Prompt 112
Once again, you know who is underutilized in DCxDP crossovers? Battinson. Skrunkly shivering boi. Who we should definitely give children to care for.
Did you know that Jason canonically had a brother named Danny? Well you do now, and it should also be used more.
We all want to give Battinson a robin, so why not give him four for the price of two. He of course gets Dick from the circus- he’s never going to go into public again, this was the first time he’d gone to do something out of his comfort zone for a while and look how that turned out.
And on one of the nights that Dick has to stay home (Alfred insists he must finish his homework if he wants to go out on patrol) Bruce returns to the batmobile to find not one child, but two. Is Danny reincarnated? Just appeared one day? Who knows, but he’s here now and going to protect his little brother.
Bruce might have tears in his eyes when they both hit him in the kneecaps and bolt because even with the armor it still hurts. How he manages to grab both kids he’s not too sure, but he ends up getting them food after they put the tires back. He also doesn’t understand how he’s convinced them into the car but they’ve both conked out and maybe he’s panicking and needs Alfred-
D-Dick why is there another child here? He’s the neighbor, cool cool. W-what do you mean he’s home alone, he’s like, 4?? What do you mean he’s been alone for a week now???
…
Alfreeeeed-
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The concept of lark finding out “what the doodler wants” and then shattering it before anyone else can know is sooooo fascinating to me because the way I’ve always read it the doodler doesn’t want anything. To me, the doodler was horrifying because it was not an all powerful malicious entity with goals or wants, but a faceless brainless force of nature that was so strong it’s mere presence in the world spelled destruction. Like never once in the podcast has the doodler shown any agency or intent, every action in service of it even in amod seemed entirely motivated and verbalized by its acolytes. We know from amod that the doodler thrives of the concept of randomness and to me that’s all it ever was. It was so heavily entrenched in the random and chaos that it physically could not have wants or desires for power because it would so be against its very nature. That’s why the doodler was scary to me, because it could not be manipulated or tricked like a person could, it was simple raw destructive horrifying power, and I don’t think the lark stuff disproves that. What if that is the truth, what if the doodler doesn’t want anything? If you’re lark, a person who feels crushing responsibility for this disaster and you find out that it is no different in intent than a hurricane, does that not terrify you? Does that not instill in you a fear that if anyone else found out they would feel so powerless against it that they would just give up? They’d give up and the world would end and it would be your fault. This was not the all powerful creature 11 year old you thought it was, the one he wanted to fight to prove his strength, this is pure entropy and chaos and randomness and destruction and no one else can know lest they stop fighting? Is the fighting fruitless, who even knows, but at least it fools you into thinking you’re making a difference.
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not a wmmap post but can i just say the way asm characters get shat on for the most ridiculous reasons is just so weird. like people have complained about how other female characters than the fl are so watered down and lack depth, but as soon as they see ohara von heinrich not invite shuri to the wedding because she genuinely believes it would just send her away and didn’t expect her to be brutally murdered AT ALL they act like she’s the mastermind behind her death??? there’s literally a panel of her reacting to her death and she doesn’t seem happy she was so distraught. and don’t get me started on shuri herself, the specific hate she gets is just so… have we read the same story. she was fourteen when her asshat family shipped her off to be married to a dude old enough to be her dad, because she looks like the dead empress….. i’m honestly glad i didn’t even witness all the hate she got i would be so mad.
