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#I’ve been considering remaking blogs for a few years now (as some of you may know) and like simply changing urls isn’t enough
whimsyprinx · 11 months
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I feel like now is a good time to announce that I’m in the process of moving blogs! Im doing so for a few reasons, the main one being paranoia, so for that reason I won’t be saying my new urls publicly so like please dm me if you’d like my new url so you can follow me there! I’ll be reblogging this post a lot so ppl can see it (so sorry if you get annoyed by that)!
I’m also remaking my discord account as well so if we’re friends on there then feel free to message me for my new username!
friends and mutuals please do reblog so shared friends/mutuals have a higher chance seeing it!
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And that’s the episode split.  That, uh, was pretty quick after today’s liveblog started, I probably should have kept going yesterday.
The patron who picked this show told me before I started this episode that it was their favorite, and I can see why.  I’m drawn in.  I’ve got strong opinions about books and the freedom to read (as you can probably tell) and this episode is tying into those nicely.  It’s also kind of appropriate to do this episode now, considering what’s been happening in America lately.
That’ll be the liveblog for today--up next is going to be episode 1 of Kipo and the Age of Wonderbeasts!  I’ve heard that one’s pretty good, so tune in for the start of that tomorrow at noon EST.  Or you can join me in 45 minutes at my Twitch channel where I’ll be continuing Resident Evil 4 Remake!  I’ll see you there!
Before I go, I’d like to plug both my blog’s Patreon and my Twitch/Youtube Patreon. I make my living off of Patreon, and while I make enough to cover rent and bills, I don’t make a ton of money from it and haven’t been able to save anything up.  Every dollar helps, so if you’re willing, please consider pledging a dollar or two. 
Thank you all for tuning in, and thank you to my 46 blog patrons, who make it so I can do this for a living!  I’ll see you later!
IN OTHER NEWS:
I recently completed my first playthrough of Undertale!  You can see the full playlist of those streams by clicking here!
I have an ongoing first playthrough of Final Fantasy XIV that I’ve been streaming on Twitch! If you’d like to tune in when I’m live, I stream it every Saturday at 1 PM EST, and I upload my stream VODs to my Youtube channel!  If you’d like to see that playlist, click here!
If you’d like to help me pay my rent, buy me some food, or help with my bills and medicine, please use my direct donation link!  If you’d like to support me per liveblog completed every month, please pledge to my Patreon!  If you’d like to support my streams or pick a game for me to stream, you can pledge to my stream Patreon too!
You should also go pledge to Gio’s Patreon, or his Sponsus–our Discord server maintenance tech and creator of Rubybot deserves far more than I can afford to pledge to him by myself.
If you’d like more of me and my content:
My Episode Lists master page, where you can find every show and liveblog I’ve done!
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My Twitch channel, where I stream variety games every so often!
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It’s your kindness and support that lets me do this stuff, and I wouldn’t be where I am without all of you to do it for.  Thank you all so much for your support, and for tuning in every episode!
OTHER PEOPLE YOU MAY ENJOY:
I may have been one of the earlier Steven Universe liveblogs, but a whole community of livebloggers has sprung up over the last six years!   I linked to a bunch individually for a few wrap-ups, but honestly, this end-slate is already eight billion miles long, so I’m just gonna link to my links page.  Click here if you want recommendations of other livebloggers, or other neat people, or webcomics and podcasts that I recommend.
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I actually already replied this on a post of yours, but I realized that it would probably be easier for you if it's in an ask so I'm sending this now!
For the issue of Sunny, you could make it so that he can access the ethereal plane when he's dreaming like how some ghosts can access the living world through the dream world.
It would fit with his whole thing of dreams being his escape from the real world, the only real issue would be that he might get addicted to dreaming and relapse but he has his friends and his mom (?) to anchor him to the living world so that won't be a HUGE problem...
The only real issue left would be to get Sunny himself to believe that he's actually in the afterlife and not just dreaming again, but you could incorporate that into your storyline!
He could slowly notice the differences between the Ethereal Plane and a certain Dreamland, like how Klaus, Del, and Mari all have agency and lives outside of him, how huge and complicated the afterlife is, how he can't control things here, etc etc, until the realization hits him like a truck one day that this is REAL.
You don't HAVE to include this or anything, it's just a random idea I had one day and I decided to send it to you but I am insanely shy and very new to Tumblr so after I hit send I am probably going to spend hours screaming into my pillow so...
(Haha, you don’t need to worry ^^ I’ve been on Tumblr for over 5 years now and I still get insanely shy went sending stuff to people lmao)
(As for your idea, I really like the concept however since we’re currently only a few months, not even half a year, after Mari’s death, as of right now if I have my lore right, Sunny’s Headspace isn’t even finalized yet. It’s implied that Sunny has had to remake Headspace over and over and over because he wasn’t happy with how his friends kept turning out.)
(I think it’s also this point in time where this is even before The Wisest, Abbi, is banished to The Abyss. And since Sunny seems very keen in making his escape as perfect as possible, he wouldn’t really be thinking of anything else. Plus, it’s also implied that Sunny has repressed his trauma so intensely that he probably doesn’t even remember Mari’s dead and his mind will come up with an excuse on why she’s not around anymore.)
(Another thing is that while Ghost’s can enter the Dream Realm to interact with the living, it can’t really work the other way around. This is due to The Living not being able to access their Soul’s Cores for extra power. It’s considered Supernatural and therefore doesn’t really exist in the living. So even if Sunny wanted to dream and go to The Afterlife, we wouldn’t really be able to UNLESS he somehow is able to gain access to his Core WHILE still alive)
(One thing I do agree on tho is how addictive this could be. But not JUST for Sunny. It would also be very addictive for Mari too as while you may not see it, her mental state is still very fragile. She’s still doing her weekly therapy appointments so she’s slightly better but she’s nowhere near as she was before. This wouldn’t be a very good way for her to cope)
(When alive she was very independent, confident, peppy and very social. Here in The Afterlife, she’s slightly jumpy at times, she’s become introverted and shy- as seen from her not leaving the house for like 2 months- and lastly, she’s become extremely clingy and dependent on Klaus and Del. Them serving as a safe haven for her to go to in this completely new environment she’s been thrown into against her will)
(I really do like this concept and while I don’t think it’ll work too well with the story I’m planning to tell, I might possibly do some “What if” drawings that are non-canon :D I greatly appreciate the input and I’m just happy people wanna interact with this blog as much as they do! Waking up to 99+ notifications this morning was a very pleasant surprise and for a second I thought I was still asleep and I was dreaming xD)
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arcane-nari · 3 years
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why are you trying to make nari evil she's the only good one in the arcane order?
(re: this post I’m assuming)
sorry anon you've unlocked my trap card. now i can draw infodumping from my hand and place it face up on the board
tl;dr: Nari isn't evil -- but neither is the arcane order. It's just that nari is the only one of the three who isn't okay with the suffering that would be caused by doing her job of maintaining the balance.
from what i can tell, the order's morality isn't Good or Evil in Tales of Arcadia: Wizards. (I do not see Rise of the Titans. I am not looking.) i've had this blog since wizards first came out, so my interpretation of nari is largely from there, with only some points here and there taken from Nari.
(aside: i feel so vindicated with how she acted in the police station. this bug is feral and i love her)
they're antagonists for sure, and they're rivals, but their morality isn't good. Instead, it's sort of more focussed on the good of the balance between magic and mortals and keeping that in check. there isn't much explanation as to what that means in canon, but I think it's sort of a chaos vs order thing -- too much of one and the world explodes. too much of the other and it's rendered inert.
before the battle of killahead, while each demigod has their own personality, they seem to be of the same mind when it comes to the end goal: protect the balance, no matter how many mortals get hurt along the way. (Mortals, in this case, meaning anyone who is not a primordial wizard.) It's a matter of good of the many (the balance) vs the goods of the few or the one (mortals).
Coupled with their duty to the balance, i have the interpretation that they're simply too disconnected from the world of mortals to understand what pain is -- skrael and bellroc moreso than nari, which i'll get to in a minute. But they're so powerful and ancient that it's easy for them to feel Apart from the mortals, because of how short their lives are and how small their magic is in comparison. Kind of like how most humans view squirrels -- they're creatures living their own lives and having their own drama, but, ultimately, we are far more advanced.
to continue the metaphor -- the world at the time of killahead is something along the lines of a tree that's overgrown the sidewalk and is causing problems, in my mind. Yes, squirrels have made their home in it, but it's causing too much trouble to the humans living in the area, so it has to be cut down. It's not done to cause direct harm to the squirrels. it's just that the action of cutting down the tree will cause direct or indirect harm to the squirrels.
(I've used this metaphor way too often with the order lol)
So they aren't remaking the world because they hate humans specifically. Most definitions of evil is someone who wants explicitly to do other's harm. In my mind, the order doesn't want explicitly to do people harm. They don't care about people. Well -- they don't like them, and perhaps they aren't happy about the amount of people who will die when they remake the world, but it's certainly more than justifiable in their mind considering the ends they're pursuing.
And that takes me to pain. Nari explicitly says she can sense all souls, but it's not clear whether she can sense their pain and suffering. Rather, she seems to be right on board with the order's methods all the way up until she sees Killahead directly. Once she sees the pain -- once it becomes real for her -- she can't dismiss it as a necessary evil that comes with keeping the balance in line. She can't depersonalize it or separate herself from it.
Sure, she's able to occasionally Look into the aether and see souls winking out here and there due to the destruction being caused, but it's different from seeing it up close. And she realizes what they're doing has real and tangible effects and she can't do her duty anymore. It's not that remaking the world is wrong. It's not that the demigods are misguided.
"It's not worth it."
Those are nari's words when she realizes what they've done. The cost is too high. They can't move forward.
I think, were this turned around and the order were to be shown as the protagonists, nari would be written to be a coward. It's all about doing your duty until you face the consequences of your actions, and you can't keep your word. Instead of trying to stop things, she runs. She hides. for nine centuries, she spends her life hidden in a castle away from the world.
We don't see what she does, but I think she learns. I think she asks questions and learns how people work, and how trolls work. I think, once she has the chance to be up close and personal to living people -- even if it's just galahad for the majority of the time -- she falls in love with them. it's hard not to. The way they change and grow and create. The idea of constellations is as much a wonder to her now as it had been the first time she heard about it.
And her desire to protect mortals grow with it. The more she learns, the more her heart becomes entangled with the very world she once wanted to remake. To hell with her orders and her duty -- she's doing what she thinks is right.
By hiding. By doing nothing. We see in Rott that it's probably the only thing for it, considering mind control, but i'm iffy on whether that's something that's canon for me or not. It feels a bit too convenient, considering we've seen such massive power on her end.
She's ancient, but she learns in a few short years what it means to have friends. Her love for humanity is what separates her from the order but, on an objective level, that doesn't make her good, or even Not Evil. Ultimately, it's a human thing to label her as good because her intentions align with protecting us, rather than protecting this vague, enigmatic concept of The Balance that we get so little understanding about. Maybe if we as an audience got more, we would understand why it mattered enough to destroy the entire world to repair it, but we don't, so it's easier to side with the tangible "protect humans at all costs" goal over the intangible "repair the balance at all costs" goal
And the order cares about each other. The way nari teases bellroc and skrael, the way bellroc snaps at skrael -- it feels like a band of siblings. It feels like a family. There's more to them than evil. (And rott did a disservice by trying to make them such. Even at the end, bellroc showed empathy. They could have killed jim when they were certain of their victory, but they told him to go to his family. There's a heart in there, however much it may be of blackened stone.)
(But that's another story entirely.)
There's stories about the fair folk that come to mind, with their strange morals and rules. A lot of stories paint these fairies as evil because their punishments seemed harsher than what humans would expect for certain infractions, while their games often included things that hurt humans. But it's not because they wanted to hurt humans directly. (Okay, a lot of them did, but many of them didn't). It's that what they consider good and bad is so far removed from humanity, because they are not and have never been human. They're simply existing alongside them in the same world.
In conclusion, the order isn't evil. But because their goals don't include the welfare of humans, it's easy to label them as such - and because nari's goals ultimately were protecting humanity, it's easy to label her as good. But the order themselves are too far removed from humanity for me, personally, to label them in terms of explicit morals.
