Being the princess betrothed to barbarian!Bakugo.
You don't mind so much as you've always known this was to be your destiny, born merely to smooth over tensions between the kingdom and the country.
But your first meeting is hardly from ideal. The man shoves himself into your dressing room in trying to avoid the grooming his own mother is trying to give him, desperate to get away from the egregious, stifling rules the castle enforces regarding presentation, mainly putting on a shirt.
(He was born of his own parent's desire, but volunteered himself to save the country from annihilation via. industrialization, NOT realizing it would involve marriage. He's much less thrilled than anyone.)
And there you are, being (forcibly) sewed up into a corset that you're absolutely spilling over, your face matted from a layer of unnatural-colored powder, your lips stained the color of fruit that doesn't blossom for months as you turn to look at him in surprise (and then fear, and then confusion and question, your maids squealing before running off to get a guard)...
And Bakugo is suddenly made aware of this itching desire to save you, too.
-
(You're standing there, both breathless and bare; him voluntarily, you because of timing. And it's so oddly intimate for separate reasons; Bakugo's never associated nudity with sexuality and you've never been naked in front of a man before.
And despite the betrothal, neither of you know what to say, stuck in the midst of an "is this it?" moment, at least until Bakugo is grabbing your hand to whisk you away and marry you where he was born rather than in between castle walls.)
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//no warning tags applied, 502 words//
How irresponsible, Mark thinks. The Farmer is always stretching themselves thin. From managing their farm, running people's errands, fighting monsters within the shadows–the Farmer has a lot on their plate.
And despite Mark's initial indifference towards the Farmer, pity begins to well when he sees the Farmer sleeping so soundly beneath the tree in the Woodlands. Sleeping so peacefully that even the bypassing insects weren't startled by their moving chest.
Might be from exhaustion, he thinks. No wonder; day and night the Farmer goes here and there doing things of many sorts.
Mark sighs. How can the Farmer be so irresponsible. Sure, sleeping on the open grass under the shade of the oak tree seems nice, but he'd reckoned the Farmer might get rashes and itches all across their body.
Mark approaches the Farmer, crouching so that he can see the Farmer's face that is partially obscured by their straw-hat (did the Farmer bought it recently?), gently nudging the Farmer to wake.
Yet, the Farmer remains oblivious towards Mark's nudging. Instead, they lean more towards the tree, a small, satisfied smile etches across their face as they say "Just five more minutes," as though Mark was waking the Farmer up from their daily sleep.
Mark sighs, again. How helpless. With one swift motion, Mark hoists the Farmer up, craddling them protectively to ensure their security within his arms before walking. Their home is not that far, so it is not that far of a journey.
But such sudden movement immediately jolts the Farmer awake, their eyes widen as they were lifted out from the earth below before they begin to register the presence of strong arms around them, securing them in place. Only when the Farmer turns towards Mark does they speak.
"M-mark?!" the Farmer's mouth agape, still trying to make sense of the situation, "What are you doing?"
"Bringing you home," Mark says, his face stoic and cold as ever yet his tone betrays the warmth that already exuding within, "You're tired."
The Farmer doesn't know what to say to that. Indeed, they were tired.
"I..." Alas, there's no other appropriate response but a little, "Thank you... Mark..."
Despite his overall apathetic aura, his lips quirk upwards a bit, though not noticeable enough for anyone to notice.
"You know, it's amazing how you manage to keep all those plants alive..." he sighs, now the Farmer's farm is within views. He sees a vast piece of land decorated by nothing but crops that the Farmer had planted. Otherwise, there's untouched land beyond the fences.
"Yet you can barely take care of yourself." and Mark's expression soften a bit. He then looks down at the Farmer, who has a bewildered expression across their face.
"You ought to take better care of yourself, okay?" and as if the last wall had collapsed, the Farmer witnesses Mark smiling. Not at anyone else. Or anything else. But at them.
The Farmer smiles. Again, still confused, yet they're slowly taking in this development.
"Thank you, Mark."
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🌻A little note from me🌻
Thank you for reading! I hope you like this one! I really love Mark and the only other fan fiction of Mark is about him adopting a pet and I love it so much!!! To contribute to the scarcity of Mark-related content, I wrote this one just for fellow Mark-lovers out there!
Also, if you notice, the last few dialogues from Mark is heavily taken and inspired from his own dialogue in game;
Which I interpret as Mark softening up with the Farmer, which is a development I yearn for!!!
Anyway, again, thank you for reading and see you guys when I see you!!!
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Junicrane/Starstruck Ramble
I will not be brief, all under the cut
To clear some things right off the bat:
No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.
Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality
The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.
This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.
Alright. Actual beginning of the ramble:
Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.
