Ursa Major Signs US Navy Contract for Next Gen Solid Rocket Motors for Standard Missile

Ursa Major, America's leading privately funded company focused solely on propulsion, announced a contract today with the Naval Energetics Systems and Technologies (NEST) Program to develop and hot fire test a prototype solid rocket motor (SRM) for the U.S. Navy's Standard Missile (SM) program. Under this contract, Ursa Major will develop a new design and apply the company's revolutionary manufacturing process to the Navy's workhorse Mk 104 dual-thrust rocket motor in coordination with the Navy's Program Executive Office Integrated Warfare Systems (PEO IWS) 3.0, Naval Air Warfare Center – Weapons Division at China Lake, and the Naval Surface Warfare Center at Indian Head. The Mk 104 SRM powers the Navy's SM arsenal, including the SM-2, used for surface-to-air defense; the SM-3, used for ballistic missile defense; and the SM-6, an anti-air, land, and sea missile. #military #defense #defence #militaryleak

Ursa Major, America’s leading privately funded company focused solely on propulsion, announced a contract today with the Naval Energetics Systems and Technologies (NEST) Program to develop and hot fire test a prototype solid rocket motor (SRM) for the U.S. Navy’s Standard Missile (SM) program. Under this contract, Ursa Major will develop a new design and apply the company’s revolutionary…

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e-CNY ‘Driving China-Hong Kong Cross-border Pay’

e-CNY ‘Driving China-Hong Kong Cross-border Pay’

Source: Richie Chan/Adobe

The Chinese digital yuan pilot’s spread to Hong Kong may be playing a part in driving up cross-border payments, media outlets have suggested.

Per China Fund News, via the Securities Times, certain types of “cross-border payments” between Mainland China and Hong Kong, as well as the mainland and Macau, have “increased tenfold” in the past 12 months.

The CBDC was not cited as the only factor that had driven the rise, with a number of conventional cross-border banking innovations also credited.

But the e-CNY was alleged to be acting as one of the key driving forces in the increase in cross-border commerce.

The digital yuan is only legal tender in Mainland China, as Hong Kong has its own economic system and a separate currency.

This is also the case in Macau.

But in the past year, the central People’s Bank of China (PBoC) has been keen to find ways for Hong Kongers and mainlanders to use the e-CNY when they travel “cross-border.”

One such innovation targets Hong Kong residents who visit nearby mainland cities like Shenzhen.

In March this year, Hong Kong residents were told they could use the Octopus app (Hong Kong’s most widely used e-pay app) to purchase e-CNY hard wallet cards at self-service card issuing machines at Shenzhen’s Lo Wu border crossing.

An Octopus app and card reader on a Hong Kong bus. (Source: Ka890 [CC BY-SA 3.0])

The app-card link can be used at locations throughout the Guangdong-Hong Kong-Macau Greater Bay Area.

And the PBoC has attempted to spur adoption by offering Hong Kong users discount of up to 20% at hundreds of designated retailers.

Shenzhen has also begun accepting e-CNY hard wallet payments from Octopus App-using Hong Kongers on two of its busiest bus lines.

The city said it would “gradually” expand coverage to encompass “all of the city’s bus routes in the future.”

The Shenzhen branch of the PBoC said that 17 hard wallet card-issuing machines have been deployed in its Luohu Port area and other parts of the city since March.

And it claimed that a total of “over 18,000” CBDC hard wallet cards have been issued to Hong Kong residents.

Digital Yuan: Playing a Part in Mainland China-Hong Kong Commerce?

Beijing has also sought to drive up payments in the opposite direction, targeting Mainland Chinese travelers to Hong Kong.

Last month, Chinese banks claimed that over 200 Hong Kong outlets now accept e-CNY payments.

Banking platforms allow merchants in Hong Kong to accept CBDC pay from Mainland Chinese customers, with the central bank coin instantly converted to Hong Kong dollars.

Stores popular among mainlanders have adopted the coin, including Duty Zero by CDF, the Kwun Tong district’s IW Hotel, and the children’s clothing chain Balabala.

The Information contained in or provided from or through this website is not intended to be and does not constitute financial advice, investment advice, trading advice, or any other advice.

New Post has been published on https://crynotifier.com/digital-yuan-spurs-rise-in-mainland-china-hong-kong-cross-border-payments-htm/

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SPA/ENG

Call of Duty: Black Ops

ENG

At the time its story exploded my head, the best Cod in terms of history. Good gameplay, with an atmosphere that traps you, besides all that stuff about secret files I loved.

SPA

En su época su historia me exploto la cabeza, el mejor Cod en lo que se refiere a historia. Buen gameplay, con una atmósfera que te atrapa, aparte que todo ese rollo de archivos secretos me encantaron.

Hi. I forgot that sad endings exist, and now, I'm scared stupid after your last BW movie post. She's dead already! I want something close to happy! (Oh god, I hope the fanfics come through 😭😭😭)

(Before I begin, I would also like you to know that, while this is over 4000 words long, I did cut a several-paragraphs-long digression comparing the BW movie to Beauty and the Beast: The Enchanted Christmas. You’re welcome.)

I know I’m once again outing myself as an optimist here, and I’m sure I’ll also end up getting smug asks in four months when much of my speculation is wrong, but what the hell. If I was on this tumblr to be right I would have made a LOT of different decisions.

So.

I really, truly don’t think we’re going to get a sad ending.

But the question is, how does it achieve a not-sad ending? Or, to completely re-frame and re-structure: for a character like Natasha, what exactly is a happy ending?

Buckle in, because this gets long.

