So, naturally we had to, now the game is actually out, bingo the CENSORED outfit in Stellar Blade. Credit to HarryNinetyFour for showing all seventy-four outfits, and Kotaku for this article where they propose that Eve is at her sexiest when she's got more on.

Okay... maybe not that but...

Seriously, if you're playing to fap - this game has you covered. But it also has a few really interesting, covering outfits that seem to reflect fantasies of fashion and comfort.

The only thing that's really not present is any sort of actual military like BDUs or combat jumpsuits. That's kinda weird, even Metal Gear Solid V: The Phantom Pain let you put BDUs on Quiet.

And that bit is weird is, based on what I've seen people who've been playing the game saying - there is really a story about her being a soldier and fighting for a cause there. But you'd never know that based on the ongoing outrage.

The outrage is weird and sad

So as you can probably guess, the continuing riot of "censorship" here is pretty absurd. It's got to the point where they even bullied the Stellar Blade's X/Twitter account to un-repost the Kotaku article that praises the game.

But here's the thing, in all the years I've had to deal with brodudes doing this kind of nonsense in various online platforms etc, I have never seen one that is happy.

YouTuber Moon Channel did a two part (1, 2) series on a different drama in South Korea involving a Gacha game that dared not to be pointlessly horny, but here's the general take away.

English speaking brodudes in this situation are imagining that Stellar Blade is some sort of iconic work coming from the anti-woke wonderland where everyone is happy. The reality is:

South Korea has a deeply hierarchical society which essentially tells young people they are to obey and not to speak up

The economy and nepotism is such that unless you are born into a rich family, your employment prospects are downright depressing

Many young men in South Korea develop a lot of resentment toward women primarily because they are told that in order to enter a (heterosexual) relationship they will need to demonstrate they have the ability to be a great provider, and then are denied those opportunities by the economy and nepotism

On top of all this, the government takes a "we know whats best for you" approach to the extent that not only is porn banned but you will be expected to supply your identity information if you want to look up basic sexual educational materials

They would find it to be an absolute nightmare realm.

The reality is that in the "woke" world that brodudes fear, we'd probably see a lot more eroticism in art, including games, and it'd be of the more focused, sincere variety rather than that directed by creepy marketing guy.

All we really need to do is accept each other as people, appreciate each other's humanity and boundaries. Then we can both enjoy a sexy paradise, but also unite and deal with the assholes who keep oppressing us economically and socially.

Wouldn't that be nice?

-wincenworks

AN ARTICLE ON THE BRITISH LOOTING FROM AFRICA

AND SUFFERING OF AFRICANS

The British should return every loot of all kinds back to Africa

IF THEY CONDEMN SLAVE TRADE THEY SHOULD START BY RETURNING THE LOOTS COLLECTED FROM AFRICA ALL IN THE NAME OF TRADE AND RELIGION ,IF OUR CULTURE WAS BAD WHY DID THEY TAKE AWAY OUR HERITAGE AND STORE THEM IN A MUSEUM ?

The looting of Africa during the colonial era occurred through a combination of methods and strategies employed by European colonial powers, including Britain. Here are some of the ways in which Africa was looted during this period:

Military Conquest: European colonial powers, including the British, often used military force to conquer and control African territories. This involved armed conflicts, wars of conquest, and the suppression of local resistance movements. Through these military campaigns, colonial powers gained control over land and resources.

Resource Extraction: One of the primary motivations for colonialism in Africa was the exploitation of its abundant natural resources. European colonial powers, including Britain, extracted valuable resources such as minerals, rubber, timber, and agricultural products from African colonies. These resources were often taken for the economic benefit of the colonial powers.

Forced Labor: Colonial powers imposed forced labor systems on Africans to work in mines, plantations, and other labor-intensive industries. These labor practices were exploitative and often involved harsh working conditions and little compensation.

Taxation and Economic Exploitation: Africans were subjected to unfair taxation systems that drained wealth from their communities. Colonial administrations imposed taxes on land, crops, and other economic activities, forcing Africans to generate revenue for the colonial authorities.

Land Dispossession: Africans frequently lost access to their ancestral lands as colonial governments allocated land to European settlers and corporations. This land dispossession disrupted traditional agricultural practices and led to social and economic dislocation.

Confiscation of Cultural Artifacts: Colonial powers often confiscated cultural artifacts, sculptures, art, and religious items from Africa. These items were frequently transported to Europe and ended up in museums, private collections, or auction houses.

Unequal Trade Agreements: Colonial powers imposed trade agreements that favored their own economies. Africans often received minimal compensation for their raw materials and agricultural products, while European countries reaped significant profits from these trade relationships.

Suppression of Indigenous Cultures: The suppression of indigenous African cultures and languages was another aspect of colonialism. European powers sought to impose their own cultural norms and values, often devaluing or erasing African traditions.

Missionaries played a complex role in the context of colonialism and the looting of Africa. While their primary mission was to spread Christianity and convert indigenous populations to Christianity, their activities and interactions with colonial authorities had various effects on the looting of Africa:

1. Cultural Influence: Missionaries often sought to replace indigenous African religions with Christianity. In doing so, they promoted European cultural norms, values, and practices, which contributed to cultural change and, in some cases, the erosion of traditional African cultures.

2. Collaboration with Colonial Powers: In some instances, missionaries worked closely with colonial authorities. They provided moral and religious justification for colonialism and sometimes acted as intermediaries between the colonial administration and local communities. This collaboration could indirectly support the colonial exploitation of resources.

3. Access to Resources: Missionary activities occasionally granted them access to valuable resources and artifacts. They may have collected religious objects, manuscripts, and other items from indigenous communities, which were sometimes sent back to Europe as part of ethnographic or religious collections.

4. Education and Healthcare: Missionaries established schools, hospitals, and other institutions in African communities. While these services were aimed at spreading Christianity, they also provided education and healthcare to local populations, which could have positive impacts on individuals and communities.

5. Advocacy for Indigenous Rights: Some missionaries, particularly in later years, became advocates for the rights of indigenous populations. They witnessed the injustices of colonialism and spoke out against the mistreatment of Africans, including forced labor and land dispossession.

