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#I have Geto brainrot
clownlessons-jpg · 1 month
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Caregiver (HS) Geto !
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Geto is a relaxed caregiver, while he has rules that are put in place for the most part he doesn’t mind whatever happens and manages to go with it
He will 100% do tea parties and let regressors do makeup on him. If it makes his kiddo happy why not?
Luckily Geto knows how to cook a variety of meals so if his regressor is picky he can accommodate that!
Geto loves playing hide and seek with regressors! He finds it’s so endearing when they hide in obvious spots and loves the way they light up and giggle at his searching antics
Unfortunately, Geto does get sent out on a lot of missions but he tries his best to get them cleared quickly
When he is on missions he has Shoko or Gojo babysit
He prefers shoko babysitting since he is well aware that Gojo can get rowdy and forget about the rules
Geto will read bedtime stories until his regressor falls asleep :3 he loves reading them and combing his fingers through their hair as they doze off
Geto definitely spoils his regressor, partially because he feels bad for being gone but also cause they’re his baby !! his kiddo !!!
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gojosbf · 7 months
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Start Here, Caitlyn Siehl // The Song of Achilles, Madeline Miller // The Song of Achilles, Madeline Miller // Unknown // The Song of Achilles, Madeline Miller // Passanger, Alexandra Bracken (a.k.a Heartbreaker) // I wrote this for you, Iain Thomas // These Violent Delights, Micah Nemerever // jjk the light novel translation // The Song of Achilles, Madeline Miller // The Song of Achilles, Madeline Miller // Elegy, Chen Chen// the playwrights will write your names in the darkness of the sky
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cheesecakethots · 6 months
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brain rotting at the idea of being trapped with yan! gojo & geto, and being convinced that gojo is the worst of the two.
he’s always so perverse and gross, licking at your face if you cry, tackling you into tight embraces on a whim, keeping you pressed to him late at night with loud snores.
when you run, gojo is the one to grab you and bring you back, tossing you over his shoulder and laughing as he does so.
you soon start comparing him to a dog, one that slobbers all over you and bites and jumps at you at any given opportunity. he’s not like a wild dog, though. geto is akin to his owner, the one keeping him on a leash.
geto is the one who tugs him away by his hair when he’s treating your neck like his own personal chew toy, when you’re trembling in his lap with his teeth moving to bite once more.
geto is the one who pinches gojo awake when his hold on you at night has become insufferable, when he’s started to drool against your cheek and snore into your hair.
geto is the one to remind him to play nice when you start trembling and crying, when it’s become all too much for you.
that is, if you’ve been good. it’s when you haven’t that you realise geto is the one you should be more fearful of. like any dog owner, he’s adept at giving out orders.
ordering gojo to chase you down, to bring you here, to touch you there.
he’ll be the one to remind the blue-eyed man that you are sometimes in need of a stern hand, and if gojo’s not up to the task, suguru most certainly is.
it’s almost as though he knows when you’re about to act up before you do.
try and slip out the front door and you’ll be met with a particularly horrifying curse on the other side, while geto sits nearby, dark eyes on the newspaper in his lap, a leg crossed onto his knee as he reads. his full attention is on you, however he’s alright with letting you think he’ll be careless enough to allow you to be gobbled up.
he’ll watch as gojo presses hungry kisses to your lips from a nearby windowsill, lit cigarette in hand and soft smile on his lips.
it’s late at night when he’ll press himself behind you, and slip a hand under your shirt, cold fingers crawling up your stomach, another hand gently wrapping around the base of your throat while he softly hushes you, lips ghosting over your ear. it won’t take much for gojo to wake up and whine about the two of you leaving him out.
soon, you’ll start wondering why you ever thought that satoru was the worse of the two. he may be akin to a predator, but that only means suguru is all the more terrifying for having tamed such a beast.
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bliss-in-the-void · 7 months
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The way Suguru looks at Satoru has me by the neck already, but the way Satoru looks at Suguru?? Oh my god.
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That’s his entire world right there. I don’t know how to explain it but these frames just scream “all Satoru sees is Suguru.” Like. He adores Suguru.