I think we can all agree that, by definition, we’re starting the movie from a point of melancholy at best, just because we know that in 2023 Natasha will be dead. She doesn’t get to ride into the sunset in any way, shape, or form. Every other solo movie- even the ones with tragic endings, like Thor Ragnarok’s destruction of Asgard and a large portion of its people- have given characters a path forward and the odds that even if this won’t give them a happy ending, it gives them a way towards one. It ends with hope. There isn’t room for that here, for obvious reasons. But what there is room for- and this is, ironically, achievable because of one of the major flaws of IW- is the idea that she did achieve growth, and then had six years to live the life she wanted.

Or, not the life she WANTED, which probably would not have been one part on the run/five parts half of society obliterated by Thanos. Let’s say she had the chance to live a terrible life self-actualized.

IW’s complete and utter lack of meaningful characterization for 90% of the cast means that we don’t really have a sense of where Natasha was in that movie. That gives a lot of room to play with, to put Natasha at the end of the BW movie in a place that she wants to be in. In other words, they can retroactively argue that the reason Natasha isn’t given room to grow in IW is that she had achieved her growth in between CW and IW.

Which, look. Doylistically this is beyond bullshit. Doylistically this is actually offensive, and if they’re looking to retroactively placate us about how Natasha’s arc went, it really doesn’t work. I’m not talking about what was intended, or what was achieved; I don’t think this is either of those. I’m talking about what we can choose to read into it.

And, frankly, as a Natasha fan, that’s pretty much all we do anyway. I can argue (and clearly have argued) her arc for ages, but that’s all the work I’ve done, and you (collective, Natasha fans) have done- not the work the text has done.

None of this is remotely answering the question. But I think it’s necessary groundwork to begin to answer the question.

Because what the BW movie can give us is that growth arc that takes place in the negative spaces of canon.

Well, first of all, the BW movie gives us the fact that things happen at all in the negative spaces of canon. I know I’ve discussed this already, but it’s worth mentioning again: the way audiences are supposed to read texts is that everything pertinent happens on screen. Even supplemental texts that are considered canonical (cut scenes, novelizations, official tie-in comics, movie scripts) are deemed inherently less valuable because they aren’t on the screen. This movie affirms that important events are happening off-screen, to everyone- or at least everyone who isn’t front and center.

This is, again, infuriating, and I feel like when I say this I’m inadveretently contributing to justification. That is not my intention. Natasha’s growth should have been on screen and should have been seen as important. I hate that it’s reduced to a single movie after ten years and the character’s death. I don’t think this justifies it. AT THE SAME TIME, I think this opens space for us to look at lots of characters who haven’t gotten the screen time they deserved.

(Like, they may never give Rhodey the movie he deserves, but at least no one can tell us that if he did something worth seeing it would have been on screen. This movie’s existence is a rebuttal of that. This is a digression but one I’m gonna keep making until everyone starts casually referring to awesome shit Rhodey did off-screen because WHY THE FUCK NOT, YOU CAN’T PROVE IT DIDN’T HAPPEN, “IT DIDN’T HAPPEN ON SCREEN” IS NO LONGER PROOF OF ANYTHING EXCEPT THEY HAVEN’T DONE THE SET-IN-THE-PAST MOVIE YET. Y E T.)

But we also get the possibility of growth, and to analyze what growth means for Natasha’s character.

So here is an issue: I can tell you, with a frankly absurd amount of confidence, what I read Natasha’s arc as. I can lay it out from film to film, I can point to key growth moments, I can read a lot into every scrap that made it into the final cut and I can tell you exactly why, and I feel like if you dig into my history you’re going to find a lot of me citing specific scenes to make my point so I’m not going to go too in-depth on an already-long post that is getting exponentially longer. I think that Natasha’s key arc is in figuring out who she is and what she needs, and how to be a person rather than a reflection of what is asked of her. I think that the mirror imagery in the trailer and in the SDCC/D23 BW footage lends credence to this being a key theme of the movie.

But I have absolutely no idea if I’m right, because the MCU has never considered Natasha to be important enough to be the focus, and as a result I read her arc mostly through the ways she mirrors other characters’ stories, usually to show their strengths by comparison. I do my best to make arguments that are textually supported, but at the same time, it’s like describing the sun entirely from the way that its light reflects off the moon.

So I can say that for the BW movie to be satisfying, it needs to offer completion to her arc, which is then capped in IW/Endgame but would have reached its climax in the BW movie. But since I cannot confidently tell you what her arc has been so far, I can’t figure out exactly how that arc could be satisfactorily completed. Which means, after SEEING the movie, I will have to retroactively figure out how they saw her arc, and then figure out if this was a satisfactory way to end it.

But an argument done in hindsight is colored by what I’ve already seen, and that’s a cheat. So let’s start over.

Here is what we know:

Natasha was taken from her family very young (Endgame: didn’t know her father’s name). As a child, she was abused and manipulated by the Red Room (Agent Carter; Age of Ultron). She was trained to be a Black Widow, did terrible shit for them for a while, defected, became a mercenary, did terrible shit for the highest bidder (Avengers). Clint was sent to kill her but made a different call and brought her in to SHIELD (Avengers). Natasha quickly rose in the ranks and became one half of a STRIKE team watched over by Fury’s right-hand man, Coulson (Avengers). Natasha also became very close with Nick Fury, the head of SHIELD (IM2, Cap2). At some point in there she was shot by the Winter Soldier (Cap2). She was one of the people behind putting together the Avengers Initiative, identifying Tony Stark as not qualified (IM2), and recruited into the team herself (Avengers). She did not leave the Avengers teams for the next 11 years; she was on the first iteration (lasting through Age of Ultron), the second (Age of Ultron through Civil War), and then the Secret Avengers (which we can now assume starts post-BW through Infinity War) and Avengers 3.0 (five-year gap team), as well as the Quantum Realm Team-Up Team right up til she got yeeted off Vormir.

We’ll set Secret Avengers and Team 3.0 aside for the moment, as they’re things that will exist post-BW movie canon.