6. Conversion and Social Change: The conversion of Africans to Christianity brought about significant social changes in some communities. It could lead to shifts in social hierarchies, family structures, and gender roles, sometimes contributing to social upheaval.

1. Cultural Bias: The British, like many Europeans of their time, often viewed their own culture, including Christianity, as superior to the indigenous cultures and religions they encountered in Africa. This cultural bias led to the condemnation of indigenous African religions and gods as "pagan" or "heathen."

2. Religious Conversion: Part of the colonial mission was to spread Christianity among the indigenous populations. Missionaries were sent to Africa with the aim of converting people to Christianity, which often involved suppressing or condemning traditional African religions and deities seen as incompatible with Christianity.

3. Economic Interests: The British Empire, like other colonial powers, was driven by economic interests. They often saw the resources and wealth of African societies as valuable commodities to be exploited. This economic agenda could involve looting or confiscating sacred artifacts, including religious objects, for financial gain.

4. Ethnographic Research: Some British colonial officials and scholars engaged in ethnographic research to study African cultures, including their religious practices. While this research aimed to document indigenous cultures, it could sometimes involve the collection of religious artifacts and objects, which were then sent to museums or private collections in Europe.

5. Cultural Imperialism: Colonialism was not just about economic and political domination; it also involved cultural imperialism. This included an attempt to impose European cultural norms, values, and religious beliefs on African societies, often at the expense of indigenous traditions.

The issue of repatriating cultural artifacts looted from Africa during the colonial era has gained significant attention in recent years. Countries and communities in Africa have long called for the return of these treasures, which hold deep cultural and historical significance. Among the former colonial powers, Britain stands at the forefront of this debate. This article explores the ongoing discussion surrounding Britain's role in returning looted artifacts to Africa.

A Legacy of Colonialism:

Britain's colonial history left a profound impact on many African nations, including the removal of countless cultural treasures. During the height of the British Empire, valuable artifacts, sculptures, manuscripts, and sacred items were taken from their places of origin. These items found their way into the collections of museums, private collectors, and institutions in Britain.

The Case for Repatriation:

Advocates for repatriation argue that these artifacts rightfully belong to the countries and communities from which they were taken. They emphasize the importance of returning stolen cultural heritage as a step towards justice and reconciliation. Many African nations view these artifacts as integral to their cultural identity and heritage.

International Momentum:

In recent years, there has been a growing international momentum to address this issue. Museums and institutions worldwide are engaging in discussions about repatriation. Some institutions have initiated efforts to return specific items to their countries of origin, acknowledging their historical and moral responsibility.

Britain's Response:

Britain, home to several renowned museums housing African artifacts, has faced increasing pressure to address this issue. The British Museum, for instance, has faced calls to repatriate numerous artifacts, including the Benin Bronzes and the Elgin Marbles, which have origins in Africa and Greece, respectively.

In response to these demands, some British institutions have started to collaborate with African countries to explore the possibility of returning certain artifacts. These discussions aim to find mutually agreeable solutions that respect both the historical context and the cultural significance of these items.

Challenges and Complexities:

Repatriation is a complex process involving legal, ethical, and logistical challenges. Determining rightful ownership and ensuring proper care and preservation upon return are critical considerations. Additionally, questions arise about how to address the legacy of colonialism and rectify historical injustices.

The Way Forward:

The debate over repatriation is ongoing and highlights the need for respectful dialogue and cooperation between nations. While the return of looted artifacts is an essential step, it should also be part of broader efforts to promote cultural understanding, collaboration, and acknowledgment of historical wrongs.

The issue of Britain returning looted artifacts to Africa is part of a global conversation about justice, cultural heritage, and historical responsibility. While there are complexities to navigate, the growing recognition of the importance of repatriation signifies a potential path forward towards reconciliation and healing between nations and their shared history. The ongoing discussions reflect a commitment to addressing past injustices and fostering a more inclusive and culturally rich future.

They condemn slave trades yet they’re still with our treasures and cultural artifacts and heritage

coke capitalism in 3x06 “what it takes”

in the evening, after the candidates’ dinner, logan calls the establishment candidate dave boyer, inviting him to meet and asking if he’ll “run [him] over a coke.” on a superficial level, this is a simple fuck-you: assigning a bitch-boy task to the man who needs logan’s support in order to become the next president. however, the choice of coke specifically is highly significant to the episode’s political commentary.

coca-cola’s brand image is deeply linked to the american empire (’cocacolonization’) and a rosy, propagandised image of capitalism in general. when logan asks boyer for a coke, we can read this as symbolic of the relationship he wants waystar and potus to have. the president should run errands for logan roy, specifically in a way that subordinates the political office and the state to waystar’s economic needs and the economy in general. 

this is an inversion of older forms of capitalism, like 18th-century court capitalism, wherein corporations were allowed to exist and granted economic privileges only insofar as they served the interests of the state / sovereign. waystar has some value to the american empire, insofar as it exports soft power globally and manufactures consent domestically. but the balance of the relationship between logan and potus clearly tilts in logan’s favour multiple times throughout the show, and demanding the coke is essentially logan telling boyer he expects this arrangement to continue, literally asking the president to bring him american capitalism for his own consumption.

meanwhile, roman meets with mencken in logan’s bathroom (the gold accents in the bathroom, in combination with the coca-cola, also evoke a certain trumpian quality in logan). while mencken denies being a “dancing monkey,” roman understands that atn’s goal is to peddle whatever sells—in this case, fascism, which is particularly well-suited to spectacle and therefore to tv. 

thus, when mencken brings logan a coke after all, he’s conveying two messages. one, that he’s willing to ‘play nice’ with logan. two, that his brand of fascist spectacle will actually do a better job than establishment republicanism of encoding american politics as flows of pure capital. analogously to the eminently consumable soda, this arrangement will melt down all political meaning and transform it into brute monetary value that waystar can use.

by kissing the coke, however, mencken makes it impossible for logan to actually drink it: it’s now been tainted, both by literal germs and by homoeroticism. this is where roman’s role is critical. unlike logan, roman is openly aroused by fascist masculinity, hence his literal flirting with fascism in the bathroom. roman is able to consume the coke, taking a political-economic waste product into his body and ‘consummating’ the deal logan has just made. roman’s body thus serves as both a waste receptacle and a symbolic representation of how american capitalism ‘gets into bed’ with fascism.

on a meta level, the choice of coke is also quite funny because we can presume that coca-cola paid for that product placement, or at least permitted it. despite the fact that the scene and the show have plenty of unflattering things to say about capitalism and fascism, the value of product placement on a popular tv show will always trump any critique being made within the show itself. capitalism is capable of absorbing any criticism of itself simply by selling it: in this case, ‘tv show’ is both an art form and a commodity, and no radical critique internal to the text is capable of altering the underlying economic relation.