Nari is kind. She is clever, and she's capable of learning, and she's curious. She is herself -- but if we call her good, that's on us, whatever comes of it. She may be capable of change, but she is only ever herself, whatever shape that takes
also veggie lady good character and i love her. grey morality and all.
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Double Features 2: Splatter, Splicer, Slander, Slasher
Considering the fact that we’re locked down and most folks aren’t going out much, why not settle in on a weekend with double feature. As part of a series of articles, I’ve decided to suggest some titles that would make for an interesting pair. It’s a time commitment like binging a few episodes of a TV show, and hopefully these double features are linked in interesting enough ways that it has a similar sense of cohesion. They also can be watched on separate occasions, but the lesser the distance between them, the more the similarities show. Do it however you want, really. I’m merely a guy on the internet, and that qualifies me for absolutely nothing! Enjoy at your own risk.
This template is back! I wanted to suggest a few more double features, but this time keep them in a specific genre: horror. I love horror movies, and I realized that I hadn’t really given them their due on this here blog, so I wanted to remedy that by showing a lot of love across a lot of different movies. I’ve put together some international movies, some classics, some that are silly, some that are serious, and even a bonus suggestion hidden in one of these blurbs. So without any more ramble in the preamble, here are four new suggested double features.
Note: The pairs are listed in the order I think best serves them being seen.
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Hausu & Evil Dead II:
Hausu aka House (not to be confused with 1985 American horror film of the same name) has sort of transcended cult movie status to become a staple of off-center horror-comedy. Directed by recently deceased Nobuhiko Obayashi, the film shows his roots in advertisements with every shot designed for maximum effect, a (still) cutting edge approach in the edit, and a joyous, playful approach to special effects. It’s a gauzy and dreamy romp about a group of schoolgirls who head to the countryside on vacation. While staying at one of their aunts’ house, the supernatural hauntings begin, and heads start to roll (as well as bite people on the butt). It’s the type of movie where the main cast of characters are named Gorgeous, Kung Fu, Melody, Prof, Mac, Sweet, and Fantasy and they each have corresponding character traits. I was lucky enough to catch this at a rep screening at the Museum of Fine Arts a few years ago (further proof that this has gone beyond the cult curio status), and this is absolutely a movie that benefits from having a crowd cheer and laugh along - but it’s fairly easy to find and still has lots of pleasures to be enjoyed on solo watch. I’m pretty much willing to guarantee that if you enjoy it on first watch, you’ll want to share it with others. Now, where does one start when talking about Evil Dead II? Sam Raimi is rightfully as well known for his start in the hair-brained splatter genre fare as he is for his genre-defining Spider-man films. The influence of the Evil Dead movies is nearly unquantifiable, apparent in the work of directors like Edgar Wright, Peter Jackson, Quentin Tarantino, and the Korean New Wave filmmakers like Bong Joon-ho and Park Chan-wook. There’s a reason that the second film of his Evil Dead odyssey is the one that people hold in highest esteem, though. There is an overwhelming gleeful creativity, anything goes, Looney Tunes approach to it that makes the blood geysers, laughing moose heads, and chainsaw hands extend beyond gore and shock into pleasure. It’s been noted over and over by critics and Raimi himself that the Three Stooges are probably the biggest influence on the film, and by golly, it shows. Evil Dead II and Hausu are pure in a way that few other movies can be. Both of these movies are an absolute delight of knowing camp, innovative special effects, and a general attitude of excitement from the filmmakers permeating through every frame. They’re a total blast and, in my mind, stand as the standard-bearers for horror-comedy and haunted house movies.
Total Runtime: 88 minutes + 84 minutes = 172 minutes aka 2 hours and 52 minutes
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The Thing (1982) & The Fly (1986):
Feel free to roll your eyes as I explain the plots of two very famous movies. The Thing is John Carpenter’s body horror reimagining of Howard Hawks’ The Thing from Another World and the story that was adapted from, “Who Goes There?” by John W. Campbell Jr. The film is centered around a group of men in an arctic outpost who welcome in a cosmic force of shape-shifting annihilation. What ensues is a terrifically scary, nihilistic, paranoid attempt to find who isn’t who they say they are before everyone is replaced with the alien’s version of them. The film is a masterpiece of tone in no small part due to Dean Cundey’s photography and Ennio Morricone’s uncharacteristically restrained score. The real showstopper here, though, is the creature effects designed by Rob Bottin with an assist from Stan Winston – two titans of their industry. There may not be a more mind-blowing practical effects sequence in all of movies than Norris’ defibrillation – which I won’t dare spoil for anyone who hasn’t seen it. The story is so much about human nature and behaviors, that it’s good news that the cast is all top-notch – anchored by Kurt Russell, Keith David, and Wilford Brimley. While The Thing is shocking and certainly not for anyone opposed to viscera, David Cronenberg’s The Fly is the best example of a movie not to watch while eating. Quite frankly, it’s got some of the most disgusting things I’ve ever seen on film. Chris Walas and Stephen Dupuis’ makeup effects are shocking, but the terror is amplified because this builds such a strong foundation of romance in its opening stretch between Jeff Goldblum and Geena Davis in what might be their career-best work. The story is simple: a scientist creates a teleportation device that he tries out himself, but unknowingly does so with a fly in the chamber with him. When he reatomizes on the other end, his DNA has been integrated with the fly. Slowly his body begins to deteriorate, and he transforms into a human-fly hybrid. While this is first and foremost a science-fiction horror film, it’s truly one of the most potent love stories at its center. The tragedy is that the love, like the flesh, is mutated and disintegrated by the hubris of Goldblum’s Seth Brundle. Here are two remakes that – clutch your pearls – outdo the original. They both serve as great examples of what a great artist can bring by reinterpreting the source material to tell their version of that story. The critical respect for Carpenter and Cronenberg is undeniable now, but both of these movies make the case that there are real artists working with allegory and stunning craft in less respected genre fare. It doesn’t take a lot of effort to transpose the thematic weight of the then-new AIDS crisis onto both films, but they both have a hefty anti-authority streak running through them in a time where American Exceptionalism was at an all-time high. If you want to get a real roll going, fire up the ’78 Invasion of the Body Snatchers first to get a triple dose of auteur remakes that reflect the social anxieties of the time and chart from generalized anxiety to individualistic dread to romantic fatalism.
Total Runtime: 109 minutes + 96 minutes = 205 minutes aka 3 hours and 25 minutes
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Theatre of Blood & The Abominable Dr. Phibes
That old Klingon proverb that Khan tells Kirk about revenge being a dish best served cold is challenged by these two Vincent Price tales of the macabre. They posit that revenge is best served in extremely convoluted and thematically appropriate predecessors to the Saw franchise. Where Saw trades in shock and extremity, though, these classic horror tales offer an air of panache and self-satisfied literacy. In Theatre of Blood, Price plays a disgraced and thought-dead stage actor who gets revenge on the critics who gave him negative reviews with Shakespeare-themed murder. There’s good fun in seeing how inventive the vengeful killings are (and in some cases how far the writers bend over backwards to explain and make sense of them). It’s a little rumpled and ragged in moments, but Price is, of course, a tremendous pleasure to see in action as he chews through the Shakespeare monologues. Imagine the Queen’s corgis with a chainsaw and you’re on track. Phibes came first and, frankly, is the better of the two. The story is about a musician who seeks to kill the doctors who he believes were responsible for his wife’s death during a botched surgery. The elaborate angle he takes here is to inflict the ten plagues from the Old Testament. I hesitate to use a word that will probably make me come across as an over-eager schmuck, but it really feels best described as phantasmagorical. It’s got this bright, art deco, pop art sensibility to it that’s intoxicating. It also has a terrifically dark sense of drollery - it knows that you can see the strings on the bat as it flies toward the camera. Aesthetically, it feels adjacent to the ’66 Batman show. The music is great and the indelible image of his tinker toy robot band, The Clockwork Wizards, is a personal obsession of mine. Both Theatre of Blood and The Abominable Dr. Phibes feature great supporting turns from Diana Rigg and Joseph Cotton, respectively. Settle in for a devilishly good time and enjoy one of cinema’s greatest vicarious pleasures: getting back at those of criticized or hurt you.
Total Runtime: 104 minutes + 94 minutes = 198 minutes aka 3 hours and 18 minutes
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Blood and Black Lace  & The Bird with the Crystal Plumage
The final pairing comes from beyond American borders and, to some, beyond the borders of good taste. Mario Bava and Dario Argento are likely the two biggest names in Italian horror, and that’s for very good reason. Bava, who started as a cinematographer, has made loads of movies (even the film which gave Ozzy Osbourne and crew the name their band name) that have tremendous visuals and terrific sense of mood. Argento, probably most famous now for Suspiria, emerged onto the Italian film scene a handful of years later and picked up that baton from Bava to crystallize the dreamy logic puzzles cloaked in hyper-saturated colors. These two films are regarded as quintessential in the giallo genre – named for the yellow covers of the pulp crime fictions that inspired them. As someone who loves the flair that can be applied to make a slasher film stand out amongst their formulaic brethren, I found that the giallo made for a smooth transition into international horror. Blood and Black Lace is a murder mystery that’s as tawdry and titillating as its title suggests. Set in an insular world of a fashion house in Rome, models are being murdered. The plot feels like a necessity in order to create a delivery system for the stunning set pieces that revolve around a secret diary. Bava puts sex right next to violence and cranks up the saturation to create something thrillingly lurid. Six years later, Argento made his first film which has often been credited for popularizing the giallo genre and already is playing around with some of his pet themes like voyeurism and reinterpretation. Built around an early set piece (that stacks up as one of the best in thrillers) in which a man is trapped but witnesses a murder, the film sees said man trying to find the piece of evidence that will make the traumatic killing make sense. Like Bava, it blends sex and violence with tons of flair, including a score by the aforementioned Ennio Morricone. The film is absolutely on a continuum between Hitchcock and De Palma. If you’re looking for a pair of exciting horror/thrillers, or even an entry point to foreign genre cinema, this is an accessible and enjoyable place to start.
88 minutes + 96 minutes = 184 minutes aka 3 hours and 4 minutes
Well, there you have it. Eight movies, and hours of entertainment curated by some guy with no real qualifications. If you’re interested in some more suggestions (in horror and other genres), stay tuned for the next entry in this Double Features series. And if you’re looking for a way to watch these movies, I highly recommend the app/website JustWatch where you can search a title and see where it’s available for streaming or rental. Happy viewing.
Thanks for reading.
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IncorrectHousamoQuotes in 2020
read me first please
so the blog anniversary was like... April 16. circumstances in 2020 made it so I feel like I owe an explanation for what I’m doing, and at one time I wondered if it’s necessary for a dumb meme blog but I know people care about this dumb meme blog. so this will be mainly 3 parts:
how narwhal had been feeling about the game in 2020
the future of incorrecthousamoquotes
closing remarks about the Tumblr community
how narwhal had been feeling about this game earlier this 2020 (spoiler alert: bad)
ok before I continue I want to say that I’ve been doing fine for myself in real life. I do acknowledge that I have the privilege of remaining financially stable this year and I am happy that I was able to keep my job I was just hired for in the beginning of the year. that being said please let me be internet melodramatic.
if you’ve known me personally and talk to me frequently in Discord servers then you may already know how I’m feeling in 2020. there’s a lot of people that don’t, though.
as part of me being internet melodramatic I do express the anger I felt toward the game and the fandom (outside of Tumblr) but I do not feel or say that the game, the fandom or anyone in particular did anything wrong. my purpose is not to criticize anything or anyone but just saying my feelings.
other than that, some of these feelings may be exaggerated and I do not guarantee my explanations of my feelings will make sense or be sufficient explanations for myself (then again since when did feelings make any sense)
basically me in 2020 was a result of major burnout in this game and the fandom.
my burnout technically began back in Christmas 2019 aka Mistake Christmas (I have feelings about this event but I choose not to elaborate right now) but I think the first thing that got me feeling burnout was late January with Main CH10 and translated CH9. until this point I liked to make self-deprecating jokes about how I haven’t read story yet but this was when I first began feeling I didn’t have a place in the fandom. like... who knew self-deprecating jokes could have a negative effect on my psyche if I think about them enough. how I can explain it is... in the past I wasn’t particularly crazy about new content in particular but I felt like I can vibe with people who were and I did have an interest towards new content. but CH10 was the first time I actively disliked new content and I took it really personally the fact I didn’t try to catch up with main story, so I started to mentally separate myself from the fandom even though I had no reason to. mostly because I held myself to more expectations than anyone would ever put on me.
