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#I'm tagging but lmk if you don't want to
arcandoria · 2 years
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↳ GUARDIANS OF THE GALAXY (01/??)
the quarantine zone
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ninzied · 5 months
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i run my fingers through your hair and watch the lights go wild
in which alex gets his hands on henry’s hair for a change. post-canon, brownstone era. rated e. ~3k.
Alex tilts his head back into his pillow, taking in the view—Henry, all smooth, bare shoulders and skin, his hair adorably sleep-mussed. The morning sun strikes gold where the strands stick up at odd angles, and yeah, Alex can’t wait to get his hands on that.
He actually groans a little, the sound coming out half-strangled.
Henry pauses, looking down. “What?” His mouth is red, lips slightly parted. It is, frankly, one of the more obscene things Alex has ever laid eyes on.
“Just get back here,” he says, half-rising, half-tugging Henry down with a hand on his nape, his fingers threading through his hair. It’s soft as fuck, and fuck does he love him, the way his mouth opens on a small gasp as Alex gives his hair a tug, fingers grazing his scalp.
“You like that, huh,” breathes Alex, taking Henry’s upper lip between his teeth before soothing his tongue over the bite.
“Mm. As much as you?” asks Henry, lifting his gaze long enough to let his smirk to sink in, spreading heat through what feels like Alex’s entire fucking bloodstream. “Debatable.”
ao3.
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fishofthewoods · 6 days
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Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!
We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.
Or maybe, just maybe, he understood.
Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?
Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.
But years later, on his deathbed, did he regret that choice?
Is that why he gave the farmer the letter?
Is that why they went back home?
When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.
The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.
Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.
And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.
People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.
But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?
Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?
And if so, what happens when the farmer comes back?
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faithnomore · 7 months
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aceghosts · 25 days
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Screenshots of Rooney Shepard (They/Them) in Cyberpunk 2077 (17/X)
MOD LIST
Taglist (Like this post to opt in/out for edits): @bbrocklesnar, @marivenah, @alexxmason, @sergeiravenov, @nightbloodbix, @strangefable, @captastra, @socially-awkward-skeleton, @amalkavian, @voidika, @carlosoliveiraa, @inafieldofdaisies, @clicheantagonist, @onehornedbeast, @cassietrn, @thedeadthree, @katsigian, @cloudofbutterflies92, @direwombat, @confidentandgood, @theelderhazelnut
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zaacoy · 1 year
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You draw Tang so cute and soft! It makes me wanna gently smush his face.
RAHHHH HIII!! THANK YOU!!!!! When I tell you I EXPLODED when I first saw this I mean it auugh this is such a nice little surprise message thank youuuuueuue
Here's a sketch page of Tang just for you!! :D As soft and squishable as always :3
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starflungwaddledee · 2 months
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ooooh aaah my first anonymous hate mail!
now i know i said i'd post this sort of stuff publicly to shame the sender, but i'm faaaaiiirly sure this is a kid. so! i'm not gonna post it, or engage, and have in fact already deleted it, because i really really suspect it's a kid.
i'll address one part: about me not tagging my work.
like many other things in the ask, that's an outright lie. i actually do my best to tag comprehensively and liberally, and if you're hatescrolling my blog you already know my tag for the shipaganza in particular is this: 🎀💖
i have put this tag (again, it's 🎀💖) on every post related to the shipaganza. even the explicitly non-romantic, platonic ones (like bandee's and kirby's) and the what the heck is that? ones (like marx's) so that people can liberally avoid it for any number of reasons. i'm just doing this event for fun, and want it to be fun for people viewing the work as well!
i also make it clear regularly that earnest folks can ask me to tag anything in particular and i will do so. however, i cannot control what tags are used on a post once it leaves my blog, so i recommend that you use this handy feature
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to make sure you never have to see any of my content ever again, no matter who else might reblog it onto your feed!
if that's not enough and you're still finding mentions of me on your timeline (such as when other people @ me), you can also apparently use "filtered post content" and just put my username in there. now i haven't tried that in particular, but it seems comprehensive as it searches the entire post for instances of a phrase. here are the instructions on how to do that.
anyway! i hope these steps successfully help you to never see my content or mentions of me ever again!
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imminent-danger-came · 7 months
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If the "to pain" scene has a million fans, I am one of them. If the "to pain" scene has 5 fans, I am one of them. If the "to pain" scene has only one fan then I am that fan. If the "to pain" scene has no fans then I am no longer alive. If the world is against the "to pain" scene then I am against the world
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yeonban · 9 months
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*Permanent interactions call.