The Minoan Civilization: An Early Example of Advanced Culture on Crete

The Minoan civilization, named after King Minos, a figure from Greek mythology, experienced its peak on the island of Crete from about 2000 to 1450 BCE. This culture is often regarded as one of the first advanced civilizations in Europe and exhibited remarkable liberalism and progressiveness, which were evident in many aspects of their society.

Cultural and Social Achievements The Minoan society was characterized by its open and progressive attitude, as seen in the splendor of its architectural works, such as the richly decorated palaces, and in its art, exemplified by detailed frescoes and intricate jewelry. The artistic representations, including images of women in airy garments and men ritually leaping over bulls, illustrate a culture that highly valued physicality and aesthetic expression.

Progressive Views on Love and Relationships A particularly striking feature of the Minoan civilization was its attitude towards homoerotic and homoromantic relationships. Compared to other ancient cultures, where such relationships were often taboo, artistic and ritualistic depictions suggest that in Minoan society, love and erotica in various forms were recognized and possibly celebrated. This openness is a testament to the liberal stance of the Minoans.

Economic Foundations and Trade Relations The economy of the Minoan civilization was heavily influenced by trade. The Minoans maintained extensive trade contacts with other cultures of the Mediterranean, which not only increased their wealth but also promoted cultural exchange. Unlike many contemporary cultures that expanded through military conquests, the Minoans were primarily known as traders rather than warriors. These trade relationships supported a society that focused more on cultural development and economic exchange than on warfare.

Influence on Subsequent Cultures The Minoan culture likely had a profound impact on later Greek culture. Elements of their art, architecture, and religious practices can be seen in Greek culture, indicating a strong cultural connection. These legacies show that the Minoans left a significant mark not only in their own time but also in the broader sweep of history.

In summary, the Minoan civilization was an impressive example of a liberal and progressive society that was ahead of its time in many areas. Its cultural achievements, particularly in art and economics, as well as its open social structures and attitudes, make it a fascinating subject of study in the history of human civilizations.

Text supported by Chat GPT-4 Base images generated with DALL-E, overworked with SD-1.5/SDXL inpainting and composing.

READ THIS POST ON NEOCITIES AT ABSOLUTEBIRTH.NEOCITIES.ORG

Absolute Destinty: Analysis is a biweekly blog analysing Revolutionary Girl Utena as a I conduct my third watch-through in summer 2024. My three priorities are to A) create a guide suitable for following along with a first watchthrough which is spoiler-free enough to not have the show spolied but which might highlight hints toward the cumulative storyline, B) knit together a full analysis of Utena which tackles the show's main themes, with an emphasis on my personal interests of surveillance, spectacle, and power, or the questions who sees? what do they see? and who decides? and C) maintain a section at the end of each blog post with the intent of pointing out, for people who are on their second or third watchthroughs, my favorite allusions to the End of the World.

Each post will be, following my favorite quote from the episode, split into 7 sections:

Episode Summary: what it says on the tin

A Wider Gaze: An attempt to put this episode into the wider view of the show as a whole, contextualizing the development of characters, themes, and relationships in Ohtori academy, and then taking that wide view of the show and applying it to the world as we live it-- the world outside of Ohtori academy.

Institutionalized: Drawing from The Shawshank Redemption (1994), here we look at how the characters in each episode have found themselves embedded in Ohtori, enacting actions against their own better interests for fear of leaving behind a comfortable confinement.

The Eye That Fucks the World: Donna Harraway describes ubiquitous surveillance as "the god-trick of seeing everywhere from nowhere" and goes on to say that "this eye fucks the world." Revolutionary Girl Utena is a story about being watched, not only by the viewer on the other side of the camera but, as we will eventually find, by another eye-- which certainly has intentions to fuck the world. Here we see how this ethos of watching and being watched plays out, episode to episode.

Who Decides Who Decides?: Ohtori is a world of power. As the student council squabbles, power shifts between them are some of the most significant developments in each episode. Here, we check in with the power balance, what changes it, and what that means for both Utena and Utena.

Saito Solace: A piece of Saito's manga art from The Gallery At Empty Movement, to finish off the spoiler-free section of the post.

(SPOILERS) The End of the World: The section for those in the know and my kicking-my-feet giggled realizations about the clues Ikuhara leaves us throughout the first 35 episodes. I don't want to say too much here, because I don't want someone who isn't looking for it to read too much, but suffice to say that Utena is certainly one of those stories where hindsight is 20-20.

In terms of my own background, Utena related and otherwise: I was born and raised in the northern Midwestern United States and moved out east for college, where I'm majoring in "data economy" (a self-made amalgamation of economics and computer science) and ethics. I was into anime in high school, mostly grew away from my obsession, but recently viscerally remembered the awe inspiring masterpiece that is Utena and decided it was probably once again time to think about Anthy at least twelve hours a day. My favorite other pieces of media are Disco Elysium, Against Me!'s album Transgender Dysphoria Blues, Don Delilio's novel White Noise, Infinite Jest, Neutral Milk Hotel's In an Aeroplane Over the Sea... in terms of other seminal pieces of lesbian liturature, Fried Green Tomatoes at the Whistle Stop Cafe and everything by Alison Bechdel, but especially Dykes to Watch Out For.

My favorite Utena characters are and always have been Mikage, Anthy, Nanami, and Saionji (in that order) but I hold a soft spot for every single one of them and the spider-thin lines connecting them emotionally and thematically. I believe thinking about the duelists in terms of right and wrong or our id-pol concepts of oppression hinders a reading of the show, just as a flat understanding of those things hinders meaningful connections and community building across the false lines the patriarchy creates, so I generally find myself more sympathetic to Touga, Mikage, and Saionji than others may be. Finally: I suspect, although I haven't cracked their code, that the Nanami episodes are the most significant in the entire show.