so after Mistake Christmas & CH10 I ended up losing a lot of enthusiasm especially towards new content. I ended ignoring Val Timeslip completely but I did really like the Great Gendarme rerun. but my burnout hit an all-time low in April during New Semester 2020 which I will refer to as Worst Semester. now at this point I wasn’t looking forward to anything new at this point and the worst part about Worst Semester is that it was basically CH10 Part 2: about half of each banner was characters directly from CH10.
and this was when I started feeling angry at the fandom like an old entitled fan who hates change and can’t stand when people are having fun; basically it was a mix of envy and self-hatred that I couldn’t find anything to be excited about at that time. how could anyone like any of these characters, is what I felt.
that was even without considering the thing that tanked my mood for my blog in particular: summosnap. like even without considering the self-deprecating jokes about being cancelled it forced me to look back about how I’ve been running this blog and how I haven’t made a single new quote in 2020. long story short I kept comparing myself to the high expectations I put on myself and it ruined my motivation to work on what I’ve planned for the anniversary. so the blog anniversary passed completely burned out.
now I have been feeling better because the next few months weren’t particularly new content: May was just rerun month, and June was technically new but was basically from an old game that I liked a lot, so nostalgia has helped me feel better. now it’s July and we have completely new content and I’m feeling anxious over whether I’m willing to accept new content or not. right now in early July I’m actually focusing on other games right now (and reading main story on the side) so I’ll gradually start making more stuff for the fandom.
the future of incorrecthousamoquotes: the Tumblr
if you followed this blog in the past year, then you would know I didn’t have a regular schedule of making quotes in 2019, even though I did in 2018. in 2019 I did make quotes but it was released in batches every other month or so.
even in 2018 I’ve always made other Housamo content, so I’ve always given the impression that this blog is for whatever I feel like making (at least I hope I’ve given that impression) so when I remake my info pages, I will be taking the focus off of incorrect quotes. I can still make them when I get the motivation (and to clear my drafts of submissions I’m sorry) but my info pages won’t mainly talk about incorrect quotes as much as me just making whatever I want for Housamo.
I would like to make more personal posts like I did in 2018. For some reason I held off on the personal posts in 2019, but I think that contributed to my growing mental self-isolation and my eventual burnout. on a related note I’ve been ignoring my askbox and I’m sorry for that. one of the major reasons is that some of the asks I’ve been sent I have no answer to, but in the future if I have no answer to them I might just publish them anyway hopefully to start a discussion and have other people respond if they like.
I’m also going to be more open to just reblogging things because that’s something I’ve always been hesitant to do on this blog for some reason.
what hasn’t changed over the years is that I’ve always covered game news and game info and have taken time writing guides for this game. this will not change and I’ll continue to cover news in the future.
I still have unfinished projects in general and I hope to get them done this year.
the Twitter
as for my Twitter, I have mentioned before that I opened it again this April and will be using it just for uploading the video memes I make. growing the Twitter is not a priority for me, so I have no plans to change that right now.
--which is what I said before I clowned myself trying to make tweets that never took off so I’ve deleted them, sorry for trying to be an attention hoe
starting this month I’ve also permanently changed the name of the Twitter to summemepedia, which better fits the content I make.
closing remarks: I am so grateful for the Housamo Tumblr community
despite how I felt about this game in 2020 I’ve honestly never felt happier for the Housamo Tumblr community posting and writing about what they love. Tumblr as a blogging platform that encourages creativity is a website I will defend with my life and even though Japan mostly uses Twitter so it’s natural Housamo will revolve there, I will still be happy for anyone that still decides to use Tumblr.
I’ve made a list of blogs here that I’ve been saving for anniversary before I had my burnout so you can check out the list and suggest additions to it if you’d like.
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Rockland: The balance of good and evil
The date of this post is 3/27/20.  Please note that information revealed at this time via Patreon or any of the creator’s blogs may be subject to change after this date
I’ve been debating lately on how dangerous the Rockland universe is.  Lately it seems like there’s been more focus on the horror, so things start to look bleaker by the minute.  I was wondering if Rockland is primarily ruled by more evil forces and characters, but there may actually be some shred of light in this world.
I feel it’s best if I try to tackle this by looking at a few of the major groups I’m aware exist in this universe.
Let’s try examining alignments and see where we go from there with just a few (not all) of the main groups that exist in Rockland.
The Misfits
Alignment: Evil
Just based on the Misfits: First Blood demo and everything else we’ve seen and heard, I think it’s safe to say that the Misfits should generally be considered one of the more sinister elements of Rockland.  Now we haven’t seen all the characters yet, so characters here may indeed range between how evil one character is versus another.  Even the Misfits you meet in the demo game mention they do normal stuff from time to time.  They just have a propensity for murder.  Murder is a “no no” though, so I’m still classifying them as bad guys.  We’ve yet to see how big the group is, so how much of a hold they have over the town/city they live in is an unknown factor.  This group could either an occasional problem for society, or a much more serious danger.
The Professionals
Alignment: Evil
We have some names and faces now, but we definitely lack far more information on the Professionals than we do the Misfits.  Still, considering these characters have some confirmed blood ties with the Misfits, and even dialogue in the demo confirming that murder basically runs in the family, it’s probably safe to assume this group is just as dangerous as the Misfits.  In fact, they are possibly even more dangerous.  I went through some ideas in a previous post on the dangers the group could hold in society and how these familial connections mean you better watch out who you make an enemy of in Rockland.  I also touch on how this group may end up being the reason why so many of the human characters get away with murder.  Especially if it’s through the generations.  Same with the Misfits though, not sure how many characters make up the Professionals.  Numbers and positions in society would determine the overall threat they pose.
Fallen Angels
Alignment: Neutral?
After we get some games out on the Misfits, we’re probably going to head back into the focus on Zeitgeist (Cain’s remake game).  It sounds like we’ll get a lot of lore in said game and better learn about the Fallen Angels themselves.  Now, I’m not 100% sure on the alignment here, but I’m taking a stab to consider that the Fallen Angels are part of the natural order.  They have specific jobs to do relating to the mortal world, so that’s their main focus.  I wouldn’t be surprised if the reason they’re likely not going to swoop in and save people from characters they’d likely punish in the afterlife (like the Misfits or Professionals) is because they simply aren’t allowed to, or aren’t that invested in every single small infraction made by mortals.  I mean, if you live for thousands of years, you may not be that interested in solving every single little problem that occurs.  
Now...specific angels may fall into different alignment categories.  Sam Volkov my current guess is that he’d be something like Lawful Neutral.  I think he’s still a reaper in this universe, and when it comes to death everyone is pretty much equal (good, bad, young, old, you get the idea).  He can be a friendly character though from what we’ve seen in the Zeitgeist demo.  Another fallen angel I’m aware of that we haven’t seen yet (he WAS referred to though in the Zeitgeist demo) is Michael Volkov.  Now I have no confirmation on what his current role is, but in the past he was basically the fallen angel of war and chaos.  He wasn’t necessarily a character you wanted to run into either.  Now if he still has that role...he can TECHNICALLY still be neutral.  If it’s based on the natural order, sometimes you need entropy and conflict in the universe.  If it’s his job and he happens to enjoy it, *shrugs* we may just consider him chaotic neutral in this case.  Cain Zeitgeist is....well we have so many spoilers but this fellow makes me keep changing my mind as to what he’s about.  For now my guess is he’ll either be true neutral or chaotic neutral.  He still keeps me on my toes, but he may not be as bad as his previous incarnation.  
Then we have someone like Damien Morningstar.  In previous lore, he was both against Cain and honestly his father’s work in general.  Cain may be changing but I think....Damien in the Rockland universe is not only still going to be a priest, but also still hates his dad Luke (aka Lucifer).  So he may not stand for the same beliefs as all the other angels.  If he resembles some of his older incarnation, he could be one of the few angels who actively works in the mortal world to assist humans as much as he can.  Still not a lot of information yet, so I can’t be sure if he’s still neutral or if he jumps up into a good alignment.
Mark of Belial Main Cast
Alignment: Good
Much longer down the road, the creators want to work on a set of detective games known as the Mark of Belial (or at least that’s what the first game would be called).  In those games, you actually will be working to find a killer.  So naturally, you’re working with a specific police precinct to catch the perpetrator.  I think that blatantly tells us we’ll be working with the good guys for once.  Only way I could see the main cast here as a bad alignment is if we get the rug pulled out from under us and find out ALL the characters and division are corrupt, haha.  Not an impossibility, but I don’t think that’s the plan.  The original concept I believe was an all human cast, so I’m going to keep up with that assumption here.  So unlike the Fallen Angels who (mostly) probably keep their nose out of most mortal affairs unless it’s job related, this would be a group of human characters actively working towards the safety of the citizens.  So yay, finally some hope in all this!  This tells me not all the characters in Rockland will place their tail between their legs and bow to characters like the Misfits or the Professionals.  There may be SOME cowardly or corrupt members of the police/detective division you work with, but I believe the games WILL be geared towards trying to catch the culprit.  You do stand a fighting chance.
The Hand of God
Alignment: Good?
Another group without a lot of information, but the name gets thrown around here and there.  Now if the characters of the Mark of Belial Cast are all human, they will most likely end up dealing with (and being more competent with) human affairs.  The Hand of God we’ve gotten hints that they are more aware of some of the more supernatural elements of Rockland, including the Fallen Angels.  That means they KNOW stuff, which is a big help to keeping citizens safe.  The creators have said they are aware of the dangers some of these supernatural entities or characters pose.  I’m making the assumption for now that this group is actually made up of good guys trying to quietly keep the peace from behind the scenes.  While normal citizens are busy fearing disappearances or murders that are committed by human characters like the Misfits and the Professionals, the Hand of God is likely being kept busy by “bigger fish to fry.”  Not to say that humans can’t be extremely dangerous (either via a violent nature or a dangerous intellect), but between a human serial killer and a supernatural one, I’m placing my bets that the supernatural killer is much more of a threat.  Also, the reveal of certain supernatural elements to the public might cause a mass panic.  So I think the Hand of God group will be working for the greater good, but it’s very possible that they’ll have only so much time and resources to spend on dealing with the more dangerous elements or Rockland.  The police and detectives will just have to be left in charge of taking care of the more sinister human characters in Rockland.
I have to say...I feel a little better.  Yes, the more evil characters and elements of Rockland are likely still going to be EXTREMELY problematic.  They probably have ways not only to survive and avoid judgement, but to continue their heinous deeds as they please.  I wouldn’t have it any other way because it’s more fun and interesting when you have villains capable enough of committing evil deeds and getting away with it.  They won’t be a joke.  BUT, it does seem like not every character we meet in the Rockland games is going to be against us.  Sure, we may not know right away which characters we can trust or not, but it looks like there will be some who mean you no harm or even want to keep you safe.  It’s just a matter of which opponents the good guys are up against, and if they are in the right place at the right time to save the day.
You know what’ll be fun to see though?  I’m sure several of these groups are going to end up intermingling with each other at one point or another.  What each party is aware of about the other when they meet is also interesting.  For example, if you’re doing police/detective work in the Mark of Belial games, you might have to go check a dead body or two for clues.  Said dead bodies may be currently kept in a funeral home they’ve recently arrived at.  That means we literally have some strong potential of getting at least cameos of the Willow family (which consists of Misfits and Professionals characters) in the MOB games.  Now wouldn’t that be fun?  You have to talk obliviously to literal murderers while you’re hunting for a murderer.  I wonder how characters like Quill and Alchemy would view the case.  I always imagined with the MOB games though that they’ll make a brand new character to be the main killer for those.  Who knows though?  Maybe you find out the killer IS a pre-existing character.  Maybe even one who’s usually “immune” when they commit crime.  Could end up being quite a pickle.
Also I have a weird feeling Quill will just go out of way to be super creepy to the detectives when they visit.  Just a feeling, haha.
Will be fun to clashing sides, though it may be quite a while before we get to that kind of content.
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tinkiisms · 4 years
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THE POSITIVE & NEGATIVE; Mun & Muse - Meme
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fill out & repost ♥  This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.