I've been thinking about it for a while now, but like or comment on this post if you're alright with me sending you asks either unprompted or from prompts you've reblogged ages ago whenever I feel like it & if you're alright with receiving random starters if I ever have the ideas for them! You're never going to be obligated to reply to them though, so they'll just be possibilities for interactions in case you ever have the inspo for them!
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magentagalaxies · 6 months
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Kids in the Archive: Episode 3
hi everyone you know the deal - i uncovered a bunch of original scripts for kith sketches with the help of the wonderful bruce mcculloch and now i'm here to bring you all a behind-the-scenes comparison of script and screen!
Previous Episodes: Episode 1 - armada finale ("do we make it?") Episode 2 - fran & gordon: the vacation
today's episode is dedicated to @ofkithandmckinney as we cover the script of their favorite sketch, s2e1's "comfortable"
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the thing that immediately sets "comfortable" apart from all the other scripts i own is the multicolored paper is it printed on, with some parts being on pink and others on blue. this is not accidental - each color denotes a specific revision date which is standard practice for tv production, though comfortable is the only script in my collection in this style. the date for pink revisions is may 22nd 1990, while blue revisions were june third of the same year. while taking photos of the scripts, my phone tries to color-balance the images automatically to make it look like black text on a white background, so i had to trick my phone into letting me show off the pink pages here today
The Casting
since the opening of this script is near-identical to what we seen onscreen, I decided to use this section to highlight an interesting (and at times confusing) element of this script, which is that dave and mark's roles are occasionally switched. at times dave is designated as scott's character's wife and mark as the other husband. on a related note, this also wasn't initially written as a nina sketch, with the character being referred to as "marion" in this draft. all in all, while thinking about this alternate version of "comfortable" is fun, i frankly cannot imagine anyone else playing these roles, as all of them bring the perfect type of energy. plus, this nina appearance relates it to my web of kith sketches that exist in the same universe
The "Improv"
this script also allows us to clear up a misconception i've seen in the youtube comments of various uploads of this sketch: people claiming "i want you in me" was improvised
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i can see where this misconception came from - while adhering to the script very faithfully, at this point in the sketch things feel like they're starting to fly off the rails, and each of the actors are struggling not to break. plus, this is totally something scott would do. there's a chance this could have been improvised during a rehearsal or table read (it is on the blue pages after all) but in the version that was broadcast this line was expected. however, there is a possibly-improvised moment in the recording which wasn't in the script. after scott's character takes his pants off there's a moment where he starts singing hava nagila - in the script it just says "da da da da". why scott chose to commemorate this moment with hava nagila we may never know
The Ending
unlike our past few sketches, there's no big difference between the script's ending and the final moments of the sketch on tv. all the beats are accounted for, with most variations stemming from the goldmine that is getting nina in this situation
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as soon as i saw this script in storage i knew i needed it in my collection (with bruce's permission of course), and with all these fascinating production elements it certainly delivered. beyond that, comfortable is one of my favorite sketches as well, because i vividly remember the first time i watched it in the summer of 2022
pre-2022 i'd seen some kids in the hall before, but they'd always been scattered sketches and individual episodes all from season one. when i got into season 2 i didn't know what to expect. would this increased attention and production value make the kids less willing to push the boundaries? would they end up like snl? looking back it's hilarious i could ever think that about this troupe, but i identify "comfortable" as the sketch that really set the tone for what i was in for with season 2. the living room setup and premise of an awkward gathering feel similar to any number of middle-of-the-road snl sketches, which lulled me into a false sense of mundanity, until scott keeps pushing the limits and eventually starts straight-up fucking kevin mcdonald on the table. of course this season wasn't going to be your standard fare sketch show, as pretty soon after followed sizzler and sizzler and the iconic "touch bellini" contest, but as i saw the world of these suburban couples' descend into chaos it was comforting that this punk rock sensibility wasn't over yet.