The first post, for the first episode, will be posted this Wednesday, May 22nd, 2024.

if you don’t mind sharing, why dark shadows, specifically? what got you into it?

Good question! I had a vague pop cultural awareness of Dark Shadows as a thing (probably akin to "the gothic horror vampire soap opera?") for a while, but both the episode count (1245 episodes!) and the shaky availability put me off watching it years ago.

If I had to point to the things that made me sit down and watch the show starting last fall, apart from being a lunatic, and all episodes being available on Tubi and Internet Archive, I'd say two things:

First, @widowshill made an edit on her old blog, @terrorpenned - intercutting scenes from DS and passages from two of Rediker and Linebaugh's The Many Headed Hydra and Rediker's Between the Devil and the Deep Blue Sea which did highlight a lot of the things I find fascinating about the pre-vampire era of the show (I mean - Barnabas rising from the tomb in episode 209, and, much like toothpaste and the tube, unable to be returned) - the maritime economy, the socio-economic decline of the Collins family, the circumstances of their fortune and their moral decay, their continuing willingness to throw everyone but themselves under the bus to save themselves - and which does sort-of continue into the post-vampire era. Not as much as I'd like, but I'm not the showrunner.

Second, there were the more notable gaffs that made it onto the show (here's my favorite. please join me in appreciating The Arts.) because the show was made on a budget of $3 and a ham sandwich and there was no money for reshoots or editing.

As to why I'm still watching it (572/1245) now - I love vengeful ghosts, and I love the gothic horror sensibilities, particularly of the pre-vampire era and the weight the show gives the sins of the past: fitting for a soap opera, almost nothing and no one stays dead, goodness is almost never rewarded, and nothing is ever at peace.

I think that puts me in the minority of people who know and love the show, so, a word in favor of its other charms: Dark Shadows is both fundamentally unserious and deadly, deadly earnest: a vampire, a mad scientist, and the vampire's former thrall may be thrust into being the ersatz parents of a frankenstein's monster whose actual creator has been murdered by a vengeful witch (said vampire's dead-but-not-really) ex wife - they may be literally doing this under the visible shadows of boom mics and notably glancing at the teleprompters! - but this is, somehow, also about the vampire's rocky relationship with his own long-dead parents, and also about nature versus nurture in human life, and how cruelty reproduces itself through generations. Genial academic types will summon unhinged puritan witch hunters from the dead, and they'll bitch about dye jobs. Sets will catch fire, everyone will forget their lines at least once, stagehands will be visible, vampire bats will be clearly adorable puppets. You'll be forced to stare into the dark night of the human soul. You'll be forced to pretend a human skull in a wig is the most frightening sight known to man. The lore's inconsistent, the characters get recast, I think they forgot the show was set in Maine. I love it. I can't say enough about it. It's one of the greatest artistic achievements of the 20th century. 90% of what I love about it is purely conjecture or subtext. Please don't watch it before setting your affairs in order.

woo! congrats on 250 followers! i love reading your work! though this event has my brain performing mental gymnastics (my single braincell is goinf 90) but i think i got it haha. so can i pleasd have a white tea with milk art in a lavender tea cup, dainty tea cookies and roses on the side? thank youuuuuu

the perfect candidate

summary: ningguang's secretaries have found some difficulites when searching for a worthwhile suitor for her. they’ve looked everywhere for someone suitable for their lady, but have come up empty handed. until you show up, that is. 

masterlist | event

customer’s order: a white tea (ningguang) with milk art (one shot) in a lavender tea cup (*luxury) with dainty tea cookies (fake dating) and roses (forbidden love) on the side.

*brewer’s choice, as it was not specified in the order

pairing: ningguang x reader

reader info: uses gender neutral pronouns (they/them), reader is ningguang’s assitant (left vague), and reader is not traveler

word count: 519 words (2 min~)

genre: fake dating, forbidden love, romance

format: one shot

warning: implied attraction between boss (ningguang) and employee (reader)

a/n: :O anon, idk what it is, but like... this got my mind going >:D thank you for requesting, you did such a great job 💖

Ningguang’s secretaries advised her on everything; including her dating life.

At first, they genuinely had her best interest at heart. The trio of women wanted to find someone caring and nurturing towards Ningguang; someone with their Lady’s best interest at heart. But as they searched and nit-picked through a sea of candidates, they quickly realized someone like that was hard to find.

So, they suggested finding someone for Ningguang to “fake date” as they called it. She still rolls her eyes at this new coined term, finding her assistants to be more of a hindrance than help. So, instead of providing romance and comfort to her life, Ningguang would now have a life partner who could take care of Liyue. 

“So… another assistant?” she drew out with an exasperated sigh.

The three of them looked between each other, at a loss for words. But then Baiwen nodded, a solemn expression on her face. Great, Ningguang thought with a sneer. She put a lot of effort into not yelling at her secretaries, as they were only doing their jobs. They are only putting my best interest at h— oh, wait.

“Perhaps our Lady should court someone intelligent?” Baiwen suggested. “Together, they could raise the state of the economy to be a better place for Liyue.”

Baishi shook her head. “No, Lady Ningguang should have someone just as radiant as her by her side. We have the Qixing to think about the city; we don’t need another smart person. What we need is someone that inspires the people of Liyue; someone that makes people whisper in the streets with envy.”

“Whoever it is,” Baixiao began, “we need to keep it as confidential and private as can be. If we made things too public, enemies of Lady Ningguang may try to exploit her new found weakness.”

“Yes, but how can we raise Liyue’s morale if—” Baishi began.

Baiwen furrowed her brows, “Morale? What about the entire economic state? Baishi, you can’t just—”

“—solve issues with love and good looks,” Baixiao finished for her. “I agree with Baiwen, but you’re both missing the entire point of this. Lady Ningguang won’t be safe if she lets herself be vulnerable in a relationship—”

Ningguang tuned the three of them out, finding their conversation to be mildly insulting. If they had just asked her, Ningguang would have solved this dispute ages ago. She even had the perfect candidate in mind, someone that even her three secretaries could trust. 

