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#I made one slice different
trivialbob · 1 month
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This turned out well.
Home Run Inn is my favorite frozen pizza brand. It's also the most expensive ($10.49) pizza at the grocery store and never goes on sale like other brands. The stores by my house only carry sausage or pepperoni HRI pizzas.
The other day I went to Walmart instead of my preferred grocery store. I had been in the mood to shop somewhere besides my usual Cub or Lunds&Byerlys. There’s Target too, but it doesn’t appeal to me as much as the first two stores.
The Walmart I chose is chaotic, messy, and crowded. There's always a squad car parked near the front door. I felt up for an adventure.
Walmart had the HRI pizzas for $6.49. Holy cow! Prices on other things were pretty nice compared to Cub. V8 juice at Cub is $4.89, but was $4.00 at Walmart.
Walmart also carries the cheese HRI. Which is what brings me to today's blog post.
Some time ago I got on the HRI email list. Occasionally the company sends out "recipes." I put the word in quotes because they don’t show how to make a HRI pizza from scratch. What it is though is more along the lines of what I like to do if I’m not feeling ambitious.
HRI suggests different toppings to place on the cheese pizza. Not the typical things you find at Dominos, but unusual or uncommon ingredients. The recipes are easy, says the guy making dinner by placing a frozen disk into a toaster oven.
This one is Mexican Street Corn pizza. I had all the topping ingredients on hand already. The directions are simple. The results were delicious. I'm going to have to try some of HRI's other "recipes."
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savage-rhi · 4 months
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You don't know how happy I was to see them and how happy they were to see me.
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insomniac-pbparker · 1 month
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rambling in tags
#tried to talk about it on vc but no one's paying attention haha#talkin about it here cuz I've been meaning to share with. someone#hi if you're reading this:)#peter prattles#anyways. started a new project recently; i got a model for my mask so I'm thinking about printing it out?#got the STL (STereoLithography (file format for CAD software made by 3d systems)) files fhe other day; they look like they'll fit well toge#ther after i print them; so that's good. not a lot of sanding ill have to do on the main face shell; 8&#augh#*; it's already textured#i keep pressing comma. stop#anyways. got the files; it took FOREVER to splice but that's alright. i haveta do it regardless#*slice not splice#the whole process of slicing something (FOR 3D MODELING BY THE WAY) is really interesting; i should look more into that#the thing is; the files and info I got on them didn't say what orientation to print the mask in? that was odd#it also didn't say what fill / support types to use. but I'll figure that out in the morning#oh! my favourite part I'm working on for the mask is that it is able to attach / detach in specific sections; so it's easily disassembled#I'm using neodymium magnets (specifically 10mmx1mm or 1/16in discs) to connect it all together#I'm thinking about making it disconnect in about 4/6 different places? four for sure#not sure about the last two though. thinking about making the LENSES of the mask detachable; but i feel like they're more likely to fall of#uhoh i think i did something wrong#i printed (or started to print at least) the domed mesh on the 3d printer instead of the specifically labeled resin printer. i don't have j#I don't have a resin printer#wow there's a lot of tags. okay#so many thoughts in my head apparently#eh whatever. hear about my 3d prints boy#there's an option to make a ventilated mask; or one without the vents at the front#the vents are just small cavities near the front of the mask#right near the nose / mouth would be#ohh it's actually lined up beautifully; it blends right into the webbing on the front of the face#face? mask? eh
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ereborne · 2 months
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Song of the Day: February 23
“Inkpot Gods” by The Amazing Devil
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#song of the day#'if I don't make it back from where I've gone / just know I loved you all along'#I'm setting up my queue for a more proper recommendation tomorrow but I've been rereading 'shoulder the sky' by Night_Fury#the whole series draws from various Amazing Devil lines for titles and such#'back then I was dauntless' is my favorite reworking of the Melidaan arc I've ever seen absolutely anywhere#and the title is a line from my favorite Amazing Devil song 'The Calling' but 'Inkpot Gods' is used to stunning effect in-story#and the beautiful refrain from the end of the song is playing in my head now as I keep going into the series#today was a deeply unpleasant day: the inevitable finally happened and Duncan cut himself doing his mudlarking#we'd been trying to schedule a preventative tetanus shot but several times we've gone in for the properly scheduled shot#and found out that they didn't actually have one in stock. unspeakably frustrating#and today we ran out of time for a preventative one. I woke up#(actually I woke up for work as he was going out for his walk but I got a migraine halfway through my morning meeting--no good--#and took the rest of the day off--turns out to have been a very good thing--and went back to sleep. so I woke up the second time)#to Duncan coming back from his walk with a sliced finger and the grody plastic-and-tin swan that had done the slicing#(picture of said swan under the cut because why not. it does look neat. can't see the sharp edge in the pic though it's underneath)#and so then we called the pharmacy and got the same automated 'of course you can have a tetanus shot' as ever so we made an appointment#and we got there and they did actually have a shot in stock this time! except that they weren't able to administer it#because now he's post-exposure that's a different shot and they aren't allowed. so we had to go to the urgent care instead#all told we spent about four hours out of the house on this mission but Duncan did get his shot and some bonus antibiotic goo for the cut#and it was worth it but also bleeeeeeegh it was miserable. which is where my recommendations do come in#when I tell y'all that I spent today reading Night_Fury's fics and also looking at valiants' CoD art and it saved me#whooo I mean it. being simultaneously stressed + bored is the nightmare state for me and instead I had wonderful things in my phone
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emdotcom · 8 months
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Hisuian Zoroark is one of the sickest designs in pokemon, but the model on that bloke is FUCKED. It's really bad. If they bother to port her over to other games, you know they ain't changing that model, either, 'cept to make the textures paler & duller.