Natasha’s narrative role has often been to be so amazing that when she’s bested, we know the other person is really good. The best way for me to pull this together into a coherent throughline is that Natasha tends to be bested by people with passion and emotional stakes. When Natasha is just doing her job, but Pepper cares about Tony or the Dora Milaje care about T’Challa, she is outmatched. In Cap2, when Natasha cares deeply about SHIELD and who she’s loyal to, she is able to outmatch everyone she faces, but since she’s a secondary character and her act isn’t as highly visible on screen, her heroism isn’t as spotlighted.

(That said, make no mistake, WE WILL BE COMING BACK TO HER HEROIC MOVE IN THIS MOVIE.)

Her role has also been, as I mentioned earlier, to be a mirror to the white male heroes. She mirrors Tony in IM2, Clint in Avengers, Steve in Cap2, and Bruce in Ultron. I can make a strong argument, that I feel is supported by each text, that each of these mirrors is about moderation, and both the white man of choice and Natasha finding that the ideal is somewhere between both points: the space between how and why Tony and Natasha handle secrecy; between how Clint and Natasha handle guilt; between how Steve and Natasha handle trust; between how Bruce and Natasha handle self-hatred. That the writers and directors often disagree with my read of this does not, in any way, dissuade me from believing it, but it does mean that this may not be the arc we’re looking at in the movie.

By the arcs that I’ve traced, though, they have a fair amount of leeway to give a satisfying conclusion no matter what the plot is. By having other characters mirroring Natasha, she is centered in a way she never had been, and simply being the protagonist of her own story is part of Natasha’s journey we haven’t seen. We know that this is going to in some way revisit the Red Room, and that means that we’ll get to see a story where Natasha is passionate about and personally connected to what she’s fighting. We also know that whatever the story is, it will not be Natasha mediating someone else’s approach to the world, but Natasha’s approach to the world with someone else (I’m guessing Yelena?) mediating her worldview, in a way that gives Natasha growth but does not undercut her as someone who had so much to learn from the REAL hero.

All plot to the side, simply because Natasha is the protagonist, there is an element of satisfaction inherent, both textually and metatextually, because Natasha’s role of being sidelined is both within the text and within the media landscape a struggle she’s finally able to overcome. There is also a metatextual satisfaction just in cleaning up the bits and pieces of canon that we’ve gotten that were left hanging. For example, in her heroic climax in Winter Soldier, Natasha- who was so focused on being able to transform into whatever was necessary- released a fuck-ton of national security information on the internet, including her own history, that made her both immutable and knowable. (Do you ever think about how this means that people living within the MCU know more about Natasha’s background than we, the audience, does? Because I do, c o n s t a n t l y.) Natasha went from working undercover and in the shadows to being an Avenger and releasing not just her own and not just SHIELD’s but also the Red Room’s dirty laundry in public, and that has never had narrative consequences; this is a great opportunity to use that, closing a loop that most people probably forgot even existed.

Speaking of closure.

I think this movie HAD to be designed with that specifically in mind. I don’t think they necessarily expected the backlash they got from Natasha’s death (I’m going to be honest here; I didn’t expect it from anyone but Natasha fans), but at least they had to know that people who had been promised Natasha would get her due in canon would be frustrated and want some sign that the complexity of the character that had been talked up for a decade was actually part of the story they put on film. Marvel wants to placate fans, yes, but they wouldn’t waste millions upon millions of dollars on a movie to get us to shut up; their job is to bring in money, and it’s not like they haven’t gotten ten years’ worth from us. They’re also savvy enough to know that for a character who’s no longer alive in canon, they need to do things that make their story relevant even without them having future appearances- and I think we’ll see that in Yelena and Taskmaster- but also to make this story have stakes.

Yeah, we never spend a Marvel movie saying “Oh geez, what if the hero dies?” (well, aside from Civil War, because comics oontext), but right now we’re going in knowing (or, bare minimum, thinking we know) exactly what happens to Natasha. Where she’ll end up just under two years from when the story starts is set in stone (NO PUN INTENDED). So we need another way to give the story stakes. Natasha’s life and her future aren’t up in the air. Her past is, I guess, but they’ve been clear this movie isn’t about her past. And where that leaves us is the emotional journey. I outlined above what I think that is, but it doesn’t have to be that to be satisfying- it just has to be some way to leave Natasha changed in a way that surprises us as audience.

And, sure, that could be loss- that could be betrayal from everyone in this movie, leaving her alone and with no one to turn to but the Avengers- but I don’t think that is. I think that’s looking at Natasha’s story like she’s still a secondary character, rather than the protagonist. The basic structure of a superhero movie (and specifically a Marvel movie) is that the protagonist suffers defeat but ultimately triumphs, internally if not externally, having learned something that takes them farther on their emotional journey. Since (as far as we )know this is the only movie Nat’s getting- she’s not getting a trilogy or a Dis+ show- this needs to take her farther than most single-protagonist movies have.

In terms of another kind of closure: If the movie doesn’t offer at least a hint of a way Nat could come back (and I’m still hoping for that no matter how unlikely it is, and if it doesn’t happen I’m hoping for it in the Dr Strange sequel, and after that I’m sure I’ll find another path), I think there’s an excellent chance the post-credits scene will be a funeral for her. Given that they have SebStan and Mackie and Emily Van Camp shooting together right now, it would be very easy to at the VERY least get us a scene of them mourning her. It’s not the same as Tony’s giant lakehouse memorial, but it’s about half the characters who were close to her when she was alive (the others being Clint, Maria, and Fury, and I’m pretty sure they could have put an hour of time on the FFH set to the latter two having five seconds of looking solemn). I think that, given the backlash to Endgame, they need something like this: we need to see, on screen, conclusive proof that Natasha’s life mattered, not just for the audience, but for the world she lived in.

