogun didn’t even raise an eyebrow” is maybe..too eloquent for his set of eyebrows?

Returns home. Never scolds the little Oy again. Nor smiles...

I have no idea why but I almost feel like I’m sure I’ve met an old man or two like Heiji sometime(even though he can’t be all that old...50s?) - that dignified, silent, coldly practical type...

A little too pragmatic

Well, his son who is equally pragmatic accepts that just as it is.

Tsurumi went after the son. And now...

going after the father...

He...really...

is one smoooooth...

On that note...after shedding Hasegawa’s spectacles, has he ever done any major intelligence situation handling that didn’t start in that brain of his a million chess moves ahead?

Or why the hell is it my mind just wont believe anything but that this is all according to keikaku.

One horse rider with that cap,

two hats in a carriage - the full set for a wild west bonbon kidnapping.

And the only speculation that comes to mind is that at least one of the kidnappers is Tsurumi’s men from the Tsukisappu Secret Service. I mean...it hardly feels a stretch.

It’ll be a pleasant surprise if the situation turns out to be plain ol’ military teennapping or an...unexpected but known party instead.

Is that either of Tsukishima or Ogata feeding lil’ Oy?

I’d rather it be Tsukishima coz then they two’ll be a full set of Big bro-Lil bro, Stockholm-Lima.

By the end it almost feels like somebody will soon die.

And even feeling for Koito, I don’t want Ogata to die. Neither Koito. But then again, I didn’t want Kiro dying either...

Plz go some other direction o bone divinition! Begone!!

#golden kamuy #golden kamuy raw #golden kamuy spoilers #koito otonshin #tsurumi tokushiro #koito heiji #koito yuki

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imasallstars · 2 years

Video

youtube

THE IDOLM@STER M@STERS OF IDOL WORLD!!!!! 2023

Information regarding the MOIW 2023 live has been revealed! The live will occur in the TOKYO DOME on the 11th and 12th of February 2023. This live will feature all five brands of IDOLM@STER on the stage together after 8 years.

The voice providers participating in this stop are as follows:

DAY 1&2

IDOLM@STER 765PRO ALL STARS 　Eriko Nakamura (Haruka Amami), Asami Imai (Chihaya Kisaragi), Akiko Hasegawa (Miki Hoshii), Azumi Asakura (Yukiho Hagiwara), Mayako Nigo (Yayoi Takatsuki), Hiromi Hirata (Makoto Kikuchi), Naomi Wakabayashi (Ritsuko Akizuki), Asami Shimoda (Ami/Mami Futami), Manami Numakura (Hibiki Ganaha), Rie Kugimiya (Iori Minase)

DAY 1 ONLY

IDOLM@STER CINDERELLA GIRLS 　Triad Primus [Ayaka Fukuhara (Rin Shibuya), Eriko Matsui (Nao Kamiya), Mai Fuchigami (Karen Hojo)], Eldritch Loreteller [Haruka Chisuga (Ryo Matsunaga), Chiyo Ousaki (Koume Shirasaka)], Cyber Glass [Mina Nagashima (Haruna Kamijo), Rui Tanabe (Hina Araki)], Foreign Seaside [Nao Toyama (Mizuki Kawashima), Miharu Hanai (Tomoe Murakami)], from U149 [Asaka Imai (Chie Sasaki), Tomoyo Kurosawa (Miria Akagi), Hana Tamegai (Risa Matoba)]

IDOLM@STER MILLION LIVE 　Strawberry Pop Moon [Haruka Yamazaki (Mirai Kasuga), Azusa Tadokoro (Shizuka Mogami), Machico (Tsubasa Ibuki)], TIntMe! [Eri Inagawa (Tamaki Ogami), Akari Harashima (Iku Nakatani), Keiko Watanabe (Momoko Suou)], HanaSakuya [Yuu Kahara (Emily Stewart), Saki Minami (Tsumugi Shiraishi), Kotori Koiwai (Tomoka Tenkubashi)], Cleasky [Asuka Kakumoto (Elena Shimabara), Chouchou Kiritani (Miya Miyao)]

IDOLM@STER SideM 　DRAMATIC STARS [Shugo Nakamura (Teru Tendo)], Jupiter [Takuma Terashima (Toma Amagase), Daichi Kanbara (Hokuto Ijuin)], Beit [Shun Horie (Pierre), Tomohito Takatsuka (Minori Watanabe)], MofuMofuEn [Shogo Yano (Nao Okamura), Keisuke Furuhata (Shiro Tachibana)], C.FIRST [Yuri Ise (Shu Amamine), Masaya Miyakaze (Momohito Hanazono), Takeo Otsuka (Eishin Mayumi)]

