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#Henry the puppet doll
iekeejkeek · 6 months
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silly fandom doodle
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mingot-studios · 6 months
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Me explaining why Movie!Mike's dad is actually going to be the film counterpart to Henry Emily;
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siremasterlawrence · 5 months
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Henry’s Night Of Metamorphosis
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Henry Lawrence Codwell is a well respected business man in the city who wakes up one night in the midst of the night running in to the shower.He quickly races in to the closet exchanging his pajamas for clothes to party in preferring a suit then he heads downstairs and outside of the house.
He hops in the car playing the key in to the hole switching it the engine revs on as he is driving off and he speeds down the road in to the city.Something inside of him is calling him out to the woods he takes a turn swerving to the last edge of the city going in to the wooden area.
He presses a button as the cars flashlights burns on burgeoning brightly covering the area with a flood of light in the back and the front.The roads are rough but he can hear the odd music blasting loudly as it calls to him the wheels speeds up down the woods area in to a private Woodlawn section.
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The car stops almost automatically without his effort, the doors unlock as he exist the car and heads further in to the woods a voice guides you. Suddenly, the massive cabin is seen before him the door swung open for him to walk in with his nerves at an all time high and he is in a bit of a mood.
The door slams shut instinctively as another pair of hands calls for him to follow him in to the back of the cabin and you watch you are about to make a transition in life.A trans formation is about to happen for him really watching his clothes slowly rip apart then be come back together repurposing his clothes in to a suit.
The lights shut off shockingly leaving him in a state of horror, fear and his anxiety reach for the door but everything vanished in the nick of time. None of this matters for him at this last minute overtaking him knocking him from consciousness only to awaken to the fact he is now in a club with people wall to wall.
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“Where the hell am I? What is this place?”
“It is your home”
“My home…no”
“Why am I here?”
“Mwahahahahaha “
“Stare in to my eyes “
“Swoop your hands in mine”
“Yyyeeesss”
“My name is Master Lawrence “
“Master Lawrence?”
“I am your King”
“You are my king”
“You are my madly in love with me”
“Oh God! You are perfect “
“I love you “
“Why is that boi?”
“You are my creator”
“Correct! It is only natural “
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“Why did you choose me?”
“Because I will up “
“The flesh follows the mind”
“I mold you “
“This body is at your mercy”
“Use me at your whim”
“Take my hand slowly “
“Kiss my hand “
“Let’s dance”
“Whatever you wish”
“Shake that booty”
“I want to see that ass”
“Oh My God!”
“On your knees bitch “
“Undo my belt”
“Mmmm…yes”
“You taste the most delicious and delectable food.”
“You are my god”
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The end
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yunaisky · 11 months
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The puppet's
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zephyr-crest · 1 year
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i recommend giving Battington's Harmony & Horror series a watch.
Season 1. / Season 2. / Non Canon.
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wildbeautifuldamned · 4 months
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2 Rare Vintage Pelham Marionette Puppets Henry VIII & Wife Jane Seymour Limited ebay 09kiddo
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tawneybee · 7 months
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Fnaf Movie things that got me
(⚠️LARGE SPOILER WARNING⚠️)
- The whole deal with the family layout is confusing to me. Vanessa is an Afton (another Vanessa-Elizabeth parallel) and has no mentions of other siblings, but it seems Mike and Abby aren't related to her so they're not Aftons.
- Which is weird because their family structure parallels the Afton kids. Mike is Micheal, the eldest brother. Garret is C.C, the middle brother with the striped shirt. And Abby is Elizabeth, the youngest sister who's name is an anagram for Baby (and could pass as a nickname for Eliz(abe)th).
- Also the age gap? Abby is 10 and I think they confirmed Mike is 30, which is pretty large. And that would make Garrett (unconfirmed age but his actor is 6) 14 years older than her. It's just interesting that the Schmidts had another child so late.