My dream would be for the entire movie to use a frame story OF her funeral- people talking about her, different memories and different understandings, that combine in different ways to collectively show a whole. Fucking Rashomon that shit. But we all know they’re not going to do that.

I recognize I am still talking satisfying and not happy.

But what exactly is happy? What exactly is the happy ending Natasha might want?

She’s not a character who wants to retire or settle down somewhere. As much as we in the audience talk about wanting her to get a break, we’ve never seen that from her, and we also don’t see a world that could really offer that to her; especially post-Cap2, Natasha does not have the luxury of escaping her past even if she did want to.

We don’t know her goals. We don’t know what she wanted outside of making amends for her past. We’ve gotten that from almost every other character- say what you want about Steve’s Endgame ending (god knows I have), or about Bruce being a public figure that kids love, but at least there was groundwork laid for it.

i think the best argument we have for what makes Natasha happy is in Civil War, when it’s taken away. Natasha is willing to give up things that are important to her (her autonomy) in favor of not losing her team; being together is the priority for her. By the end of Civil War, she’s lost even that; she’s seen to have betrayed her entire team and has no one. By IW we know that she re-finds her group, that she and Steve and Sam and Wanda are a tightly-knit unit, but we have to piece it together ourselves, and we have no way to know that it’s by choice rather than necessity. (The BW trailer is really the first time we get evidence that Natasha has more resources than just the Avengers or SHIELD; even fic has tended to just posit she has empty safehouses, not living people she can go to.) The BW movie could give her that team, and retroactively make her appearance in IW a reward for her- having found the team she wanted- rather than just the natural place for her to end up.

But I can’t see how that would even work without at least some of Chris Evans, Anthony Mackie, and Elizabeth Olsen appearing in this movie and showing on screen that Natasha has her people. We haven’t seen evidence they aren’t, but at least I haven’t heard any rumors they are, the way we’ve heard rumors about RDJ.

And there’s something awful, to me, in Natasha constantly being supporting in other people’s movies, which exist to seem self-contained even if they’re not, but then in her movie her emotional fulfillment relying on things that happen elsewhere- the implication that her emotional arc can’t even support a single movie.

In terms of what we’ve seen achieved, Natasha seems happiest when she’s solving a problem, when she’s fighting and winning and being the hero she doesn’t quite believe she is. But that’s not something that can be an end to an arc, of a decade or even of two hours. No matter how great that is, it’s a momentary thing, and it’s fleeting. That’s happiness but not narratively satisfying

This remains not an answer to the original questions.

I think part of the issue is, it’s not necessarily that we need Natasha to be happy, for her to have a happy ending. It’s that we, the audience, wants to be happy- and frankly, I don’t think that’s unreasonable; we’re not going to blockbusters to have our hearts torn out (and I think that after Endgame especially, Natasha fans are not ready or willing to do that again). And so we’re looking less at how Natasha can be happy, but how we can be happy. Selfishly, I’d even add: how we can be happy without doing the work. How we can be happy without conspiracy-theorizing our way to a satisfying narrative, but rather, a narrative that’s already on the screen, that we can just roll around in and enjoy.

I realize how bizarre this is to say after 3000+ words, but: I want the opportunity to be a lazy viewer. I want the chance to take things in without having to take responsibility for making them into something I want to see. I don’t want to have to reverse-engineer her story; I want to dig into the minutiae that is maybe actually intended.

On some level, that’s going to be the happy ending for me. Just having a whole text to dive into is a gift. (I am probably monkey-pawing myself just by saying this, which is the same kind of bullshit I argued for Age of Ultron- but then, I still can rewatch Ultron and find a lot that I like.) And Natasha getting a narrative win- which, as protagonist, she kind of has to- will be a happy ending for me.

But I’m a Natasha fan. This is expected.

What I think is the real question under all of this- what I’ve been struggling to tease out from my own feelings, and maybe now I’m finally getting to it- is a different question entirely: how can Marvel craft a story that sticks with their formula of giving a protagonist a win and something like a happy ending, while telling a story about a character who has been sidelined for ten years until they killed her off? Setting aside those of us who are overly invested in Natasha’s arc, what is the path to telling a story that the majority of the audience- most of whom haven’t traced her history, many of whom are casual fans, some of whom probably didn’t even see Endgame- finds fulfilling and happy?

The hero has to win, obviously. The hero has to triumph. Natasha has to come away having saved the world (stopping a villain from destruction), her world (protecting those close to her), and her internal world (some kind of emotional progress/catharsis). There will be moments intended for the audience to cheer. That’s a formula that you can find in nearly every superhero movie, and with good reason; I can’t think of why it wouldn’t apply here.

So looping back around, the question about the sad ending really is just for those of us who are deeply engaged. It’s not “will Natasha triumph?” because yes, she will- of course she will. We are going to get a movie where the world will be saved by Natasha (which has happened before) and the text will acknowledge that (which it really has not). The real question at hand is “will Natasha’s triumph be enough to mitigate the substantial losses she’s had in the other movies, or will it be bittersweet, her success here just underscoring the way that her biggest narrative win was to kill herself for no recognition?”

Which, of course, on some level, will vary from audience member to audience member. But I think that, with the awareness of how Endgame worked, and the knowledge of exactly when this movie is coming out, they have to at least try to give her- and us- this.

It’s now 5:15 AM and this is over 4000 words long and if you’ve read all this you deserve a medal. I’m happy to clarify or expand on anything in a few hours when I get up; I know that I circled a few points rather than clearly making them, but I’m no longer even completely sure what is common knowledge and what is me projecting. Hopefully this can at least start a conversation?

ETA: And anon, I am sure no matter what happens, fanfic will have our backs.

Mom Anon:  Love this pic with the blond hair and all….

nice to see there are new pics out there (even if they are like, 2 years old). In the skiing pic, isn’t she supposed to be 14 months pregnant or something? I don’t know but she was always pregnant around that time. 