“Excuse me,” your voice came in through the thick door, a gentle knock following, “I have my Lady’s afternoon tea. One white tea, with two lumps of sugar. Just the way she likes it.”

All heads turned to the door, a delightful grin spreading across Ningguang’s lips. The trio of secretaries quickly took notice of how she brightened at the sound of your voice. She blossomed like a flower in season, sitting straighter in her seat and tucking away stray strands of hair. Ningguang placed both hands, palms down, in her lap and crossed her elegant legs. The secretaries shared a knowing look between them. 

The perfect candidate. 

thank you for reading 💖 all forms of interaction to my posts are appreciated 💖

Juxtapoz Magazine - Hugh Mangum photography

Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment—and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South.

Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art—its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.

The photographs originally exhibited at the Nasher Museum of Art and a book of the work is published by University of North Carolina Press.

If you enjoyed this, you might like: An Extraordinary Archive of Gold Rush Daguerreotypes

the benefits of positive social capital formations via arts

IntroductionIn recent years, there has been a growing interest in the relationship between positive social capital formations and the arts. Social capital refers to the networks, relationships, and trust that exist within a community, while the arts encompass a wide range of creative expressions that have the power to foster connections and inspire change. By examining the ways in which the arts can contribute to the development of social capital, we can gain insight into the mechanisms through which communities can build resilience, foster cooperation, and promote well-being. This research seeks to demonstrate the tangible benefits that accrue from investing in positive social capital formations via arts-based initiatives, shedding light on the transformative potential of creative expression in strengthening social bonds and enhancing community cohesion.

Understanding Social Capital in the Context of ArtsUnderstanding social capital in the context of arts is crucial for recognizing the intertwined relationship between cultural participation and social cohesion. Social capital, defined as the networks, relationships, and norms that facilitate collective action, can be fostered and strengthened through engagement in artistic endeavors. By participating in arts activities, individuals create bonds with others who share similar interests, forming a sense of community and belonging. These connections can lead to increased trust, reciprocity, and social support within a group, ultimately contributing to the development of positive social capital . Moreover, arts engagement has been shown to bridge social divides, promote diversity, and enhance communication among diverse groups (Dario Castiglione et al., 2008-04-17). Therefore, exploring how the arts can cultivate social capital offers valuable insights into its potential benefits for fostering inclusive and cohesive societies.

The Positive Impact of Social Capital Formations through ArtsThe Positive Impact of Social Capital Formations through Arts lies in its ability to foster cultural heritage, educational value, and promote environmental and social responsibility within a community. Drawing on postmodern cultural theory and the principles of the Triple Bottom Line, arts engagement not only enriches individuals aesthetically but also contributes to the holistic development of society. Postmodern music culture has introduced new concepts and experiences to vocal art, reflecting the societal shifts towards deconstruction and anti-traditional ideologies (Tao Liu, 2018). Moreover, the Triple Bottom Line framework emphasizes the importance of economic, environmental, and social responsibilities for enterprises, highlighting the sustainability and ethical dimensions of social capital formation through arts (Qun Wang, 2016). By integrating these insights, the positive impact of arts in fostering social capital formations is evident in promoting cultural understanding, sustainable practices, and responsible governance, thus enhancing the overall well-being of a community.

Case Studies Demonstrating the Benefits of Positive Social Capital Formations via ArtsThe exploration of case studies reveals the transformative power of positive social capital formations through the arts. Johnson's analysis of cities like Glasgow, Bilbao, Singapore, and Geelong illustrates how the arts can activate individuals, rebuild communities, enliven the polity, aid physical regeneration, and reorient economies, highlighting the instrumental role of the arts in addressing economic and social challenges. By delving into the historical contexts of these cities and their unique approaches to cultural strategies, Johnson emphasizes the importance of sustainable arts agendas that distribute benefits equitably and minimize adverse impacts on urban landscapes. These case studies exemplify how cities, particularly those experiencing economic or social decline, leverage the arts to rejuvenate their societies, foster community engagement, and promote long-term cultural, political, and economic sustainability. Through these examples, the profound impact of positive social capital formations via the arts emerges as a catalyst for urban revitalization and societal transformation.

Implications for Society and Policy RecommendationsThe implications of positive social capital formations through the arts extend beyond individual well-being to influence society at large. As Beacom et al. (cite7) suggest, effective governance strategies are essential in navigating systemic risks that impact sustainable development, with a particular focus on societal transformation processes. Considering the interconnectedness of agents within systems and the homomorphism of systemic risks across various domains, such as migration phenomena, a scientific approach rooted in complexity science is crucial for informing policy decisions. By recognizing the potential for arts-based activities to enhance social capital and foster community cohesion, policymakers can leverage these positive elements to address societal challenges. Policy recommendations should prioritize the integration of arts initiatives into broader social and economic strategies, thereby harnessing the transformative power of creative expression to build resilient and inclusive societies. Informed by empirical evidence and theoretical frameworks, such policy interventions hold promise in promoting sustainable development and mitigating systemic risks associated with social dynamics.

ConclusionIn conclusion, the findings of this study underscore the significant benefits that positive social capital formations through engagement with the arts can bring to communities. By fostering connections, trust, and mutual support among individuals, arts-based social capital can contribute to improved well-being, mental health, and overall quality of life. Through avenues such as community arts programs, festivals, and workshops, individuals are provided with opportunities for self-expression, creativity, and collaboration, which in turn can strengthen social ties and networks. Furthermore, the cultivation of shared values, understanding, and empathy that often result from participation in arts-based activities can help to bridge divides and promote social cohesion within diverse communities. Thus, investing in and supporting the arts as a means of building social capital can have far-reaching positive effects on individuals and communities alike.

So about Aggretsuko

so tomorrow is the final season of Aggretsuko, once i finish it I will share my thoughts on it too but I am hoping we get an amazing ending for our girl

I manage to binge season all four seasons, including the Christmas special 

and I got to say, despite my feelings about the ending of season 3 and 4....

I still love this series

(yes season 4 is mild to bad, I will talk about that too)

The series still hits right when it comes to charm, talking about the economic problems of today, (they boomers are daydreaming about the Bubble economy again)  showing strong complicated and various adult women who all live different lives, be it a single strong career women or a wife with kids. My friends joke that in some ways I’m a lot like Retsy, (I try to please people and yes sometimes I do buy a product because I feel bad about going to a store and leaving without buying anything, I stress easy and do cry at times,) I think Retsy is a much stronger person then me trough and unlike her, I don’t desire a husband.) but still Retsy is easily my favorite character.