I continue to despise pokemon, despite being a pokemon fan, I fucken guess. At this point, I gotta go all in on summat else, like Cassette beasts.
#gale chatter#i have MINOR problems with the beasts but they are nothing + I ain't abt to be negative abt it online#it's a good game made by good people my complaints are so tiny you NEED to play it#if you like me wish pokemon would do more fun interesting things or miss spritework in ur pokemon#u need to try cassette beasts. I'll admit i haven't beaten it but what I've seen in the story is INSANE#also i generally try not to talk smack about indie games it just ain't right. biggest ip on the planet‚ however‚#i can talk shit about pokemon all damn day.#the fucking way they keep using the same models the most minimal of animations & the pokemon keep getting pale as shit#to the point that pokemon like pichu are fucken impossible to tell from their shiny (slightly paler pichu)#the way that the designs are done in 2D & designed in it but then when it comes time to model they just. lose all charm#you get designs that were obviously not intended to have full 360 turnabouts (h. zoroark & emboar)#then you get deisgns that lose all their charm when modeled. in example -- look at the boltund model next to the art.#it's. bad. those are different animals. i feel NOTHING for the boltund model. it has no heart nor care in it just a means to an end#the gameplay never changes the sories have ALWAYS been lackluster they introduce cool ideas every other gen & ABANDON THEM#SO YOU HAVE A REASON TO BUY THE NEXT ONE BC IT HAS A NEW IDEA. MEGA EVOS WHAT'S THAT? DYNAMAX NOW.#the way they slice up the games to have exclusives SPECIFICALLY to piecemeal them back to you in 2 different games#so you either need to buy both (THAT IS 120 DOLLARS) or pay for online + have a friend. it has always been predatory.#it's. BAD.#& let's not pretend that 1/2 the lazy work is because the workers HAVE to be lazy. they pump these games out so fast that#nobody has time to write & revise & rewrite the stories which is fucking GLARING when you play sword or violet#in violet it is blatantly obvious they had the end planned first & then made up the rest as they went but had a hard time#connecting it back to the end so there's a noteable rush in the game & it sucks also if you call that game nonlinear i will attack you#IT ISN'T. IT IS DESIGNED SO THAT YOU NEED. TO GO IN A SPECIFIC ORDER. BECAUSE OF THE LEVELS#otherwise you'll hit a lvl 60 gym at lvl 40 then have to go back to fight the lvl 40 gym at lvl 70#the studio rushes their workers & it results in sloppy implimentation of halfbaked mechanics & poor deisgns & writing#i pray that if there is a god that nintendo actually does slow down on these shits i would like the games my little cousins play#to not be such fucken rushed & undercooked hot garbage. fuck you
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thetomorrowshow · 2 years
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poisoned rats in a pot of grain - ch 12
Masterlist - Previous
here it is folks, final installment of posioned rats but NOT the final installment of the superpowers au! there's still the last chapter of scott's backstory and a multitude of one-shots to be posted :) hope that this provides some main-arc-ending closure tho jskhdfjk
cw: discussion of stockholm syndrome, implied/referenced past abuse
~
It’s been three months that Jimmy’s lived in the big house in the center of the hero district (AKA, Scott’s house), and while he never feels like he’s getting any better, he also just can’t shake any of the weird feelings he has for Scott.
It’s undeniable. Scott is the best thing that has ever happened to Jimmy. Scott’s offered him safety, security, a place that isn’t a hospital, and he’s given so much more than was in the original deal. Home-cooked meals, a grounding presence, movie nights with popcorn and laughter, hugs, a friend, a confidant. Even on Jimmy’s worst days, he knows that Scott is there for him, will tell him again and again that he’s safe and he’s out of there and he’s never going back. No matter how annoying he is. No matter how many times he asks.
It’s undeniable. Jimmy is in love with Scott. Which is highly unfortunate, because there is no way Scott feels the same way about him.