- This is something that everyone has been mentioning, but Nebraska is 9 hours away from Minnesota (where the movie takes place.) Why would William drive all the way up there to kidnap a random kid and drive all the way back? Unless it's not a random kid to him. Because of how Garrett's death parallels Charlie in so many ways, I've heard people suggest that Mike's father is actually Henry, and this is how William gets back at him for something involving the company. Plus it would explain why he recognizes Mike's last name.
- not to mention the Ella doll (once again an Abby-Elizabeth parallel since Ella's is a predecessor to Circus Baby in the Charliebot stages) was a springlock suit Abby was gonna be stuffed in.
-Now that I think about it- holy shit. In the end credits scene Puppet's music box plays while the words "COME FIND ME" are spelled out. What if Garrett possesses the Puppet to play into his Charlie parallel? That would be such a cool twist omg.
This will be updated with my thoughts but this is what I got so far
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ar1g · 3 months
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Ok so completely crack pot silver eyes trilogy theory/headcannon: (haven't read through all the books so I might be wrong about some stuff)
The fact that henry was able to build the illusion discs for the different Charlies simply he may have known about them before hand. Theres also the fact that Henry apparently didn't seem to care at all about samuel.
In both fazbear frights, there are multiple stories about robots/things impersonating or transforming into real people, a lot of them being children. Fazgoo, Lonely Feeddy and Sea Bonnies come to mind.
This, combined with the fact that the person who reveals that sammy is still alive is baby/Elizabeth who, at least in the games, is a pathological liar, leaves me to believe that she is lying about sammy and that he isn't alive with his mom.
Because he was a robot.
Henry built a robot to watch charlie while he was working, used an illusion disc to make it look like charlie and pretended it was her brother. His wife knew about this but... I dont know, dealt with it.
Charlie dies, wife leaves him, and he disassembles Sammy since it no longer serves a purpose. Then when the ella ragdoll comes to life, he puts it in the old sammy body and programs it to think its charlie now. Which is why he was able to throw the thing together so quickly after accidentally creating his haunted doll daughter.
Basically Henry was always just as much a robot making freak as William, which is why Willy had a wierd obsession with him
OKAY IK I SAID ID POST THESE AFTER WORK BUT THSI IS SO GOOD
I never EVER even considered thag possibility and I love it. That would be an awesome parallel to the games how Henry made the puppet to watch Charlie when he was too busy with work
I’m stealing your headcanon btw….
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kittydragondraws · 5 months
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fnaf x md au
just braindumoing an au ill probably never get around to taking seriously
uzi = micheal afton
nori = william afton
khan = the afton no one cares about...
thad = crying child
lizzy = elizabeth afton (it's funny cause lizzy is the shortened form of elizabeth-)
yeva = henry emily
doll = charlie emily (this one makes me chuckle becuase not doll can possess the puppet... get it)
also in this au lizzy, thad, and uzi are all adopted siblings
also n v and j are going to be the mci victims... this pizzaria will only have three animatronics yes
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spiralingemptyness · 5 months
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fnaf hc
I just got off work and… no just no, trying not to have a mental breakdown around other people while dealing with a headache sucks… so take fnaf hc
Michael is the physical embodiment of “I’m back in the fcking building again- OHMYGOD-“ (from snapcube)
Charlie and Michael would practically be hanging out all the time
Henry coming out unscathed and not being spring locked once doesn’t sound right, so he at least got his arm spring locked 🤷
Michael…. Mike smidt bribed Freddy (Gabriel) to leave him alone during a night of night guarding.. it worked
Jeremy knew Michael from before fnaf 2 and was so confused when a man covering his skin head to toe had the same sarcasm as his friend
A goddamn spider can scare Michael more than the animatronics
Before his shift, Michael would talk to the animatronics and puppets about stuff, nothing specific just something he found cool or smth he thought the ghost kids would enjoy
If power goes out (which is rare) Michael would throw shit at whoever is trying to spook him
Speaking of throwing shit, Michael did not hesitate to throw shit at his father, springtrap
During the pizzeria simulator, Henry became the father that Michael hardly had, needless to say they both ‘died’ satisfied
Mikes a mommas boy
He also can cook mean meals bc of it 
Elizabeth often paints both her brothers nails, it’s one of the only times the siblings can just chill out and be siblings
Michael did care about his siblings and was absolutely devastes when he was the last one to remain, as the oldest he expected to die first
elizabeth would commonly have a tea party with dolls, plush’s etc. She tries to recruit her siblings but only succeeds with Evan/c.c./(idfk his name)
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Okay I'm sick can't draw it but I am gonna stream of conciousness post about FNaF Bloodborne AU (by character) GO!!!