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booskwan · 10 days
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i'm not an aroha i never really have been but i heard about fly and now i am crying
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sandu-zidian · 8 months
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I love looking at all the stuff and hearing about the Ahsoka show (bc I'm not gonna actually watch the show that I know I'm not gonna like). It reminds me why I fucking hate new star wars media recently LMAO. Like everyone has their own opinions but uh. If Sabine was gonna do anything in her grief it was to buzz all her hair, get herself a dingy ass studio apartment that is covered in spray paint, pay her bills with bounty hunting and selling art on the side, and coping with everything by latching onto her mandalorian heritage rather than like, burying her armor or whatever the hell she did. She's got a new armor paint job every other day because she's repainting it in grief and in remembrance of family and friends who aren't around anymore but there's too many people to honor so new paint jobs it is.
Also, I don't really think Sabine would've suddenly decided to become a Jedi. Not everyone has to be a Jedi Disney!!! Are we just going to forget the tension between her and Kanan throughout Rebels? Are we going to forget how the reason why she learned to wield a lightsaber was all in service of her people, the Mandalorians? Sabine has never been, and never will be, interested in being a Jedi because it's not a lifestyle she finds appealing.
(Pretending to not care about Star Wars anymore while still very much caring about Star Wars because fuck those are my first blorbos!!)
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parkitaco · 3 months
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i had to go look up what you're talking about lmao but like the anon was obviously a mean spirited asshole but you straight up asked people to tell you their opinion on your steve voice....
yk what anon i see where ur coming from but i also said be nice. and that's a real fucking easy thing to do. so you can fuck off too <3
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izzyspussy · 2 months
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tfw u kinda wanna make a post about how frustrating it is to try to find racial identity and the pressure of not really having a good answer to "what are you?" because 75% of your ethnicity is stuff that is sometimes considered white or sometimes considered something else or sometimes considered its own race and you've got pale skin and only speak english but you've been discriminated against for your cultural values and facial features but only some of the time in some places and you demonstrably have white privilege in most contexts but not all the time and how much white privilege equals whiteness and on the other hand isn't that awfully similar the concept of racial dilution which is just pc genocide anyway and if you self determine as white is that the right thing to do or is it just assimilation but if you self determine as not white is that respecting and claiming your heritage or is it appropriation/brownface and also what do you do if you self determine one way and then get treated the other way and you know based on the reality that race is socially constructed it can be true that the same person can sometimes be white and sometimes be not white but if you actually say that out loud to people they think you're trying to be a snowflake for woke points based on a technicality-
but also u don't wanna post about that because. if you actually say that out loud to people,
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sleepanonymous · 9 months
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Oh, the blossom mirrors on the side of the road  The form becomes fixed in your eyes, cold  This hollow delight is a sight to behold I know, I know…
Oh, the hidden designs are lost on us The highest desire and lowest lust  Just contours and folds in an endless curse  It’s worse, it’s worse…
You are the head the halo orbits  You are the feet that pastures grow  I am the novelty wearing off Wearing off…
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hauntedpearl · 2 years
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but, dear, cling close to me
2k, Gen, Fluff
The first time they have a fight, it is over something silly. Dean storms out on him, his heavy footsteps echoing in the empty house. Castiel stares after him, his heart in his throat, and doesn't ask him to stop. To stay. He doesn't think Dean will come back, either.
It startles him, then, when he hears the roar of the Impala just as the sun sets the horizon on fire. The creak of the driver's door opening, the slam of it falling shut. Footsteps coming up the porch stairs. He hastens into the living room just in time to see Dean lock the door behind him. Castiel watches him, panting, as he toes his boots off, drops his keys in the yellow bowl with the crooked rim that Cas made them.
His face is hard, still. Jaw set, eyes flinty. He doesn't meet Castiel's gaze, makes for the kitchen on steady feet, shoulders curving away as he passes him.
But he's here. He's here.
"You came back," Cas says. His voice is filled with surprise.
Dean turns to him, then. Almost rears back. His eyes dim and his jaw slackens. He looks — hurt.
"And where else would I go, huh?"
Dean's arms lift in a mockery of a shrug. He would sound caustic, if not for the faint tremble in his voice that Castiel notes. He doesn't know what to do with it.
The Bunker, he wants to reply. Home. But that wouldn't be true. The Bunker isn't home for either of them. Hasn't been for a while, now. It is just windowless walls of metal and concrete, underground. It is what it was once meant to be and nothing more.
Shelter, not home.
No, for better or for worse, this is home now. This kitchen with the cracked windowpane that needs fixing, still. The living room, cluttered, with its faded couch and thrifted pillows, Cas' pottery and Dean's books. The garden out back, whose soil is staining Cas' fingertips.