Scott’s not only perfect and put-together, but he’s untouchable. He’s everything the city stands for, and his reputation as a pinnacle of light can’t be sullied by anything less than what he is and deserves.
Jimmy is . . . well.
So when Scott approaches him one evening, fidgeting with his phone after a long call that Jimmy hadn't heard any of, he knows what he has to do.
“Lizzie’s just gotten her own place, and she wanted to know if you’d like to stay with her,” Scott says, voice uncharacteristically nervous. “She’s still going through the legal process of reclaiming her identity from when she was presumed dead, so I would still have conservatorship for a little while, but I wouldn’t mind at all if you wanted to move in with her. She lives in a more accessible part of the city, she’s actually related to you, you wouldn't have to put up with me anymore . . . you know. We just thought it might be a better option for you.”
As Scott shifts and doesn’t quite make eye contact, Jimmy knows. Scott is uncomfortable with him. Scott doesn’t like him. Scott is through with putting him up. He’d done more than was required, anyway. Jimmy doesn’t blame him for wanting to get rid of him. Only one person in his entire life has wanted to keep him and that person—
“You don’t have to choose now,” adds Scott, eyes still fixed on some point over Jimmy’s shoulder. “I just wanted to let you know that it’s an option.”
There’s not really a choice to be made, though, is there?
“Yeah, I—” Jimmy swallows, “I’d love to stay with Lizzie. That—when?”
Scott’s expression is unreadable. “You can stay as long as you like, but she said the earliest you could come is Wednesday.”
Three days.
When Scott leaves to make dinner, Jimmy stows himself away in the corner beside the guest bed that is no longer his and cries.
Midday on Wednesday, he moves out. He packs a trash bag with his still admittedly few possessions into the back of Lizzie’s Toyota Corolla, waves goodbye to Scott (he doesn’t want to hug him, doesn’t want to make this any harder for himself), and joins Lizzie in the front seat, pulling the hood of his drawstring-less grey hoodie over his face.
She tries to make small talk on the drive. Jimmy can’t find the voice to respond. Eventually, she falls silent.
Her apartment isn’t too far from the hero district, and it’s quite a bit nicer than Jimmy’s old apartment that he’d never gone back to. She shows him his room, smaller than the guest room in Scott’s house but bigger than his cell. She leaves him to make lunch and Jimmy stands in the middle of the room and tries not to cry.
He would know if he succeeded if he could see past the blurriness.
-
Lizzie seems far more determined than Scott was to get him out of the apartment.
At first it’s small things, things that Jimmy actually agrees to, like getting a membership to the gym down the street since he wants to keep building his strength but Lizzie doesn’t have any of the necessary equipment. She gets one as well, even though he knows that she doesn’t have much in the way of money, and they work out together three times a week in the mornings before she leaves for work.
It’s terrifying, being in a gym, working out, all those people around so many people all seeing when his hoodie rides up a bit and the whipping scars on his back are briefly visible, but if people notice they don’t say anything and neither does Lizzie. It doesn’t get any easier, but it doesn’t get any harder either, which is a win in Jimmy’s book.
But just as soon as he feels like he can handle that, Lizzie’s pushing him to do other things. Go shopping with her. Go to the new ice cream place together. Hang out at the mall. And sometimes he acquiesces, sometimes he goes along because he knows that it’s good for him and Lizzie hasn’t seen him in years, but sometimes he has to put his foot down. The mall is a place ripe with triggers, and it had taken just a glimpse of someone wearing a collar-like choker for Jimmy to instantly dissociate, unresponsive until Lizzie brought him home.
That hadn’t been nice, and Jimmy doesn’t intend on going to the mall again any time soon.
He does try, though, to go places with Lizzie that aren’t just the gym and therapy. She’s meaner than Scott, as he complains to Nora one day, and actually makes him do things that he doesn’t want to do. Nora just tells him that maybe that’s what he needs right now.
He really doesn’t believe that when Lizzie sets him up for a date.
“She’s really nice! She works in administration, I think you would like her!”
It doesn’t matter if he would like her. Jimmy does not want to go on a date with some woman he’s never met! Is it that hard to understand? He’s told her over the past three weeks that he’s fine with her pestering him about going places, but not about meeting people. All it had taken was two men in an alley to send him to hell—who’s to say this woman won’t drug his drink and take him away?
Lizzie understands his anxieties without him expressing them, and maybe that’s just because he hides in his room staring at the wall for hours after she brings it up, but she understands anyway. She promises that she and Joel will be there the entire time, making it a double-date if he wants that.
Jimmy doesn’t like it. He doesn’t like it at all.
But he’s got to get over Scott.
Scott calls every night. It’s part of his duties as conservator, probably. He always asks to speak to Jimmy. Jimmy’s throat always closes up before he can manage a single word.