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Don’t get me started on the look in his eyes when Suguru expresses his concern over his overuse of his technique. The vulnerability? The way he looks surprised, the way it looks as though he feels seen for the first time ever? There is something so tender about this. I can’t even describe it but it’s just there.
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“I’m fine.”
Satoru knew damn well he wasn’t okay. No one sneaks up on him. I know he had to have been freaking out on the inside. How did he sneak in? How did I not sense him? No one gets behind me, no one is stronger than me, what’s going to happen?
But he held it together for Suguru. I feel like it’s instinct for him to automatically reassure Suguru, regardless of if it’s true or not. He schooled that expression on his face and looked so gently at Suguru…man.
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You can just see how absolutely devastated this man is in the moment he has to kill the man he loves.
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The split second he defied all logic and believed that, even though he’d killed Suguru with his own hands, Suguru had somehow survived? The elation on his face to see him one last time?
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“It might be goodnight for me, but it’s about time for you to wake up.” This is the smile he had on his face before calling out to Suguru, attempting to reach into the land of the dead for him. It’s like in this frame instead of the monster inhabiting Suguru, he just saw Suguru.
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The last thing he sees before he gets sealed is Suguru’s face, smiling. I can’t imagine the anguish he must have felt here. It’s almost as if he’s clinging to it, trying to pretend that it really is Suguru. Trying to convince himself what he knows isn’t true.
Conclusion: there is no one that loves anyone as much as Satoru loves Suguru.
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justrustandstardust · 1 month
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it's established that gojo's blindfold is a hallmark of his character. it's understood that the blindfold keeps things out; however, i also think there's something to be said about how it also keeps things in. despite the fact that there's already a lot of discourse regarding his blindfold, i think there's more to it than meets the eye (or doesn't, in the case of gojo).
this is going to be somewhat of a long post, but i promise that if you stick around, the end will make the journey worth it.
(this analysis is the lovechild of mine and @chiarrara, whose sexy big brain sponsored this whole thing).
as a character, gojo is unknowable without his eyes. it's very much proposed that gojo is his eyes; he's even repeatedly referred to as "the six-eyes brat". he's the strongest, and his eyes embody that status/symbol/role in the narrative. his eyes and his character are so intertwined that they almost become the same thing.
we are repeatedly reminded of his eyes throughout the story; they are perhaps his most distinct and identifiable feature. when we're shown the progression of gojo's life from birth to adolescence, we only see his eyes.
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during this scene when toji is remebering him, he repeatedly refers to him as the "six-eyes brat". he is his eyes, and nothing else. that's the only thing that toji knows about him because to the jujutsu world, that's all he is.
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however, when he's a teenager, although his eyes are more present than we've ever seen them throughout the series, they're noticeably un-glorified. they're undeniably present but they're unremarkable.
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they're less symbols of his power and more what they are, which are just eyes. we see glimpses of his eyes so often that we almost forget that they're special, until he steps into his role as the strongest and reminds us of them.
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it's important to note that what sets the depiction of his eyes apart here (versus when he's an adult) is the presence of geto. if you comb through every single scene with geto in hidden inventory, you will find that gojo's eyes are not the focal point of his character. they're backgrounded features; his eyes are either half-hidden or entirely obscured by his shades, and they rarely glow.
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his eyes make themselves known when geto is absent, like during gojo's fight with toji. in these moments, he is the strongest, invariably leaving room for nothing else. the only exception to this rule is when he's carrying riko's body, in which his eyes glow when he toes the line between human nature and godlike power. if we understand his eyes to be conduits of his power, then their noticeable downplaying can be understood as gojo leaving behind his title as the strongest and stepping into his humanity.
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when geto breaks up with gojo, his eyes are not only uncovered, they're un-emphasized. they're perhaps the dullest we've ever seen them, and their distinct, eye-catching blue is swallowed by the whites surrounding his irises. his strength and power don't matter in this moment, and his eyes reflect that. when he's losing geto, he is not the strongest; he is purely gojo satoru.