My muse is: canon / oc / au / canon-divergent / fandomless /
Is your character popular in the fandom? YES / NO / IDK
Is your character considered hot™ in the fandom? YES / NO / IDK (it depends bc generally ppl will definitely sexualize her--esp the 1953 version--but in the DF fanbase itself I feel like mostly ppl fawn over other characters rather than Tink herself)
Is your character considered strong in the fandom? YES / NO / IDK
Are they underrated? YES / NO
Were they relevant for the main story? YES / NO
Were they relevant for the main character? YES / NO / THEY’RE THE PROTAG.
Are they widely known in their world? YES / NO
How’s their reputation? GOOD / BAD / NEUTRAL
How strictly do you follow canon?
I try to keep pretty true to canon when it comes to Tinker Bell’s characterization, though I’m also a big fan of AUs and exploring lots of different plots that might be unlikely for the original character, so I guess I don’t “strictly” follow canon.
SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.
Tink is a 5 inch tall fairy who can use pixie dust to make magic happen--including flight! If people don’t believe in her, she’ll die. She’s extremely emotionally volatile, but she’s a very loyal girl so if she likes someone she’ll absolutely sacrifice herself for their sake. (But if she doesn’t, she’ll be the one organizing their death.) Her name is Tinker Bell because she works with metal, repairing pots and pans, but also she just invents a bunch o’ crap like a tiny MacGyver. If there is ever a rule in her way, she will go out of her way to break it like stepping on dead leaves on the sidewalk.
Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).
She’s a basic bitch? IDC how 2D the fanbase thinks she is based on which one of the canon portrayals they’ve seen of her. With all the adaptations I’ve consumed and can combine inspiration from to form a fully fleshed out character, I like my interpretation.
What inspired you to rp your muse?
Well...TBH I started out in this fanbase with an indie blog for Prilla, and then Terence. I first started playing Tink as just one of the possible takers of questions (among the rest of all fairies in the kingdom) on an ask blog for the Disney Fairies, 6 years ago.
I think I might have started writing her there just enough, or got deep enough in my reading/viewing Peter Pan media at some point, to take some interest in having a separate blog just for role-playing her, which I made. The original one I actually deleted after a couple months as far as I remember, but then I ended up remaking and have been on this same account for the past 5 years!
So, for the fact that this is my longest-lasting role-play (and writing in general) experience I’ve had, the strength of my inspiration for this one character and every little detail about her life and every possibility for her in alternate universes and in various situations with random characters...she was really the one who snuck up on me!
She wasn’t my favorite character BEFORE I started writing her, but she grew and grew in my heart until she’s all I think about.
What keeps your inspiration going?
I love Tinker Bell. Even if I become less active when life flares up for periods of time, then I’ll just remember that I love Tinker Bell and I want to come back and write about her. If I loved her any less she’d end up like the rest of my abandoned blogs/characters I’ve once played. But she sticks!
Some more personal questions for the mun.
Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.
Do you think you give your character justice? YES / NO
Do you frequently write headcanons? YES / NO (I feel like people aren’t really interested unless it’s something that comes up in a thread)
Do you sometimes write drabbles? YES / NO (Again, I feel like who cares unless I’m writing for their thread specifically?)
Do you think a lot about your muse during the day? YES / NO
Are you confident in your portrayal? YES / NO 
Are you confident in your writing? YES / NO (I would like to be better than I am)
Are you a sensitive person? YES / NO
Do you accept criticism well about your portrayal?
I don’t think I’ve ever really received criticism about my portrayal, and I don’t mean that like “everybody thinks I’m perfect” but just that I’ve never reblogged a meme asking for anonymous crit, and nobody has ever just given me criticism unprompted either, so I don’t know how well I’d receive it!
I can say how I’d probably feel. Honestly, depending on the criticism, I would try to to understand it from an objective point of view and see whether it’s something I want to change/adapt, but if it’s something I disagree with (because we’re talking about portrayal which I take to mean “my personal interpretation of Tinker Bell’s characterization” which is the one thing I’m content with here) I would point out why I feel like my portrayal is justifiable.
If it’s criticism on my actual writing, I’ll definitely be open to learning and developing more--it’s just portrayal of the muse is so personal and subjective anyway that if someone really has a problem with my Tink....I don’t really care? Just find a different one, then. My Tink is going to be my Tink regardless of whether others appreciate my vision of her or not.
Do you like questions, which help you explore your character?
Sure! I almost never get character-building asks (even when I reblog memes for them) but I definitely welcome them and would love to have more!
If someone disagrees to a headcanon of yours, do you want to know why?
Might as well. We can definitely discuss WHY we each have a different interpretation, but in the end I’m going to have my own headcanons and they can have theirs. If I change my mind, then I have a new perspective, but if not then nothing is lost either!
If someone disagrees with your portrayal, how would you take it?
I’m not gonna take it personally. If they prefer a different interpretation, it’s totally fine to not follow mine and look for another one! I’m just here to have fun with a few people I really like writing with, not to be the “best” or most popular version of my character out there.
If someone really hates your character, how do you take it?
Roll my eyes and move on. I understand why some people don’t like the character, so it’s not like I’m gonna waste any effort defending her from hate--it’s their prerogative. I’ll just ignore it and love her extra.
Are you okay with people pointing out your grammatical errors?
Yeah, if there’s anything I’m consistently doing wrong, please feel free to point it out! Some things are just typos and don’t get caught before being posted, but if there’s something you’ve noticed me doing multiple times so it’s obviously an error of my understanding rather than a mistype, I would love to be able to fix it and become a better writer.
Do you think you are easy going as a mun?
More or less! I don’t bug anybody about replies, you can definitely take your time or drop things with me. I’m pretty chill to talk to OOC as well, if I do say so myself. I’m actually probably the one ppl need to be “easy going” with because I never reply to threads or texts soon enough, I’m horrible at keeping conversations going...But that’s what people have to put up with if they like writing with me, the saints <3
That’s about it, congrats for filling out!
➸  Tagger: @wendyfulmother​
➸ Tagging: anybody who wants to, you’re tagged. (if you don’t want to, you are not tagged)
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Finished Outlast On PC
I copied this text so had to remake this. It’s all good though.
I was wondering if I should post this to my main blog or here. But I think it seems fitting here. But yeah again and this is my third time maybe beating the game again. This time on PC. 
Again an excellent game. Including with only 7 batteries left and that still has quite a lot of power in it that I recall. A little error happened after exiting the game, the menu was stuck. So I had to restart my main computer. 
I’ve just honestly been in a Outlast mood which is why it’s been on my mind. To be honest I think why I enjoy it because it has quite some replay value. Mainly because it’s not as complicated as some other games. It’s almost like an experience in a way. Yet it depends on what kind of horror game you like.
Because different types of horror is always nice. Including what's also nice is that yesterday my mom got me three 20 dollar Steam gift cards. Meaning I now have $74.27 on my account. It was 14 dollars because I bought Outlast. So that’s fun honestly, I thanked her because she’s a great lady.
I think I seem to enjoy Outlast because of how I guess brutal it is. How unforgiving with it’s nature of horror. Basically I’m sounding weird and saying, “This game has blood, guts, you can’t fight, and mother fuckin Chris Walker is chasing down yo ass” I’m wondering if I’ve been saying mother fuckin Chris Walker or Chris mother fuckin Walker. 
But yeah Outlast is an interesting experience. It’s also because of how this team of developers who worked on triple A games made this game themselves and it became successful. Which is great for them. 
Considering I would still call it an indie game. Despite where the developers have come from. Learned a part of them came from Ubisoft. A weird opinion of mine. I’m surprised it doesn’t seem to be held up in this standard of indie horror games. Basically being popular as FNAF, BATIM, and a few others.
But there’s a reason for that. Despite I’m a fan of those two. Hopefully the Outlast fandom doesn’t mind me mentioning those two. Outlast came out a year before FNAF, and 4 years before BATIM. The point I should get......this may sound immature. But Outlast is such an adult game. Including with the content it has to offer.....
I honestly joke about but I’m also serious about how the types of toxic FNAF fans would not survive in the Outlast fandom. 
Also the funny point games like FNAF, BATIM, and others have cartoon characters(Animatronics, actual cartoon characters, or whatever else) put in a horror perspective.
Really I shouldn’t be talking about that. Interesting thing before leaving the game. Pressing the escape button quit the credits which is nice. 
This is becoming too long. So because I’ve been listening to it right now. Here’s the end credits theme of Outlast for you to enjoy.
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Edit forgot to mention considering the camera shows the time of how much your recorded. Steam says I have 2 hours of the game played. From my experience I well that I recall did have 2 hours of recorded footage or so. XD That I recall because I like to make the experience interesting by recording as much as I can. 
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All Good Things… The Value Of A Life.
#Blog #Bloggerstribe #AllGoodThings…
17th June 2020
Hello, Chaps and Chapettes,
Have you ever seen Twelve Angry Men? If you haven’t, I cannot recommend it enough. It is a story that has regenerated several times, from a television show written by Reginald Rose to the stage, and twice as a movie (a 1957 film starring Henry Fonda and a remake in 1997). This story is as poignant today as it was sixty-plus years ago, not just for the black lives matter movement but for many impacts on justice happening today and how we respond to them.
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(Photo: https://sillyfunda.wordpress.com/2014/04/13/review-synopsis-12-angry-men-1957/)
The story revolves around twelve jurors who have just witnessed a court case about a 19-year-old who has been accused of the murder of his father. They must all unanimously decide whether he was guilty or innocent of the crime and if convicted they will be sending him to the chair. It’s taking place during the hottest day on record and most of the men want to get the case over with so that they can go enjoy the rest of their evenings. Yet, during the first vote, only one man holds his hand up to say that he believes they don’t have enough evidence to say the boy is guilty. Thus, they all have to stay and talk until they can all agree on the verdict.
Rather than talk to you about why I think it’s a great film to rewatch or play to perform today, I’ll share with you twelve lines that I believe can offer a different outlook on your world. This isn’t an essay or a lesson, just an idea of how you might see a point of view or understand the way another person might think or feel.
“If there is a reasonable doubt in your minds as to the guilt of the accused . . . then you must declare him not guilty.” Said by the Judge in the opening line.
‘Reasonable doubt’ becomes the theme and reason why the story exists. If the twelve jurors had gone into the room and not one had a doubt, then the story would have ended an hour and twenty sooner than it does. It is due to Juror 8, who first votes not guilty against the rest of his peers, that the debate continues and the group are forced to discuss the reasons the accused is or isn’t guilty. It’s like the quote from the first Harry Potter book; “it takes a great deal of courage to stand up to your peers, and a great deal more to stand up to your friends.”
Additionally, it is important to add that while none of the characters are named, all have their own personalities. There’s an older man with the experience of his years, a younger man who grew up in a similar neighborhood to the accused, an immigrant from another country, and a man who is estranged from his son. All of these characters show how different people view the guilt of someone they had never met.
“It's not so easy for me to raise my hand and send a boy off to die without talking about it first.” Juror 8 after the first vote. Juror 8 never suggests the boy is not guilty. He admits he was not a witness to the murder, so he could not give a definite answer. What he does advise is that he took all of the evidence and statements were given and that gave him cause to doubt the boy’s guilt. We never know if we are seeing the full story. The social media, politicians, even the news can still be biased, no matter what channel or reporter is delivering it. They may claim not to be, yet there will often be a nudge one way or the other. You have to check your own instincts and question them to make sure you are still on the right page.
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(Photo: https://www.cohenfitch.com/areas-of-practice/wrongful-conviction/)
“You know why slum kids get that way? Because we knock 'em on the head once a day, every day. I think maybe we owe him a few words. That's all.” Juror 8 again. How many times have you heard somebody say they knew what race or age or gender a criminal would be when they hear about a crime? We always suppose that we already know everything about the villains in our lives based on where they came from and who raised them. It’s not to say they are not guilty of the crime but few people outside of courts ask what drove that person to commit such an act on a fellow human being. Would things change if we gave people a greater amount of our time?
“Too many questions were left unasked.” Juror 8, regarding the accused’s court-appointed defense council. Similar to the above quote, so many slams down fists on the tables and yell guilty the moment they read a headline. I know I’ve done it myself too. We take the first thing we hear and react to it. We don’t question because we trust that what we are being told are the truth and the full story. Is it?
