When The Amazing Devil wrote "You will scream, 'I won't forget you' but I'll cover my cold ears, It cannot be a lie if no one hears. 'Cause although you say good day to me, I know I don't belong. And although you hold my hand and say I love you, you are wrong. 'Cause love does not exist in this garden, there's no feeling. And you say the words so often that I barely know the meaning. And when the flowers are rotten and all cannons shot, I'll scream but you won't hear, 'forget me not'" and when they said "Pray for me, oh children, pray for what I've done, I'll haunt the very wrinkles of your skin" and when they yelled "God made all man in his image, Honey I'm no man, I'm what's left when children go to war" and when they cried "The cracks you made, I filled with mortar, a broken pot can still hold water" and when they whispered "These hands are growing old, they're running out of things to hold" and when we all weeped with them "If I'm good will you come back, If I'm good will you come back to us" and when they scribbled "Let foul men band and heed your hum for that ancient hymn you heard me strumming's nought but fumble-falls and guns and tumbleweeds, love run. It's nought that rum won't solve though some would harm you, none, not one, no one would raise to you a hand nor thumb, not while by you, I stand and hum" and expected people to just go on about their days, and when they said "If I have to be who I was (You're not) Do I have to be who I am" and then they said "'Cause I will suffer silence for the strings you tune. And I'll withstand what's written for the writer in you. Write me well, my love, write me weird, write me willing, write me well." And when we all sang "Shoulder the sky (I can't wait to show you how much) Open those eyes (I know you can be, just let the rain come) There's a kind (Let the rain come down, darling) (Can't you hear it howling) Of calling" and when they made me freeze right where I stood with "Back then, I wasn't hopeful. But now my ink's blood red, not black. And I'll blink like ripping envelopes in the hopes that you'll write back" and BACK TO BACK they wrote "Cause I'm between that just-one-more and drank-too-much again" "And I promise you I'll write I love you with my fingers on your sleeping hand" "And when I think I'm fine you'll visit, and then you'll happen to me, happen to me all over again" and then had the audacity to say "And I'll sing silence, and ask my glass of wine for guidance. I might not make it tonight" and then "They'd paint your eyes with sunsets (my saints, my sigs, my upsets)" and ON TOP OF THAT "You're not a coward 'cause you cower. You're brave because they broke you, yet broken, still you breathe." AND SOMEHOW WROTE "'Cause I'm not trapped with you, you see. you're the one who's trapped with me." IN THE SAME FUCKING SONG ALONGSIDE "Sometimes I fall to pieces just to see what bits of me don't fit" then decided to break some hearts with "We didn't talk, we made universes out of bitten lips and broken hands. You said I love you less than when it all began, and I said fewer cause I make jokes to show how broken I really am" and then they were both the man their fathers never were and more than what their mums told them to be. And then there was the utter heartbreak of "If I don't make it back from where I've gone, just know I've loved you all along" being repeated for an entire outro. AND THEN THERE WAS "Remember me I ask, remember me I sing. Give me back my heart, you wingless thing." with "Think of all the horrors that I promised you I'd bring, I promised you, they'll sing of every time you passed your fingers through my hair and called me child. Witness me old man I'm the wild." "How bold I was, could be, would be, still am. By God still am" AND THEN THE SHEER FORCE OF THE LINES "Welcome to the storm, I'm thunder. Welcome to my table bring your hunger"

AND EVERY TIME THEY COMPARED THEMSELVES TO THE SAINT OF THE PAINT THAT WAS LEFT IN THE POT, YOUR ANGEL ELLIPSIS, YOUR DEVIL OF DOTS, THE HEARTBREAK THAT ACHES FAR TOO MUCH TO BE SHUNNED, ALL THOSE LETTERS UNSENT, AND THAT GARDEN UNGROWN, THE CAPTAIN OF COURAGE THAT YOU'VE ETERNALLY LACKED AND THE JESUS OF WISHING TO CHRIST YOU'LL COME BACK AND SO. MUCH. MORE.