And isn’t Pilo 3.0 ‘s birthday coming up? We now “saw” him after all when FaceTiming with his father on the unfortunate balcony. Break out the clowns (not his mum) and the balloons!

https://jazziesb.tumblr.com/post/190120460455#notes

just found this on Jazziesb. Haven’t seen this pic either but I also like it, with the dark hair and scruff. (My inner nan is showing I think). Sorry to flood your inbox!

Anna:  She was certainly trying to bait a pregnancy during the Vermont / NYC trip (by fluffing up her coat during the NYC trip), but she was wearing a cinched waist dress for the IW premiere in LA, so ... no 14 month pregnancy  :P

I honestly have no idea when Schrodinger Pilo was supposed to be born, or whether he’s supposed to have been born in the first place Mom Anon.

Whereas leaks from ‘friends close to the couple’ were the thing for Pilo and Pilo 2.0, the further the showmance goes, the hazier the details become.  To the point where they’re treating Schrodinger Pilo like chopped liver, and his moment in the spotlight seems to be DaddyBatch showing his phone screen to the paparazzo who was taking pictures of him on a balcony.  

If it weren’t so funny, it would be tragic really...

* / VERSES : WORKING EDITION

616

OLD LOKI the least likely to get used of the 616s currently since I’ve gotta do a bit of fuckin’ deep diving on the comics but he’s here. being Terrible.

KID LOKI Second most likely. top most adorable. an actual fucking gremlin.

IKOL LOKI the Top Loko. the one most likely to be foisted upon you in this context. loki 3.0: neither loki you might want but the loki you’ll get.

MCU

THOR 1 likely in a during/pre context. probably didn’t get the parentage memo yet. still just a lovable fucker.

DARK WORLD post avengers to post DW. covers the gamut of his ‘mclosin’ it’ phase. RAGNAROK post DW to post RAG. honestly he’s just..... a mess..... it’s all mess do i really need to do more than just say it’s here????

IW/ENDGAME i’ll..... get back to yall on this one...... bc BOY I ain’t got a way to bring him back atm and i REFUSE to deny that he died it was magical okay.

MYTH

here and open and mainly just..... the fusion-ha mess of the rest as he spends 90% of his time breaking the fourth wall. 

asa-ichi COFFEE Mar. 31, 2019 - Sound by IW Production - Blue sky 昨夜は雨降りだったけど、今日はポカポカ陽気。まさにブルースカイ。 ---------------------------------------- 毎日の朝の風景「コーヒー」。日常の何気ないワンシーンを心地良いサウンドとともに。ただただコーヒーを淹れているだけの動画です。BGMにどうぞ。フルバージョンはYouTubeで聴けます。 YouTube https://youtu.be/ZDdTYplmGEo Instagramはプロフィールのリンクからジャンプ！ YouTube再生リストからノンストップで聴けます。作業BGMにどうぞ。 http://urx.blue/m9WA ---------------------------------------- Warm sunday. Just blue sky! Scenery with COOOFFEE ! and Good SOOOUND ! Thanks for Subscribing to my YouTube channel ! Listen to the full version of Good Sounds on YouTube. YouTube https://youtu.be/ZDdTYplmGEo Instagram jumps from the profile link ! You can listen non-stop from the YouTube playlist. Please for BGM of work and study. http://urx.blue/m9WA ---------------------------------------- Design しましまコーヒースタンド デザイン研究所 - SSCS Design 三浦 啓史 - hiroshi miura https://sscsdesign.com Sound IW Production - Blue sky https://soundcloud.com/iwproduction/blue-sky-jazz-electronic-soundtrack-ambient-atmospheric-piano Blue sky (jazz electronic soundtrack ambient atmospheric piano) by IW Production is licensed under a Creative Commons License. Attribution 3.0 Unported (CC BY 3.0) #study #relax #coffee #music #sound #soundcloud #chill #hop #jazz #lofi #smooth #randb #creativecommons #coffee_inst #coffeetime #coffeebreak #coffeestand #coffeestagram #food #foodstagram #aeropress #dripcoffee #コーヒー #音楽 #ミュージック #エアロプレス #ドリップコーヒー #ハンドドリップ (Yaizu, Shizuoka) https://www.instagram.com/p/Bvp3BsKnTOA/?utm_source=ig_tumblr_share&igshid=1hs5dz9y9gkqq

Post-IW MCU Rewatch: Avengers: Age of Ultron

Time for the Long Weekend of Ultron. If you’re looking for a negative review, this will not be that. Maybe I am easily satisfied, but I dislike zero of the MCU movies. As long as characters I love are onscreen and being awesome and especially when they’re interacting with other characters I love, I’m going to end up with overall positive experience. That being said, this movie is my least favorite in which Thor appears, and it’s probably close to the bottom of my ranking.

I saw a post yesterday pointing out that this is the only movie in which Thor uses lethal force against humans. In the opening sequence when they’re taking down the latest in a long series of Hydra bases, he’s wasting a bunch of dudes without hesitating. Like the person who made that post, I’m pretty sure Thor is not cool with your fascist BS, especially if he knows that they love using Norse symbolism.

Is this the only time Steve uses his motorcycle as a projectile? Because I kind of think it’s not, but I can’t remember for sure. 

“Can we hold them?” “They’re the Avengers!”

I love Thor and Cap’s combo moves so much.

“Good talk!” “No it wasn’t.”

“Please be a secret door please be a secret door please be a secret door—yay!”

The lullaby is always going to be hilarious now.

Well that was an extremely effective way of activating Tony’s guilt complex.

What’s Wanda’s deal? She saw what Tony saw, right? She knows Tony’s greatest fear is failing to stop an alien invasion and Earth’s destruction—of surviving all of that while his friends don’t (ooooouch). Is she already doubting the plan, or what?

“Tales of sprained deltoids and...gout.” Thor is so very wonderfully bad at backtracking from a foot-in-mouth moment.