“This gentleman chose to stand alone against us. That's his right. It takes a great deal of courage to stand alone even if you believe in something very strongly. He left the verdict up to us. He gambled for support, and I gave it to him. I want to hear more.” Juror 9, the older gentleman who admits voting not guilty in a second secret ballot vote. Most believe Juror 5, the youngest Juror, is the one who changed his mind in the second vote, and nobody expects it to be the older Juror. Yet, when they find out, they angrily challenge why. His answer shows what most feel but few, such as Juror 5, are too nervous to attempt. The pack mentality is a thing and when we see a group going one way, it is easy and safe to follow the pack. We are less accountable when we are more than one person, it is built into our instincts. This is why, every now and again, we should check whether our instincts are correct.
“Nobody knows him after seventy-five years. That's a very sad thing. A man like this needs to be recognized. To be questioned, and listened to, and quoted just once. This is very important.” Juror 9 again, after discussing why an elder witness may have given false testimony. The oldest jury member notices something in the oldest witness that the younger members do not because he shares age and experience with them. The ninth Juror tells his peers that he does not expect the oldest witness thought he was lying in court, but relished the attention they so rarely got and thus forgot or imagined some of the facts in order to remain relevant to the case. How often is experience valued? How often do we dismiss someone because they said something too slowly, or quietly, or without confidence?  
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(Photo: https://thecinephiliacs.wordpress.com/2014/10/02/12-angry-men-1997-review-remake/)
“Let me go. I'll kill him. I’ll kill him!” Juror 3, after being called a sadist for wanting the guilty verdict by Juror 8. Before this, Juror 3 and those still upholding the guilty verdict point out that the boy was heard by the older witness telling his father that he’d kill him. Juror 8 seemed to deliberately rile Juror 3 up, since he asks after this if Juror 3 really would try to kill him, causing him to give a blustering admission that he did not mean it. How many times do we say the cruelest things, not thinking what it might mean to somebody else? Equally, how often do we hear things and assume it is meant as gospel truth?  
“Maybe it wouldn't hurt us to take a few tips from people who come running here! Maybe they learned something we don't know. We're not so perfect!” Juror 5, said to Juror 7 who called Juror 11 out on not being from the same country as the rest of the Jurors. Juror 11 is the immigrant, seemingly from a country they had to escape from due to war. Juror 5’s point, as the viewpoint of a younger generation still willing to listen and learn, is that it is easy to believe you know everything when you’ve lived in one place for long enough. When you’ve been the same skin color, the same gender, or in the same mentality your whole life, you cannot easily see it from the viewpoint of others. It’s not their fault but they must try to understand from the shoes of somebody else. If they do not try, then they can equally be to blame for the failure of society around them.
“Switch knives came with the neighborhood where I lived. Funny I didn't think of it before. I guess you try to forget those things.” Juror 5, when challenging how the knife could have been used. The knife could be seen as a McGuffin in the story as it is first shown how there could easily be a similar knife acquired by Juror 8, despite the prosecution claiming there could only have been one knife of the kind used in the murder. The second part is this, where it is pointed out that the way the deceased was stabbed from above the rib cage did not match how a switchblade would be used, in an underarm attack instead. Yet this line also shows the terrible things that can become so common an occurrence for many that it can be passed off as a formality. Should such things really be considered normal?
“What kind of a man are you? You have sat here and voted guilty with everyone else because there are some theater tickets burning a hole in your pocket. Now you have changed your vote for the same reason. I do not think you have the right to play like this with a man's life.” Juror 11, to Juror 7 after he changes his vote just to speed things along. Going back to the pack mentality, many can change their minds to suit their survival. When Juror 7 sees a way to resolve the situation faster, they change their vote to suit themselves, not the cause. Juror 11 explains that while Juror 7 might be doing the right thing, they’re doing it for the wrong reason. Another quote, from Alexander Hamilton, also heard in the fim Sucker Punch and cartoon Rugrats of all places, is “if you don’t stand for something, you’ll fall for anything.”
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(Photo: https://www.romper.com/p/13-reasons-rugrats-was-the-most-feminist-socially-conscious-cartoon-ever-1665)
Nearly there… “I've known a few who were pretty decent, but that's the exception. Most of them; it's like they have no feelings. They can do anything. What's going on here?” Juror 10, suggesting that race made the boy do what he is accused of. The story makes no point of telling us who the boy accused is, other than that they are 19 years old and that the victim was their father. However, Juror 10's comments suggest that the boy is not of the same race as the Jurors. Steadily through the story, Juror 10 makes many comments about the boy, referring to ‘their kind’ rather than the race, yet the reaction of the other Jurors when he finally does have a long rant about the boy’s origins is to shun Juror 10. Finally, they call him down and sit him in a corner away from them. This act alone shows that discrimination, even when not delivered face to face, is still as problematic. Reinforcing a dislike for color, creed, or religion of a person even when they’re not in the same room is still breeding antagonism and bad feelings that are carried into the times they are in the room with you. Is it really okay to say something bad about someone, just because they’re not there?
And, lastly, “It takes a great deal of courage to stand alone.” Juror 9 to Juror 3. It comes full circle. Where Juror 8 was the only one at the start to stand by not guilty, Juror 3 now tries to stand by a guilty vote alone. Yet, it is realized that Juror 3’s motives are based on the comparisons he makes to his relationship with his estranged son. When he is gently told that the accused is not the same boy as his son, he is the last Juror to accept a vote for not guilty.
In conclusion, I love this film. It may have overtaken Hitch, 21 Again, and Star Trek - Into Darkness as my top favorite films of all time. It has so many levels and interesting twists and points to make yet does so without making the audience feel silly or bamboozled. If you have the time, I fully recommend watching it. I know I will definitely be watching it again.
Stay safe, stay happy.    
All good things, Love, Scaramouche. X
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talesfantastic · 4 years
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Mun Things and Fandom Notes
about the mun. fill this out  &  tag a few people you’d like to get to know better !
tagged by the lovely @vetlanwrites tysm tagging some people I haven’t tagged before: @amalgammuses, @animus-inspire​, @kychchc​, @rotinthedark, @warofthebeasts & YOU!
name: my name is [ loud music interrupts ] nickname:  you can call me Kat or KF! preferred pronouns: she/her age range:  30+ favorite animal:  cats pets: cat and a dog tattoos/piercings: I had my ears pierced several times and they won’t stay pierced so I gave up on anything -shrug- star sign: virgo! I’m an August bby how long have you been in this fandom?: doing just the ones I currently have muses for, and not the ones I’ve only talked about -
Dragonball(Z) - I’ve been writing in DBZ since... oh geez, the late 90′s? I think the first fic I ever posted was DBZ and it was around that time. I didn’t start rping it until like, early 00′s though.
Final Fantasy - I actually dabbled in 9 a little bit around the time it came out in ‘00 (my friend had it!) but I wouldn’t say I really did much until I really got into 7, and that was around... geez, ‘05? I rped it a little with a friend around then but I didn’t really start writing it much until nearly ‘10. #latetotheparty Yet I do consider it my “home” fandom - I always come back to it.
Harvest Moon/Story of Seasons - early ‘00s! My first HM/SoS game was Friends of Mineral Town on my trusty GBA and I love it so much to this day. SO excited for the remake!
Legend of Zelda - I really, really loved Ocarina of Time from the get-go when I got it on the N64 in ‘98 (I got it again for the GameCube and the 3DS and would totally buy it for the Switch, just sayin.) Majora’s Mask creeped me out a bit and was stressful but I liked it, too. And then of course later titles like Twilight Princess were just... -chef’s kiss- but I didn’t really dig into the fandom until ‘10-’11 when I started rping Link with a friend and briefly tried joining a forum rp group (shoutout to ZRPG!) with an OC
Marvel Cinematic Universe - I want to say around ‘12, when Avengers came out? Like, I’d seen Iron Man but I didn’t really dig into it until then.
Pokémon - late 90′s / early 00′s because I first started my Pkmn journey playing Gold and Crystal. While I didn’t write fanfic or rp it, I definitely had headcanons and a lot of feels.
Sailor Moon - early 90′s! I first watched the anime as it came out, though I’ve since forgotten most of that and only have the manga/crystal in my head to run interpretations off of. It was so pretty tho.
Stardew Valley - a newer fandom for me, I really only started getting “into” it about a year ago, but man... I love it, I really do
Star Wars - despite early access to the OT as a kidlet, I didn’t actually get “into” Star Wars until the Prequels in ‘99 (fite me) when I fell in love with Qui-Gon and Obi-Wan and promptly, voraciously, dove into fixit and timetravel fanfic. By the time KOTOR came out in ‘03 I was hooked.
Threads of Fate - I think I got into this one on the ground floor, so to speak. My friend had just gotten it and I borrowed it from her and my brother’s PS1 in ‘00 and that was it, I was in love.
why did you choose this specific character/s?:  under a cut bc I have like... nearly 30 muses now
I’m doing alphabetical order (by fandom / first name) bc it’s just easier to go down my list:
tl;dr I picked them all because I love them. Read on to find out why. Click their names to read their bios!
Dragonball Z
Vegeta - oh man, actually one of the first characters I ever rp’d or wrote in fic, and that’s saying something. I picked him because I love him. He’s an absolute ass, but he grows so much throughout Z. (I have yet to see Super, hoping to one day remedy that but we’ll see!) I guess I picked him up for nostalgia’s sake? I really love the character and think there’s a lot of growth yet to see buried under that pride and ego. If you can unearth it.
Final Fantasy
Angeal Hewley (FF7) - actually my first muse on Tumblr, back in... oh, 2013? The blog has been deleted, but he was the first muse I ever played seriously out of FF7. There’s parts of Angeal that really resonate with me, enough that - when I was a less experienced writer - I got tangled up in him a bit too much, made him a bit too personal, and I realized I had to take a step back from writing him. But I love Angeal, and after some time had passed, having written him in various fics, I’ve felt confident adding him... even if I haven’t done anything with him here yet.
Cait Sith (FF7) - I know a lot of people see Cait Sith as all sorts of negative things, but frankly I adore the little guy. And I guess I took him on partially because I couldn’t take Reeve on and not take Cait on, but partially because I see so much in him that could be interesting to explore and would really, really love to. (Any Reeve’s or AVALANCHE - or Turks! - come at me!)
Chaos (FF7) - I picked Chaos up on a whim, as far as Tumblr goes. I really enjoy rping him/Vincent off Tumblr and writing him in fics, and I suppose I just wanted to present a different side of him than I usually see. I’ve even had a thread that has a great deal of promise so I think it was worth it.
Genesis Rhapsodos (FF7) - my third FF7 blog, I think? It’s still up, though obviously not in use, just because I’d put so much work into it. I really adore Genesis, and love writing him. I love his sass and flare, but I love that he’s deeper than all the fire and flamboyance, if you’re willing to look past that. I’m lucky that I’ve had some lovely partners to explore him with, though I’d still kill for an Angeal to throw him at. XD Or a Sephiroth, for that matter.
Lazard Deusericus (FF7) - Lazard, my second FF7 blog and an unexpected love. I picked him up because I had recently started writing him in earnest with an off-Tumblr rp partner ( @thegeeksqueaks ) and was really enjoying him, and hadn’t seen him on Tumblr yet so thought I might get more partners that way. (It turned out there were a couple but they were inactive.) His first blog was accidentally deleted - over five years worth of character development and relationships - so after briefly working him up again solo I brought him over here. He’s not getting the same level of attention but it’s worth it not to be juggling blogs.
Reeve Tuesti (FF7) - pre-Remake, most of the Reeve rpers had gone inactive (shoutout to the fabulous @engineering-robotics and @animus-inspire for coming back!) and just... I love the character too much not to see him in the RPC. Of course, I love to write him period myself so I’d love more threads there but regardless he’s so much fun.
Tristan Pierce (FF7 OC) - Triiiiiiiiiis. Tristan was actually born as an NPC off of Lazard’s blog, who took a life on his own because he was just... so full of life. He actually had his own blog, too! I’ve barely done anything with him here, but I still keep him just because he gives me feels and he’s just neat. (He does still appear in the background of Lazard’s threads though.)
Harvest Moon / Story of Seasons
Iris (SoS) - I actually picked up Iris as a muse first for a fantastic HM/SoS/SDV/etc rp group I’m in a couple years ago, and liked playing her so much I thought I’d bring her here. Elegant lady novelist? Yes please.