"This here is not make up, It's a porcelain tomb. And this here is not singing I'm just screaming in tune" ARE YOU KIDDING ME "You try so loud to love me, I cannot seem to hear" and "'Cause If we join our hands in prayer enough, to God I imagine it all starts to sound like applause" IN THE SAME ALBUM WITH "And these plates they smash like waves (place your hand in mine) And on the wind, it howls (how long can this last?)" AND "'Cause these plates, they smash like waves (Place your smile in mine) And the wine stains, hide the tears (Why stay? Hide the-) But that breathing you hear, don't mistake it with sighs. Don't you realize, they're just battle cries, my dear?" And then, when they said "And you, you follow philosophies, but me, I laugh, I choke. 'Well hello my hollow Holofernes' I wink but you don't get the joke" and while we were all busy processing, they reminded us "Your eyes aren't rivers there to weep, but a place for crows to rest their feet" AND DON'T EVEN GET ME STARTED ON "I chipped my teeth on every joke you cracked" In this essay I will-

if you follow me you might have clued in on how much im struggling to understand this big dragon hyperfixation [in the last week while being fully employed i have watched all available episodes through once and ep5 4 extra times like this is a Problem™]. And I just cant figure it out, like tearing my hair out cant figure it out because the last time experienced something like this about a show-

-oh

like when i tell you i had a galaxy brain moment it was almost comical. of course of course it would be wenzhou -

my OG Bastard on Bastard ship.

as a Certified Queer™ i am compelled by monstrosity, i am compelled by irredeemable hell bound creatures. And a lot of us might be familiar with this particular bit from Caitlyn Siehl's "Start Here":

When is a monster not a monster? Oh, when you love it.

But there's a particular level of mania i feel when its a monster loving another monster.

When the most irredeemable man you know looks at the other most irredeemable man you know...and finds them worthy of love. When redemption comes without atonement. When redemption is not something another can bestow upon you but that which you bestow upon yourself when you look at your reflection and...decide it deserves love. The idea that human life no matter how corrupted is capable of tenderness and good if they choose it and that no matter how small or insignificant that choice, it still makes its existence meaningful.

That's what drives me insane.

I feel like the comedy overshadows the gravity of the crime yai was in the process of committing. but yai - for no good reason other than he can - drugs someone, essentially kidnaps them, plans to sexually assault them and then record and distribute said act.

thats like 4 life sentences crammed into one night.

and mangkorn - the victim - sees this horrible criminal, sees the man inside the monster in desperate need of love and tenderness and then just gives it to him. he doesnt stop to ask whether he deserves it, he doesn't even wait for an apology [i know yai apologizes to him at the party but that was after destroying even more of mangkorns property and getting caught].

the show isn't even particularly subtle about this theme

like my man is even looking at his own reflection here like how did it take me this long to see this. and so much of the title song and the mv makes so much more sense when you see it through this lens of monstrosity and redemption.

but mangkorn isn't your average victim, right? he's the kind of person who finds not just yai and all his sweet qualities worth loving - he finds yai's criminal action against him endearing. He too is unscrupulous, ready to do whatever it takes to get what he wants.

and the show keeps telling us this over and over that they're the same, two halves of one fucked up whole:

[apparently i am incapable of keeping my thoughts about them succinct so i guess have a cut]

and even the fact that mangkorn says the classic bl line of i can only be myself around you just so early on in the relationship before even like is in the picture let alone love

this whole scene with mangkorn bringing yai to his safe place immediately after yai tries to steal from him and destroys his phone and then says something so intense in this horrible mistimed way like dear god - he means it. he wants yai to see him in the way that he sees yai and wants him exactly as he is in this moment - unrepentant, grumpy, covered with alcohol he spilled on himself.

mangkorn looks at this mess of a man...and wants to be his friend. wants to know him and be known by him. i just want to *banshee screeching*

and of course the progression of their colors pointed out by both pharawee and respectthepetty in more eloquent ways but god the fact that their arc of recognizing the self in the other is so visually visceral

they are each other's salvation in a way that only they can be, through the salvation of the core part of themselves that they see reflected in the other

Collection of bg3 sketches I've been nibbling at over the month. teehee

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

inspired by @limplegsakimbo

day 10: love is devotion ♡

(femslashfeb prompt list)

#i know he's fighting for his life rn... but he just looks so hot

same as it never was.

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

a funny lil flower that suits a funny lil guy

2 minutes of Etho and Bdubs being obsessed with each other

saw dracula daily trending and my very first thought was "wait, I thought it was the off season??" as if there is actually an on season for draculas in real life.

friends of the moon

furudate keeps releasing “interviews” with the hq boys as they grow up and continue their careers like they’re actual famous sports players and he’s just reporting on their life updates, and i hope he never stops. i want new hq gossip mags to keep getting released periodically until the day i die, furudate i love that you are as insane about these boys as we are never change xx

“i believe in you so what’s left is for you to believe in yourself.” – han

for @hyunsung ♡