Scott’s visited twice since Jimmy’s been here, once to make sure the living conditions were adequate for his (soon to be Lizzie’s) charge, and once because Lizzie invited him for dinner. Both times Jimmy had felt almost as anxious as he had when Lizzie first came to see him, and both times he found that he couldn’t speak.
Scott seems more tired than usual. He seems stressed. He frowns more often than he smiles. Jimmy just wishes he could make everything better for him, solve all his problems.
Scott doesn’t feel that way about him, though. To Scott, he’s just another responsibility weighing him down.
So Jimmy goes on the date.
And when she’s nice, but gives him weird looks when he has to do breathing exercises, he doesn’t suggest a second one.
The second coworker Lizzie brings in is impatient with him, snaps at him when he doesn’t know how to choose from the plethora of items on the menu, and straight-up leaves when he starts panicking over the sound of the door to the restaurant swinging open. Lizzie’s entirely on his side when he says he doesn’t want to see her ever again.
And the third person Jimmy goes on a date with—a man that Lizzie had once again met at work and who had seemed up for a double date—is Mythics. Jimmy knows it is, even though he’s never seen the man’s face.
Joel knows it is too, judging by the way he spends more time staring wide-eyed at his drink, trying not to laugh. He doesn’t do anything to rescue Jimmy, as many times as Jimmy silently begs him.
And Mythics, surprisingly, is both kind and funny, and while Jimmy certainly doesn’t have a good time (the last time they’d met had been under very bad circumstances, and even seeing him makes his entire body light up in fear), it’s somehow better than his last date. Still a disaster, especially when Jimmy has a flashback when the waiter accidentally spills ice water on him and Mythics panics and just . . . pats his hand awkwardly.
After that, Jimmy tells Lizzie in no uncertain terms that he is not going on another date. She doesn’t argue with him about it.
Somehow, seeing all the romantic opportunities in his life just makes him miss Scott more.
-
“Jimmy,” Lizzie says, plopping down on the sofa beside him, “go back to him.”
It’s been two months that Jimmy’s lived here, and while Lizzie’s a good roommate and an even better caretaker (when he needs it), Jimmy desperately misses Scott. Scott still calls every evening for some reason, but it’s not the same. It’s not the same walking into the kitchen without him there, it’s not the same without hearing his voice from the guest room and immediately perking up, it’s not the same without those strong arms holding him and lulling him to sleep after a bad flashback.
Still, Jimmy’s rather skilled at schooling his face into unreaction, and he thought he’d been rather subtle about his feelings. So when Lizzie stares at him, waiting for his words, all Jimmy can manage is, “How did you know?”
Lizzie snorts. “Are you kidding? You’ve been moping around the apartment the exact same way you did when Sara Little turned you down for homecoming. Why do you think I set up all those dates, moron?”
Well, she’s not wrong. She’s also not done, though.
“And it’s not like you’ve said anything to Major, so I know you haven’t told him how you feel—you never even talk when he’s on the phone, no matter how many times he calls.”
He still doesn’t, that’s true, but even after all this time when Scott calls and Lizzie puts him on speakerphone, the words once again get stuck in his throat and nothing he does can force them out. It had taken him a while to find his voice around Lizzie in the first place, and losing those words usually means he’s mute for the rest of the night, and it’s so awkward trying to get Lizzie to work out what he wants to say.
(It was always so much easier around Scott.)
With a questioning gaze from her and a nodded permission from him, Lizzie lays her hand on his arm. “Do you really like Scott?”
He thinks for a moment.
None of his relationships have gone far. Aside from Lizzie’s disastrous attempts at getting him a romantic life, he’d had a girlfriend briefly in high school, and since then a couple of short-lived flings when life became too miserably lonely to bear. Nothing’s lasted. He hadn’t wanted anything to last.
If—not that it’s a possibility, not that Scott likes him that way—if he was dating Scott, he would very much want it to last.
“Maybe?” he croaks, rubbing his face. “I don’t—I don’t know. It’s weird, because like . . . he saved me? Is it—” and this is what’s really been holding him back, isn’t it, this dark thought that dwells in his heart— “is it wrong to fall in love with the person who’s taking care of you? Is that like—could it be some sort of Stockholm Syndrome, or something, or—”
“Jimmy,” interrupts Lizzie. “It’s not Stockholm Syndrome.”
“But if—”
“Stockholm Syndrome inherently involves developing positive feelings for an abusive captor,” Lizzie says, putting meaningful stress on the last two words. Jimmy’s face burns; he knows why she said it like that.
“You’re saying I’ve had Stockholm Syndrome before.”
Lizzie shrugs. “Just guessing, based on what your flashbacks have been like. Do your feelings for Scott seem anything like the feelings you had for Xornoth?”
A sharp shudder runs through Jimmy at the name. One hand flies to his hair, ruffling it a bit, the other to his throat, making sure there’s no press of leather.