Neil (ANB) - unlike Iris and Trent, I haven’t written Neil anywhere else, but he’s my love from A New Beginning and just... he seems like he’d be fun to write? I’d love to flesh him out.
Doctor/Trent (FoMT/MFoMT; DS/CUTE) - Trent, like Iris, is one I write for the rp group and I legit picked him up because of the opportunity for h/c I am not sorry. But seriously though, he’s grown on me so much and I love my awkward doctor.
Legend of Zelda
Midna (Twilight Princess) - TP is one of my absolute favorite Zelda games, and Midna a favorite character. There’s just so much to her you don’t get to see that I was really hoping to get to dig into, still hope one day to. We’ll see. Worth keeping on roster.
Revali (Breath of the Wild) - my newest addition! I keep saying in complete seriousness “Genesis with more feathers” but seriously, I may have a type? I love him so much and wanted to see more of him, and by god if I have to do it myself so be it. (I have been playing a ton of BOTW lately which probably has a lot to do with it. XD)
Sheik (Ocarina of Time) - I love them so much. OoT didn’t have a ton of character building, but the sheer implications of the character speaks volumes that I want to explore. I’m lucky enough to be getting the chance to, too.
Marvel Cinematic Universe
Tony Stark - did I mention I have a type? I feel he makes a good argument for it. I originally picked Tony up because I just fell head over heels for the character in the first couple Iron Man movies + Avengers. I... am less in love with him in the later movies, not gonna lie, and am so far behind on lore that I’m considering dropping him. But yeah, originally picked him up just because he had so much potential. Thx Disney, great job there.
Pokémon (gameverse)
Lily Hart (HG/SS OC) - another OC of mine, this time for a fandom that... I only really know through the games, as opposed to manga/anime. I picked her up because I really liked the idea of doing events or little ask things with her, and still may try to initiate some more of those. We’ll see?
Sailor Moon (manga/Crystal)
Ami Mizuno/Sailor Mercury - I actually picked Ami up because of a plot with @magicalxgirlsxrp where we were splitting up the Inners and the Shitennou for some mega threads. XD But yeah, I do like her. Even if she’s a challenge to write sometimes because she’s very much not like me, and very much smarter.
Kunzite - Kunzite I have always loved, always, and I’ve had him on here because I really wanted to explore him more. I love him even more after the teasing in Crystal of what might have been, be still my shippy heart.
Mamoru Chiba/Endymion/Tuxedo Mask - super fond of Mamoru, too; I didn’t care for him so much in the 90′s anime, but in the manga and Crystal I really became more fond. I do a few things differently, I think, but don’t we all? I picked him up for that very reason, in fact.
Minako Aino/Sailor Venus - Minako is really interesting to me because there’s so much more to her than her airheaded, bubbly persona that fits her like a glove... but is just as superficial. I mean, she’s sunny and happy but she’s also the OG Senshi, the leader of the Inners, a powerful, commanding fighter - she’s complex, and I really wanted to explore that + getting to have fun with her bubbliness.
Nephrite - another picked up from @magicalxgirlsxrp‘s enabling. But I do find him really interesting so it works out well. Haven’t done a lot with him, but we have plans. Plans I’m looking forward to.
Stardew Valley
M. Rasmodius - I knew I really wanted to do something with SDV, once I got to playing it, but I wasn’t sure who. I thought about Sebastian and Elliot, but already had interacted with a couple who were just fantastic. So instead, I did a good fallback of mine - because I never, ever get tired of playing mages. Ever. XD
Star Wars
HK-47 (KOTOR) - the attitude. I wanted to write HK entirely because of the scorching levels of sass from this droid.
Liana Raine (SWTOR f!JC) - the Jedi Consular storyline is one of my favorites out of all of SWTOR (tied with the Inquisitor, but I’m revamping her) and I really just wanted to keep playing with it even once I’d done the dedicated storyline.
Revan (KOTOR LS!F) - give me female Revan you cowards. -ahem- I have feels about Revan, okay? I love her so, so much - she even had her own blog, I love her that much. I would absolutely love to do something more with her but I will hold on to her if for no other reason than to make sure at least one black, female Revan exists in the world. (I want all the timetravel and crossover threads, hit me up.)
Tharan Cedrax (SWTOR) - another for attitude, really, and also definitely my type. XD He’s charming, he’s snarky, he’s sassy, he’s brilliant... I very much like Tharan and really felt he, like most of the companions, deserved more screentime. So, I’m here to give it to him.
Threads of Fate (Dewprism)
Duke - he’s so cool. I mean, he’s a dork, but his powers are amazing and he’s just a fun, incredibly upbeat character to play. And well, anything to spread my love of that teeny fandom.
Fancy Mel - Mel hits all the sweet spots for a mage character. She’s got flavor, she’s got amazing powers, and she had room to create a fantastic backstory with amazing crossover potential. Is she a bit OP? Yes. But she has no intention of using it for anything but her amusement/whimsy.
Rod the Bladestar - I love Rod. I love his oddly genteel manners, I love how he’s unwittingly sexist but quickly cleans up his act when put straight, I love how driven and passionate he is. Could do without such a typically-Square-outfit, but you can’t have everything. (In the right artists’ hands, he might even be pretty amazing, actually.)
Did you read all of that? Amazing. Any of them strike your interest? Hmu and maybe we could plot a thread! :eyes:
Also I sincerely apologize to mobile users who had to read all that because Tumblr can’t get it’s act together.
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theclaudehuggins · 4 years
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Important for Hugginsverse audience
It’s been a long time since I’ve done anything with this blog, really. I’m sure most of my followers have gone away and a bunch of folks straight up think I abandoned Hugginsverse completely (I haven’t), but I feel it’s important to put some stuff out there.
This isn’t a vent, callout, sob story, or anything like that. I just want to say a few things that are very important to me, and if you enjoy Hugginsverse, they might be important to you, too.
When I was 15, I dabbled in RPG Maker and made a game called ?????. It got a major facelift when I was contacted by potential assistants and this remake was called UNKNOWN. I had no idea it would become what it did.
I’ll be 23 in less than a week, and no longer live in the house I grew up in. When I look at UNKNOWN, and the games that followed in its trail, I simultaneously see the happiest point of my life and the cringy doodle in the middle school sketchbook (but in a loving way!...mostly). I hold nothing but appreciation and love for both the stories I had created and the people I had in my audience.
However, I’d like to take a moment to look back on this series through the eyes of an adult, and point out a few things that are going to change now that I’m a bit older and my life experiences have shifted. There will be Cool New Hugginsverse News, too.
The first thing I want to put in here is an apology. I know, I said this wouldn’t be vent, but this is important. I’ll try to make it quick. There will be fun stuff later on, I promise.
The first big change is that in UNKNOWN, the entirety of Zone 2 is hereby removed from canon entirely. No UNKNOWN-related material (I’ve been questioning remakes for a while) I ever release in the future will contain any part of Zone 2 for any reason. I have more than one reason for this, and it leads into my apology.
The main reason for Zone 2′s removal is that it contains a scene depicting assault that was handled in a very insensitive way. In the interest of keeping my promise of not telling sob stories or doing callouts, I will keep it short and say that Zone 2 was not written by me, and this scene was put into the game without my full consent. (If the full story is really needed, feel free to message me on Discord at  The largest bee you've ever seen#9642, as this is where I’m most active.)
However, this does not mean I’m not responsible for the scene being in the version of the game that was released to the public. Beyond all else, UNKNOWN was my own project, and everyone on the team was aware of this. At any moment I could have made the choice to remove this scene from my game. I feel insulted that such a scene used a character of mine that I love so dearly, that my favorite OC I’ve ever made is depicted committing such an action, but I had every power in the world to prevent it. I did not do so because I was worried the assistant involved would drop their support -- even though the game was pretty much complete at this point and their refusal to continue would not have mattered.
I want to apologize to anyone who may have been insulted, offended, or triggered by this scene. There was no excuse for it being left in the game. It should be considered non-canon, and will never appear again.
I also want to apologize for an ableist slur used in FastForward. This was used in an attempt to emphasize a character being unforgivable levels of mean, but looking back, it is now clear that my usage of the word at all was in incredibly poor taste and horrifically irresponsible. Any FastFoward related materials I release in the future will have this line removed entirely.
Ok, that was the most serious part, I swear. Let’s do these in ascending order so we keep getting happier.
The second retcon I’d like to introduce is actually a spoiler for 365, so if you haven’t played it, and intend to do so, please do that before clicking this link. I’d also like to warn anyone who is sensitive to animal harm before reading, although it’s non-descriptive. This one is short because it involves a traumatic event from my own life, and I don’t want to upset myself or anyone who reads this.
Third, I’d like to announce a few characters that are no longer canon in the Hugginsverse universe. These include CHARLOTTE THE OBSERVER, BANDIT THE ELSEN, LOUIS THE ELSEN. These characters are no longer included in the universe because permission to use them has been revoked by the owner. I am a bit sad, as I have seen many of these are popular characters in the fandom, but I would like to respect the original creator’s wishes.
Okay! Time for more fun stuff.
An announcement I’d like to make is that I’m working on another game. It will not be an OFF fangame, as I no longer have interest in building off that world, but it is still included in the Hugginsverse canon and features Seneca and the Puppeteer as protagonists. I intend on divorcing the franchise from OFF from hereon out by instead focusing on Seneca and the world he comes from.
I do not know a release date. Hell, I’ve been making, scrapping, remaking, rescrapping this thing for a few years now, as is made obvious by scrolling even just a little on my blog. (The images and news provided there are, unfortunately, outdated and no longer represent the game.) Do not scroll down my blog. I’ve been informed my Tumblr was taken over by sex-related spam bots in my absence. Please message me on Discord using either the server in the link below or my ID above if you wish to contact me or see what I’m up to. Perhaps posting every now and again will motivate me to create the best product I can. I’ve learned a lot since my last Hugginsverse adventure, both from a game design side and technical side, and I want my growth to show as best as it can.
One more thing... I have a Discord server where I post information about games (uncommon) and the world Seneca originated in (common). If you would like to hang out there and discuss Hugginsverse, as I am no longer in the OFF or spinOFF servers, or simply learn a bit more about Seneca’s species and the world he comes from, this server would be a lovely place to do so. I spend most of my time online nowadays on Discord, so anything sent to me there will be seen quite quickly.
Thank you for bearing with me through this very very long text post, and most of all for enjoying the series I put all my little teenage heart into. All of you are wonderful, and I am blessed to have had the experience of making something people loved and were inspired by. I can only hope, and try my best, so my future projects can achieve the same.
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And that’s the episode.
ARE THEY NOT GOING TO TELL HIM ABOUT THEIR ADVENTURE COME ON
That was a fun episode.  Not really a standout or anything, but perfectly serviceable and with some character development for Anne.  Good on her for facing the consequences of her actions.
That’s going to be it for Amphibia for right now.  Tomorrow at noon EST we’re going to be continuing Kino’s Journey, so tune in for that, or you can tune in to my Twitch channel at 1 PM EST today where I’ll be streaming Zero Escape: Virtue’s Last Reward for a patron!
Before I go, I’d like to plug both my blog’s Patreon and my Twitch/Youtube Patreon. I make my living off of Patreon, and while I make enough to cover rent and bills, I don’t make a ton of money from it and haven’t been able to save anything up in the last decade or so.  (I ended March with fifteen dollars in my bank account!).  Every dollar helps, so if you’re willing, please consider pledging a dollar or two.
Thank you all for tuning in, and thank you to my 46 blog patrons, who make it so I can do this for a living!  I’ll see you later!
IN OTHER NEWS:
I recently completed my first playthrough of Undertale!  You can see the full playlist of those streams by clicking here!
I recently completed my first playthrough of Resident Evil 4 Remake!  You can see the full playlist of those streams by clicking here!
I have an ongoing first playthrough of Final Fantasy XIV that I’ve been streaming on Twitch! If you’d like to tune in when I’m live, I stream it every Saturday at 1 PM EST, and I upload my stream VODs to my Youtube channel!  If you’d like to see that playlist, click here!
If you’d like to help me pay my rent, buy me some food, or help with my bills and medicine, please use my direct donation link!  If you’d like to support me per liveblog completed every month, please pledge to my Patreon!  If you’d like to support my streams or pick a game for me to stream, you can pledge to my stream Patreon too!