Season 2 is the highlight (so far of the series) I think it’s everyone’s favorite for a reason and while I know he’s popular with the fandom I do have to say with the new development of ai voices and ai art there are some things that just doesn’t sit right with me with Tadano 

(Don’t get me wrong, I do like him!) Tadano wants to change the world by making most jobs obsolete with the workings of A, so that everyone can focus on something else they want to do, a passion or their dream, something creative. That’s great and all, but not everyone can make a living of that, ( see Manaka ) And even Retsuko points out at that moment: She’s fine with her office job, there are a lot of people who don’t really have any creative ambitions. And there’s nothing wrong with that. in fact, not everyone wants to turn their hobby into their day job either. Tadano’s dream and AI program will screw these people over. Tadano hopes that everyone can have a form of basic universal income, but that’s just not realistic, and I wish other characters pointed this out. 

That being said seeing Retsuko and Tadano’s relationship develop was a lot of fun to see, they have chemistry, and it sucks that it didn’t work out between them. But I like it because it wouldn’t be fair to either Tadano or Retsuko to give up a part of themselves just to please the other. That would have made have ended up in a bitter divorce or break-up. Tadano doesn’t believe in marriage and doesn’t want kids. He wants Retsuko to just stay with him, leave her job and do whatever she wants. Retsuko doesn’t want to quit her job, and she wants to be a blushing bride and have children one day. Yeah these two were not going to work.

The other highlight of season 2 is we get to see more of  Washimi and Gori, I love these two a lot, They are best friends and become Retsuko’s best friends through the series, we find out Washimi used to be married and got divorced just a few months later, she has no desire anymore to be a married woman, she’s happy with her life as it is and warns other women that marriage is not going to fix your life or all your problems. Then there is Gori, another 40-year old career woman who is looking for a husband: She regrets focusing too much on her career and less on finding a partner in her younger years. That said the series does not imply, that’s the only way for a woman to become happy and that Gori is an example of the fate of all regretful single women (just fyi studies suggest otherwise) Gori mentions that right now, she’s perfectly happy because of her career and her friends, she just hopes she will remain happy 20 years from now.

Season 3, Retsuko becomes part of an underground idol, she almost quits her office job because she CAN make a living of her singing career. It got ruined because a stalker makes an attempt to stab her. Japan has a deep issue with the way they handle stalkers, so this is sadly realistic for a lot of women living in Japan. She’s saved by Haida, but develops a form of ptds and hides away in her mother’s house. Sadly, no character suggests a form of therapy and Haida calls her a coward in a way to encourage her to go back to work. This rubs people of the wrong way, and it’s one of the reasons why people dislike the ending of season 3. Japan sadly has a stigma against therapy but I wish this more modern show that is willing to criticize some of Japanese traditional culture norms would have been open with this too, but alas.

Speaking of Haida, I have very mixed feelings about the character, I do like him I was rooting for him up till season 3 and 4.  Him suggesting Retsuko is not that weak when Gori and Washimi tell him that Retsuko needs more time to heal from the attack made me uncomfortable. Just to remind everyone, you are not WEAK because you want to heal from a traumatic experience: remind yourself that. Haida is in love with Retsuko but doesn’t know her very well neither does Retsy know Haida, and by season 4 when they are in fact dating, both Haida and Retsuko keep secrets from one another. To me, it feels like Haida loves the idea of Restuko more then Retsuko.  AND IN SEASON 4 HAIDA COMMITS BLUE COLLAR CRIMES LMAO Restuko is not a forward kind of woman and she’s not insertive.Haida often lacks the courage to take more steps with Restuko because he doesn’t believe in himself. Their own character traits are holding them back in this relationship, making me believe this won’t work out. I hope season 5 being a conclusion of the series will show us the development of their romance or the break-up of these two.

One’s thing that is frustrating about Aggretsuko is that each season sets itself back and everything goes back to the statues quo, but I’m happy to see Haida indeed quit his job by the end of season 4. Good going show! That beind said season 4 just felt messy, Haida’s arc felt frustrating but the season despite its flaws also had some key high lights

The episode where the characters are defending and helping Kabae trying to mix her work with her role as a mother is beautiful, Himeru was an excellent villain, can’t help but love this corrupt fellow. Ton despite being very problematic, a relic of the traditional ‘‘women belong in the kitchen’‘ jerks, shows a lot of his moral greyness this season. It doesn’t justify his abusive actions towards Restuko but, he obvious loves his family, refuses to fire anyone of his staff, even refusing to fire Retsuko under the pressure of Himeru and through the seasons he’s the one who gave out important lessons to Retsuko that ended up saving her: He knows when she’s suffering, or forcing herself to be something she’s not for her then-current boyfriend. (  Resasuke and Tadano) Retsuko ends up helping him in this season and despite some problems here and there, I believe they have a healthier work relationship now. (unless season 5 fucks this up)

anyway I am still hyped for the final season and I hope we see a happy ending to our angry panda.

or if you can’t Netflix maybe give us a movie to conclude everyone’s arc? maybe? ;-;

Hiiii how about 3, 11, 15, 16, 18 for the recent ask?

Oh my, thank you!

3. One of the best takes you’ve ever seen

Brain short-circuited, but there was an excellent meta on TLOTR and specifically the true enemy throughout the story, despair, with insight into Éowyn's struggle with depression. I can't find it :sadface: must've been on my old long gone blog.

A few recent ones I liked

11. Recommend a fic with an unusual/original headcanon or characterisation that you loved

nothing of him that doth fade by crownlessliestheking feat Maglor/Elwing!

15. A topic you never get tired of discussing

Answered here!

16. One of your favourite tropes!

Answered here!

18. Something you initially did not like but came around to

HMMM I can't think of any right now that would qualify :( but I'll *gently* spam your askbox if I remember!