"I don't know," Cas says, and he knows it's the wrong thing to say just as he does. He wants to take it back, but he can't.
He doesn't know how to talk to Dean. Not anymore.
Maybe he never did.
Dean heaves a breath, eyes trained on Castiel, and Cas thinks he feels so impossibly far away.
There is too much crowding the air between them. Too many things unsaid, too many wants unsatisfied. Too many prayers unanswered. Castiel wants to reach Dean through all this, split the fog with his hands. But he doesn't know how.
There is something unnamed brightening Dean's eyes as they flit over Cas' face, the breadth of his chest. His damp, bare feet.
Then, he huffs. Turns away. Says nothing.
The silence echoes. The world darkens. The sky turns the shade of a bruise.
Castiel heads upstairs to wash the scent of the earth off his fingertips.
~
That night, Cas lies in bed on his side, back to the door. He listens for a croak. A chirp. A buzz. Something.
But the night is too cold. Too quiet.
He counts his breaths as they pass his lips, watches the seconds hand of the old-fashioned clock on his bedside table as it moves.
He isn't as startled as he thought he would be when the door to his room opens. When Dean pads in, and the mattress dips as he settles at the foot of the bed. He can almost feel the scratch of Dean's fingernails on the sheets.
Dean says nothing, just sits there. Watches him sleep. Breathes in this space that he doesn't often breach. Castiel keeps his eyes closed and breathes with him.
It is easier, with Dean here.
His thoughts are syrupy with sleep, and not for the first time, he wonders if he should leave. Go back to the bunker until he finds a place he can carve for himself in this world. (It would be easier, this time, in some ways. Harder in others.) He wonders if Dean keeps him here, chains himself to Castiel, out of a misplaced sense of obligation. Of pity.
Castiel doesn't want Dean's pity.
He just wants Dean.
Even if it is as he is now — angry and cold and quiet.
But he doesn't know what Dean wants. Dean doesn't tell him. And selfishly, Castiel waits, not willing to push him farther away.
Castiel waits, the weight of hope heavy in his chest.
~
He wakes to the soft caress of sunlight.
He blinks his eyes open. The sky in his window is lightening, the purples and pinks dissolving into nothing.
It is early — for him, at any rate — but there is a smile fighting his yawn, curving his lips upwards. He pushes himself up on an elbow, rolls his neck.
Finds that he is surprisingly well-rested.
He turns over and sees the top of Dean's head peaking over his mattress, the tips of his hair turning rose-gold in the sunlight.
Cas leans towards him and sees that he's slumped on the floor, leaning against the bed. The morning light falls over his face in strips, paints half of it golden. His freckles stand out in the light, a galaxy of them scattered across his skin. His eyelashes feather over the curve of his cheek.
He is beautiful here, asleep and uncaring. So very beautiful.
And Castiel loves him. He loves him so much that he aches with it.
He swallows, throat dry. Ignores the rapid thudding of his heart. Stretches his fingers towards Dean, watching as they hover over the lines carved into his temples, the corners of his eyes.
He is so tempted to touch them, to learn their shape.
Instead, he sets his palm on the ball on Dean's shoulder. His curled pinkie sits under the edge of the collar of his t-shirt.
"Dean?" he says, softening his sandpaper voice. Shakes him a little.
Dean flinches, then groans at the twinge in his back, and Castiel winces in sympathy.
The bones in their bodies are tired. Cas has learned that much, if nothing else.
Dean blinks himself awake, rubs the grit out of his eyes with his fingers. Smacks his lips together. And all the while, Castiel leaves his hand on Dean's shoulder.
"Morning, sunshine," Dean says, even now. Even when he's angry, and there are bags under his eyes, and tension in the skin of his temples. Even when he fidgets where he sits on the floor, not looking at Cas.
"Good morning, Dean," is his reply, like always. He squeezes Dean's shoulder before letting go. Sits up. Curls his fists in his lap. He feels soft, in the morning, like this. Soft, and small, and so very sad.
What are you doing here? he wants to ask. Why did you sleep on my floor?
Instead, he watches, quiet, as Dean stretches and groans. Then lifts himself onto the bed. Settles into the same dip in the mattress as the night before.
They sit across from each other, not quite looking at each other, and Cas feels his skin crawl. His eyes are starting to sting. He tilts his face up to the ceiling and blinks to keep them dry.