You should also go pledge to Gio’s Patreon, or his Sponsus–our Discord server maintenance tech and creator of Rubybot deserves far more than I can afford to pledge to him by myself.
If you’d like more of me and my content:
My Episode Lists master page, where you can find every show and liveblog I’ve done!
My Discord server, where you can come hang out with me and other fans, check out member liveblogs, and join community gaming guilds!
My Twitch channel, where I stream variety games every so often!
My Youtube channel, where you can check out past streams!
My ask blog, where you can send me questions and comments!
My Twitter, where I make announcements about liveblogs and streams!
My merch store, where you can get shirts, mugs, stickers, and more!
It’s your kindness and support that lets me do this stuff, and I wouldn’t be where I am without all of you to do it for.  Thank you all so much for your support, and for tuning in every episode!
OTHER PEOPLE YOU MAY ENJOY:
I may have been one of the earlier Steven Universe liveblogs, but a whole community of livebloggers has sprung up over the last six years!   I linked to a bunch individually for a few wrap-ups, but honestly, this end-slate is already eight billion miles long, so I’m just gonna link to my links page.  Click here if you want recommendations of other livebloggers, or other neat people, or webcomics and podcasts that I recommend.
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tlbodine · 5 years
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A Decade of Horror Recommendations
With 2020 approaching, we’re reaching the end of a decade that has been uncommonly good to the horror genre, especially the last few years. Here’s an overview of some of the stand-out titles and my recommendations. Feel free to ask me about any of the titles on this list and I’ll happily share my more in-depth thoughts on them! 
Note that, of course, I have not seen every movie that’s come out in recent years, so I’ve probably missed some titles -- feel free to jump in with your own recommendations! 
Also this post is really long and has gifs, so I’m putting it under a cut. Sorry for the dash spam, mobile fam. Tell Tumblr to fix their shit. 
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2010: Supernatural Horror Starts Making a Comeback 
Some stand-out films: 
Insidious: An important film for modern horror history, helping to usher in the new wave of paranormal/hauntings/demon films. It lays the tropes for a lot of the films that would get big in upcoming years. I thought it was pretty solidly decent. 
Devil: A clever script about being trapped on an elevator with the devil. It’s a bit too ambitious and doesn’t quite live up to those ambitions, but it’s solidly decent and refreshingly original. A hidden gem for the year. 
Black Swan: Maybe the height of Darren Aronofsky’s career as a household name. Not my favorite of his movies, but a pretty solid psychological suspense. 
Frozen: No, not that one. This is a clever movie that embraces a narrow scope: some teenagers get stuck on a ski lift and have to endure the elements and some hungry wolves below. Not a great movie, but worth watching as a study in what you can do with limited resources. 
Black Death: Quick shout-out for a dark and grisly historical horror involving witchcraft and torture. It’s not a fun movie to watch, but it’s got Sean Bean and Eddie Redmayne, and I feel like both original screenplays and historical horrors are rare enough to warrant support. 
2010 also had its share of predictable franchise tie-ins (a Saw movie, a Resident Evil movie, remakes like I Spit on Your Grave and The Crazies, etc.) The Horror Renaissance was a few years in coming. 
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2011: The Year of the Predictable Remakes 
So many franchises getting flogged to death this year -- tripe like SCRE4M, Final Destination 5, Human Centipede 2, a Hellraiser reboot literally no one watched, and Paranormal Activity 3. Blech. BUT. 2011 also brought us a couple of my favorite movies ever: 
You’re Next: I would credit You’re Next with re-defining the “final girl” in horror. Also it’s a damn good home invasion movie with buckets of gore and a smart script. 
Cabin in the Woods: This one’s a bit divisive -- some folks really hated it I guess -- but it’s such a loving deconstruction of horror, and it’s wholly original even while being comfortingly familiar. Also it’s hilarious. 
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2012: A Few Important Titles
I feel like 2012 was full of movies nobody has actually ever seen or talked about. But some of the good ones that I’d recommend: 
Sinister: Like Insidious in some ways, but maybe better.  Also, “Snakes don’t have feet.” Honestly just a very good, solid demon/haunted kid movie. 
V/H/S: A must-watch for horror buffs. It didn’t invent the found footage genre, but it did refine it and really show off what it could do best. 
Smiley: OK so like. This is not really a great film, but I think about it a lot and recommend it a lot. It’s stuck with me quite a bit somehow, and in some ways it feels very much ahead of its time as a creepy prediction of what internet culture would be like at the end of the decade. “We did it for the lulz.” Seriously, watch this movie today, and remember that it was made eight years ago, and see if it gives you chills too. 
I guess I should also mention Prometheus here, which lots of people liked. I was not one of them, but it was a heavily talked-about film I feel like and of course an Alien franchise tie-in. 
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2013: The Year the World Remembered It Liked Horror 
This was a big turning point year, launching some new franchises instead of just re-treading old ones: 
The Conjuring: I personally hate all of these movies, but they are huge and you can’t swing a dead cat in the modern horror fandom without encountering one of them. The first Conjuring film was at least decent. For extra credit, watch it as a triple feature with Insidious and Sinister and do a compare/contrast. 
The Purge: Not only the start of a successful franchise but also a pop culture phenomenon and a damn good movie to boot. 
Mama: I love this movie. I have this movie on DVD. It’s kind of bittersweet and may not completely follow through on all of its promises, but it’s still quite good and has some lovely performances. 
Warm Bodies: Not really a horror -- kind of a romance -- but it warrants mention here because zombies were a hot item in 2013, and that’s a current special interest of mine on account of having a zombie book of my own coming out that is more than a little influenced by this story. (the film is a pretty good adaptation of the book, although honestly you could just skip the movie and read the book and get a better experience.)  
Willow Creek: I feel like I recommend this movie a lot, but that’s just because I think it’s very good and a very smart use of its own resources. A found footage mockumentary that actually manages to make Bigfoot frightening. Totally worth the watch. 
Mr. Jones: Here’s another hidden gem, also in found footage style (I feel like that was a prevailing theme in the years after V/H/S) but it’s surprisingly fresh. It’s a folk horror piece that doesn’t go at all where you might expect despite its thoroughly well-trodden ‘couple in secluded house’ setup. 
A bucketful of remakes and sequels this year too, including an Evil Dead reboot, V/H/S sequel, Insidious sequel, etc.  I should also probably mention World War Z, which was not actually very good and also had nothing in common with the book of the same name, but does mark an important moment in the mainstreaming of the zombie revival, especially considering it came out the same year as Warm Bodies. 
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2014: Fuck Yeah People Actually Like This Shit Let’s Make More 
I feel like maybe our current horror renaissance started this year. Some recs: 
The Babadook: No surprises to anyone who follows my blog, but I love The Babadook and I will defend it to the bitter end against its detractors. It is one of my favorite horror films of all time and one of the best of the decade. 
It Follows: Ok confession, I actually did not like this movie at all. I thought it was ridiculous and over-hyped. But it makes the list because a lot of other people really, really loved it, and I accept that they saw something in it that I didn’t. Watch it and make up your own mind (and report back with your findings). 
As Above, So Below: This may be the most claustrophobic film ever made, and it deserves to be studied on that merit alone. It’s also pretty creepy and I suspect a lot creepier for folks who are unnerved by Christian horror/mythology (I am not, but I know lots of folks really are). 
Housebound: A hidden gem from New Zealand, this one is worth a watch because it takes a familiar haunted house premise and gives it a surprising and honestly delightful twist. 
Jessabelle: Not a great movie, but deserving of a spot here because it’s a Southern Gothic and features a main character in a wheelchair, which I think is neat. 
13 Sins: I feel like I’ve written about this movie for the blog before, and I recommend it a lot. But it’s clever and is a great early example of the “killing game” genre that has become increasingly prevalent (I mean, aside from the Battle Royale/Hunger Games version). 
It was neat to see so many original horror stories (as opposed to reboots/franchises) coming out, and that’s a trend that would continue (and is something that makes horror one of my preferred genres - there are more original stories in it than in many other types of film). 
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2015: Hell Yeah Let’s Ride This Horror Train 
So many excellent movies this year! Ahh! 
Crimson Peak: Guillermo del Toro’s love letter to the Gothic. What I love about this movie (aside from Tom Hiddleston) is it plays all the tropes straight. It’s not trying to be a new spin or reinvent the genre or break all the tropes. It’s just a gothic horror story, told exactly like what it is, by a guy who makes damn good movies. I felt like that was really brave and surprising at the time. 
The Visit: M. Night Shyamalan had basically made a joke of himself after a string of awful movies, but this movie was enough to earn back a bit of respect in my book. It’s a clever premise and a smart use of found footage. 
The VVitch: Creepy-ass slow-burn supernatural historical horror, sign me up. I actually don’t like this movie as much as a lot of people (see above: religious-themed horror doesn’t push my fear buttons much) but it’s beautifully made, thoughtful, and artistic in a way that makes people sit up and pay attention to just how good the horror genre can be. 
Krampus: This movie is extremely silly and I love it. A holiday favorite I watch every year now. It’s hilarious, and imaginative, with some really creepy visuals and a thoroughly satisfying conclusion. 
The Invitation: For me, some of my favorite horror movies are the ones where the film is uncomfortable to watch before the actual horror stuff starts up. This one has an almost unbearably tense build-up and pays off in an incredibly satisfying and creepy manner. 
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2016: Horror Goes Hella Mainstream
I feel like 2016 was another year of just...lots of kind of fun unique premises tossed out like spaghetti to see what would stick. And I am here for it. 
Don’t Breathe: Home invasion gone wrong is a great trope, and this one gets extra points for having the single most disturbing sequence utilizing a turkey baster I’ve ever seen in film. 
Hush: Speaking of home invasions. This one is pretty standard fare -- homeowner fights back! -- but the deaf main character is a neat twist. 
Lights Out: It’s pretty cheesy at times and the plot sort of falls in on itself, but the opening sequence is genuinely frightening and the movie almost literally killed @comicreliefmorlock so that’s a commendation I guess? 
Train to Busan: An Asian take on the zombie survival story. It’s a really good movie (if horribly bleak) and it does such an excellent job of making you genuinely care for all of the characters. 
The Autopsy of Jane Doe: A really neat premise with some wonderful slow-build horror. The storyline kind of goes off the rails, and it asks a lot of questions it doesn’t answer, but it’s quite good regardless. 
The Forest: I was disappointed with this one -- it just failed to live up to my expectations -- but it’s decent, and it’s a good attempt at capturing the creepiness of Japan’s Suicide Forest. 
Before I Wake: This one was sad more than scary, I thought, but it fits so neatly into a certain aesthetic that I am always a sucker for -- dreams and nightmares bleeding into reality, yes please. 
Split: Say what you will, I thought Split was amazing, and James McAvoy deserves a goddamn Oscar for his performance in this movie. 
The Monster: A hidden gem that’s worth watching to see how well it delivers on its premise: two characters stuck in a car with a monster outside. It’s not amazing, but it’s neat, and sometimes it’s nice to have just a straightforward creature feature with a bit of emotional heft for good measure. 
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2017: Did Somebody Say Blockbuster? 
In hindsight, they’ll probably say 2017 was the start of the horror renaissance, but we’ll all know they’re a few years too late. Still, this was another great year: 
Get Out: Funny, dark, deeply uncomfortable and with some real meat to it -- Jordan Peele knows how to make a great movie. This absolutely deserves all the awards. 
It: Not a perfect movie, but a good adaptation of a difficult-to-adapt book. The kids are great. Pennywise is menacing, but that fucking flute lady is the scariest part. 
It Comes At Night: I didn’t like this one much, but a lot of folks did so it makes the list. See above re: It Follows. 
Gerald’s Game: Everything that’s wrong with this movie (ie, the ending) is wrong in the original story, so where this movie fails it’s a matter of sticking too close to its source material. But the premise is truly, genuinely horrifying, and the degloving scene almost made me vomit. So that’s cool. 
Happy Death Day: Another horror-comedy, with a healthy dose of self-awareness. It doesn’t take itself too seriously, and that’s what allows it to be fun. 
The Babysitter: This movie is hilarious. It’s also super bloody and clever and clearly made by people who love slashers, and the affection shows. 