Welcoming Castlevania & Tolkien fandom asks

Global Indians: Uniting Cultures and Making Waves Worldwide

The Indian diaspora has a rich history of making its mark across the globe. These individuals, often referred to as "Global Indians," play a pivotal role in bridging cultures, contributing to economies, and influencing various aspects of the global landscape. In this blog, we explore the significance of Global Indians and their remarkable impact on the world.

Who Are Global Indians?

Global Indians, also known as Non-Resident Indians (NRIs) or Persons of Indian Origin (PIOs), are individuals of Indian descent who reside outside of India. This diverse and dynamic group includes Indian expatriates, professionals, entrepreneurs, students, and their descendants. They have established themselves in various corners of the world, contributing to the societies in which they live while maintaining strong connections to their Indian heritage.

The Impact of Global Indians

Economic Powerhouses: Global Indians have become a driving force in the economies of their host countries. They hold prominent positions in various sectors, including technology, finance, healthcare, and education, and have launched successful businesses, contributing significantly to their adopted nations' economic growth.

Cultural Ambassadors: Global Indians are instrumental in sharing India's rich cultural heritage with the world. They celebrate festivals, share traditional cuisines, and promote art, music, and dance, fostering a greater understanding and appreciation of Indian culture.

Innovation and Technology: Many Global Indians have played a pivotal role in advancing technology and innovation. Silicon Valley, for instance, is home to numerous Indian tech entrepreneurs and professionals who have shaped the tech landscape.

Political and Social Advocacy: Global Indians have been active in advocating for social and political issues, both in their adopted countries and in India. They often participate in charitable and philanthropic activities and support social causes.

Education and Research: Indian students and academics abroad have excelled in diverse fields, making significant contributions to research, innovation, and academia. They further strengthen international educational institutions.

Building Bridges

Global Indians act as bridges between India and their host countries, fostering better international relations. Their experiences and relationships can lead to collaborations in areas such as trade, education, and technology. These connections serve to promote mutual understanding and cooperation on a global scale.

Global Indians are not only a testament to the success of the Indian diaspora but also a reflection of the world's increasing interconnectedness. They embody the notion that talent, knowledge, and culture know no borders, and their influence continues to grow, making them a powerful force for positive change on a global stage.

Conclusion

Global Indians exemplify the spirit of global citizenship, transcending geographical boundaries while preserving their Indian heritage. Their contributions to economies, cultures, and societies worldwide are a testament to the strength and resilience of the Indian diaspora. As this dynamic group continues to flourish, their impact on the global landscape is sure to grow, fostering unity and understanding among diverse cultures and nations.

Economy and Trading in Skyblock Servers: Tips and Tricks

Skyblock servers have become a popular Minecraft game mode, challenging players to survive on a small floating island and build their own economy from scratch. In this unique setting, the principles of resource management, trading, and building a thriving economy take center stage. In this article, we will explore tips and tricks for mastering the economy and trading aspects of Skyblock servers, helping you maximize your success and progress in this exciting game mode. - Establish a Resource Pipeline: Efficient resource management is crucial in Skyblock. Focus on automating resource generation to establish a steady supply of essential materials. Utilize systems such as cobblestone generators, farms, and mob grinders to ensure a continuous influx of resources. A reliable resource pipeline will provide a strong foundation for trading and economy building. - Understand the Market: Take time to observe the server's economy and understand the demand and supply dynamics. Identify valuable resources and items that are in high demand and strategize accordingly. Keep an eye on the market trends, price fluctuations, and popular trade routes. This knowledge will enable you to make informed trading decisions and maximize your profits. - Diversify Your Trading Portfolio: Instead of relying solely on a single resource or item, diversify your trading endeavors. Explore various avenues for profit, such as farming, mining, crafting rare items, or even providing services to other players. By diversifying your trading portfolio, you can minimize the impact of market fluctuations and maintain a steady income stream. - Build Relationships and Network: Skyblock servers are vibrant communities, and establishing relationships with other players is essential for successful trading. Engage in conversations, join guilds or alliances, and participate in server events. Networking not only opens up opportunities for trading but also provides valuable insights, tips, and potential collaborations that can boost your economy-building efforts. - Master the Art of Negotiation: Negotiation skills are paramount in trading on Skyblock servers. Hone your negotiation abilities to strike favorable deals with other players. Be patient, polite, and open to compromise. Finding mutually beneficial trade agreements will help foster positive relationships and ensure long-term success in the economy. - Monitor Supply and Demand: Keep a close eye on the supply and demand of different resources and items on the server. Identify opportunities where the demand outweighs the supply, allowing you to capitalize on higher prices and increased profits. By monitoring the market closely, you can anticipate changes and make strategic decisions to stay ahead of the competition. swissrocketman - Invest Wisely: As your economy grows, consider investing in long-term ventures that generate passive income. This can include purchasing land, building farms or automated systems, or investing in rare and valuable items that appreciate in value over time. Strategic investments can provide a steady stream of income and help you expand your economic influence. - Stay Active and Engaged: To thrive in the economy and trading aspects of Skyblock servers, it's crucial to remain active and engaged with the server's community. Regularly check for trading opportunities, participate in server events, and stay updated on changes and developments. Being active will keep you at the forefront of the economy and ensure you don't miss out on lucrative trading prospects. Mastering the economy and trading in Skyblock servers requires careful planning, resource management, and strategic decision-making. By establishing a resource pipeline, diversifying your trading portfolio, and staying engaged with the server's community, you can build a thriving economy and maximize your success in this challenging game mode. So, put these tips and tricks into action, and watch your small island transform into a bustling economic hub in the vast sky of Skyblock.

heres the america computer explination:

America, officially known as the United States of America, is a country located in North America. It is bordered by Canada to the north and Mexico to the south. The country is made up of 50 states, each with its own government, and a federal district known as Washington, D.C., which serves as the capital.

The United States is often referred to as a melting pot due to its rich diversity. It is home to people from various ethnic, cultural, and religious backgrounds. The population is primarily composed of descendants from European, African, Asian, and Native American origins.

The United States is known for its democratic system of government. It operates as a federal republic, meaning power is divided between the central government and individual states. The President, who is the head of state and government, is elected by the citizens every four years. The government consists of three branches: the executive branch, headed by the President, the legislative branch, consisting of the Senate and the House of Representatives, and the judicial branch, which includes the Supreme Court.