“No,” he says eventually, thinking of the beatings, the cage, being forced to hold a kneeling position for hours on end, not being allowed to speak unless commanded by his master, the lazy smiles Xornoth had given him when he did well, the scarred words on his skin.
And then those give way to thoughts of Scott helping him back to reality after a bad flashback, running to get him water, asking him his opinion on any sort of decision, joking with him, carrying him to bed after he falls asleep while watching a movie, giving him space when he needs it and willing attention when he doesn’t, engaging him in genuine conversation and getting to know him and asking his preferences and remembering them. . . .
“No,” he affirms, stronger. “No, Scott’s different. He’s—” he tries to put into words some of his thoughts— “he’s so sweet, and he always checks in with me, and he wants my opinion—” and Jimmy’s thoughts turn to a different sort of opinion of his, one to do with abs flexing under a skin-tight suit and dimples in round cheeks and wavy cyan hair and a rough voice in the mornings. . . .
Lizzie’s watching him with a smile that says she knows exactly what he’s thinking about and Jimmy knows his face must be tomato red. “Um,” he squeaks, voice cracking, and she bursts out laughing.
When she’s recovered, and he’s recovered as well, she rubs his upper back in that awkward way of hers that he thinks is meant to be a hug but comes across on just this side of uncomfortable and stares directly into his eyes.
“You should tell him,” she says sincerely. “You’ve been through so much. It can’t be any harder than any of that.”
She’s right, but this is an entirely different category from everything else that’s happened in his life. And sue him if he hadn’t realized that actually confessing to Scott was even an option, Nobel Peace Prize winner and prime protector of the city and all else he entails. Scott’s meant to be untouchable.
Well. That was before Jimmy lived three months in his home.
“What’s the worst that could happen?” Lizzie prods.
“He could turn me down.”
“Okay. And then we’ll go out for ice cream and watch sad movies and cry about it and then it’ll be over. No pining after him for months on end.”
And maybe, just maybe, Lizzie has a point.
And with the way she carefully looks away and can’t quite keep a small grin off her face, Jimmy wonders if she knows something he doesn’t.
-
Lizzie’s waiting in the car. He can go right back if he needs to. Not until he tries.
He’s come a long way in the past half year. Six months ago, he never would have imagined standing in front of Major’s door, about to ask him out, while his sister waits to pick him up after.
The late hour, intended to prevent unwanted observers and to ensure Scott’s at home, reminds Jimmy of another night. Another time, long ago. A time when he had just escaped, bleeding out and staggering deliriously to Major’s door, hoping the hero might rescue him from the demon behind.
He freezes, hand poised to knock—you can’t see stars in the city but he’s seeing them at the edges of his vision, it hurts so terribly but he has to keep going, trip through Major’s front garden to the door, he raises his hand to knock but he doesn’t have the strength, it weakly slides down the door—and he’s back, body aching with phantom pains. There’s no blood on his nice blue sweater, no terrible injuries that make him wobbly and lightheaded. It’s just him and Scott’s door.
Then the door opens, and it’s just him and Scott.
Scott’s wearing his mask, but his face breaks into a grin when he sees Jimmy and he beckons him inside, closing the door behind and slipping off his mask. “I wasn’t expecting you! I told Lizzie you could visit at any time—I already ate, but there’s some tacos if you want—”
“Scott, I—” Jimmy interrupts, but he can’t continue. All his courage flees from him in a moment, and his knees are quivering and stomach flip-flopping and Scott is gorgeous. He’s so very pretty and his eyes are slightly confused and he tilts his head just a little bit to the side and Jimmy’s never been so nervous about something so good.
“You all right?”
It’s bad enough that he looks so perfect—he’s worried about Jimmy, he invites him in when he turns up unannounced and offers him food.
He can’t accept the hospitality before telling him. He has to admit to what he feels and run.
“Scott, Scott, I—” and then it’s all rushing out, too fast to stop— “Scott I really really like you and I ignored it ‘cuz I thought it was Stockholm Syndrome or something but then I talked to Lizzie and she said it sounded like I just have a crush on you, but Scott—I’m sorry, I shouldn’t like you like that, but I do and I can’t—”
“Jimmy—”
“—everything you’ve done to take care of me I sort of assumed it wouldn’t be appropriate, so if you feel uncomfortable I can go back home with Lizzie and you can transfer conservatorship to her and then you never have to see me again—”
“Jimmy!”
He freezes, ducks his head. He wishes he had his hoodie on right about now, but Lizzie had said something about nice first impressions.
There’s silence for a moment, then Scott holds out a hand in a silent question.
Jimmy takes it.
They stand there, the only sound the creaking of the wood floor beneath Scott’s bare feet. He lays his other hand atop Jimmy’s.
“Jimmy,” Scott repeats, more even, and Jimmy looks up to see—
Scott’s smiling.