Oh wow, Tony asked Thor for permission to keep the Scepter long enough to check it out before he’d take it back to Asgard.

“Will...Thor be there?” SAME, GIRL.

“We don’t have time for a City Hall debate.” This is the last time Tony will be so averse to oversight.

Okay so I’m confused. Did Tony recycle part of an interface Hydra was building? Because that would kind of explain how it ended up thinking humanity was too defective to be allowed to live?

Ultron killing JARVIS hurts so much worse than I ever would’ve expected it to hurt to watch an electronic butler get killed.

Thor is telling a bunch of old veterans war stories! That’s so great!

“This was aged for a thousand years in the barrels built from the wreck of Brunnhilde’s fleet. It is not meant for mortal men.” Wait a second. Brunnhilde? As in, Valkyrie from Ragnarok? Seriously? She gets a name in this movie but not the one she’s actually in? But it’s pretty cool they made kegs out of her ships. I’m assuming this wreck happened before the disastrous attack on Hela, which means Brunnhilde could probably decide how to repurpose all the wood. Barrels of mead definitely sounds like something she’d sign off on.

Also does this mead get Steve drunk? I feel like it should at least be able to do that. And it’s great that Thor hands some to him in the same breath that he says it’s not for mortals. He thinks very highly of Steve.

I wonder how often Steve hangs around with old veterans.

I’m completely fine with Bruce/Natasha. ...But my ship is Bucky/Nat.

Hehe, it’s Steve’s turn to be Natasha’s wingman.

The hammer scene is fantastic.

I saw a review thing where someone talked about how there’s a stupid gag where Bruce’s face lands on Nat’s boobs, and I couldn’t for the life of me remember what that was. Well I just found it, and...that is not how you play something like that for cheap laughs. They don’t linger on it, they don’t make risqué comments. Nat is so not bothered by it that she doesn’t even acknowledge his apology, and Bruce doesn’t even seem that embarrassed. Nat is entirely focused on making sure what’s happening around them isn’t enough to make him hulk out.

Okay yeah, Ultron went straight back to the Hydra facility after they killed all his Iron Legion bodies, which definitely makes me think they used some of Hydra’s interface to make him. And I think Tony was so willing to do it because of how Wanda messed with his brain, cranking up the paranoia about alien threats.

Thor is not happy that Tony spent the time he graciously allowed him before taking the scepter back to Asgard messing around with it like this.

Is it weird for Andy Serkis to play human characters after doing so many mo-cap roles?

“Keep your friends rich and your enemies rich and wait to find out which is which.”

Ultron has so far talked about evolution, quoted scripture, and quoted famous poetry. He’s gotten remarkably cultured already, and he’s let it make him super pretentious.

I’m pretty sure they realized going in that they were never going to top Days of Future Past’s version of Quicksilver, so they didn’t really try and then also killed him off so they wouldn’t have to. But where that Quicksilver is ridiculously fun, this one has more emotional weight. And an arc.

Okay. So I think Wanda tapped into Tony’s fears (born from his glimpse through the portal) and Thor’s slight aptitude for foresight (as indicated in his dreams of Asgard burning in Ragnarok). Steve has neither of those things, and she made him see a messed up version of the past he wishes he could go back to. She made Nat see the past she regrets, and she just made Bruce hulk out. I don’t think Wanda herself has any ability to see the future.

Oh hey, Wolfram & Hart are in Thor’s dream.

Also foreshadowing to his level up in lightning powers. Hmmm. I wonder if Heimdall’s warning is that Ragnarok will pave the way for Thanos.

The entire Veronica sequence is awesome. But the best part is Tony’s jackhammer punches/Chinese finger trap. Also Tony’s face after Hulk spits out a tooth.

The wind down of the fight is the origin of “Earth hate Hulk.” Aww.

I do not understand the hate Clint’s family gets. I could not have been happier to discover that the reason he doesn’t have a girlfriend is that he has a wife and kids. Statistically, it’s nice that at least one Avenger has a family. It’s okay for there to be a stay-at-home mom somewhere in the MCU. And it’s wonderful that Natasha has kind of been adopted by the Barton family.

Thor and Steve’s faces during the whole bit where Thor steps on a toy house are hilarious. Awwwwwwwww Thor left because he’s worried he’s a danger to them, because of his vision! That’s so sad!

Ooh, was that the first time Clint’s been called Hawkeye in the movies?

I don’t understand the vitriol against Natasha’s attitude about being sterilized as a young teenager. That moment was the rite of passage that sealed her role as a KGB assassin. To her, it is symbolic of everything she did for them and gave up for them. And it’s their philosophy that motherhood could compromise an agent, not the movie’s. This doesn’t mean she wishes she could be Laura Barton. She plays all these different roles and weaves all these different lies because it makes it easier to hide from her past, and Wanda just brought that all back to the surface. She’s allowed to be upset that she let a hostile government agency mutilate her and limit her options for the future. It’s tragic, not problematic, that she, as the sum of her entire past, considers herself monstrous. This is just more “I’ve got red in my ledger.” And she’s a little bit playing this up because she wants Bruce to stop fighting what they could have together. She doesn’t want him thinking something like that she deserves more than someone like him.

You don’t have a dark side, Steve. Don’t be silly. But here are sown the seeds of Civil War. Winter Soldier has made Steve very opposed to using force as a preventative measure, and it has also made him very mistrustful of putting someone else in charge, but now Tony’s giving him reasons not to trust him either. For Steve, there will never be a time to retire. This is why I’m convinced he’ll die in Avengers 4, and why I desperately hope Tony will be allowed to retire.

“I need your help. It’s dangerous.” In the deleted scenes, yeah.

“Guy’s multiplying faster than a Catholic rabbit.” *snort*

Clint’s darts game is great.