The United States has a strong economy and is one of the largest in the world. It is known for its technological advancements, innovation, and entrepreneurship. The country is home to numerous multinational corporations and has a diverse range of industries, including technology, finance, entertainment, manufacturing, and agriculture.

The United States has a prominent role in international affairs and is considered a global superpower. It is a founding member of the United Nations and plays a significant role in various international organizations and treaties. The country has a complex relationship with other nations and has been involved in numerous conflicts and alliances throughout its history.

American culture is diverse and influenced by various factors, including its immigrant population. It is known for its contributions to music, art, literature, film, and sports. American sports such as baseball, basketball, and American football are particularly popular and have a large following.

Overall, America is a vast and diverse country, known for its democratic system, economic power, cultural influence, and global presence.

The Gift: How the Creative Spirit Transforms the World

by Lewis Hyde

Introduction | pdf

Forward by Margaret Atwood | pdf

The Gift is a brilliant, life-changing defense of the value of creative labor. Drawing on examples from folklore and literature, history and tribal customs, economics and modern copyright law, Lewis Hyde demonstrates how our society—governed by the marketplace—is poorly equipped to determine the worth of artists' work.

Short Review: "Life changer. Must read." — embyr, sobbing into her pillow, probably.

Long Review: This is a book I put off reading for too long, and it shows. The Gift begins with the basic premise that art is a gift, not a commodity. But, as we live in a society dominated by the market economy, there are constant attempts to commoditize art. As it turns out, though, the closer art pushes toward a commodity, the less of a gift it becomes, until it isn't recognizable as art at all. Thus, artists of all sorts are caught in this awkward push and pull between that deep reach into the soul from which they might pull out handfuls of words or colors—that unknowable bestowal of inspiration from some otherworldly place—that is the creative process, and the basic need to eat.

Even for those of us who have never thought of trying to make a living off our art, there is a tendency to view our creations as commodities if we aren't remarkably careful, and measure their value as we would marketplace commodities: in likes, reblogs, kudos, followers, and so on, as though they were dollars and cents and sales figures. But, as The Gift makes abundantly clear, works of art are gifts that can't be measured in such pedestrian currencies:

"Even if we have paid a fee at the door of the museum or concert hall, when we are touched by a work of art something comes to us which has nothing to do with the price... When we are moved by art we are grateful that the artist lived, grateful that he labored in the service of his gifts."

All of this is covered in much more elegant detail in the book's introduction, linked above.

The Gift proceeds to tackle this predicament in two distinct sections, the first half a series of ethnography, folklore, and anecdotes that examine the nature of a gift and gift exchange (and thus, the creative spirit), and the second half a study of the work and lives of two poets, Walt Whitman and Ezra Pound.

I will add one caveat here, which is that the book is extremely long-winded. Not a chapter went by where I didn't feel sure, somewhere abouts halfway through, that I was being led down an incredibly deep rabbit hole of anthropological tangent or medieval tax law history that was bound to have no point and no relationship to art or the plight of the artist at all. Somehow it always came back around, shocking and illuminating as a bolt of lightning (though, to cite just one example, sometimes didn't have its resolution until some 60 pages later). That having been said, though I feel very deeply that everything The Gift has to say could have been said in half as many words, I'm not sure which passages I would cut. Perhaps being mired in it for nearly 400 pages is part of the process.

And by process, I'm referring to the changes I underwent personally (but that I suspect aren't unique). My view towards art and its inherent worth—my own art, yours, everybody's—has fundamentally shifted. And it seems to me that that's what the book is about: not about telling anyone how they ought to make their art or how to navigate making a living by their art, but about reeducating ourselves and reshaping our attitudes about the nature of the gift, gift exchange, and the creative spirit. It's a genuine, inward-looking, healing experience. And it equips you to create, undisturbed and unobstructed, for as long as you have the gift in you: "The gift we long for, the gift that, when it comes, speaks commandingly to the soul and irresistibly moves us."

"If you want to write, paint, sing, compose, act, or make films," Margaret Atwood says in her foreword, "read The Gift. It will help to keep you sane."

I want to normalize personal economic interdependence. American culture has too much bought into the idea that one's worth as a person is based on one's level of financial independence. I'm thinking specifically about the discourse that floated around the internet recently about whether helping friends move is a good or bad phenomenon, but I'm extending it to financial support. Let's instead embrace the idea that life is full of situations where you are dependent on others for a season, and opportunities to provide financially for others who are dependent on you for a season. Examples:

Children and the elderly. Isn’t it great that almost everybody gets to spend part of their life independent with the capacity to care for others, and part of their life dependent on others? Yes, you can save for your own old age, but nobody gets to skip childhood. The fact that almost everybody is on both sides of the independent / dependent line at some point in their lives is pretty great and important. It bothers me the degree to which modern people think of children or aging parents as a burden imposing on their lives. It’s an opportunity, and you too get to experience seasons like that.

Disability. Now, I’m less familiar with this. But it’s clear to me that alongside the other disadvantages disabled people experience, it only makes things worse if society says your value is based on your independence.

Stay-at-home mothers. I was talking to my sister today, who shared that she used to be embarrassed by the fact that she is dependent on her husband financially, and she is recently learning to embrace it. I think one of the worst things about our society is that it even crosses our minds to think one’s value is dependent on where one is in relationship to the producer/consumer economy. The fact that caring for children (if they are your own—remember that for paid caregivers this is a full-time job) would ever occur to us to be less important than e.g. working for an employer.

General opportunities opened up by thinking in terms of households rather than individuals. Also from my conversation with my sister: on the side of caring for her son, she is able to pursue artistic endeavors (a precarious situation if you need it for income) enabled by her husband’s stable job. This is wonderful. We should really embrace the idea that downstream from the fact that marriage is making two people one, is the reality that together, husband and wife have twice as many hours in the day to pursue good things. My sister and her husband are in this together: together, they make his stable income, care for their son, and make art. There is nothing wrong with the fact that the hours doing those things are split differently between them.

I could think up more examples, but that's enough for today. That last point about thinking in terms of households and the various opportunities opened up by households both for experimenting with new endeavors and for caring for others in need, is the foundation for how I've been trying to think about the world nowadays.

(Posted also to my serious blog)