He’s smiling and that smile sends bursts of light through Jimmy’s chest, and he can’t help but blush because all his brain is saying is he’s really really pretty.
“I’ve been planning to transfer conservatorship over to Lizzie for a while,” Scott tells him, and Jimmy’s heart doesn’t even have time to drop before Scott continues. “Because I really like you, Jimmy, and I wanted to ask you out but I didn’t feel comfortable doing so while I held that power over you. I didn’t—” he lets out an almost-sigh almost-whoop and squeezes Jimmy’s hand, “I didn’t think you actually liked me! That’s why—I thought, when you left to stay with Lizzie—”
Jimmy feels. . . .
Well. He’s not quite sure what’s happening.
His phone buzzes. He lets go of Scott’s hand and fumbles it out of his pocket to check it, wincing at how ridiculously bright the screen is.
“It’s Lizzie,” he manages when Scott raises a brow. “She—she wants to know if I told you yet.”
Scott moves past him, peers out the peephole in the door. “Is she here? She dropped you off, yeah?”
Jimmy doesn’t answer. Did Scott—did Scott say he likes him? Does Scott actually, genuinely, like him?
“You like me?” he finds himself whispering, searching Scott’s face for some sign of a lie. Scott giggles, just the tiniest bit.
“Yeah, Jimmy,” he says. “I like you. Like-like you. Is that okay?”
His head is light. His head is light and he’s not quite sure if he’s standing straight or lying out flat, but the most beautiful man in the world actually likes him. Wants to go on a date with him. Wants to hold his hand and kiss him and more.
“I think I need to sit down.” He stumbles into the nice living room without even kicking off his shoes as he’s supposed to, seeing as the nice living room is for guests and has the best carpet in the house. He sinks into the slightly uncomfortable sofa there (the one in the casual living room is much softer and more lived-in), feels his head flip-flop (like his stomach won’t stop doing) and his grip on reality loosen slightly. That’s not the best.
“Um, I might have a flashback?” Jimmy closes his eyes to try and combat the floatiness, rests his head back on the sofa. “I’m just really overwhelmed at the minute.”
“Okay. I’ll text Lizzie—do you want her to come in?”
“Yes,” Jimmy answers instantly, because even though he knows Scott well at this point and has lived for so long with him, the dynamic has changed in every way he can think of and he needs someone to make sure it doesn’t change any more right now.
Scott sits beside him, and it’s almost a normal night hanging out. 
Scott really likes him. He really does.
Lizzie comes in and congratulates them, a smile in her voice that says she had known more than she let on. Jimmy doesn’t ask, just listens as she and Scott agree to call up Joel and Scott goes into the kitchen to warm up tacos for all of them. He doesn’t even open his eyes until Lizzie lifts him up—holy moly she’s strong—and carries him into the actual living room, places him gently on the much comfier sofa there. She tells him how proud she is of him, and sits with him in silence as he allows his brain to wander and secure itself in this space.
When Joel arrives Jimmy rouses himself from the half-sleep he’s managed to slip into. The four of them hang out and eat tacos and watch Wheel of Fortune reruns, Joel laying in Lizzie’s lap as she plays with his hair, Scott pressed close enough to Jimmy that his presence is there and accessible but not too close for comfort.
It’s perfect. It’s a family.
“So, you like me,” Jimmy says quietly while Joel throws popcorn and yells at the player for guessing wrong. Scott smiles at him, nudges his shoulder.
“Yep. And you like me.”
A smile crosses Jimmy’s face. “Why didn’t you kiss me earlier, then? To shut me up while I rambled, like in the movies.”
Scott snorts. “That would have been incredibly inappropriate. Just kissing you, out of the blue, without consent? No.” He holds a hand out.
Jimmy takes it.
“When I kiss you, I want it to be at your pace,” Scott tells him seriously, shifting to face him. “I want you to feel happy and safe. Does that sound okay?”
Jimmy nods, and for a moment, he considers kissing him. He’s surrounded by friends—by family, he’s safe, and he’s happy. He’s so very extraordinarily happy.
And maybe it’s silly, but he doesn’t want a kiss to ruin that feeling. If he doesn’t like it, or he isn’t ready, or it’s overwhelming, he’ll lose the warm feeling in his chest that he gets when he gazes around the room at what his life has become. He could feel sick, scared, or just generally uncomfortable and this wonderful night would end early.
There’s a chance that it would be nice. There’s a chance that it would make everything that much better.
But over the course of his life, Jimmy’s come to understand that he’s never had good luck when it comes to chances. And this moment is so perfect that he can’t quite be convinced that anything would make it better.
So instead, he ever-so-slowly rests his head on Scott’s chest, ever-so-slowly pulls Scott’s arm around him, and ever-so-slowly lets his eyes flutter shut. For once, he isn’t thinking of all the many things that could go wrong. He’s just purely happy, for the first time in years.