"Fuck," Dean swears, and Cas closes his eyes. "Fuck, this is stupid. I'm so fucking stupid."
Castiel's only warning is the rustle of the sheets before Dean's body slams into his, arms wrapping around his shoulders in a vice like grip. It is only instinct that keeps them upright, Cas' broad frame managing to brace them somehow. His arms wind themselves around Dean's waist.
"I'm sorry," Dean says into his shoulder, tightening his grip. Their hearts race against one another under their thin, cotton shirts. "I'm sorry I was being an ass. I'm sorry I left. And—"
Here, he gulps, and the air around them tenses like it's waiting for more. But then, Dean just sighs. Buries his face in Castiel's shoulder.
"Just — Okay. Yeah. I— Yeah."
He's nodding against Cas' shoulder. And somehow, that — that's enough. That Dean is holding him. That he says Okay like he's bracing himself and like he's said what he wants to, all at once.
Cas holds him back. Thinks he's starting to see past the fog, in the clear light of this morning. Thinks he's beginning to understand.
It settles something in his chest, this revelation. Loosens the pressure around it.
"I hate fighting with you," he mumbles as he closes his eyes and presses his face into the crook of Dean's neck. Breathes.
He is allowed this, for now.
"Me, too, Cas," Dean says, a palm coming up to cradle the back of Cas' head. "Me, too."
~
They eat their breakfast on the deck out back, sitting on the stairs next to each other, their knees knocking together, plates in their laps — French toast and scrambled eggs, Cas' share of it drenched in honey.
The morning feels quieter. Calmer. Nicer.
Or, maybe, it's just Castiel. He doesn't know. Doesn't think he particularly cares, either.
He is beginning to learn their language, his and Dean's, dissonances and all. And it's setting the hope in his chest alight. He is almost buoyant with it.
Then, Dean sets his half-finished breakfast aside. Dangles his elbows from his knees, presses the palms of his hands together, bows his head. Supplicant, almost. Like he's praying.
Cas watches him, his pulse jack-rabbitting. Sets his own plate aside and turns, when he notes the slight tension in Dean's shoulders. He wants to quell the rising tide in his chest but he can't. He can't.
"What is it?" he makes himself ask when Dean is silent for too long. He's surprised his voice is as steady as it is.
"I...," Dean swallows. He tilts his gaze up to Cas'. His eyes are summer-green and gold and Castiel can't look away.
"I won't leave you. Ever. I'm always going to come back, Cas," he says, and it is a promise. It is a promise and it sets the fire in Cas' chest roaring. "Even if I'm pissed off as hell, even if I say stupid shit that pisses you off enough to kick me out....I—I'll still come back here. As long as you'll let me, I'll stay. I'm not going anywhere."
Castiel swallows. Searches Dean's face for something. Something, something.
Something.
When he asks, "Why?" his voice buzzes, thick and sweet.
Dean looks at him with an exasperated fondness that is familiar. He shakes his head, gaze lifting to the sky a moment before it lands back on Cas. Almost as if to say, Why do you think?
But, Castiel waits him out. He wants Dean to tell him. He wants to know, wants to be sure.
The smile slips off Dean's face, but it is replaced by an expression that is softer. More tentative. Almost shy.
Castiel feels a little like he's flying, a little like he's falling.
"Because," Dean gulps, licks his lips. "Because this? Us," — a palm moving in between their bodies, folding the whole world into the space there—, "This is it. This is home."
Oh, Cas thinks. Oh, Oh, Oh.
Then — "Alright," a gasp, a blink. Fireworks in his chest, his throat. "You can stay."
"Yeah?" Dean says, and he's grinning, eyes bright and joyful, and Castiel wants to say, Idiot. Goddamn Idiot! "Good."
Emboldened, Castiel leans forward. Rests his forehead against Dean's collarbone. Dean stills, for a moment, but then he lets him. He lets him.
When Cas slides his palm into Dean's and slots their fingers together, Dean holds fast, curling his hand into Cas' touch.
Castiel brings his free hand up to Dean's neck, holds him close. Breathes him in.
"I love you," he says, because he can't hold it in. Because his chest feels so full. Because he wants to say it again. To let Dean know. "I always will."
Dean sighs, then. Shifts so he can hold Cas better. Closer.
There's a dry press of lips to the warm skin of Castiel's temple.
"I know, sweetheart," Dean says, and there, in those words, in the softness of them where they touch Cas' skin, is everything. "I know."
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