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the emphasis on his eyes in his youth makes their absence in his adulthood even more stark. we rarely see his eyes now, and it's only in the direst of circumstances.
everyone is familiar with the dictum '"the eyes are the window to the soul", which is true: eyes let people see into us. however, they function both ways; like a two-way mirror, they also let us see the world. eyes let people look in, but they also let their beholder look out.
there's a reason gojo only put on the blindfold after geto left. why didn't he wear it from the start? why did he start wearing it at all? all the credit to @hijinks-n-lowjinks for their masterful analysis that inspired this idea, which is as follows:
"....Gojo wants nothing more than to leave the memory of Geto unscathed....There's still a part of Geto's memory that's untarnished if he keeps it private instead of exposing the depth of Geto's crimes to the students, and I think that's what he's clinging onto."
gojo wears the blindfold for two reasons: one, to keep people out, and two, to keep geto in.
in donning the blindfold, gojo seals geto in his mind and simultaneously seals himself off from the world. he holds geto inside of himself, rendering him (or gojo's construction of him) untouchable by anyone else. in order to achieve this, however, the practice necessitates that gojo keeps everyone else out, because they belong to a world without geto that gojo literally and figuratively refuses to see. the wall functions like eyes: twofold, both keeping in and keeping out.
geto can be understood as gojo's blindfold: he is the reason it exists and why gojo put it on the first place. the blindfold is an intractable element in how he (doesn't) navigate the world without geto, because geto's departure from his life catalyzed his withdrawal from the world, which is symbolized through the blindfold.
when geto was in his life, gojo let the world in because it had geto in it. after geto left, he wasn't there for gojo's eyes to find. the permanent blindfold operates like schrödinger's cat— instead of seeing a world without geto, gojo simply chooses to stop seeing.
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it's worth noting that the literal barrier pairs with the figurative barrier gojo puts up, which is in his disposition.
there's a reason that gojo's cocky, lighthearted persona comes out when he's wearing the blindfold. it's a figurative barrier that matches the literal one. like i said before, we only see his eyes in the direst of circumstances, and his goofy, cocksure demeanour is notably absent from these instances. i'm not saying it's fake, but the persona is a front, designed to keep people at a distance. he plays it up, and it feels even more distant because we can't see his eyes.
however, gojo isn't the only person with a barrier.
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after the breakup, we never see geto wear casual clothes. we always see him in his cult leader outfit, which is distinct and elaborate. geto knows it's a costume, evidenced by the way he even says it himself when someone asks why he's wearing the cult getup:
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we also see a notable shift in his persona, to a crazed and almost manic disposition that contrasts starkly with the gentle, kind nature he had in his youth. geto's literal barrier is found in his cult outfit, whereas his figurative one is in his disposition. although they present differently, gojo and geto's literal and figurative barriers mechanize the same modes of expression that seem to be at odds with one another.
gojo’s disposition is designed to counteract the loneliness that shapes his character (a loneliness that geto abetted in being his companion) and geto’s disposition is designed to push people away, because he decided no one could understand him (a role which was previously fulfilled by gojo).
gojo can read geto in a way that no one else can, and geto is gojo's counterpart in a way that no one else can be— they’re missing something only the other can provide and compensating with two dispositions at opposite ends of the emotional spectrum.
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when geto is dying, gojo drops the literal and figurative mask. he's almost unrecognizable; he's not laughing, he's not smiling, and he's not wearing the blindfold, because he doesn't need it anymore. the only person he wants to see, the only person he's ever wanted to see, is in front of him now.
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however, once again, he's not only one whose walls have come down.
geto drops the manic persona (although he retains the ideals) and he gently smiles in a way that's reminiscent of his youth. his cult leader outfit is also falling off, exposing him in more ways than one. he admits that he never had any hate for anyone at jujutsu tech, and in doing so, materializes the version of himself that lived in gojo's mind for a decade. that's why gojo doesn't bother with the blindfold; the geto in his mind and the geto in front of him are congruous and he's looking at the person he's been seeing inside his head all along.