All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.
Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).
And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.
At this point, I'm just describing the pitch for a romcom.
I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.
Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.
This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.
It shifts something between them.
From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.
As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.
Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.
Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.
I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.
I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.
I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.
As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.
I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.
Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great
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Ok ok ok I'm not Tryna start discourse but bluestars prophecy was my first ever warriors book and bluestar will always be my favourite so I'm gonna make some counterpoints to you about her being a Smajor character
bluestar has always been led by an intense loyalty and dedication to those she loves and cares for - this includes her mum, her sister, her clan, eventually Firepaw when he joins the clan, and she has a VERY strong moral compass when it comes to doing the right thing - when she sees thistleclaw teaching tigerpaw to hurt a then baby scourge she very much discourages it and is against it
Afaik scott is Not like that, he doesn't have an emotional or love-driven moral code, he does things because they're smart decisions in the long term or because he wants to. Granted I havent seen a ton of his stuff but I have seen his limited life and 3rd life perspectives and he is very much a singular team player there, there to look after himself and well if people align with him that's great he's got allies (jimmy and Martyn) but he won't go out of his way to care for them
Bluestars defiance of starclan in the first series is BECAUSE she gave herself to them and what the warrior code demanded so much - yes she broke clan rules by having kids with crookedstar but she did everything in her power to make sure they'd have a happy life and felt terrible that thrushpelt was willing to say they were his to save her reputation. She didn't do it out of a selfish want, she only ever wanted to help her clan and those she loved, and her becoming clan leader is emblematic of that want. When she rejects starclan so wholeheartedly in the first series it's because THINGS KEEP GOING WRONG WHEN SHES TRIED SO HARD TO STOP THEM FROM DOING THAT - starclan has never cared about the sacrifices she made to keep her loved ones and clan safe, she lost her mother, her sister, her kits, her mate, literally everything, and things STILL KEEP GETTING WORSE. it's not a demand that she deserves to have everything good, it's a cry for help that shouldn't something go right after she's tried so hard???
C!Scott isn't like that. He puts himself above others and inherently believes he will get the best if he just plays his cards right, and he is good at it, he's very competent at lasting a long time in life series and getting what he wants - the ruthlessness of gem driven by desperation kills him in secret life, Martyn's complete fucking about face kills him in limited life, and I'm pretty sure it's etho who gets him out in 3rd life by luck. He doesn't plan to look after the ones he cares about, because he cares about himself first and foremost. Yeah you can argue when he doesn't get what he wants he gets annoyed, but his is less of a 'why don't I get this don't I deserve it' and more of a 'oh fuck this didn't work. Ok new plan double down on getting what I want by appeasing to people cos they're easy to read and therefore account for'
I don't doubt Scott would make a bluestar adjacent character if he made a warrior cats oc BUT his character would honestly be closer to darktail or ashfur than bluestar and that's that on that.
(sorry you activated 13 year old me's unskippable cutscene sjdjsjsjja this isnt meant to be a serious argument I just love bluestar a lot and love talking about her)
OKAY 1. this is fucking awesome thank you 2. i am going to do something new and exciting (advocate for scott instead of beating him to death with sticks) because unfortunately this bluestar info has only made me believe she is a smajor character even more.
As a general note when I talk about smajor characters as a collective here I’m referring to characters more in the realm of esmp/traffic/rats/pirates/etc, less vampire scott or necromancer scott who are intended to be villainous.
Scott characters tend to operate under a “If I am not a Good Person I may as well die” rule, and consequently abide by a strict moral code to keep themselves feeling clean. For instance: traffic Scott will never go back on his word, he will avoid dishonesty, and he won’t take from others unless he is sure that he can repay them. He will never betray his seasonal primary ally (even when they betray him first), and will often give people things just because they asked him nicely. He stakes a lot of his own identity on this, because it is through being a “good person” that he justifies his superiority (and, by extension, his own existence); in his mind he deserves the best and *is* the best because he is such a good person. When things don’t go his way, he thinks he doesn’t deserve it because he has been nothing but good, so he tries to place a reason. He often assumes that somebody must “have a vendetta” against him, even if this somebody is the world (see: him asking if limlife episode 1 boogeyman is some kind of joke played on him for not giving in to the boogey curse in Last Life.) which is very Bluestar to me, convinced that her misfortunes are a divine punishment.
This is all to say that Scott does have a strict moral code and deep sense of loyalty. Being a “good person” and devoted partner in the ways he understands it are so ingrained into what he is that I think he definitely has the capacity to be a Bluestar if he were raised being taught clan values, even if his internal systems are often built around never letting gross emotions be fully felt rather than what those emotions compel him to do.
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