IDOLM@STER SHINY COLORS 　 Hokago Climax Girls [Hiyori Konno (Kaho Komiya), Haruka Shiraishi (Chiyoko Sonoda), Mariko Nagai (Juri Saijo), Wakana Maruoka (Rinze Morino), Akiho Suzumoto (Natsuha Arisugawa)], Straylight [Yuki Tanaka (Asahi Serizawa), Eri Yukimura (Fuyuko Mayuzumi), Sayaka Kitahara (Mei Izumi)], noctchill [Yuu Wakui (Toru Asakura), Rio Tsuchiya (Madoka Higuchi), Saran Tajima (Koito Fukumaru), Miho Okasaki (Hinana Ichikawa)]

DAY 2 ONLY

IDOLM@STER CINDERELLA GIRLS 　Threat Sign [Sayuri Hara (Mio Honda), Makoto Koichi (Haru Yuuki), Teru Ikuta (Natalia)], Dimension-3 [Kotomi Aihara (Shiki Ichinose), Shiki Aoki (Asuka Ninomiya)], flamme martini [Maki Kawase (Tsukasa Kiryu), Sayaka Harada (Miyu Mifune), Satsumi Matsuda (Syoko Hoshi), Minori Suzuki (Hajime Fujiwara)], HappyHappyTwin [Hiromi Igarashi (Anzu Futaba), Rei Matsuzaki (Kirari Moroboshi)], miroir [Hina Tachibana (Nagi Hisakawa), Rika Nagae (Hayate Hisakawa)]

IDOLM@STER MILLION LIVE 　Chrono-Lexica [Yuka Saito (Subaru Nagayoshi), Atsuki Nakamura (Roco Handa), Rika Abe (Mizuki Makabe)], Senkou☆HANABIDAN [Yuri Komagata (Sayoko Takayam), Nana Hamasaki (Noriko Fukuda), Yui Watanabe (Nao Yokoyama), Eri Ozeki (Minako Satake)], 4 Luxury [Arisa Kori (Kaori Sakuramori), Rie Suegara (Fuka Toyokawa), Emi Hirayama (Reika Kitakami), Minami Takahashi (Konomi Baba)]

IDOLM@STER SideM 　FRAME [Kentaro Kumagai (Hideo Akuno), Kento Hama (Ryu Kimura), Takuya Masumoto (Seiji Shingen)], Café Parade [Sho Karino (Yukihiro Kamiya), Takuya Kodama (Makio Uzuki), Daiki Kobayashi (Saki Mizushima)], F-LAGS [Yuko Sanpei (Ryo Akizuki), Shunya Hiruma (Kazuki Tsukumo), Takehiro Urao (Daigo Kabuto)]

IDOLM@STER SHINY COLORS 　Illumination Stars [Hitomi Sekine (Mano Sakuragi), Mayu Mineda (Meguru Hachimiya)], L’Antica [Karin Isobe (Kogane Tsukioka), Chisa Suginuma (Mamimi Tanaka), Anna Yamaki (Sakuya Shirase), Shio Watanabe (Yuika Mitsumine), Yuina Mizuki (Kiriko Yukoku)], ALSTROEMERIA [Honoka Kuroki (Amana Osaki), Ryoko Maekawa (Tenka Osaki), Noriko Shibasaki (Chiyuki Kuwayama)], SHHis [Azusa Shizuki (Nichika Nanakusa), Aya Yamane (Mikoto Aketa)]

SPECIAL GUEST 　ZWEIGLANZ [Minori Chihara (Leon), Rie Takahashi (Shika)]

#event rundown #updatemaster

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yiroko · 4 years

Text

OC-tober (Olivia) Day 1/10: Friends 🌸

She's collecting so many matryoshkas along the journey! These are the characters she is closest to and I had so much fun doing these dolls designs. 🥰

The one in the bottom-left corner is Yuki and she belongs to my friend Giulia.

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imdcathsmeow · 4 years

Text

The ending of this episode got me good 😭😭

Also reminded me of one of the best scenes from YagaKimi

How the lighting blends well with the mood and atmosphere of the scene

MAJESTIC

On a side note, don't get me wrong I'm all for Kyo x Tohru until the very end but I could never deny the sophisticated beauty of this episode's ending

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