Scott sighs contentedly, releases Jimmy for a moment to pull the couch blanket over them cozily. 
He’s safe. He’s happy. A lot of things have changed quite suddenly, but nothing else has to right now. He can take this as slowly as he wants—Scott isn’t going anywhere. His family isn’t going anywhere.
And if he has anything to say about it, Jimmy isn’t going anywhere either.
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iamthemaestro · 6 months
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it is 3 AM and I am in my kitchen going on a Fruit Crusade which is when I go through the fridge, sample all our fruit that’s approaching the end if its lifespan, and settle for a mediocre banana after having been thoroughly disappointed three consecutive times. what thursday night does to a mf
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colognedecigarette · 1 year
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anyway, go read ikoku nikki.
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nexus-nebulae · 10 months
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new food i can make new food i can make
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iknaenmal · 1 year
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(this is in response to the other ask sorry very late) but YES OF COURSE!!! i have heard loki at this point but not the other one oooh i will have to get to that :D
(also like genuinely feel free to share other songs u like w me if u want !! i am trying to get better at understanding spanish and songs help hfhsj but even otherwise sharing music is just fun :]])
Ah Loki is really fun :D and I think its also the first mythology song they made in digital iirc! Because they used to draw them in a whiteboard with a pen jhsqs and you could see how how one of them (Pascu) drew all the drawings in the song!! And later they decided to start making them digital animations and they have improved SO MUCH like wow!!
Sun wukong is one of my favorites because it's the song that got me into it and also because he's just a little guy monkey who is maybe a little bit crazy but I love him
And as for more music in spanish hmm.. oh I went to a concert some time ago and there's a song which my sister really liked! Hijo de Luna it's called, here it is!!
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cosmiicfairy · 2 months
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🗑
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ouchhq · 4 months
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do i just not care about myself or are other people more selfish
#last night i was at a friends house and her mom and her brothers gf were there as well and they talked about their stuff the whole time and#i was just there which is okay but it made me think u know not everyone worries about making others feel involved all the time#and then my friend was kinda irritated and we had to take a car and it was implied that we had to take mine and she just walked out of the#house in the rain and i was still putting my shoes on and she didnt even bother to wait for me and just took off towards the car#and the same was when we got back#and it kinda made me feel unwanted like? i would never do that like i always wait for everyone#and another instance made me think#when i was with other friends and we were at a pizzeria and we got a big ass pizza for 4 which we split between the 4 of us#and we had 4 different flavors and we split each into 4 slices so we could all taste them all and one of my friends#was the one cutting the slices and she would cut them and choose her slice first (clearly the best and/or biggest one) and put it on her#plate and i didnt really care too much but it made me think like .. when im serving something i am always the last to get served u know and#i always make sure i give others the best first#and there are other instances but these things just added to my perception of how i always think about myself and others#and how apparently many other people dont care as much about others more than themselves#im not necessarily critiquing its just striking me more and more
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arguscallous · 6 months
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I find peace in kneading, in dirty hands and full sinks, in smile stretched mouths with crumbs kissing cheeks. I know what I'm worth, learned with the first "good job," earned standing on a creaky wooden chair, with that first foray into dough sticky fingers.
I remember a home that was never really mine, and go in circles debating if I have the right to mourn; I wasn't wanted, but god did I want.
I had a beloved bedtime story, and it went like this;
Three cups of flour, one tablespoon of powdered milk, one and a half of baking powder, a teaspoon of salt. Slowly mix in two cups of warm water. Knead until those words bubbling in your gut are trapped in the dough instead. Rest, shape, fry.
I heard it first in rasping grandmother's voice, I tell it to myself not enough and too much.
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swampjawn · 2 months
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Dungeon Meshi Episode 7 was super interesting from an adaptation standpoint - this'll be a little different from what I usually write about (though I do still talk about the animation in the full video).
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Studio Trigger have never done a straight-up manga adaptation before - and led by Yoshihiro Miyajima, a big fan of the manga who pushed hard for the adaptation to get made, and who has never directed a full series before, it was unclear if they'd be able to find the right balance between a simple panel-for-panel recreation and making something that's completely different.
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And in the first few episodes, you could really feel the tension between the influence of a cautious young creative with great respect for the source material, and a studio with a unique established visual style. It kinda seemed like they were ping-ponging willy-nillily between the two sides of that spectrum.
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But this episode showed that Miyajima (and series writer Kimiko Ueno) can take 3 chapters, slice them up and rearrange them into a cohesive-feeling episode while taking into account the differences between screen and page, and using them to their advantage.
Starting with the way the water looks. This line from the manga describes a faint magical glow to the water in this lake and you can see that the cavern fades into darkness above, but Kui's illustration style doesn't really define lighting and shadows very much compared to the cel-drawing style of animation. So the animators took the opportunity to use the water as the light source, and make a whole episode that's lit almost entirely from below. It really gives an otherworldly feeling to this area.