“Hoo, I’m decrypting nuclear codes and you don’t want me to.”

What is this power Ultron has to make big chunks of stuff move? Is it magnetic? Because that wouldn’t explain him moving chunks of road.

Bruce and Tony interacting is so great.

AHAHA! There’s a reason Ultron didn’t do something obvious like launch all the nukes! JARVIS was stopping him! JARVIS’s surviving protocols were making sure he didn’t do everything you’d expect an AI with internet access to be able to do. Okay. Biggest plot hole isn’t actually a plot hole. Boom. However I do think that Ultron’s plan to destroy the Earth meteor style was part of his melodramatic god complex personality.

Ultron 3.0 looks awful. Should’ve streamlined a bit. He looks like he’s on steroids.

I very much do not like that Vision can fly without visible means of propulsion. It looks doofy. And Vision is a doofy name. However, points for taking Thor as inspiration when it comes to style.

Not a fan of Clint’s weird tunic/coat thing. Would’ve worked better if there was a belt.

Wow I never realized how often “monster” gets tossed around in this movie. Nat, Bruce, Vision, the Avengers collectively. Even Cap makes a joke, “What kind of monster would let a German scientist experiment on him?” This movie is pretty much asking if they have any right to do what they do. If they’re a menace or a benefit. In the end, the answer is pretty unclear. They did kinda make Ultron. They save the world from him and come out with Vision and Wanda on the team, so it’s probably a net gain, but the Sokovia Accords are an extremely understandable consequence. Wanda has that dilemma herself. She thought she had to destroy the Avengers to save the world, and she nearly destroyed the world by helping Ultron, but then she helped save it by defeating him. At great personal cost.

Yay another Thor+Cap combo move!

Pietro is so petty and obnoxious to Hawkeye, and it’s great.

Aww it’s the nerdy guy from Winter Soldier! And thankfully he survives this movie.

“I am Thor, son of Odin, and as long as there is life in my breast...I am running out of things to say. Are you ready?” His grin is my favorite.

The Maximoffs are the most functional, affectionate siblings in the MCU. :/

The number of Ultron robots somewhat strains credulity. Also, why didn’t he just send one to go chill across the world as a failsafe? Ultron is kind of stupid.

Rhodey’s reaction to Vision is priceless.

Aaand there Hulk goes. Apparently through a portal to trash planet, eventually.

If the meta-narrative of the first Avengers was “Can this exist?”, then the meta-narrative of Ultron was “...But should it?” The answer to the first question is “Absolutely it can.” The answer to the second is “Only if it doesn’t get arrogant or reckless.” I think Infinity War’s question is “Can it keep getting bigger like this and still survive?” and Avengers 4 will determine the answer. My guess is that it’ll be “Not without sacrifice.”

Anyway, that “are we monsters” thing is pretty much the individual arc of most of the main characters—except Steve. He makes a reference to it, but he is constantly the voice of caution and reason and he’s the one who pushes for zero civilian casualties in the city. This is the beginning of “We don’t trade lives.” It’s okay to sacrifice yourself, but not to play a numbers game with other people’s lives. Steve is and always has been rock solid. He’s a good man. He trusts his instincts, and they are pretty much always right. But that means he can never stop. He never gets to rest.

Clint is the other character who doesn’t have an “am I a monster” arc. His arc is just the kinda adoptive dad thing he has with the Maximoffs, and us finding out so much more about his life. He’s trying to retire, like Tony, but he’s willing to die for this if he has to. (I hope he doesn’t. But if most or all of his family got Snaptured, then it’d kinda be okay, though devastating, for him to sacrifice himself so they could come back.)

Natasha, Bruce, Tony, and Thor all have the monster arc, and I think Vision is supposed to be the answer at least for Tony and Thor. They created something good. Natasha didn’t get the guy, though, because she betrayed him to get Hulk back for the battle. And Bruce lost big time.

Maybe the reason Ultron is so low on my ranking of MCU movies is that it’s kinda muddled. There are great character moments and the main theme is an important one for the MCU, but in the end we have a snarky, grandiose villain with an army of disposable soldiers (again, only the villain is waaaay less interesting than Loki), coupled with the same plot as “I Robot, You Jane,” one of the worst Buffy episodes of the entire series. (Demon ends up in the internet because of the negligent actions of the good guys, tries to get impressionable young people to work for it, has a robot body built for itself, then gets locked inside that body and out of the internet, then destroyed.) I think it got spread a bit thin trying to set things up for Phase 3, too. Setting up Wakanda, Ragnarok, Civil War, and even Infinity War. Maybe if it didn’t need to do all that, it could’ve been more focused.

DS-2CD2021G1-IW 2.8мм

Корпусні 2 мегапіксельна IP відеокамера DS-2CD2021G1-IW (D) з інфрачервоним підсвічуванням EasyIP 3.0 серії від виробника Hikvision – прекрасний вибір для організації відеоспостереження за територією приватного будинку, офісу або підприємства. З її допомогою можна контролювати периметр поза приміщенням, а тому він не завдасть труднощів. Камера виконана в форм-факторі Bullet, матеріал корпусу з…

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Event Web Booyah Day Bagikan Voucher dan Hunter Backpack

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Anny

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Call of Duty 4: Modern Warfare

ENG

I played it a long time after its release, and it is very entertaining, it manages to make you get attached to the characters, apart from having that classic epicness of the franchise. The last mission really makes your hair stand on end.

I liked how I made Price, I also liked Soap even though the arms were ugly. ಠ_ಠ

SPA

Lo jugué mucho tiempo después de su salida, y está muy entretenido, logra hacer que te encariñes con los personajes, aparte de tener esa epicidad clásica de la franquicia. La última misión sí que te deja con los pelos de punta.