Mikey: The whole being a zombie thing makes sense with the Hunter's Dream or whatever so I can see him being connected to that. Beast's embrace people are immaciated and stuff maybe the zombification is beasthood even. I can see him being a friendly NPC or like the guy you play as (IDRK what I want this to be yet). Quality build baaaybeee. Tonitrus cus of the shocking thing maybe he gets the Beast Claws if I go with the werewolf angle.
Charlie: I can see her being the level up lady but she's still the freaky unsettling puppet- maybe in like one of those ornate victorian doll dresses. Maybe she has a Lady Maria thing going where you fight her ghost in the nightmare relm or whataver and the puppet is just a hollow representation and nothing like how she was. Ghost boss Charlie had to be freaky too- big tentacled kin monster like Nightmarrion.
Henry: Gehrman kinda. He's your mentor. He seems pretty alright. You slowly discover that he's actually not that great and you have to kill him now but it's still sad cus that's you're dad. Flamesprayer n Boomhammer cus BURRRNNN!! BUUUURRRNN!!! He totally built the uncanny Charlie doll too kinda like he does in the books. If I had to pick a faction to put him with prrobabbly the Powder Kegs.
Bill: I'm torn between him being part of the Choir (cloying facade, religious imagery) or part of Mensis (balls to the wall, no eyebrows) but they both have child death and horrid science experiments going on and they ARE in a conflict so maybe he's just two-sidesing that lmao. He pretends to be an arcane build (casts tiny tonitrus every so often) but he tends to just beat you to death with the Amygdalan Arm (baby limb ((he kills babies)). I think he gets Henry to mechanise beasthood for him and he yells about the glory of the machine till he kills you. I always forget real actual ghosts are canon to Bloodborne too maybe I could do something with that IDK.
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iekeejkeek · 4 months
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don’t go to the back of the restaurant
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starsfic · 5 months
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Locked in the Vault
So with the new freedom of Steamboat Willie, I remembered a fic series I had in mind and decided to maybe poke at it in the future, adding in a very depressed Mickey. Here is the prologue, introducing some of the human and "human" cast.
Once upon a time, a Creator decided to create something new, besides his creations of a stolen rabbit and a certain mouse, wanting to celebrate his story of a princess and seven dwarves. He set to work with his pencils and pens, creating a story of another princess.
Once upon a time, there was a young princess who danced so beautifully that a nearby sorcerer was dazzled by it and her. He asked her to marry him, but she refused. Enraged, he cursed her. She was trapped in the form of a swan during the day, only returning to her human form when the moon was high in the sky. But not even a curse like that could stop true love- the princess and a young prince fell for each other.
The sorcerer was enraged even further. So, he decided to do something else.
He killed the prince and stole the swan princess, entrapping her in the body of a lifelike doll. Now, she could never find safety in flocks of swans or a prince’s arms, unable to do nothing but dance in a body with a cold chest, cursed into a maddening descent.
Years passed. The doll never aged, but the sorcerer aged.
Because of this, he made mistakes that led to another prince, followed by a peasant lass, to find the doll and her story. Prince Franz and Swanhilda decided to defeat the sorcerer Rothbart to save Princess Odette…
And what happened next?
Nobody knows.
The Creator abandoned the princess and her story, locking them in the dark. Instead, he created and revealed a living wooden puppet, a young deer, a princess with glass slippers, and a magical nanny. Years passed, and everyone forgot the young swan princess.