The Ritual: So-so in the acting and pacing, but the creature design is A+ and the concept is really neat. Seriously just watch this one for the monster, it’s super cool looking. 
I should probably mention Mother here, but I can’t speak for it as I haven’t gotten around to watching it yet. It’s a very divisive film. One of these days I’ll watch it and let you know.
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2018: There’s More Where That Came From 
If 2016 was the year of filmmakers just trying stuff for the hell of it, 2018 was the year of talented filmmakers and studios realizing that, oh shit, you can make really good horror movies with mass appeal. 
A Quiet Place: I’m glad I caught this one in theaters, because it really deserves to be watched in a dark, quiet room where no one dares to make a sound. The ending left a lot to be desired, but it was a clever premise. 
Hereditary: The best horror movie of the year imo. Painfully uncomfortable - I’m not sure I could watch it again - but highly recommended. 
Apostle: Watch this one in a triple-feature with The VVitch and Hereditary. A really good period piece with a character you actually want to root for. 
Bird Box: I didn’t like this movie much, but it was hugely popular. I bought the book recently and suspect it is much better. Still, it’s worth a mention for its impact on mainstream viewers (lots of people who don’t like horror really liked this movie). I won’t budge from my initial opinion that it’s just A Quiet Place meets The Happening, though. 
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What Does 2019 Hold? 
We’re only halfway through the year, so we’ve got some time to see what is coming down the pipe. Lots of things to look forward to! But some solid titles so far this year that I’d heartily recommend: 
Us: Jordan Peele is at it again. It may not be as good as Get Out  -- there’s some plot holes where the internal logic of the world is at odds with the message it’s trying to send -- but it’s thoughtful and gives plenty to chew on. And there are places where it’s just unbearably tense and creepy. 
Brightburn: I had high hopes for this movie and was not disappointed. This is a super (ha, ha) good film. 
The Wind: A Gothic on the American frontier. It accomplishes what I think It Comes At Night was supposed to do, but more effectively (for me anyway). Bonus points for being written and directed by women. Double bonus: Caitlin Gerard, the main actress, is also the lead character in Smiley. 
I have not yet watched Velvet Buzzsaw, Ma or Midsommar this year, but I really want to. I’m also looking forward to the Scary Stories to Tell in the Dark film despite having some reservations about the whole concept. 
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skirak · 5 years
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The Ultimate Introduction to Hosoya Yoshimasa Part 1 [Everything you should know about Hosoya Yoshimasa #3]
37th Birthday Special
10 February, the ultimate day as a certain baby turns 37. Time really flies... I still remember creating posts for his 36th bday last year in my main account @akaskira
This is taken from a Chinese source: PukiWiki 
Translated by me!
Introduction
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Source: 新R25 Interview (Japanese)
Hosoya Yoshimasa [細谷佳正]
Born 10 February, 1982 in Onomichi, Hiroshima.
Height of 175 cm (5 feet 7), Blood Type B
Left hander.
Was a member of Mausu Promotion till 1 July 2014 and has been Freelance since.
Nicknames include Yosshi (used by Ono Yuuki), Posoya-kun (used by Sugita Tomokazu)
Called Hosoyan by fans and Hikasa Yoko
According to himself, has rarely been given nicknames.
Favourite food includes sea urchin. Likes to drink but doesn’t smoke.
Likes ghost story and horror movies but gets scared as hell in haunted houses (click for link!)
Probably can see ghosts - many colleagues have heard real ghost experiences from him.
Okamoto Nobuhiko once said he wanted to go to haunted house most with Hosoya as his reaction is interesting
In the world of Male seiyuu Singers, he is considered to be of mid-high ranking.
Used to do busking and released his own songs.
Sang albums for character Shiraishi Kuranosuke in “Prince of Tennis”
The first album “Medicine or...?” got 7th in Most Daily Played and 10th in Most Weekly Played. The second album “Poision” achieved 3rd in Daily and 6th in Weekly [Oricon Style]
CD or LIVE, his performance is worth a praise. His condition has been good since his first performance, “Prince of Tennis Hundred Song Marathon”. He then received praise for his singing plus dancing in FESTA 2009, and also is the first from Prince of Tennis to have his very own solo concert and album in 2010.
Doesn’t really sing as his characters, so the songs you hear are all his own style.
Seiyuu with the same experiences as him include Tsubasa Yonaga, Kaji Yuuki, Okamoto Nobuhiko etc.
One of Mima Masafumi (Director of audiography)’s favourite seiyuu. It’s like wherever there’s Mima there’s Hosoya
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Experiences
High School 
Used to be in fencing and acting clubs, and quit fencing for acting.
Was in a leader position in acting, but didn’t know whether to pursue it.
After that, watched “Martian Succesor Nadesico: The Motion Picture - Prince of Darkness” recommenced by a friend and decided to be a seiyuu as he was inspired by Yamadera Koichi’s character.
Voiced in the remake Space Battleship Yamato 2199 as Katou Saburou, fulfilling his dream of voicing with Yamadera.
Achieved Best Supporting Character Awards in 2014 and 2016 tho he has no luck in MC
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Characteristics
Has a natural mid-range voice, therefore often gets cool / calm Sports Captain roles. To other people, Hosoya can also be seen as a man who’s calm with few words.
Because he started as acting in Western works, he’s better at “natural calmness” performances rather than exaggerated.
Mostly voices young characters from straightforward to cold ones. Also can voice as some bad “Uncle” (Ixion Saga DT as Pet)
Basically after Takamatsu Shinji’s (animator) favourtism, his image has disappeared (this is a compliment)
Maybe because Hosoya’s tone is a little plain (Hey!!) he rarely voices as MC but as supporting roles (MC’s friends etc)
For some reason, always voice some “big Brother” characters and recently, 80% of his roles are muscular guys
Accepted more roles as he grew popular.
Voiced as an insane character in a game “Princess Arthur” and received praise for it.
Before that, also voiced incanely in “Edel Blume” but the game wasn’t good so it wasn’t popular
Common traits of his characters: glasses, prideful, disses, dialect.
Real person is a helpless dork which is totally different from his characters, so may surprise people who don’t know him well.
Started by dubbing in Western shows / movies, so isn’t known in ACG (Animation, Comic, Game) community until his role as Shiraishi.
One of the few who dubs a lot in both ACG and Western films, where he voices in almost every season.
Often receives dialect roles (Osaka, Fukui, Hiroshima etc). Says that his voice is like a plain Ochazuke (rice with tea).
Has very few R18 works.
In BLCD, only appeared for a passerby and never a seme/uke role.
With the exception of Miyano Mamoru and Irino Miyu who both have acting backgrounds, Hosoya being famous even without a R18 character is considered as really special.
People may mistake Hosoya as voicing in more shoujo themed anime due to his popularity with women and large variety, but he actually focuses more on dub and shonen works.
Hosoya EVERYWHERE
In 2016 October, he accepted roles from 12 more works out of his normal ones, and with different varieties as well.
Probably because of overperformance, he hurt his throat and took a break from 23 April 2017 to August 2017.
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Personality
Speciality: plays guitar and likes shooting
Is bad at technology so doesn’t have Twitter or personal blog (except link)
Known as the most woman-like male seiyuu.
Ogata Megumi: “Among male and female seiyuu, the one with most girl powers is Hosoya Yoshimasa.”
Actually also wants to be popular so often asks tips from other male seiyuu
A member of Mizuki Nana’s female team
Proved by a lot of people that he loves to talk about love.
Self-claimed masochist. Is actually also very masochistic
Gets nervous easily and sweats a lot. When he’s nervous, he always speak incoherently / stammers so he’s often teased by others.
Always at the bottom of the food pyramid.
In Free, was bullied by “predators” Miyano Mamoru and Suzuki Tatsuhisa.
Nobunaga Shimazaki: “Sorry—”
Hosoya: “We’re not gonna lose like this!!”
Masafumi Mima: “In Knb, 50% of seiyuu were new and perhaps to calm their berves they decided to tease someone. That someone is Hosoya. Even though he’s the captain, his reaction when bullied is priceless.”
Known as the natural dork, which often comes into topic when he’s not around.
Has a weird way of thinking sometimes.
Often leaves audience and cast speechless (and is usually made fun of later), but can tell he means what he says, and usually still has a good relationship with others.
Likes to not look at the camera in pictures, affecting people around him. Fans have also started to imitate it.
Easy to go along with and humble.
Often calls person with “san” behind and uses respectful language (formal)
Depending on atmosphere, he does call people by their first name and vice versa.
People he calls first names include Ono Kenshou, Osaka Ryota, Ishikawa Kaito etc.
“Will go crazy in unreasonable situations” - Hikasa Yoko
Too many sports roles. Fans often say he can “hold an Olympic on his own” and those roles are still renewing.
Some include tennis, Basketball, baseball, soccer, Volleyball, piano, drums, judo, karuta, Swimming, rugby, ice skating.
Fans often check if he’s voicing in new sports anime - and it’s a common habit.
Seems to also notice himself and talks about doing them sometimes.
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Relationships
Male Magnet.
Attracts both senpai and junior’s appreciation.
Accidentally stepped into a gay bar and was almost harassed.
Even Fukuyama Jun, who doesn’t work with him much, would mention him from time to time.
Kamiya Hiroshi: “He’s a good kid who’s too serious.”
Has many hidden fans in the industry. Ishikawa Kaito has played his songs directly from his phone before.
Others
Likes girls who’s younger but mature big Sister type omg that’s me
Seems to like... boobs, D-cup in particular.
Had a defect where he was born with six fingers on his right hand but had the extra surgically removed.
Was a fan of the manga “Ushio and Taro” so was very happy when he voiced Akiba Nagare in it.
To be continued
I’ve kind of run out of space so I’m going to do a separate post later. For now, I’m so glad I decided to rewatch anime or I wouldn’t have found out about this adorable dork who made me who I am. I just came back from Japan after studying there for about 4 months, and it had just been the best knowing we were in the same country, breathing the same air, almost living in the same city. 
While I didn’t manage to go to a Hosoyan event, I would definitely go at least once just to “meet” and see him live. 
I love him with all my heart and wish him the best in everything.
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As of right now, this exact minute, this blog is one year old. And it's been a rough one! I've had huge swathes of inactivity, I've promised comebacks I never made, and I've developed my art and my writing beyond what I ever imagined. This sentiment also extends to the friends I've made and the people I've met; if i went back and told myself, as of January last year, that I'd be surrounded by the people I am now then I wouldn't believe me. Trust me, with my track record I didn't think I'd even last in the community past a few months, but so much has happened and I'm so grateful to be able to keep developing and telling this story, which means a lot to me after all this time!
More sappiness reflection under the cut:
This whole shebang literally started from nothing. I had NO plot in mind, no characters beyond the first five, and only a vague backstory to work from. So with all this wealth of information in mind, I started, and I made decisions as I went. The first few months was a minefield of 'but what if X' and 'imagine if Y'. Elleri was conceived a whole DAY before I drew her intro and I literally designed her as I went. Zariya was going to be the primary antagonist until I doodled 'isopodzma' in my margins at school and decided to make something out of it. And as more and more ideas and characters came to light I eventually took a good hard look and found myself with the beginnings of an actual, (hopefully) compelling, developed story.
Everyone now had a past, present, future and motivation and it was like it came out of nowhere. It was really exciting! I've got sketchbooks filled with planned dialogue, rough designs and scribbled plot points that I'll still occasionally flip through. The whole plot as I know it so far is transcribed safely into Google docs so I can't forget anything important. It's really gotten serious, and even if i haven't found so much time to update, there's so much i have to say on this blog and so much to do.
It's strayed so far from its original idea that I hardly recognise some of my old work now - but I'm happy! It adds up! Every event I've thrown myself into and every point I've introduced, however spontaneously, has come together into what makes this blog. Remaking it with same would be incredibly difficult - I still consider it one hell of a lucky miracle it wasn't wiped with every other blog I owned back in April.
To wrap this up: this is the longest passion project I've ever had, and there's no way I'd leave it all now. My tablet may have been broken and I may have been inactive but my ideas are not, and I've been working behind the scenes for a good while! I'm incredibly excited for another year on the job, and thank you to all my followers for sticking with me. It really means a lot that you all enjoy this blog enough to hang around, and for making my experience here so great.
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