Me gusto como hice a Price, igual me gusto Soap aunque los brazos quedaron feos. ಠ_ಠ

Best Addressable RGB Tempered Glass PC Case In Win 103

The 101c just got better. Is that even possible? Affiliate links: Amazon UK:    https://amzn.to/2BFhM5p Amazon US:    https://amzn.to/2BH5OrS Amazon CA:    https://amzn.to/2QGvNpE Amazon DE:    https://amzn.to/2Wb1FnE Amazon FR:    https://amzn.to/2Wc9gC6 Amazon ES:    https://amzn.to/2Wcaa1s Amazon IT:    https://amzn.to/2Wlck3L https://www.in-win.com/

What an amazing case! Available in satin matt black or polar white, either look great quality!

The satin matt black finish looks so smooth and well painted it really is a beautiful case to look at.

Loads of cooling options like the 101 and 101c before it. Space for 360, 240 or 120mm radiators and space for up to six 120mm fans. Airflow will not be a problem!

The glass windows and the case have new striped accents and give the base a lift from being too plain.

The built in ARGB controller has a pass through so you can daisy chain it with other addressable RGB devices and controllers. The controller module has various patterns to select or static colours if you wish. Alternatively, you can connect to your motherboards 3 pin RGB connector and control the lights from your favourite software like Asus Aura, MSI Mystic Sync and others.

Specs:

Model 103 Part Number IW-103-Black / IW-103-White Color Black, White Case Type Mid Tower Materials SECC, ABS, PC, Tempered Glass M/B Compatibility 12" x 10.5" ATX, Micro-ATX, Mini-ITX Expansion Slots PCI-E x 7 Maximum Compatibility VGA Card Length: 421mm (Maximum) VGA Card Length: 305mm (With Side Radiator) CPU Heatsink Height: 160mm Front Ports 2 x USB 3.0 HD Audio Internal Drive Bays 2 x 3.5" 2 x 2.5" (Max. up to 4 bays) Thermal Solution Compatibility 1 x 120mm Rear Fan / 120 mm Radiator 2 x 120mm Side Fan / 240mm Radiator 3 x 120mm Bottom Fan / 360mm Radiator Power Supply Compatibility PSII: ATX12V - Length up to 200mm Product Dimensions (H x W x D) 425 x 210 x 473 mm 16.7" x 8.3" x 18.6" Product Dimensions (H x W x D) with  handle height 446 x 227 x 480 mm 17.6" x 8.9" x 18.9" Package Dimensions (H x W x D) 506 x 282 x 532mm 19.9" x 11.1" x 20.9" Net Weight 7.31kg / 16.1lb Gross Weight 8.47kg / 18.6lb

Unboxing Playlist:    https://www.youtube.com/playlist?list=PL39HCM-SRLM-MWjTy_ecFQRwfM_Ql_vyo

LED & RGB Lighting Playlist:    https://www.youtube.com/playlist?list=PL39HCM-SRLM_Tgk6WZh6e6Bygae2kusyi

Computer Cases Playlist:    https://www.youtube.com/playlist?list=PL39HCM-SRLM-cNTOv9zLfDbBCehmx_NHM

PC Chassis Unboxings Playlist:    https://www.youtube.com/playlist?list=PL39HCM-SRLM9i9Jo6o7h4rZWuSS76yrOK

Computers & Gaming Playlist:    https://www.youtube.com/playlist?list=PL39HCM-SRLM9nTVRnfPvAOHFRnWQe9Sf0

Call of Duty: Modern Warfare 2

Call of Duty: Modern Warfare 2 (often referred to simply as Modern Warfare 2) is a first-person shooter video game developed by Infinity Ward and published by Activision. It was released worldwide on November 10, 2009 for Microsoft Windows, the PlayStation 3, and Xbox 360. A version for OS X was developed by Aspyr and released on May 20, 2014. The Xbox 360 version was made backward compatible for the Xbox One in 2018. It is the sixth installment of the Call of Duty series and the direct sequel to Call of Duty 4: Modern Warfare, continuing the same storyline. It was released in conjunction with two other Call of Duty games: Call of Duty: Modern Warfare: Mobilized for the Nintendo DS,and Call of Duty: Modern Warfare: Reflex, a port of Call of Duty 4 adapted by Treyarch for the Wii console.

The game's campaign follows the Task Force 141, a special forces unit fronted by Captain Soap MacTavish, as they hunt Vladimir Makarov, leader of the Russian Ultranationalist party, and the United States Army Rangers, who are defending the country from a Russian invasion. The game's main playable characters are Sergeant Gary "Roach" Sanderson, of the 141, and Private James Ramirez, of the Army Rangers, with Captain MacTavish becoming playable later in the campaign. An expansive multiplayer mode is featured in the game, with several new features and modes that were not seen in its predecessor.

Development for the game began in 2008, when it was still known as Call of Duty 6. It uses the IW 4.0 engine, an improved version of Call of Duty 4's IW 3.0. Infinity Ward was inspired by real-life conflicts when developing the campaign mode. They initially tested the multiplayer mode by playing an in-house beta version of the game. Modern Warfare 2 was officially announced on February 11, 2009.[4] Teasing of the game began in March, with short trailers being released for the game and, eventually, a full reveal trailer. The multiplayer mode was revealed shortly after. Two downloadable content packs were released for it post-release, each containing four new multiplayer maps.

Modern Warfare 2 has been critically acclaimed by various gaming websites as one of the greatest first-person shooters of all time. Within 24 hours of release, the game sold approximately 4.7 million copies in North America and the United Kingdom. As of 2013, the game has sold 22.7 million copies. In addition to its release, a comic book series based on one of the game's characters was also produced, entitled Modern Warfare 2: Ghost. Despite the game's success, it was subject to some controversies, with one surrounding a playable level that had the player carry out a terror attack on an airport. A sequel, Call of Duty: Modern Warfare 3, was released in 2011 and finishes the original Modern Warfare storyline.