Until...one day, a woman, a mother chosen to shoulder blame, took control of his company to run it herself. She descended into the vault, finding the swan princess. Using the magic that lingered in the ink, Henrietta awoke the princess…
“Oh, dear lord!”
Henrietta flattened herself against the desk, staring at the girl she had accidentally brought to life. The princess stared back, wide-eyed.
She couldn’t have been older than a teenager, auburn curls piled on her head in a ballerina bun, adorned with a tiara that seemed to be fashioned from white feathers with a single diamond at the center. She wore a classic white ballerina tutu, the edges beautifully decorated with stitching of swans. Her white ballet slippers were streaked with red, adding a touch of horror to the beautiful outfit. She stared up at Henrietta with shocked hazel eyes that had started to fill with tears.
“Oh no.”
The girl- Odette, she guessed from the concept art of the very same girl dancing- started breathing faster, harder. Her eyes looked like she was staring more through her than at her as a noise that sounded like a moan started to come out. The moan turned into a shriek as her fingers dug into her hair, sobbing fat tears. “I- He- WHY?!” As she shriek-cried, digging her fingers further and further into her scalp, Henri looked around for something to help her.
Panicking, she grabbed Walt’s pen that she had used, that she had just been playing around with, and...crossed Odette’s name out. It was a rash decision, one made of more gut instinct than thought. She just wanted that horrible scream to stop.
Everything went silent.
There was a brief flash of gold from the crossed-out name.
Panting, Henri looked back.
The girl, her tears drying on her cheeks, simply sat there with a blank look on her face. Henri gulped and knelt. “Um...hey.” The girl didn’t respond, but her eyes rolled over to stare blankly at her. “Hey, why don’t you take a nap? I’ll get you out of here.” The girl stared at her. Henri tried her best to keep a smile up, hopefully not showing how she screamed on the inside, and the girl finally managed a short nod.
She allowed Henri to pick her up in a bridal carry, eyes falling shut as the CEO managed to sneak herself out of the vault and to the apartment she had built next to Walt Disney’s own. Her daughters- Flora, aged fifteen, and Lena, aged eleven- were out with their father for his custody weekend, leaving the two alone.
She set the girl in the spare room, carefully pulling off the ballet shoes. She winced at the visible cuts and, after throwing the shoes in the trash, set to work bandaging her feet. When she was down, Henri pulled the sheets up to the dancer’s chin.
Closing the door, Henri sank against it.
What now?
Well, she couldn’t go back. Henri didn’t even know how to do that, and she had gotten the gist enough to know that where the girl had come from was horrible. She sat there, thinking through her options. It felt like hours before she remembered that people knew she had been looking into adoption. She could pass O...the girl as her adopted daughter.
Hours later, the girl woke up in Mickey-Mouse-patterned pajamas.
She learned that she had been in an accident that gave her amnesia. Henri was the woman who had adopted her. Flora and Lena were excited to meet their new sister Abby when they came to the new apartment to see the fourteen-year-old. As the trio talked together, learning about each other and Abby’s lack of memory, Henri shoved a box under her bed. The trash had been taken out that morning, hiding blood-stained shoes.
Satisfied, she returned to her daughters.
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saltv2 · 3 months
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Will we ever see a young Henry?
Are puppet’s & BB’s clothes real or are there sew on to their bodies like some dolls?
1- :-3
2- they are actual clothes!! They can take them off if they get dirty
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marmar-woff · 1 year
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I'm glad there's real security in this deviculum. Especially when it's been organized by the border patrol.
Of course, we know that this secret location is not a secret for the bad guys. And those little gadgets for identification and transportation could be altered by a certain someone who loves that kind of thing. It would be smart to have control of the territory, changing the destination to a fake Lost Lounge. They're going to need every advantage they can get, we're talking about a bunch of high ranking demons, 13 crowns and candidates, the 3 greats....you know? I don't think it's really a good idea to attack this deviculum
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I'm happy we all agree that these "puppets" are can be connected to Kirio and the fingers. They could be disguised as those dolls or Kirio could control them to form an army. Or it could be both (Who wants to bet that the doll that tripped Iruma was Kirio? Just for the fun). Besides Kirio would need something big to put on a fight against powerful demons (his shield wouldn't be enough).