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Particularly when the Kelpie shows up, that under-lighting works wonders to define its anatomy within the relatively simple line art.
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What do you do when you can't show the immense fuck-off scale of a monster with a beautiful full-page spread like this?
Well you use what you do have: the ability to move the camera instead. This is such a great way to communicate the scale of this thing, AND such a great way to show some of Senshi's anime-original butt-cheeks!
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This is one of my favorite shots from this episode - this whole sequence is super hectic, cutting quickly from character to character, but they use tricks like this to keep you from getting confused. This is framed much like it is in the manga, but with the moving image, they're able to use the trajectory of the fish head in the background to lead your eye directly from Chilchuck, right to the point where Senshi pops up in the foreground and transition seamlessly from one character to another!
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Now, it's not all good - I am a bit disappointed that they removed Marcille's own Senshi-style soap-making montage, which was the perfect visual representation of the culmination of the character development and understanding built between Senshi and Marcille.
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It's a shame to see it go.
I get more into that, what else was cut, and much more in this video where I broke down the entire episode!
Check it out if you feel like it. If you don't, jump in a ditch, cover yourself in leaves and jump out at people as they walk by.
Thanks for reading!
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intersectionalpraxis · 4 months
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Children as young as 6, working 12 hour days digging by hand, receiving $1 a day…think about it before you purchase your next laptop/electric vehicle
Free Congo🇨🇩 & end consumerism and wasteful consumption.
Apple Hub (not affiliated with Apple Official, but their account is influencial/popular among Apple users-adding this for context [01/07/24.]. They posted this a few days ago -it's about 2 different phone models (for fucking display changes).
Apple has been hyper-exploiting people in the Global South to mine for resources to make their products for YEARS, and I need more people to stop buying (unless necessity requires it -I waited 7-8 years before I had to change my phone, and next time I do it'll be a refurbished one) -until these entire systems are dismantled and made to be be ethical in every aspect of their businesses and not just on paper, boycott them.
I also know that Apple will change one spec and advertise like it's the greatest thing since sliced bread, so to speak -and this cult-following just eats this up time and again. If you're not already informed about this inherently violent and corrupt industry -then get to know. And stop supporting these companies.
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hedgehog-moss · 3 days
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I went to a restaurant with a friend yesterday and upon entering we saw these splendid blueberry tarts under bell jars on the counter and we made jokey small talk with the waitress like oh, people will fight over these if there's not enough for everyone, it'll tear families apart, are you making more later? and she said no, I'm afraid that's our entire stock for today, but there are 18 slices, it should be plenty! It was a small village restaurant with only one menu du jour so there weren't any other dessert options but they don't usually get that many customers—but then a couple of large groups arrived and most people noticed the tarts like we did, and went ohh blueberry tart, it's been a while, I can't wait, and it became clear that when we'd get to the end of our meal there would be winners and losers in the blueberry tart rush
But later as we were about to order dessert I wasn't hungry anymore and I was like well that's too bad but someone else will be glad to get 'my' slice of tart—and my friend said yeah, me :) You should order it anyway, I'll eat both! At first I thought she was joking, but no. I said, there's not enough for everyone, you can't take two, and she said, we were going to order two slices, what difference does it make? and I was baffled that she couldn't see the ethical difference between two people eating one slice of tart each vs. one person eating two, when there's a limited quantity of tart. I felt like we were in a simplistic social justice metaphor it was so obvious, but there was no changing her mind. When I said "it's just... not nice" she said "okay" with a shrug, and what can you say to that. She added, you don't know any of these people and I was like, why are we reverting to tribal dynamics in a non-apocalyptic setting, how would you feel if we'd arrived a bit later and seen others ordering two desserts knowing you'd get zero? And she said, I would think that's their right, and I felt kind of amazed.
I pointed out that if she didn't think it was a wee bit wrong, she wouldn't ask me to order her second piece as if it was for me, and she said yeah maybe we don't need to do that, there's no law preventing me from ordering two desserts. What about Kant's categorical imperative Okay I guess you're not breaking any laws by taking more than your fair share of a thing other people also want, just failing a kindergarten-level morality test. I felt embarrassed for sounding like an annoying preachy rigid person so I dropped the issue, and as she ate her two slices she'd smile at me every time we overheard someone order coffee without dessert—like "See? There'll be enough, no one will be deprived of tart because of me!" as if that cancelled the fact that she didn't care in the first place. I guess it was one of these tiny issues that can still significantly alter the way you perceive a person. I tried to tell myself not to be so bothered about this small thing but I was! so bothered. And I felt like writing a letter to some agony aunt like "should I end a friendship over irreconcilable blueberry tart ethics"
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