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#Hell's Hammers
oldschoolfrp · 1 year
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A heavy recovery vehicle attached to Hell’s Hammers, an elite armor unit of the Empire  (Joe Johnston concept art for what became the AT-AT in The Empire Strikes Back, from the Imperial Sourcebook for Star Wars the Roleplaying Game by Greg Gordon, West End Games, 1989)  WEG’s writers used previously unseen art from the files of Lucasfilm, Ltd, as the basis of many new additions to the Star Wars expanded universe.  Hell’s Hammers are mentioned again in Imperial Entanglements (1996) in a scenario for Star Wars Miniatures Battles featuring a recovery crew on foot attempting to retrieve an immobilized repulsortank.
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auratale · 2 months
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Exploding Hammer Car Symbol just dropped.
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eyeofthenewt1 · 1 year
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chronic pain
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leafspiritz · 5 days
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happy lesbian day of visibility to imogen temult 🧡🤍🩷
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gurumog · 8 months
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Frankenstein and the Monster from Hell (1974) Hammer Film Productions Dir. Terence Fisher
Peter Cushing as Baron Victor Frankenstein
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vethbrenatto · 2 years
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500 Fucks, Freely Given
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countesspetofi · 8 months
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Hammer Studios' Frankenstein series starring Peter Cushing
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weirdlookindog · 2 months
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Madeline Smith in Frankenstein and the Monster from Hell (1974)
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milimeters-morales · 10 months
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Miles and Pavitr seemingly getting too into their play fights and Hobie has to hold them by the backs of their suits like kittens bc he was a tad worried for them, and they just start complaining about their fun being interrupted (they’re covered in bruises and Pavitr’s hair is on fire)
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wyrmscockfortress · 4 months
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"and no one will know how you almost doomed the world."
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fucking flashbangs himself
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gorgynei · 1 year
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The Somnovem and Predathos Theory
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Can we talk about Predathos and the Somnovem? I've been dying to talk about Predathos and the Somnovem. There's something here, I smell it.
Theory under the cut, its a doozy.
First of all, "Factorum Malleus" (translates to Creator Hammer) and "Malleus Keys" (translates to Hammer Keys). Aeor and Predathos have a concrete, canonical connection. Ludinus went deep into the Genesis Ward, found the Factorum Malleus project, and developed it further into the Keys to release Predathos. It's unclear whether Aeor also wanted to release Predathos, or if they were just trying to use part of its power to create god-killing weapons, but regardless, Aeor knew about Predathos. Thats a big deal and it explains why the entire pantheon held a ceasefire during the Calamity to completely wipe them out.
Knowing that Aeor has a connection to Predathos makes their fanatical Cognouza ward more suspicious. It's possible that the Somnovem were actually worshiping/serving Predathos but all record of it's existence was wiped with Aeor's falling, so we never knew.
When the Nein first learned about Cognouza, it was due to a psychic wave put out by Vokodo in his final moments, flashing them all into Vokodo's memories. This is similar to the flash that Imogen put out when she gave into Ruidus's power in e33-e34, even down to Bell's Hells being forced into their own memories. While not concrete, the shared usage of emotion-driven psychic waves and memories is notable.
The Somnovem believed in the power of the mortal mind and imagination. In other words, they believed that a brain could manifest psychic power, and they were right: Imogen Temult is living proof of that. They share in the ideas of the power of the mind, even down to the Somnovem communicating telepathically and in dreams.
The Somnovem, or at least members of it, also share many sentiments with the Ruby Vanguard. The Ruby Vanguard wants to release Predathos in order to destroy the pantheon, release mortals from fate, and embrace freedom in that. Ira, upon meeting the Nein, says "Creation is born from destruction, and if all that is worthy of us is destroyed, then so much more can be created or forgotten. All the Gods and the fates that threw us to torment and death, they all will pay" (c2e137) which mirrors that idea extremely closely. Timorei says "You know the terror of the end, mortal ones. The nothing, the acceptance of fate or even oblivion. We-- we cannot end. No, at all costs, oblivion must be destroyed" (c2e137), once again bringing up the idea of disrupting fate and the natural order of things. It's possible that what was originally interpreted as the Somnovem being split on whether to bring Cognouza into the world could have actually been a much larger debate on whether to bring Predathos into the world and destroy pantheon, at least in part.
When Cognouza was transported into the astral sea, it was harassed by a "terrible psychic storm" that drove them mad. Psychic storms haunt all of campaign 3. There's the red storms on the surface of Ruidus and Imogen's dreams, both intimately connected to Predathos and to the power of the mind. Cognouza could have targeted by a powerful psychic wave directly from Predathos, which would explain the strange mind-melded state they end up in and the madness that permeates the entire city and anyone who gets too close.
Additionally, Ruidus flared in 836 PD. Cognouza was also destroyed in 836 PD. It's impossible to know if these are completely connected or pure coincidence, but if Cognouza was a long-running Predathos plot, it's destruction would likely warrant an outburst from the moon.
While delving in Aeor, Lucien discovers a mural depicting "a ring of nine red ovals, with a dazzling starburst in the middle, and that decorated with a single open eye. Enlightenment" (from the Nine eyes of Lucien). Every other symbol of the Somnovem has been just nine red eyes. This "starburst" in the middle could be a subtle nod to Predathos, especially with the way it seems the nine ovals are inferior to this one, greater eye. Lucien seems to believe this represents enlightenment, and he's probably correct. The Aeorians are famously non-religious, so fanatical devotion to a god-killer and it's ideals may have still only looked like extreme belief in a particular school of thought, rather than worship to a particular entity.
There's the obvious too: the nine eyes being red. Red can mean a lot of things. There are plenty of red things in Critical Role that are totally unrelated to Predathos and Ruidus. But when red is the primary colour and representation of unchecked alien energy, and a strange fanatical city with possible connection to that energy is also red? It stops being so chance. Not a big thing on its own, but worth mentioning.
When Cognouza was destroyed, Kingsley felt the "strange black chains that invisibly wove through that city" break and heard an "angry, unknowable, primal, ancient cry". It's widely assumed that this is Tharizdun due to the chain-imagery and general madness that the city is connected to, and I do think that's likely, but if Tharizdun is actually somehow connected to Predathos (both of them are alien beings that got locked away, after all), it could be both of them.
*gestures wildly at all of this* do you see?? do you SEE???? There's something. There's something here.
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Hm. I don't think we should support this artist.
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bjarkanart · 10 months
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Y'know what? I see some of y'all liked my flower/scissors design for Laudna and Imogen, so first, thank you for that and second, I did Pâté a while ago and thought I'd share him too! He says 'ello by the way ;)
I'm thinking of drawing him again but with his rib-wings. Maybe make him extra gross and add little bit of gore, I dunno.
Side note, I still don't know how to respond to the reblogs and stuff but I'll say this again, it means a lot you have no idea. Instagram's been kicking my ass with the nearly non-existent visibility and it's a real breath of fresh air to get some love for what I do here, so thanks again, I appreciate it more than you know.
Okay, I'm done being sappy, see ya!
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sunshineram · 1 year
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the guy
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emosyzoth · 6 months
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hyehehe. if any gaf........
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