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sometimes I think about the fact that my first real introduction to kpop was a post on here that went something like “i don’t know anything about kpop except that I sometimes see pics of grown men eating that just say DO NOT REPOST under them. wild” and i think about it a lot
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Mac growing up scared and afraid, Mac being bullied so hard he develops a tough outer shell so he can protect himself and Charlie, Mac who’s angry all the time but underneath that is really just scared, Mac who constantly changes his body because he just wants to be enough for himself and everyone around him, Mac McDonald, who does everything for the people around him, who loves his friends more than he cares to admit, who has been begging for approval and attention in any way he can since he was a kid, Mac who has always been too annoying, too off putting, too much for everyone around him, Mac who wears toxic masculinity like an ill fitting suit that everyone can always tell is off,Mac who doesn’t know what he genuinely enjoys or what he took on as a persona to be perceived a certain way, Mac secretly protecting everyone around him, defending his friends when the aren’t there, Mac that worries every day if he is enough for his friends, that underneath the persona they all put on of not caring about each other genuinely loves each and every one of them, Mac who never got to be a gay teen, or young adult, who felt sick every time after he had sex and decided that was just how life was, who lived between delusion and deflection from his identity, who has to re-figure out himself and his life in his 40’s, Ma-
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hey bestie. wanna trade infodumps again. whats your favorite theory about lord huron, doesnt have to necessarily be the most correct it can also just be the funniest
YES ABSOLUTELY
ive talked about the lonesome dreams time loop theory already so. in honor of it being vide noir day ive got. a theory
i think Buck did actually die from getting blackbrained. he injested a lot of vide noir and like. it probably should've killed him. it probably did him, but god knows the dead dont tend to stay in this universe, so it aint out of the question that the lyrics in back from the edge were more. literal than we thought. i have no idea if this makes him one of the undead or inhuman or if he's just got some insane cosmic luck but he was dead for a couple of minutes at least.
and you know. thanks to dying on vide noir, you know, a drug that notoriously break space and time, it had. repercussions. that echoed out in all directions. jumps in space time entirely unrelated to him but still places and moments that actually occurred (ie the whole frozen pines moment). awareness of certain things he probably shouldn't be aware of (how the fuck does he know about the balancer's eye hello. how and when the fuck does he find out that exists). general sensitivity/draw towards the supernatural (found three separate supernatural beings in one night by complete accident. sure)
and like. the whole "being able to see ghosts thing" might come from the fact he died and came back thanks to the fucked up space goo. he doesn't really seem. bothered by the fact that he's talking to dead people so i assume he's been doing this a while. then theres his fucked up relationship with death in general. his indifference towards life. consistently using death as a metaphor and having repeatedly writing stories/songs where he dies. and he's just got weird perspectives on life and death in general. soooo
i have no proof and no real reason to believe this. its more likely his cosmic bullshit luck saved his ass and he lived through the overdose but you know. you asked for my stupid theories you get them. you can't prove me wrong either way
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hi so so sorry if this sounds genuinely deranged but I need to know did you write a fanfiction in like 2014 that was set during ww2 where zoro from one piece was sent to a japanese internment camp and sanji went to conversion therapy I remembered it recently because it blew my mind at age 13 and I had to reread it + need a kind of where are they now with the author so if that's you 1) what's your stance on the fic today 2) how much of the research was done during writing and how much did you just know beforehand and used as inspo 3) did you have any ideas for where the other characters ended up because I did always wonder if like idk chopper overcame the trauma of being in the war and also just what usopp's situation would be in general what with the political climate. once again. if you didn't actually write this fic so sorry this must look like the ravings of a crazy person. godspeed
Hi. Uh, yeah I did write that fic. I would have been like only 17 at the time. I did do A LOT of research, like the fic was basically an excuse for me to research Japanese internment and WWII history in general bc I thought it was super fucked up. I was absolutely hyperfixated on the topic and my parents probably thought i was nuts for my ability to talk at length on this particular area of history. I just finished skim reading back through the fic and woof. What a bleak fucking story. I was very cruel to everyone. It's frustrating bc I think it's an interesting and compelling idea for a story. But to me it feels like: here is all the research I did and also characters talking in what feels like a too modern way. Plus, I was 17 and didnt understand people very well. I wish I had the energy and motivation to rewrite it. Although, I forgot I used to do song lyrics at the start of each chapter and the tonal dissonance of Owl City lyrics at the top of a chapter of harrowing events around the time of WWII is unfathomablly unhinged.
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