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Whether he knows is Kirio or not, Iruma might end up following one of the puppets, you know, "wanting to learn more about magic tools". Curiosity killed the cat. And there is no animal more curious than the human.
Now after an attack occurs, eyes will fall on the 13 crowns as they are the only ones who know the location. I already said that Henri could be accused of failing as head of security and organizer, and this does not make that theory any less likely (the more I see the more I think he would lose one or both positions, crown and chief).
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drinkinboilingcoffee · 2 months
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Serious FNAF movie thing again, hear me out: individual movie for each Afton WITH completely unique cinematography styles and framing based on the characters POVs. Examples (incoherent drabble warning):
-Michael: Mike’s movie would be the most traditional. It would have a classic slasher horror kind of vibe (maybe a bit more character centric); gore, creepy music, jumpscares, etc. Until it’s just… not. When the most horrific scenes happen (Bite of 83, scooper, finding out William is the killer, etc.), the music goes silent. The framing gets more jittery and broken. In the moments where it hits Mike hardest, the idea that he can pretend this is all a game or joke or his imagination vanishes and the world becomes as realistic as possible. -Evan/CC: The important thing about Evan’s POV is blurring how much is real and how much is his imagination. A multi-media effect would look amazing; imagine when he looks at his toys and the animatronics, they’re covered over by cartoonified drawings or claymation. The world itself could maybe distort more when he’s scared- look at artist like Jack Stauber for inspiration for the sorts of styles that look like they should be cute but turn out creepy instead (actually, if we could get Jack to voice act the dolls-) -Charlie & Henry: If these two had a movie I think it should be a conjoined one for a few reasons. For one, one of the bigger complaints people have about both characters is that their characters and arcs end up being nothing but projections of the other, that their characters are too dependent on each other. But what if we actually leaned into that? I’m kind of thinking Wes Anderson style symmetry in the shots- put the two side by side as much as possible until it becomes a signature. Then break that. Once Charlie dies, have Henry keep standing to his side in the shots, only Charlie is no longer there to fill hers. Maybe even do some reprises of the shots and songs with the Puppet in Charlie’s place. -Elizabeth: Elizabeth’s filming is unique in that it doesn’t use any filming techniques to look more frightening. It uses them to look less. The thing about Elizabeth is that I don’t think she’d ever admit or acknowledge how messed up everything is until it was too late. She tries as hard as she can to make her situation seem perfect and that spills over into her perception of reality. The lighting is bright, the colors are vivid, the music is calming. This almost never changes. Not when she’s being abused by William, not when Evan gets chomped, not at Charlies funeral, never. Whatever triumphant track plays when she finally gets to see CB? It keeps playing when she gets scooped by her, not fully cutting off until even after the screen goes dark. Maybe use lighting and focus tricks to make things seem hazy or like they’re in a dream, then if at some point Liz actually has a breakdown and the gravity of everything finally hits her, the world becomes entirely clear for the first time. -William: The best way I can think to describe this film is dissociated. The colors should be monochrome and diluted, the lighting hazy, any music used in a way that gives the distinct feeling it only exists in the scene’s background. Only a few objects (and people), the ones that fill William’s attention, should have their colors normal (the animatronics, remnant, Elizabeth, Henry (definitely Henry), etc.). Maybe when William is in the suit and in character as Bonnie, the background and music become more clear? If I had to give one piece of media to draw inspiration from, look at Joker. The camerawork should also be jittery, and if we could bring in the blood-hits-the-camera effect, that would look perfect.
ABSOLUTELY reblog with additional ideas I want to know if there’s any other serious fnaf movie angst stans out there
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