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it's been established that we don't know what gojo says to geto. however, it is also absolutely key that we don't see gojo's eyes in this deeply intimate moment. his eyes, which are inextricably linked to his strength and his role. his eyes, which are the medium through which he limits his engagement with the world. his eyes, which he sealed after geto left and only brings out when he's tasked with fulfilling his role.
in this moment, he considers the question geto asked him during the breakup. "are you gojo satoru because you're the strongest? or are you the strongest because you're gojo satoru?"
and in shielding his eyes from us, gojo answers him.
"i'm gojo satoru because of you, suguru."
his eyes, as the windows to the soul and witnesses to the world, are looking at geto suguru not as the strongest but as gojo satoru, and they are meant for geto alone. yes, the eyes are the windows to the soul but they're also two-way mirror— gojo opens his eyes for geto to look into his soul because the material manifestation of his soul is dying in front of him right now. in baring his eyes, he bares his soul.
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before geto dies, we see him the same way gojo does. he seems bashful, almost shy, even mirthful; all traits that are antithetical to the crazed front he put up earlier. conversely, gojo is the most solemn we've ever seen him. in this moment, we see them both for who they really are, because they literally and figuratively only reveal themselves to each other.
after they part ways in shinjuku, geto and gojo embody the same barriers through identical mechanisms: fabric and persona. these barriers function to do the same thing, which is to keep people at a distance in order to leave space for the one person noticeably absent from their lives. it's very fitting that their walls come down as they meet for the last time, because the only people who could've torn them down are the same people for whom they put them up in the first place— nobody else but each other.
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teazingsassy · 9 months
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it was supposed to be you and me
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koiwynn · 5 months
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you think we’re soulmates in every universe? you need to let me go
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jacrollart · 5 months
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JJK PKMN AU They're documenting their pokemon journey together and Gojo learns that the more Suguru smiles and laughs, the more erratic heartbeats he experiences 8/
Gojo's companion piece here!
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kyalov · 2 months
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Screaming, I testify this lovin'
All night long we flock to this
Screaming, I testify that we'll survive the test of time
They can't deny our love
They can't divide us, we'll survive the test of time
I promise I'll be right here
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risuola · 5 months
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You are the teacher and it so happens, that one day two little twins join your classes in the midst of the year. You heard before their arrival that they are odd and older teachers have been talking that their father is exceptionally young for a parent. And truth is, Suguru wasn't a fan of the idea of giving the girls under the care of a monkey, to have them share spaces and learn among the monkeys, but he was responsible enough to believe that education is something Mimiko and Nanako can benefit from. And if something wrong happens, he'll just—
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maerynarts · 10 months
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massive shoutout to jjk s2 and especially young geto for singlehandedly yeeting me out of art block!!!!!!
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matsunoluvr · 1 month
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HELLO i caved in and started the suguru NPC mod 😭
i need help with the facial expressions - im pretty happy with the base but i need advice LOL (ignore the little misplaced skin tone pixel) - the actual portraits need to be 62x62 pixels which limits what i can do…
is there any advice artistically adept people could give?? if not it would help if i got feedback on the two versions!!
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zadz0 · 2 months
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more geto brain rot
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bliss-in-the-void · 8 months
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Okay so the official translation released today of Chapter 236 right, and we got this panel:
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Satoru tells Suguru “I don’t feel lonely now”, which contradicts our understanding of his character a bit. We all believed that he felt lonely because of how isolating his powers are, and that one of the driving forces for becoming a teacher was so that no one would be alone like he and Suguru had become.
Well, we were half right. Remember this panel in Chapter 220?
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When Satoru said he won’t leave anyone alone? I thought he’d been talking about the way he and Suguru both felt. Nope. Turns out, it was solely for the way Suguru turned out.
By admitting to Suguru in Ch236 that he wasn’t lonely, he’s revealing that his sole motivation for being a teacher and making the decisions he did was to prevent anyone ending up alone and broken like Suguru had.
And that notion is 100x more painful.
Isn’t it something that when they were together, Satoru relied on Suguru to be his moral compass? And then after he left, he dedicated his life to atone for leaving Suguru alone, once again relying on him to shape his decisions and judgement?
It was all for Suguru.
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jaybirdsandbabybats · 7 months
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the fox and the vampire
(happy halloween!)
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gumisgirl · 8 months
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fuck
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