There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at

but then he started singing and the dancing began and I realized that he wasn’t meant to be a joke at all. This is the most open and happy we’ve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.

When we talk about queer representation it’s usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.

What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.

Lead them to paradise.

crowley

Every Taylor Swift song

seriously have been thinking about this all night long. call me autistic but the fact that 90% of workplaces the point is not to get your work done and then be done doing it but to instead perform an elaborate social dance in which you find something to do even when you're done doing everything you need to do in order to show your fellow workers that you, too, are Working . because you are at Work . disgusting why cant we all agree that if there is no work immediately to be done. we just dont do anything

Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.

The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.

You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character

you first figure 8 live SO GOOD truly knew they were gonna pop off live as previously mentioned etc etc but crave bridge???? so unexpected almost part ii level playing off each other

I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently

mutt. (small explanation under the cut)

early access + nsfw on patreon

so. a couple of lore things here.

Roba only took one of the blood vials before he went out to fight Price. But during Ghost's final interaction with Vernon, he smashes all of the remaining ones over the floor. When he finally killed Vernon, the impact of the blow splashed blood onto his hands, which he then used to a) slash Roba across the face and b) literally grab his tongue. So you can kind of assume that Roba's gotten a much much higher dose than he's supposed to safely take.

Also, his symptoms look pretty similar to the transformed state of Konig, no? Rabid, mindless, inability to talk, and most importantly, he's huge. I think my thought behind this is that the way the world used to be, monsters were way WAY larger than they are now. Roba was underselling it when he said that the vial "unlocks what is dormant" - probably a better description is that it strips away any hybrid's evolutionary 'safety cap' so to speak, in exchange for the original being's mind.

Here's a neat detail:

Not to talk about season 1 Good Omens in the year of our Lord and Season 3 announcement 2023, but I kind of just realized another little moment that's very sweet and true to real life.

I really like that Crowley isn't just fine again after he learns Aziraphale survived the bookshop burning after all. Normally in stories when there's a "surprise, I'm alive!" moment, the characters just kind of celebrate for a minute and then move on business as usual. But Crowley doesn't. He continues to be visibly be shaken and a little unfocused throughout his conversation with Aziraphale, and when he has to explain what happened, he starts crying again.

I don't know I just thought that was a really nice detail because anyone who's experienced similar whiplash in real life knows about that... residual grief period I guess? I think this was a core memory that informed a lot of Crowley's behavior in season 2, you don't ever really forget that moment you lost them no matter how brief. There's just something very loving and vulnerable in him being like "I thought you were gone, and even though I know now you're ok, I want you to know just thinking about it upsets me deeply."

Idk a lot of the backlash to broadening who falls under what terms comes from the need to distinctly fall under the specific label you worked towards…but distance from adjacent labels only limits your allies and puts you in a rigid box you can’t come back out of either.

Saw a post by a trans woman horrified by the concept of having overlapping experience with femboys because “fuck you I am a woman.” You are. A woman with a lot of overlapping experience with a GNC man. You’re not a GNC man. He’s not a woman. And the gap between you two is not a chasm.

“How dare you say trans men are similar to butch lesbians. Trans men are men.” Yeah, men with similar experiences to butch lesbians. The butch lesbian isn’t a man. You aren’t a woman. And the gap between you is not a chasm.

This mindset doesn’t even account for GNC men who also ID as women, trans men who use the label of lesbian. Butch can be a label for a person of either AGAB.

Binary trans people wanna separate themselves from each other and from nonbinary people sooo bad. Now it makes eggs feel like the jump from GNC woman to man is an insurmountable journey. A femboy gets told he’s making a mockery of trans women’s experiences. A transmasc femboy is seen as just a faker. A butch trans lesbian is seen as a faker.

These labels are all just plots on the map, not one side or the other. You journey to the farthest edges and you find twinks and lesbians who look and act identical despite being supposed opposites. It’s all made up, we’re all queer.

it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

ngl one of the most useful things i’ve internalized from doing art online is never tell people what to criticize. don’t preemptively apologize for things or point out where you think you fumbled, it’s just priming people to notice minor issues that might not actually matter and hit you where you’re sensitive and throw you off your game. don’t tell people your weak points. if it’s a genuine problem they’ll point it out

Let's all pretend that this actually looks like a real youtube thumbnail